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<strong>THE</strong> <strong>JOYCE</strong> <strong>THE</strong>ATER<br />

DOVA, Inc., in association with The Joyce Theater Foundation, presents<br />

Artistic Director<br />

Doug Varone<br />

The Company<br />

Hollis Bartlett Xan Burley Julia Burrer Erin Owen Alex Springer<br />

Colin Stilwell Eddie Taketa Hsiao-Jou Tang Netta Yerushalmy<br />

Lighting Designers<br />

Jane Cox David Ferri Lily Fossner Dan Feith<br />

Scenic Projection Designer<br />

Wendall K. Harrington<br />

Costume Designers<br />

Liz Prince Lynne Steincamp<br />

Technical Director<br />

Dan Feith<br />

Executive Director<br />

Martha Neighbors<br />

General Manager<br />

Sarah Bodley<br />

Doug Varone and Dancers receives support from the Alphawood Foundation, Bossak/Heilbron Foundation,<br />

Doris Duke Charitable Foundation, The Fan Fox and Leslie R. Samuels Foundation, Inc., Harkness Foundation for Dance,<br />

The Jerome Robbins Foundation, Mid-Atlantic Arts Foundation, National Dance Project of the New England<br />

Foundation for the Arts, New York State Dance Force, the Shubert Foundation, Seth Sprague Educational<br />

and Charitable Foundation and the Trust for Mutual Understanding. This program is supported, in part, by public funds<br />

from the National Endowment for the Arts, the New York State Council on the Arts with the support of<br />

Governor Andrew Cuomo and the New York State Legislature; and is supported, in part, by public funds from the New York<br />

City Department of Cultural Affairs, in partnership with the City Council.<br />

We also gratefully acknowledge the Commissioning Club and our many individual supporters.<br />

Leadership support for The Joyce Theater’s 2012–2013 season has been received from<br />

the LuEsther T. Mertz Charitable Trust.<br />

The Joyce Theater Foundation gratefully acknowledges the Doris Duke Charitable Foundation for its generous endowment<br />

to support dance performances at The Joyce Theater.<br />

Generous support for this engagement was provided through a grant from The Fan Fox and Leslie R. Samuels Foundation, Inc.<br />

to encourage the performance of New York City-based companies at The Joyce Theater.<br />

The Joyce Theater’s Engagement Assistance Program is made possible by the New York State Council on the Arts<br />

with the support of Governor Andrew Cuomo and the New York State Legislature; and is supported, in part, by public funds<br />

from the New York City Department of Cultural Affairs, in partnership with the City Council.<br />

Major support for The Joyce Theater has been provided by Bloomberg Philanthropies, The Andrew W. Mellon Foundation,<br />

and The Shubert Foundation. Additional major support has been provided by Alphawood Foundation, First Republic Bank,<br />

MetLife Foundation, and The Jerome Robbins Foundation.


T H E C I T Y O F N E W Y O R K<br />

O F F I C E O F T H E M A Y O R<br />

N E W Y O R K , N Y 1 0 0 0 7<br />

October 11, 2012<br />

Dear Friends:<br />

It is a great pleasure to welcome everyone to the Doug Varone and Dancers’ 25 th<br />

Anniversary Celebration.<br />

New York City is a cultural capital of the world, and the best place anywhere to<br />

experience the performing arts. We are home to some of the best known and well-respected<br />

venues, companies, and one of the premier destinations for the most talented people in the arts.<br />

For the past 25 years, Doug Varone and Dancers has been an integral part of New York’s<br />

cultural landscape, and their groundbreaking work has been recognized across the globe. Their<br />

educational and residency programs are crucial to inspiring the next generation of leaders in the<br />

performing arts, and have enriched the cultural lives of so many throughout our City. Doug<br />

Varone’s work as a choreographer and director has been brought to life across theater, opera, and<br />

dance. His influence has been felt in a number of venerable productions, and we’re glad to join<br />

in commemorating this auspicious occasion. Together, we’re looking forward to another 25 and<br />

more years of achievement from this terrific company.<br />

On behalf of the City of New York, please accept my best wishes for an enjoyable event<br />

and continued success.<br />

Sincerely,<br />

Michael R. Bloomberg<br />

Mayor


PROGRAM A: Oct. 9 at 7:30pm; Oct. 11 at 8pm; Oct. 13 at 8pm; Oct. 14 at 2pm<br />

APERTURE<br />

(1994)<br />

Choreography: Doug Varone<br />

Music: “Moments Musicaux, No. 2” by Franz Schubert<br />

Lighting Design: David Ferri<br />

Costume Design: Lynne Steincamp<br />

XAN BURLEY COLIN STILWELL HSIAO-JOU TANG<br />

Aperture premiered on January 8, 1994, at The Joyce Theater in New York City.<br />

It was funded by the 1994 Altogether Different Fund for New Works. Additional support provided by<br />

public funds from the National Endowment for the Arts Challenge III Grant Program.<br />

