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PDF catalog - Cornerhouse

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SPRING 2012<br />

Color in Flux<br />

artists: Ai Weiwei, André Thomkins, Andy<br />

Warhol, Bernhard Martin, Brad Downey, Ceal<br />

Floyer, Dieter Roth, Gerhard Richter, Jackson<br />

Pollock, John Baldessari, Joseph Marioni,<br />

Katharina Grosse, Kitty Kraus, Larry Zox,<br />

Lynda Benglis, Max Ernst, Oskar Schlemmer,<br />

Paul McCarthy, Rosemarie Trockel, Sigmar<br />

Polke, Thomas Ruff, VA Wölfl, Willi Baumeister<br />

texts by Guido Boulboullé, Ingo Clauß, Peter<br />

Friese, Raimar Stange<br />

Color in Flux examines how artists<br />

have dealt with free-flowing colour<br />

since the time of Jackson Pollock.<br />

A common thread in this exhibition<br />

is an unorthodox history of art<br />

that deals with colour, and critical<br />

and political aspects of colour<br />

that is actually in flux. The works<br />

of leading proponents of Abstract<br />

Expressionism and colour-field<br />

painting are combined with more<br />

contemporary works. On the one<br />

hand, colour is seen as a means of<br />

expression as understood in terms<br />

of Modernism; on the other, a more<br />

conceptual, sometimes antipainterly,<br />

approach to colour applies. All<br />

works are accompanied by detailed<br />

analyses. Published on the occasion<br />

of the exhibition Color in Flux, 10<br />

September 2011 – 29 January 2012,<br />

Museum Weserburg | Museum für<br />

moderne Kunst, Bremen.<br />

Kerber Verlag £40.00<br />

ISBN 978-3-86678-595-3<br />

hardback 208 pages<br />

76 colour, 5 b&w illustrations<br />

280 x 220 mm<br />

English and German text<br />

Sven Drühl<br />

Strategies against<br />

architectures<br />

text by Belinda Grace Gardner<br />

edited by Thomas Levy<br />

Sven Drühl breaks down visual<br />

forms and types conceptually from<br />

the Romantic period to the present<br />

day. He recombines the constituent<br />

parts using his own motifs in a remix<br />

process. Drühl responds to the<br />

crisis of expression in post-modern<br />

painting with this transformative<br />

citation but does not quite give up<br />

on painting himself. His involvement<br />

with art history and his continuing<br />

investigation of painting as a medium<br />

is too important to him. His series of<br />

paintings are therefore fascinating<br />

copies that motivate the viewer to<br />

question perception and at the same<br />

time ultra-sensual, impressive new<br />

creations. Published to accompany<br />

the exhibition at LEVY Hamburg, 16<br />

January – 22 March 2012.<br />

Kerber Verlag £29.50<br />

ISBN 978-3-86678-639-4<br />

hardback 80 pages<br />

31 colour illustrations<br />

280 x 210 mm<br />

English and German text<br />

epea – European Photo<br />

Exhibition Award 01<br />

European Identities<br />

artists: Catarina Botelho, José Pedro Cortes,<br />

Gabriele Croppi, João Grama, Monica Larsen,<br />

Frederic Lezmi, Pietro Masturzo, Hannah<br />

Modigh, Davide Monteleone, Linn Schröder,<br />

Marie Sjøvold, Isabelle Wenzel<br />

texts by Rune Eraker, Sergio Mah,<br />

Enrico Stefanelli, Ingo Taubhorn<br />

European Identities is the theme of<br />

the first, newly launched European<br />

Photo Exhibition Award. This joint<br />

initiative by the Fondazione Banca<br />

del Monte di Lucca, the Fundaçao<br />

Calouste Gulbenkian, the Fritt Ord<br />

Foundation and the Körber-Stiftung<br />

commissioned 12 selected young<br />

photographers from Europe to<br />

produce photo essays around this<br />

theme. European Identities gets to<br />

the heart of an extremely topical<br />

debate. This volume brings together<br />

the works of the participants in<br />

a kaleidoscope of very different<br />

perspectives and positions, which will<br />

subsequently be exhibited as part<br />

of a touring exhibition in galleries<br />

throughout Europe and at festivals<br />

such as Paris Photo.<br />

Kerber Verlag £35.00 tbc<br />

ISBN 978-3-86678-647-9<br />

hardback 128 pages tbc<br />

illustrated in colour and b&w<br />

300 x 240 mm<br />

English and German text<br />

Frauenzimmer<br />

artists: Carol Bove, Isa Genzken, Karla Black,<br />

