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Download - Honolulu Rail Transit Project

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PA Quarterly Meeting Meeting Minutes—5 November 1, 2012<br />

Michael Lee asked:<br />

What has HART done to find cultural and/or lineal descendants What<br />

newspapers (Ka Wai Ola, <strong>Honolulu</strong> Star-Advertiser) have you advertised in your<br />

search Very important to get lineal descendants on board.<br />

The fact that you have people that have worked on project’s elsewhere, does not<br />

address the lineal descendants issue; there is a hierarchy of protocol.<br />

He also added that not all of us could attend the Cultural Monitoring Safety<br />

Orientation. Will there be another<br />

HART has placed legal advertisements in the Office of Hawaiian Affairs’ Ka Wai Ola<br />

newspaper and the <strong>Honolulu</strong> Star-Advertiser, and has also distributed an eBlast notification<br />

seeking cultural and/or lineal descendants. Additionally, the Native Hawaiian Chamber of<br />

Commerce and other Native Hawaiian Organizations (NHO) have been sharing the<br />

information within their network. (Also see discussion above, under Stipulation III.B regarding<br />

November 8, 2012 meeting.)<br />

At this time, additional Cultural Monitor Safety Orientation sessions are not scheduled.<br />

Paulette Kaleikini commented:<br />

Cultural Monitors should be state-recognized cultural and/or lineal descendants<br />

of the area; we come forward to be recognized in order to fully participate. She<br />

also noted that she had complaints from family members – who are Cultural<br />

Monitors – last night, who feel they are being controlled and manipulated.<br />

Kanaloa Koko (Royal Order of the Crown; Ka Iwi ‘Ōlelo) had a different opinion:<br />

Cultural Monitors can be from any district (ahupua‘a) as long as they are Native<br />

Hawaiian. No matter where you come from, a Native Hawaiian has a right to<br />

participate as a Cultural Monitor.<br />

HART is in the planning stages for a project-wide Cultural Monitoring Program for<br />

construction, and is currently working with a group of monitors, many of whom have served as<br />

monitors for other projects on O‘ahu and includes state-recognized cultural and/or lineal<br />

descendents.<br />

IV. Design Standards<br />

Ken Caswell, HART’s Chief Architect, lead the discussion on the status of the station design<br />

and value engineering that has occurred.<br />

IV. A (Design Language Pattern Book)<br />

The Design Language Pattern book has not been modified and will not be updated. It is still<br />

being utilized.<br />

Blythe Semmer commented:<br />

Referring to PA stipulation IV.A, when will the City, FTA and/or kāko‘o give an<br />

initial assessment of whether the designs for stations with the potential for<br />

cultural sensitivity and/or near historic resources (Aloha Stadium, Pearl Harbor<br />

Naval Base, Chinatown and Downtown stations) meet the Secretary of Interiors’<br />

Standards for the Treatment of Historic Properties Will we hear from you folks<br />

on or around the time of Workshop #2 that appears here on the Design<br />

Workshop Schedule<br />

Hinaleimoana Wong-Kalu asked Blythe:<br />

Please articulate for those who are new at the table, what are the sensitivities<br />

you are referring to with regards to the station and its design.

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