- PAUSE -<br />

CARRUGI<br />

(2012 – NYC Premiere)<br />

Choreography: Doug Varone<br />

Music: “La Betulia Liberata” by W.A. Mozart<br />

Lighting Design: Lily Fossner<br />

Costume Design: Liz Prince<br />

HOLLIS BARTLETT XAN BURLEY JULIA BURRER ERIN OWEN<br />

ALEX SPRINGER COLIN STILWELL EDDIE TAKETA HSIAO-JOU TANG<br />

1. Full Company<br />

2. Full Company<br />

3. Hsiao-Jou Tang<br />

4. Hollis Bartlett and Alex Springer<br />

5. Erin Owen, Colin Stilwell and Eddie Taketa<br />

6. Full Company<br />

7. Xan Burley and Colin Stilwell<br />

8. Julia Burrer with Xan Burley, Erin Owen and Hsiao-Jou Tang<br />

9. Eddie Taketa and Company<br />

10. Julia Burrer, Alex Springer and Company


Carrugi premiered on March 24, 2012 at the Center for the Arts, on the campus of the University at Buffalo,<br />

The State University of New York. The creation of Carrugi was made possible through public funding from the<br />

National Endowment for the Arts with additional support from the National Dance Project of the New England<br />

Foundation for the Arts. It was also made possible in part by a Company-in-Residence grant from the 92nd Street Y<br />

Harkness Dance Center. Additional funding support was provided by New York State DanceForce with funding from<br />

the New York State Council on the Arts Dance Program, and from the New York City Department of Cultural Affairs in<br />

partnership with the City Council. It was created, in part, while in residence at Pick of the Crop Dance Company,<br />

and the University at Buffalo, The State University of New York.<br />

- INTERMISSION -<br />

BALLET MÉCANIQUE<br />

(2001)<br />

Choreography: Doug Varone<br />

Music: “Ballet Mécanique” by George Antheil<br />

Lighting Design: David Ferri<br />

Scenic Projections: Wendall K. Harrington<br />

Video Programming: Paul Vershbow<br />

Costume Design: Liz Prince<br />

HOLLIS BARTLETT XAN BURLEY JULIA BURRER ERIN OWEN<br />

ALEX SPRINGER COLIN STILWELL EDDIE TAKETA HSIAO-JOU TANG<br />

Ballet Mécanique premiered on July 27, 2001 at the Lobero Theatre in Santa Barbara, CA.<br />

Ballet Mécanique was co-commissioned by The Joyce Theater’s Stephen and Cathy Weinroth Fund for New Works,<br />

SUMMERDANCE Santa Barbara, and The University of Texas at Austin Performing Arts Center. Major creative<br />

support provided by the Andrew W. Mellon Foundation and the Doris Duke Fund for Dance of the National Dance<br />

Project, a program administered by the New England Foundation for the Arts, with additional funding provided by the<br />

National Endowment for the Arts, The Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation and the<br />

Philip Morris Companies Inc. Revival support has been provided by NEA American Masterpieces, the New York State<br />

Council on the Arts, and the New York City Department of Cultural Affairs in partnership with the City Council.<br />

“Ballet Mécanique” by George Antheil, by arrangement with G. Schirmer, INC. publisher and copyright owner.


PROGRAM B: Oct. 10 at 7:30pm; Oct. 12 at 8pm; Oct. 13 at 2pm; Oct. 14 at 7:30pm<br />

BOATS LEAVING<br />

(2006)<br />

Choreography: Doug Varone<br />

Music: “Te Deum” by Arvo Pärt,<br />

Lighting Design: Jane Cox<br />

Costume Design: Liz Prince<br />

HOLLIS BARTLETT XAN BURLEY JULIA BURRER ERIN OWEN<br />

ALEX SPRINGER COLIN STILWELL EDDIE TAKETA HSIAO-JOU TANG<br />

Boats Leaving was commissioned by the American Dance Festival and premiered on July 6, 2006 at Page Auditorium,<br />

on the campus of Duke University in Durham, NC. Boats Leaving was funded with major support from the National<br />

Endowment for the Arts and the Andrew W. Mellon Foundation. Funding was also provided by the American Dance<br />

Festival with support from the Doris Duke Awards for New Work.<br />

“Te Deum” by Arvo Pärt, by arrangement with European American Music Distributors, LLC.<br />

- INTERMISSION -<br />

ABLE TO LEAP TALL BUILDINGS<br />

(PREMIERE)<br />

Choreography: Doug Varone<br />

Music: “Cruel Sister” (excerpt) by Julia Wolfe<br />

Lighting Design: Doug Varone and Dan Feith<br />

Costume Design: Liz Prince<br />

ERIN OWEN<br />

ALEX SPRINGER<br />

Able to Leap Tall Buildings is made possible in part with public funding from the National Endowment for the Arts<br />

and the New York City Department of Cultural Affairs in partnership with the City Council. It was created while in<br />

residence at the University at Buffalo, The State University of New York.<br />

“Cruel Sister” by Julia Wolfe, by arrangement with G. Schirmer, INC. publisher and copyright owner.<br />

- PAUSE -<br />

RISE<br />

(1993)<br />

Choreography: Doug Varone<br />

Music: “Fearful Symmetries” by John Adams<br />

Lighting Design: by David Ferri<br />

Costume Design: Lynne Steincamp<br />

JULIA BURRER and EDDIE TAKETA<br />

NETTA YERUSHALMY and HOLLIS BARTLETT<br />

HSIAO-JOU TANG and ALEX SPRINGER<br />

ERIN OWEN and COLIN STILWELL<br />

Rise premiered on October 8, 1993, at the Quick Center for the Arts in Fairfield, CT.<br />

It was created in residence at the NYU Tisch Summer Dance Residency Program and at Virginia Commonwealth<br />

University in Richmond, VA, through a generous grant from the Carpenter Foundation.<br />

“Fearful Symmetries” by John Adams, by arrangement with Hendon Music, Inc., a Boosey & Hawkes company,<br />

publisher and copyright owner.


