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THE JOYCE THEATER

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WHO’S WHO IN <strong>THE</strong> COMPANY<br />

including Shen Wei Dance Arts, Kevin<br />

Wynn Collection, Sidra Bell Dance NY, Kyle<br />

Abraham/Abraham.in.motion, Daniel Charon<br />

Dance, Nora Petroliunas/The Pharmacy Project<br />

and alex|xan: the Median Movement. Hsiao-jou<br />

is thrilled to be here and has had a great time<br />

working and dancing with all of these amazing<br />

folks. She joined the Company in 2012.<br />

NETTA YERUSHALMY (Dancer) was<br />

recently awarded a fellowship from the John<br />

Simon Guggenheim Foundation for her<br />

choreographic work. In the coming months,<br />

she will be in residence at the Baryshnikov<br />

Arts Center and at the Liguria Study Center<br />

in Bogliasco, Italy. A BFA graduate of<br />

NYU’s Tisch School of the Arts, Netta has<br />

also received a NYFA Fellowship and a Six<br />

Points Fellowship. She has been an Artist-<br />

In-Residence at the Tribeca Performing<br />

Arts Center since 2010. Her work has been<br />

presented by Danspace Project, Harkness<br />

Dance Festival, DNA, Jacob’s Pillow, and The<br />

Yard. She was also recently commissioned<br />

by the Zenon Dance Company (Minneapolis,<br />

MN). As a performer, Netta has worked<br />

with Nancy Bannon, Mark Jarecke, Karinne<br />

Kiethley, Joanna Kotze, Ronit Ziv, and others,<br />

and has danced with Doug Varone in various<br />

settings, including his productions at the<br />

Metropolitan Opera. Netta staged Varone’s<br />

work at the University of Michigan and<br />

Point Park College. She has been a company<br />

member of Doug Varone and Dancers since<br />

2007. She would like to thank Doug for all<br />

these years of inspiration and friendship.<br />

KATHRYN DEAN RHODES (Apprentice)<br />

is a Texas native who received her BFA in<br />

Dance from SUNY Purchase in December<br />

2010. While at SUNY Purchase, she<br />

performed works by Lauri Stallings, Doug<br />

Varone, and Pam Tanowitz. Since moving<br />

to New York City, Kathryn has worked<br />

with Zoe|Juniper, Nelly van Bommel, and<br />

on the Metropolitan Opera Production of<br />

Les Troyens. Kathryn currently resides in<br />

Brooklyn, where she choreographs for her<br />

own dance company RoadWork.<br />

BRANDON WELCH (Apprentice) began<br />

his training in Indianapolis, IN with Diane<br />

Gudat. He received his BFA from SUNY<br />

Purchase College, where he performed works<br />

by Twyla Tharp, Ohad Naharin, Stephen<br />

Petronio, and Doug Varone. He studied<br />

for one semester at the Western Australian<br />

Academy of Performing Arts, and in 2011,<br />

Brandon joined MOMIX. Since moving<br />

to New York, Brandon has danced for<br />

Metropolitan Opera Ballet in Doug Varone’s<br />

Les Troyens. He began working with Doug<br />

Varone and Dancers in 2012.<br />

JANE COX (Lighting Designer). Collaborating<br />

with Doug Varone has been an enormous part of<br />

Jane’s creative life since 1997. Collaborations<br />

include lights for Castles, Agora, Dense<br />

Terrain, Chapters from a Broken Novel,<br />

Egalite, Alchemy, Victorious, Boats Leaving<br />

(Bessie Award, 2007), The Bottomland,<br />

The Bottomland: Part II, and Approaching<br />

Something Higher. Opera and theater designs<br />

with Doug include Faust, The Elephant Man,<br />

La Cenerentola, and The Invisible Man. Jane’s<br />

other projects for the 2012-13 season include<br />

Lucia di Lammermoor at Sydney Opera House,<br />

Picnic on Broadway, The Whale and Flick at<br />

Playwrights Horizons, and Luster with Monica<br />

Bill Barnes, with whom Jane also has a long<br />

term collaboration. Jane teaches design at<br />

Princeton University.<br />

DAVID FERRI (Lighting Designer) has<br />

worked with prominent choreographers such<br />

as Pina Bausch, Shen Wei, Doug Varone, Yin<br />

Mei, Eiko and Koma, Jane Comfort, David<br />

Rousseve, Jody Sperling, and Ballet Preljocaj.<br />

He has been the Production Manager for<br />

the prestigious American Dance Festival<br />

since 1996, training upcoming designers in<br />

America. He is a recipient of a 1987-1988<br />

Bessie Award for his design of Doug Varone’s<br />

Straits and 2000-2001 Bessie Award for

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