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Current Developments in Reference Displays.pdf

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CURRENT DEVELOPMENTS IN REFERENCE<br />

DISPLAYS<br />

Gary Mandle<br />

Sr. Product Manager<br />

Sony PSA


WHAT IS A REFERENCE DISPLAY?<br />

• Used <strong>in</strong> analysis of video based signals<br />

• Used <strong>in</strong> areas where technical judgments are made on content <strong>in</strong>tended for enterta<strong>in</strong>ment<br />

production<br />

• The monitor must<br />

• Not distort or modify the <strong>in</strong>put signal image<br />

• Must display the content as SMPTE, ISO or ITU standards<br />

• Must be stable over long periods of operation


APPLICATION REQUIREMENTS<br />

• Image <strong>Reference</strong><br />

• Opposite of a TV<br />

• Considered as a piece of test equipment<br />

• Meets <strong>in</strong>dustry standards<br />

• Meets<br />

• ISO 9241-7 Class 1, 13406-2 Class 1 Type 1, 2910<br />

• ITU-R BT470, 601, 709, 1360, 1886<br />

• SMPTE S170M, 240M, 253M, 259M, 266M, 274M, ST292-1, 293M, 294M, 295M, 296M, 352M, 372M, 424M, 425M,<br />

431-1<br />

• SMPTE RP 145, 211, 431-21 ,<br />

• Work<strong>in</strong>g documents<br />

• EBU 3320-V2, N10<br />

• DCI V1.21 , section 8.3.4 Image Parameters


APPLICATION REQUIREMENTS<br />

• Image <strong>Reference</strong><br />

• No dead pixels<br />

• Both short term and long term stability<br />

• Can not add any artifacts to the picture<br />

• Must have picture analysis functions<br />

• Multiple w<strong>in</strong>dow formats<br />

• 3D analysis patterns<br />

• Waveform monitor<strong>in</strong>g<br />

• Durable chassis design


APPLICATIONS<br />

• Feature film production<br />

• Episodic television production<br />

• Independent film production<br />

• Television commercial production<br />

• Special effects production<br />

• Animation<br />

• On set camera reference<br />

• Dailies verification<br />

• Composit<strong>in</strong>g<br />

• Digital <strong>in</strong>termediate production<br />

• F<strong>in</strong>al QC processes


ON-SET


DIGITAL INTERMEDIATE


TECHNOLOGY TRANSITION<br />

BVM A32E1WU BVM L231 BVM E250<br />

CRT<br />

LCD/LED<br />

OLED<br />

1979 to 2003<br />

2003 to 2011<br />

2011 ~


SONY OLED MILE STONES<br />

• 1994<br />

• 2001<br />

• 2003<br />

• 2004<br />

• Start of <strong>in</strong>itial development<br />

• Demonstration of an SVGA resolution 13 <strong>in</strong>ch at CEATEC Japan<br />

• 9B¥ <strong>in</strong>vestment of OLED manufactur<strong>in</strong>g plant <strong>in</strong> partnership with Sony Toshiba LCD<br />

• Display of prototype 24 <strong>in</strong>ch at CES<br />

• Mass production starts of small OLED (100,000 unit/yr)<br />

• Delivery of the PEG-VZ90 us<strong>in</strong>g 3.8 <strong>in</strong>ch 480 x 320 AMOLED


OLED PANEL DEVELOPMENT<br />

• 2007<br />

• 2008<br />

• 2009<br />

• Display of 27 <strong>in</strong>ch AMOLED manufactured us<strong>in</strong>g laser thermal pr<strong>in</strong>t<strong>in</strong>g<br />

• Sales of the 11 <strong>in</strong>ch XEL-1 TV<br />

• First OLED commercially available TV<br />

• Sony announces $203M <strong>in</strong>vestment <strong>in</strong> new OLED tool<strong>in</strong>g<br />