PROGRAM NOTE<br />

This 25th Anniversary season is dedicated to all the dancers, past and present, who have<br />

helped process and create a body of work that continually explores the crosslink of human<br />

movement and emotion. Through their tremendous artistry, generous commitment and selfless<br />

imaginations they have each left an invaluable and passionate imprint on these dances. With<br />

care and love they are, as ever and always, my closest allies.<br />

Doug Varone<br />

Nancy Coenen (1986-96)<br />

Bonnie Wong (1986-96)<br />

Mary Govern (1986-93)<br />

Christine Philion (1986-89)<br />

Leslee Lewis (1986-89)<br />

Tina Goldstein (1986-89)<br />

Alyce Bochette (1986-88)<br />

Jim Campbell (1986-87)<br />

Tim Hadel (1986-88)<br />

Cal Grogan (1987-88)<br />

Andrew Boynton (1987-88)<br />

Larry Hahn (1988-2003)<br />

Matthew Cazier (1988-1995)<br />

Gabriel Masson (1989-94)<br />

Gwen Welliver (1990-2000)<br />

DOUG VARONE AND DANCERS (1986-2012)<br />

Nancy Bannon (1992-2000)<br />

Eddie Taketa (1994-present)<br />

David Neumann (1995-1998)<br />

Adriane Fang (1996-2007)<br />

Merceditas Mañago (1996-2001)<br />

Eric Handman (1998-99)<br />

Keith Johnson (1999-2001)<br />

Daniel Charon (1999-2010)<br />

Faye Driscoll (2000-2002)<br />

Jessica Swanson (2000)<br />

Cria Merchant (2000-2001)<br />

Ashley Gilbert (2000-2002)<br />

Natalie Desch (2001-2012)<br />

John Beasant III (2001-2007)<br />

Nina Watt (2002-2004)<br />

Stephanie Liapis (2002-2007)<br />

Catherine Miller (2002-2006)<br />

Kayvon Pourazar (2003-2005)<br />

Michael Sean Marye (2005)<br />

Peggy Baker (2005-2007)<br />

Ryan Corriston (2005-2011)<br />

Belinda McGuire (2006-2007)<br />

Erin Owen (2006-present)<br />

Netta Yerushalmy (2007-2012)<br />

Julia Burrer (2007-present)<br />

Alex Springer (2008-present)<br />

Hollis Bartlett (2011-present)<br />

Colin Stilwell (2011-present)<br />

Hsaio-Jou Tang (2012-present)<br />

Xan Burley (2012-present)


ABOUT <strong>THE</strong> COMPANY<br />

During the 2012-13 season, the Company proudly celebrates its 25th Anniversary. Since its<br />

founding in 1986, Doug Varone and Dancers has commanded attention for its expansive vision<br />

and versatility. On the concert stage, in opera, theater, and on the screen, Varone’s kinetically<br />

thrilling dances continually explore and mine the complexity of the human spirit. This season<br />

has the company criss-crossing the United States with extensive performances, workshops,<br />

and master classes in major cities and universities around the country. Internationally, the<br />

Company will tour Argentina, Paraguay, and Peru as part of DanceMotion USA sm , a program<br />

developed and funded by the US Department of State and produced by Brooklyn Academy of<br />

Music (BAM).<br />

At home in New York City, Doug Varone and Dancers is the resident company at the 92nd<br />

Street Y Harkness Dance Center. On tour, the Company has performed in more than 100<br />

cities in 45 states across the US and in Europe, Asia, Canada, and South America. Stages on<br />

which the Company has performed include The Kennedy Center, Lincoln Center, Brooklyn<br />

Academy of Music, San Francisco Performances, London’s Queen Elizabeth Hall, Toronto’s<br />

Harbourfront, Moscow’s Stanislavsky Theater, the Venice Biennale, and the Tokyo, Bates,<br />

Jacob’s Pillow, and American Dance Festivals. In opera and theater, the Company regularly<br />

performs in the many Varone-directed or choreographed productions that have been produced<br />

around the country. Varone and his dancers and designers have been honored with 11 New<br />

York Dance and Performance Awards (Bessies).<br />

Doug Varone and Dancers are among the most sought after ambassadors and educators in<br />

the field. The Company’s multi-discipline residency programs on tour capture their concepts,<br />

imagery, and techniques across disciplines and for people of all ages and backgrounds, reaching<br />

out to audiences in ways that directly relate to their lives and interests. This year will mark the<br />

Company’s 4th annual Winter NYC Intensive (Hunter College, January 14-19, 2013) and 14th<br />

annual Summer Workshop (The College at Brockport, June 2-22, 2013), which attract students<br />