Kitty Kraus, Sara Barker, Tatiana Trouvé,<br />

Thea Djordjadze<br />

texts by Lilian Haberer, Stefanie Kreuzer<br />

preface by Markus Heinzelmann<br />

The exhibition Frauenzimmer<br />

and this accompanying <strong>catalog</strong>ue<br />

present works by seven women<br />

who work in the field of conceptual<br />

sculpture, with diverse approaches<br />

to sculpture and installation while<br />

still demonstrating a broad range of<br />

aspects in common. In addition to<br />

situative and process-focused works<br />

that clearly display the process of<br />

their production, other works are<br />

presented that are characterised<br />

by careful research into materials<br />

and found objects as well as into<br />

everyday materials. The artists –<br />

some created works especially for<br />

Museum Morsbroich, others adapted<br />

existing works – examine issues like<br />

the presentation, contextualisation<br />

and decontextualisation of space.<br />

Published on the occasion of the<br />

exhibition at Museum Morsbroich,<br />

Leverkusen, Germany, 11 September<br />

– 13 November 2011.<br />

Kerber Verlag £29.50<br />

ISBN 978-3-86678-586-1<br />

hardback 116 pages<br />

55 colour, 4 b&w illustrations<br />

260 x 195 mm<br />

English and German text<br />

Douglas Gordon<br />

texts by Susanne Gaensheimer, Michael Fried,<br />

Klaus Gorner, Caoimhin Mac Giolla Leith<br />

edited by Klaus Görner, Susanne<br />

Gaensheimer<br />

Douglas Gordon is one of the<br />

most influential British artists of<br />

his generation and is renowned<br />

internationally for his films and<br />

photographs but particularly also for<br />

his video and sound installations.<br />

This <strong>catalog</strong>ue was published with<br />

the close cooperation of the Turner<br />

Prize winning artist and shows his<br />

latest works in the context of his<br />

earlier oeuvre. Gordon addresses<br />

the master pattern of perception<br />

in his great works, weaving in<br />

and reflecting on a wide variety of<br />

issues from personal biography,<br />

music, collective memory and<br />

everyday culture. The installations<br />

are documented in opulent series of<br />

pictures and accompanied by erudite<br />

texts and an interview with the artist.<br />

Published on the occasion of the<br />

solo exhibition at MMK Museum für<br />

Moderne Kunst Frankfurt am Main,<br />

19 November 2011 – 25 March 2012.<br />

Kerber Verlag £44.00<br />

ISBN 978-3-86678-628-8<br />

hardback 234 pages<br />

189 colour, 30 b&w illustrations<br />

290 x 245 mm<br />

English and German text<br />

In the Name of Love<br />

Contemporary Glass<br />

artists: Ariane Forkel, Christiane Budig,<br />

Christina Bothwell, Dafna Kaffeman, Donghai<br />

Guan, Elizabeth Swinburne, Franz X. Höller,<br />

Gina Jones, Janusz Walentynowicz, José<br />

Chardiet, Kate Baker, Katharine Coleman, Lino<br />

Tagliapietra, Luke Jerram, Marta Klonowska,<br />

Masayo Odahashi, Mathieu Grodet, Mel<br />

Douglas, Sibylle Peretti, Silvia Levenson,<br />

Simone Fezer, Steven Easton, Susan Taylor<br />

Glasgow, Tanya Lyons, Xiao Ke Zhao,<br />

Zhenning Li<br />

texts by Eva-Maria Fahrner-Tutsek, Clementine<br />

Schack von Wittenau<br />

preface by Florian Hufnagl<br />

edited by Eva-Maria Fahrner-Tutsek<br />

Human beings yearn to give<br />

expression to love and the pain<br />

of love in art. Over the centuries,<br />

literature, music, painting and<br />

sculpture have reflected these eternal<br />

endeavours. In recent decades glass<br />

has developed as an interesting<br />

artistic material with sculptures on<br />

abstract themes replacing the more<br />

traditional bowls or vases. Based on<br />

the theme In the Name of Love, this<br />

publication presents contemporary<br />

sculptures by international artists who<br />

use glass in their work. Published<br />

on the occasion of the exhibition at<br />

Alexander Tutsek-Stiftung, Munich,<br />

Germany, 2012.<br />

Kerber Verlag £30.00<br />

ISBN 978-3-86678-589-2<br />

hardback 112 pages<br />

112 colour illustrations<br />

245 x 245 mm<br />

English and German text<br />

20<br />

21

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