• Demonstration of 2.5 flexible display at CES (OTFT)<br />

• 7.4 & 11 <strong>in</strong>ch volume production


OLED PANEL DEVELOPMENT<br />

• 2010<br />

• 2011<br />

• 2012<br />

• Delivery of the PVM 740<br />

• 17 & 25 <strong>in</strong>ch volume production<br />

• April deliveries top 10,000 units<br />

7.4”-11”<br />

25”<br />

2009‐2010 2011<br />

OLED panel manufactur<strong>in</strong>g<br />

Sony Mobile Display, Japan<br />

F<strong>in</strong>al product manufactur<strong>in</strong>g<br />

Sony EMCS Factory, Japan


OLED LAYERS


OLED OPERATION


OLED OPERATION


OLED OPERATION


PANEL DESIGN


PANEL DESIGN


TECHNOLOGY COMPARISION


DYNAMIC RANGE<br />

IEC 62341


BLACK


COLOR GAMUT PERFORMANCE<br />

LCD OLED


IMAGE COMPARISION<br />

What an LCD monitor shows<br />

What they’re look<strong>in</strong>g for


ADVANTAGES OF USING OLED


SCANNING<br />

LCD<br />

CRT<br />

OLED<br />

Smear<strong>in</strong>g issues<br />

No flicker<br />

Good motion performance<br />

Flicker<br />

Balanced performance


SIGNAL FORMATS


IMAGE MAPPING


CRT MONITOR ARCHITECTURE<br />

• System Control<br />

• Inputs<br />

• Video Amp<br />

• Deflection<br />

• HV<br />

• CRT<br />

• Signal Path


TRIMASTER EL MONITOR ARCHITECTURE<br />

• System Control<br />

• Inputs<br />

• Input Switch<strong>in</strong>g<br />

• Tim<strong>in</strong>g Generator<br />

• OLED Panel<br />

• Signal Path


INPUTS<br />

• Standard HDSDI 1 & 2<br />

• 4 Option Slots<br />

• HDMI 1.3a<br />

• DisplayPort


FPGA FUNCTIONS<br />

• CPLDs<br />

• Input Switch<strong>in</strong>g<br />

• FPGA 1<br />

• Input selection<br />

• Signal format detection<br />

• HDMI Display Input Block Control<br />

• I 2 CBuss<br />

• Gennum buss to VM buss conversion


FPGA FUNCTIONS<br />

• FPGA 2<br />

• Signal format label<strong>in</strong>g<br />

• Frame capture<br />

• ELB to I 2 C Bus conversion


IP CONVERTER


IP CONVERTER


IP CONVERTER


ASIC FUNCTIONS<br />

• IP Converter


ASIC FUNCTIONS<br />

• ASIC 2<br />

• Scal<strong>in</strong>g<br />

• Under/Over/Normal scans<br />

• Colorspace emulation<br />

• Whitepo<strong>in</strong>t sett<strong>in</strong>gs


EOTF<br />

• Input EOTF<br />

• 2.2<br />

• 2.4<br />

• 2.6<br />

• 1<br />

• Output EOTF<br />

• 2.2<br />

• 2.4<br />

• 2.6<br />

• BVM CRT<br />

• S-Log Standard<br />

• S Log Full


NON LINEAR CALIBRATION LUTS


NON-STANDARD EOTF<br />

Log C S Log Pana Log


DISPLAY OF NON-STANDARD EOTF<br />

Full Display<br />

Shows Picture Clipp<strong>in</strong>g


DISPLAY OF NON-STANDARD EOTF<br />

Standard Display<br />

Shows Picture Shadows and Color


LUT SIGNAL PATH<br />

• ASIC 2<br />

• ASC-CDL Process<br />

• User LUT Process<strong>in</strong>g


ASC-CDL


USER LUTS<br />

• 1D and/or 3D<br />

• 8 to 33 lattice po<strong>in</strong>ts<br />

• Values of 0.000000 to 1.000000


LUT WRITERS


UNIFORMITY


COLOR GAMUTS<br />

BVM E250 Gamuts<br />

Y (cd/m 2 Red Green Blue<br />

) x y x y x y<br />

Native 100 0.681 0.319 0.189 0.724 0.141 0.051<br />

D‐C<strong>in</strong>e 48 0.68 0.32 0.265 0.69 0.15 0.06<br />

ITU‐R BT709 100 0.64 0.33 0.3 0.6 0.15 0.06<br />

EBU 100 0.64 0.33 0.29 0.6 0.15 0.06<br />

SMPTE C 100 0.63 0.34 0.31 0.595 0.155 0.07<br />

0.9<br />

0.8<br />

0.7<br />

0.6<br />

0.5<br />

0.4<br />

0.3<br />

0.2<br />

0.1<br />

0<br />

0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8<br />

ITU-R BT709<br />

SMPTE C (RP145)<br />

EBU<br />

SMPTE 431-2 (DCI)<br />

NTSC<br />

BVM E250 native


COMPARABLE SPECTRUMS<br />

CRT Spectrum LED Spectrum OLED Spectrum


BOB AND LARRY<br />

Standard Observer<br />

x = 0.3127<br />

y = 0.3290<br />

CRT LED<br />

Bob Larry Bob Larry


AUTOSETUP


NEW PRODUCTION METHODS<br />

• Location<br />

• The studio<br />

• Motion model<strong>in</strong>g<br />

• Completion Insurance<br />

• VFX<br />

• Edit<br />

• DI


COPY FUNCTIONS<br />

Orig<strong>in</strong>al Copy


DUAL DISPLAY FUNCTIONS


3D FUNCTIONS<br />

Differential Display Checkerboard Display<br />

L<br />

R<br />

L R<br />

Quick Switch Display


VMM 4SNY RASTERIZER


OPTION CARDS<br />

BKM 220D<br />

SMPTE 259<br />

SDI<br />

BKM 227W<br />

NTSC/PAL/Secam<br />

BKM 229X<br />

CEA 770<br />

Analog Component<br />

BKM 243HS<br />

SMPTE 292<br />

SDI & HDSDI<br />

BKM 244CC<br />

SMPTE 292<br />

SDI & HDSDI<br />

EIA 608-708<br />

BKM 250TG<br />

SMPTE 424<br />

SDI, HDSDI, 3G<br />

3D Ops


NEW TRIMASTER EL LINEUP

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