and professionals from around the world.<br />

To learn more about the Company, visit www.dougvaroneanddancers.org.<br />

WHO’S WHO IN <strong>THE</strong> COMPANY<br />

DOUG VARONE (Artistic Director) works<br />

in dance, theater, opera, film, and fashion.<br />

He is a passionate educator and articulate<br />

advocate for dance. By any measure, his<br />

work is extraordinary for its emotional range,<br />

kinetic breadth, and the many arenas in which<br />

he works.<br />

His New York City-based Doug Varone<br />

and Dancers has been commissioned and<br />

presented to critical acclaim by leading<br />

international venues for more than two<br />

decades. In 2008, Varone’s Bottomland, set<br />

in the Mammoth Caves of Kentucky, was<br />

the subject of the PBS program, “Dance in<br />

America: Wolf Trap’s Face of America.”<br />

In opera, Varone is in demand as a director and<br />

choreographer. Among his four productions<br />

at The Met are Salome, with its sensational<br />

“Dance of the Seven Veils” for Karita Mattila;<br />

and the world premiere of Tobias Picker’s An<br />

American Tragedy. He has directed multiple<br />

premieres and new productions for Minnesota<br />

Opera, Opera Colorado, Washington National<br />

Opera, and Boston Lyric Opera, among others.<br />

Varone is a frequent collaborator of composer<br />

Ricky Ian Gordon: choreography, Grapes of<br />

Wrath (2008); direction and choreography,<br />

Orpheus and Euridice for Lincoln Center<br />

(2005, OBIE Award). Upcoming: Les Troyens<br />

at The Met (choreography), The Magic Flute<br />

at Minnesota Opera (direction).


WHO’S WHO IN <strong>THE</strong> COMPANY<br />

His numerous theater credits include<br />

choreography for Broadway, Off-Broadway,<br />

and regional theaters (McCarter, La Jolla,<br />

Yale Rep, Walnut Street). He staged several<br />

seasons of designer Geoffrey Beene’s NYC<br />

couture runway shows. Film credits include<br />

choreography for the Patrick Swayze film,<br />

One Last Dance. Upcoming: Murder Ballad<br />

at Manhattan Theater Club (fall 2012).<br />

Varone has created dance works for the Limón<br />

Company, Martha Graham Dance Company,<br />

Hubbard Street Dance Chicago, Rambert<br />

Dance Company (London), Dancemakers<br />

(Canada), Batsheva Dance Company (Israel),<br />

Bern Ballet (Switzerland), and An Creative<br />

(Japan), among many others. His dances<br />

have been staged on more than 75 college and<br />

university programs throughout the United<br />

States and abroad.<br />

Varone received his BFA from Purchase<br />

College, where he was awarded the<br />

President’s Distinguished Alumni Award in<br />

2007. Honors also include a Guggenheim<br />

Fellowship, an OBIE Award, a NYFA<br />

Fellowship, the Jerome Robbins Fellowship<br />

for Creative Study in Bogliasco, Italy, two<br />

American Dance Festival Doris Duke Awards<br />

for New Work, four from the National Dance<br />

Project, and two individual New York Dance<br />

and Performance Awards (Bessies) for<br />

Sustained Achievement in Choreography,<br />

and for his 2006 work Boats Leaving.<br />

HOLLIS BARTLETT (Dancer) was born in<br />

Barrington, IL, and began dancing at a young<br />

age. His love of performing stuck with him<br />

as his family moved to Cape Cod, MA before<br />

he began high school. In May 2010, Hollis<br />

graduated from NYU’s Tisch School of the<br />

Arts with a BFA in Dance. Since graduation,<br />

he has had the pleasure of working with<br />

Brian Brooks, Adam Barruch, and the<br />

Metropolitan Opera. In addition to dancing,<br />

he is a member of Dance/NYC’s Junior<br />

Committee, working to strengthen and unite<br />

a community of emerging professional artists<br />

and administrators. Hollis is honored to have<br />

joined Doug Varone and Dancers in 2011.<br />

XAN BURLEY (Dancer), a native Ohioan<br />

and a graduate of the University of Michigan<br />

with degrees in Dance and English, is an<br />

active performer, creator, teacher, and arts<br />

administrator based in Brooklyn. She has<br />

had the great pleasure of working with artists<br />

such as Nancy Bannon, Daniel Charon,<br />

DOORKNOB Company, Shannon Gillen and<br />

Guests (of which she is a founding member),<br />

Shannon Hummel/Cora Dance, and Donnell<br />

Oakley, among others. Xan also acts as<br />

producer of WAXworks, is on faculty at the<br />

92Y, and has held teaching positions at several<br />

schools, summer programs, and festivals. Her<br />

choreography with partner Alex Springer has<br />

been presented in New York and elsewhere<br />

and their dance films have been shown in<br />

various screenings throughout the US. With<br />

infinite enthusiasm and gratitude, she joined<br />

Doug Varone and Dancers in 2012.<br />

JULIA BURRER (Dancer), originally<br />

from Austin, Texas, cultivated her love for<br />

all types of dance from a young age. After<br />

studying under Tapestry Dance Company<br />

in Austin, she moved to New York in<br />

2002, where she continued her training at<br />

SUNY Purchase, earning a BFA in Dance.<br />

She also studied abroad at Rotterdamse<br />

Dansacademie. She has had the pleasure of<br />

working for such artists as Daniel Charon,<br />

Bill Young & Colleen Thomas, Teri & Oliver<br />

Steele, and Chimaera Physical Theater. She<br />

feels immensely grateful to continue delving<br />

into the creative process, not only with<br />

Doug Varone and Dancers, but also with<br />

both alex|xan: the Median Movement and<br />

Gwen Welliver. Julia also directs the teen<br />

performing ensemble at the 92nd Street Y,<br />

Harkness Repertory Ensemble, in addition<br />

to guest teaching at various universities,<br />

schools, and festivals. Julia joined Doug<br />

Varone and Dancers in 2008.


