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September - 21st Century Music

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From the scholarly perspective, the most valuable essay here<br />

is John Schott’s appreciation of complexity in John Coltrane,<br />

After acknowledging the jazzman’s intensive study of Nicolas<br />

Slonimsky’s Thesaurus of <strong>Music</strong>al Scales and Patterns, Schott<br />

reprints an extraordinary chart purportedly drawn by Coltrane<br />

in 1960 and given to Yusef Lateef, who later reprinted it.<br />

In Schott’s interpretation, "The diagram juxtaposes the two<br />

whole-tone collections five times around the perimeters of a<br />

circle. Lines are drawn connecting each tone to its tritone<br />

across the circle, bisecting the circle 30 times. Every fifth tone<br />

is enclosed is a box to show the circle of fifths. Each member<br />

of the circle of fifths is also enclosed with its upper and lower<br />

neighbors in two ovals," etc. While acknowledging the<br />

metaphysical implications of the diagram’s configuration,<br />

Schott’s theme is that Coltrane wanted to realize within an<br />

improvisatory context the intensity of overlapping<br />

interconnections typical of serial composition.<br />

As always with anthologies of living artists, a skeptical reader<br />

wonders why some people were not included here. I can think<br />

of several others similarly situated whose thoughts I would<br />

like to read. Since Zorn as a performing musician and record<br />

producer not known for catholic enthusiasm, I could imagine a<br />

sequel with a different group of composers, likewise middleaged,<br />

not to mention a third anthology from those a generation<br />

younger.<br />

Arcana also benefits from thoughtful design. For one index,<br />

consider that footnotes are put not at the end of the book or at<br />

the bottom of the book’s page, as is customary, but directly<br />

adjacent to the reference, in indented white-space. Instead of<br />

looking to the bottom of the page or, worse, flipping to the<br />

back of the book, the reader wanting a reference merely<br />

follows his or her eyes across the page. Why is it that this<br />

design innovation for academic crediting should appear in a<br />

book published not by a university press but an art-book<br />

dealer<br />

In several ways, Arcana is richly thoughtful and mostly<br />

readable.<br />

37

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