WHO’S WHO IN <strong>THE</strong> COMPANY<br />

ERIN OWEN (Dancer) was born and raised<br />

in the Blue Ridge Mountains of Western<br />

North Carolina. Upon receiving BA degrees<br />

in Dance and Biology from Scripps College<br />

in Claremont, CA, she relocated to New<br />

York City. She has since worked with many<br />

choreographers, including Daniel Charon, Ivy<br />

Baldwin, Faye Driscoll, Melissa Briggs, Netta<br />

Yerushalmy, Karinne Keithley, Geraldine<br />

Cardiel, alex|xan: the Median Movement, Bill<br />

T. Jones, and David Neumann (I Am Legend,<br />

film). Prior to joining Doug Varone and<br />

Dancers in 2006, she worked with Varone on<br />

two productions at the Metropolitan Opera and<br />

a fashion shoot for W Magazine. As a Company<br />

member, she has taught master classes and<br />

workshops and staged Doug’s work around the<br />

world. Erin holds certifications in Pilates and<br />

GYROTONIC® instruction and has taught for<br />

several years in New York City. She resides in<br />

Brooklyn with her hilarious, loving, and ever<br />

supportive husband, Jonathan. They are the<br />

happy caretakers of Coda, the cat and various<br />

lovely houseplants.<br />

ALEX SPRINGER (Dancer), originally<br />

from Farmington Hills, MI, is a dancer,<br />

choreographer, teacher, and video editor.<br />

After graduating from the University of<br />

Michigan with a degree in Dance and a<br />

minor in Movement Science, he joined Doug<br />

Varone and Dancers in 2008. He has enjoyed<br />

working with artists Alexandra Beller, Amy<br />

Chavasse, Elizabeth Dishman/Coriolis, and<br />

Leyya Tawil/Dance Elixir. Alex has also<br />

staged Varone’s work for various companies<br />

and universities and has taught in New York<br />

City at the 92Y, Dance New Amsterdam,<br />

the Playground, and Triskelion Arts. He<br />

creates work with Xan Burley; as alex|xan:<br />

the Median Movement, the pair have shown<br />

work for the stage and screen throughout New<br />

York City and the US. Alex is the associate<br />

producer of WAXworks and the Company<br />

Manager/Media and Archive Designer for<br />

Doug Varone and Dancers.<br />

COLIN STILWELL (Dancer) is a native<br />

of San Francisco, CA. In 1997, he set about<br />

to further his exploration in modern dance<br />

at SUNY Purchase, where he received his<br />

BFA in Dance. Since then, he has danced<br />

with Bessie Award-winning choreographers<br />

RoseAnne Spradlin and Neil Greenberg.<br />

He has worked with Netta Yerushalmy,<br />

robbinschilds, John Kinzel, Christine Elmo,<br />

and Sarah White. Colin has worked and<br />

collaborated with German performance artist<br />

John Bock in his 2010 Lecture at the Anton<br />

Kern Gallery and in 2012 at the Watermill<br />

Center in Lecker Puste (Delicious Breath).<br />

He has also worked with playwright, director,<br />

and multi-media artist John Jesurun in<br />

Shadowland. He has worked with Doug Varone<br />

in the Metropolitan Opera’s productions of Les<br />

Troyens and Le Sacre du Printemps and in the<br />

Minnesota Opera’s Faust. Colin joined Doug<br />

Varone and Dancers in 2011.<br />

EDDIE TAKETA (Dancer) was born and<br />

raised in Hilo, Hawaii. He holds a BFA in<br />

Dance Theater from the University of Hawaii<br />

at Manoa. Dancing professionally since 1982,<br />

Taketa spent the 80s and mid-90s performing<br />

with such companies as the Murray Louis<br />

Dance Company, Nikolais Dance Theatre, and<br />

Lar Lubovitch Dance Company. He performed<br />

in the Jacob’s Pillow’s Men Dancers: The<br />

Ted Shawn Legacy and maintained an ongoing<br />

performing and creative collaboration<br />

with Janis Brenner. In 1994, he joined<br />

Doug Varone and Dancers, and in 1998, he<br />

became a recipient of a New York Dance and<br />

Performance Award (Bessie) for Sustained<br />

Achievement in Dance. He has taught at<br />

numerous universities, festivals, and studios<br />

throughout the US, Europe, and Asia.<br />

HSIAO-JOU TANG (Dancer) was born and<br />

raised in Taiwan. She moved to New York in<br />

2004 to attend SUNY Purchase College and<br />

graduated in 2008 with a BFA in Dance. Tang<br />

has had the great pleasure of working with a<br />

number of wonderful people and companies,


WHO’S WHO IN <strong>THE</strong> COMPANY<br />

including Shen Wei Dance Arts, Kevin<br />

Wynn Collection, Sidra Bell Dance NY, Kyle<br />

Abraham/Abraham.in.motion, Daniel Charon<br />

Dance, Nora Petroliunas/The Pharmacy Project<br />

and alex|xan: the Median Movement. Hsiao-jou<br />

is thrilled to be here and has had a great time<br />

working and dancing with all of these amazing<br />

folks. She joined the Company in 2012.<br />

NETTA YERUSHALMY (Dancer) was<br />

recently awarded a fellowship from the John<br />

Simon Guggenheim Foundation for her<br />

choreographic work. In the coming months,<br />

she will be in residence at the Baryshnikov<br />

Arts Center and at the Liguria Study Center<br />

in Bogliasco, Italy. A BFA graduate of<br />

NYU’s Tisch School of the Arts, Netta has<br />

also received a NYFA Fellowship and a Six<br />

Points Fellowship. She has been an Artist-<br />

In-Residence at the Tribeca Performing<br />

Arts Center since 2010. Her work has been<br />

presented by Danspace Project, Harkness<br />

Dance Festival, DNA, Jacob’s Pillow, and The<br />

Yard. She was also recently commissioned<br />

by the Zenon Dance Company (Minneapolis,<br />

MN). As a performer, Netta has worked<br />

with Nancy Bannon, Mark Jarecke, Karinne<br />

Kiethley, Joanna Kotze, Ronit Ziv, and others,<br />

and has danced with Doug Varone in various<br />

settings, including his productions at the<br />

Metropolitan Opera. Netta staged Varone’s<br />

work at the University of Michigan and<br />

Point Park College. She has been a company<br />

member of Doug Varone and Dancers since<br />

2007. She would like to thank Doug for all<br />

these years of inspiration and friendship.<br />

KATHRYN DEAN RHODES (Apprentice)<br />

is a Texas native who received her BFA in<br />

Dance from SUNY Purchase in December<br />

2010. While at SUNY Purchase, she<br />

performed works by Lauri Stallings, Doug<br />

Varone, and Pam Tanowitz. Since moving<br />

to New York City, Kathryn has worked<br />

with Zoe|Juniper, Nelly van Bommel, and<br />

on the Metropolitan Opera Production of<br />

Les Troyens. Kathryn currently resides in<br />

Brooklyn, where she choreographs for her<br />

own dance company RoadWork.<br />

BRANDON WELCH (Apprentice) began<br />

his training in Indianapolis, IN with Diane<br />

Gudat. He received his BFA from SUNY<br />

Purchase College, where he performed works<br />

by Twyla Tharp, Ohad Naharin, Stephen<br />

Petronio, and Doug Varone. He studied<br />

for one semester at the Western Australian<br />

Academy of Performing Arts, and in 2011,<br />

Brandon joined MOMIX. Since moving<br />

to New York, Brandon has danced for<br />

Metropolitan Opera Ballet in Doug Varone’s<br />

Les Troyens. He began working with Doug<br />

Varone and Dancers in 2012.<br />

JANE COX (Lighting Designer). Collaborating<br />

with Doug Varone has been an enormous part of<br />

Jane’s creative life since 1997. Collaborations<br />

include lights for Castles, Agora, Dense<br />

Terrain, Chapters from a Broken Novel,<br />

Egalite, Alchemy, Victorious, Boats Leaving<br />

(Bessie Award, 2007), The Bottomland,<br />

The Bottomland: Part II, and Approaching<br />

Something Higher. Opera and theater designs<br />

with Doug include Faust, The Elephant Man,<br />

La Cenerentola, and The Invisible Man. Jane’s<br />

other projects for the 2012-13 season include<br />

Lucia di Lammermoor at Sydney Opera House,<br />

Picnic on Broadway, The Whale and Flick at<br />

Playwrights Horizons, and Luster with Monica<br />

Bill Barnes, with whom Jane also has a long<br />

term collaboration. Jane teaches design at<br />

Princeton University.<br />

DAVID FERRI (Lighting Designer) has<br />

worked with prominent choreographers such<br />

as Pina Bausch, Shen Wei, Doug Varone, Yin<br />

Mei, Eiko and Koma, Jane Comfort, David<br />

Rousseve, Jody Sperling, and Ballet Preljocaj.<br />

He has been the Production Manager for<br />

the prestigious American Dance Festival<br />

since 1996, training upcoming designers in<br />

America. He is a recipient of a 1987-1988<br />

Bessie Award for his design of Doug Varone’s<br />

Straits and 2000-2001 Bessie Award for


WHO’S WHO IN <strong>THE</strong> COMPANY<br />

Sustained Achievement in Lighting Design.<br />

Mr. Ferri is the resident Lighting Designer/<br />

Technical Director for The Vassar College<br />

Dance Department. Mr. Ferri was also resident<br />

lighting designer and technical director at PS<br />

122 from 1985 to 1991. Between his travels<br />

and projects, Mr. Ferri lives in New York<br />

LILY FOSSNER (Lighting Designer). NYC:<br />

Culture Project/Public Theatre; Monica Bill<br />

Barnes & Company; Juilliard Opera Theatre;<br />

Prospect Theater Company; NYU/Grad Acting.<br />

Regional: People’s Light and Theatre, Chautauqua<br />

Theater Company, Berkshire Theatre Festival.<br />

Lighting Supervisor, Glimmerglass Opera;<br />

Lighting Associate, Radio City Christmas Spectacular.<br />

M.F.A., NYU<br />

WENDALL K. HARRINGTON (Projection<br />

Designer) was awarded The Drama Desk,<br />

The Outer Critics Circle, American Theatre<br />

Wing Award for The Who’s Tommy.<br />

Broadway: Annie, Driving Miss Daisy, Grey<br />

Gardens, Putting it Together, Freak, Ragtime,<br />

The Capeman, Company, Having Our Say,<br />

My One and Only, Will Rogers Follies, and<br />

They’re Playing Our Song. Off Broadway:<br />

Angels in America, Merrily We Roll Along<br />

(four times!), Hapgood, Opera: Tristan and<br />

Isolde, La Fanciulla, Brundibar, Rusalka,<br />

Nixon in China, Grapes of Wrath, A View from<br />

the Bridge, Transatlantic, The Photographer.<br />

Ballet: Don Quixote (Joffrey), Firebird (Bessie<br />

nom), Anna Karenina (Ratmansky), Othello<br />

(Lubovich), Deconstructing English (Varone).<br />

Concert: The Talking Heads, Pete Townshend,<br />

Simon and Garfunkel, Chris Rock. Carnegie<br />

Hall: Grapes of Wrath, James Taylor and<br />

Friends, Ira Gershwin at 100. Ms. Harrington<br />

lectures widely on projection design and heads<br />

the projection design concentration at the Yale<br />

School of Drama.<br />

LIZ PRINCE (Costume Designer) has<br />

designed costumes for theater and dance for<br />

over twenty years. She has had the pleasure<br />

of designing numerous works by Doug<br />

Varone since 1998. Recently, she designed<br />

costumes for the film Union Square, written<br />

and directed by Nancy Savoca and starring<br />

Mira Sorvino and Tammy Blanchard. Her<br />

costumes have been exhibited at The New<br />

York Public Library for the Performing Arts,<br />

Cleveland Center for Contemporary Art,<br />

Snug Harbor Cultural Center, and Rockland<br />

Center for the Arts. She received a 1990 New<br />

York Dance and Performance Award and a<br />

2008 Charles Flint Kellogg Award from Bard<br />

College for achievement in her field.<br />

LYNNE STEINCAMP (Costume Designer)<br />

has worked with numerous choreographers over<br />

the course of her long association with dance,<br />

including Gina Gibney, Shapiro & Smith, Susan<br />

Marshall, and Alyson Pou. She was Costume<br />

Consultant for the Trisha Brown Company<br />

for over a decade. Her association with Doug<br />

Varone began in 1990. She designed for many<br />

of the Company works, including Force<br />

Majeure, Rise, Possession, and Bel Canto. She<br />

now lives on a horse farm in Connecticut with<br />

her husband, artist Power Boothe.<br />

DAN FEITH (Technical Director) has been<br />

working as a Production Manager/Lighting<br />

Designer/Stage Manager/Technical Director<br />

in dance for the past 20 years. The companies<br />

he has worked for range from Pilobolus and<br />

MOMIX to the Tulsa Ballet and Hubbard<br />

Street Dance.<br />

SARAH BODLEY (General Manager)<br />

grew up in the foothills of northwestern<br />

Connecticut, where she began dancing at<br />

the Connecticut Dance Theatre, Inc. She is<br />

a graduate of Purchase College, with a BFA<br />

in Dance. She has enjoyed performing for<br />

Nancy Bannon, Sarah Beth Oppenheim, Nora<br />

Petroliunas’ The Pharmacy Project, Nelly<br />

van Bommel’s NØA Dance, and alex|xan:<br />

the Median Movement, among others.<br />

In addition to her life as a performer, Sarah<br />

is the General Manager for Doug Varone and<br />

Dancers and is cultivating a passion for work<br />

in the non-profit sector.


WHO’S WHO IN <strong>THE</strong> COMPANY<br />

MARTHA NEIGHBORS (Executive<br />

Director) joined Doug Varone and Dancers in<br />

2011, serving as chief administrative officer<br />

and leading the Company’s fund-raising<br />

efforts. Previously, she oversaw external<br />

relations for Theatre Communications Group,<br />

the national organization for the American<br />

theatre, where she also served as chief<br />

development officer. Her prior experience<br />

includes company manager at Risa Jaroslow<br />

& Dancers, on whose board she now serves,<br />

and positions at the American Federation<br />

of Arts, the Brooklyn Museum and the<br />

J.Paul Getty Trust. Ms. Neighbors holds a<br />

certificate in arts administration from New<br />

York University, a Master’s in Art History<br />

and Museum Studies from the University of<br />

Southern California, and a Bachelor’s in Art<br />

History and Fine Arts from Hunter College,<br />

summa cum laude.<br />

SILVER ANNIVERSARY SEASON<br />

SPONSORS ($5,000+)<br />

Jeanne Murphy & Bill Oris<br />

Lida Orzeck & Susan Miller<br />

Hanky Panky<br />

COMMISSIONING CLUB:<br />

NEW WORKS ($2,500-$4,999)<br />

Naomi Grabel & Neil Kutner<br />

Dianne & Daniel Vapnek<br />

Joseph & Marie Varone<br />

Pearl Zuchlewski<br />

COMMISSIONING CLUB:<br />

REVIVALS ($1,000-$2,499)<br />

Leslie Hendrix & Joseph Smith<br />

Gridley McKim Smith<br />

Ann & Steven Murphy<br />

Melissa S. Rockefeller<br />

Janet Stanton<br />

Carol K. & Peter Walker<br />

Stephen & Cathy Weinroth<br />

DOVA 25-TO-LIFE CHAMPION<br />

($500-$999)<br />

Richard Caples<br />

William Critzman<br />

Brendan Ben Feeney<br />

Valerie Freedman Fund<br />

Bob Gilson<br />

Lester C. Rhodes<br />

Meriam L. Rosen<br />

Harold & Myra Shapiro<br />

DOVA 25-TO-LIFE PATRON<br />

($250-$499)<br />

Peggy Baker<br />

Robert Dorf<br />

Dorothy & Jay Federman<br />

Herrick, Feinstein, LLP<br />

Dennis Lalli<br />

Maryann Plunkett<br />

& Jay O. Sanders<br />

Suzanne Schaaff<br />

James Shea<br />

DOUG VARONE AND DANCERS 2012-2013 SEASON DONORS<br />

Julia & Paul Sutter<br />

Roger Tolle<br />

Jaclynn Villamil<br />

Martin Wechsler & David Fanger<br />

DOVA 25-TO-LIFE SUPPORTER<br />

($100-$249)<br />

Rebecca Abdenour<br />

Wolf Fritsche Beatty<br />

James Berube<br />

Natalie Desch<br />

(in honor of Gene Desch)<br />

Ruby Clipper Cherof<br />

Janet & Bill Corriston<br />

Barbara Dufty<br />

Constance & Marcus Fang<br />

Laura Faure<br />

Virginia Gallagher<br />

Robyn Goodman<br />

Neal S. Goren<br />

Sandy Graff<br />

Cynthia & Daniel Hart<br />

Joan Hershey<br />

Mark Jones<br />

Larry & Beth Kenney<br />

Cynthia Low<br />

Edward & Gloria Murphy<br />

Jon Nakagawa<br />

Martha Neighbors<br />

& Charles Boday<br />

Madeleine Nichols<br />

Warren & Ellen Nichols<br />

Katherine Roeder<br />

David Ronis<br />

Jeffrey Sholeen<br />

Robert Small<br />

Paula Springer<br />

Collette Stewart<br />

Judy & Carl Stewart<br />

Thomas Ward<br />

DOVA 25-TO-LIFE FRIEND<br />

($1-$99)<br />

John Bacon<br />

Megan Bascom<br />

Craig A. Becker<br />

Carly Berrett<br />

Chloe Carlson<br />

Christopher P. Cayaba<br />

Mae Chesney<br />

John Ciano<br />

Darrah Cloud<br />

Debby DeGuire<br />

Nancy Duncan<br />

Elizabeth M. Frankel<br />

Harry & Ruth Graff<br />

Bernard P. Hanlon<br />

Susan Hans<br />

Phoebe Higgins<br />

Maya Horowitz<br />

Evelyn Intondi<br />

Dan Kaslow<br />

Alvera Kramer<br />

Margaret Lockhart<br />

Andrea Loverro-Sprick<br />

James C. Martin<br />

Elizabeth Miller<br />

Johnna Modene<br />

Margaret Morton<br />

Laverne Muzenak<br />

Kate Neighbors<br />

Mary Beth Peil<br />

Diana Rothenberg<br />

Nancy Salmon & David Webster<br />

James Siegel<br />

Diane Sklar<br />

Sharon Tanzer Kirschner<br />

Zolita Vella<br />

Thomas Von Foerster<br />

Myles V. Whalen<br />

Charles & Joan Woodbury


DOUG VARONE AND DANCERS is incorporated as<br />

DOVA, Inc., a not-for-profit tax-exempt organization<br />

founded in 1995. Contributions to the Company’s work<br />

are tax-deductible and greatly appreciated.<br />

Please make your gift payable to:<br />

DOVA, Inc.<br />

260 West Broadway, Suite 4<br />

New York, NY 10013 USA<br />

Website: www.dougvaroneanddancers.org<br />

Email: info@dougvaroneanddancers.org<br />

Board of Directors, DOVA, Inc.<br />

Naomi Grabel, Chair<br />

Richard J. Caples<br />

Jeanne Murphy<br />

Lida Orzeck<br />

Doug Varone<br />

Carol K. Walker<br />

Pearl Zuchlewski<br />

Elizabeth Geiger, Chair emeritus<br />

Bob Sanders, Chair emeritus<br />

DOUG VARONE AND DANCERS<br />

Artistic Director: Doug Varone<br />

Executive Director: Martha Neighbors<br />

General Manager: Sarah Bodley<br />

Program & Rehearsal Director: Eddie Taketa<br />

Tour Manager: Eddie Taketa<br />

Company Manager/Media & Archive Design: Alex Springer<br />

Technical Director: Dan Feith<br />

Costume Manager: Erin Owen<br />

Company Apprentices:<br />

Kathryn Dean Rhodes, Brandon Welch<br />

Design & Graphics: Sondra Graff/rpm:projects<br />

Press Agent: Jennifer Lerner<br />

Website Design: Design Brooklyn<br />

Booking Agent:<br />

Lisa Booth Management, Inc.<br />

Lisa Booth and Deirdre Valente<br />

1501 Broadway #1915<br />

New York, NY 10036<br />

Tel: 212-921-2114 / Fax: 212-921-2504<br />

Email: artslbmi@msn.com<br />

SPECIAL THANKS TO:<br />

Linda Shelton, Martin Wechsler, Martha Cooper, and the staff of The Joyce Theater; Bob Gilson,<br />

Renata Celichowska, John-Mario Sevilla, Edward Henkel, Kathryn Wilkening and the 92nd Street Y Harkness<br />

Dance Center; Sarahbeth Grossman & the events committee, Daisy Pommer and the Dance Division<br />

of the New York Public Library for the Performing Arts, Janet Stanton, Megan Weiner, John Toth,<br />

James Ciano, Paul Vershbow, Lucy Cruz, Kay Stuntz, Richard Caples, Marie & Joseph Varone,<br />

all our generous donors and hard-working volunteers, and the DOVA, Inc. Board of Directors.<br />

Photo: Cylla von Tiedemann

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