PDF catalog - Cornerhouse
PDF catalog - Cornerhouse
PDF catalog - Cornerhouse
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
SPRING 2012<br />
Color in Flux<br />
artists: Ai Weiwei, André Thomkins, Andy<br />
Warhol, Bernhard Martin, Brad Downey, Ceal<br />
Floyer, Dieter Roth, Gerhard Richter, Jackson<br />
Pollock, John Baldessari, Joseph Marioni,<br />
Katharina Grosse, Kitty Kraus, Larry Zox,<br />
Lynda Benglis, Max Ernst, Oskar Schlemmer,<br />
Paul McCarthy, Rosemarie Trockel, Sigmar<br />
Polke, Thomas Ruff, VA Wölfl, Willi Baumeister<br />
texts by Guido Boulboullé, Ingo Clauß, Peter<br />
Friese, Raimar Stange<br />
Color in Flux examines how artists<br />
have dealt with free-flowing colour<br />
since the time of Jackson Pollock.<br />
A common thread in this exhibition<br />
is an unorthodox history of art<br />
that deals with colour, and critical<br />
and political aspects of colour<br />
that is actually in flux. The works<br />
of leading proponents of Abstract<br />
Expressionism and colour-field<br />
painting are combined with more<br />
contemporary works. On the one<br />
hand, colour is seen as a means of<br />
expression as understood in terms<br />
of Modernism; on the other, a more<br />
conceptual, sometimes antipainterly,<br />
approach to colour applies. All<br />
works are accompanied by detailed<br />
analyses. Published on the occasion<br />
of the exhibition Color in Flux, 10<br />
September 2011 – 29 January 2012,<br />
Museum Weserburg | Museum für<br />
moderne Kunst, Bremen.<br />
Kerber Verlag £40.00<br />
ISBN 978-3-86678-595-3<br />
hardback 208 pages<br />
76 colour, 5 b&w illustrations<br />
280 x 220 mm<br />
English and German text<br />
Sven Drühl<br />
Strategies against<br />
architectures<br />
text by Belinda Grace Gardner<br />
edited by Thomas Levy<br />
Sven Drühl breaks down visual<br />
forms and types conceptually from<br />
the Romantic period to the present<br />
day. He recombines the constituent<br />
parts using his own motifs in a remix<br />
process. Drühl responds to the<br />
crisis of expression in post-modern<br />
painting with this transformative<br />
citation but does not quite give up<br />
on painting himself. His involvement<br />
with art history and his continuing<br />
investigation of painting as a medium<br />
is too important to him. His series of<br />
paintings are therefore fascinating<br />
copies that motivate the viewer to<br />
question perception and at the same<br />
time ultra-sensual, impressive new<br />
creations. Published to accompany<br />
the exhibition at LEVY Hamburg, 16<br />
January – 22 March 2012.<br />
Kerber Verlag £29.50<br />
ISBN 978-3-86678-639-4<br />
hardback 80 pages<br />
31 colour illustrations<br />
280 x 210 mm<br />
English and German text<br />
epea – European Photo<br />
Exhibition Award 01<br />
European Identities<br />
artists: Catarina Botelho, José Pedro Cortes,<br />
Gabriele Croppi, João Grama, Monica Larsen,<br />
Frederic Lezmi, Pietro Masturzo, Hannah<br />
Modigh, Davide Monteleone, Linn Schröder,<br />
Marie Sjøvold, Isabelle Wenzel<br />
texts by Rune Eraker, Sergio Mah,<br />
Enrico Stefanelli, Ingo Taubhorn<br />
European Identities is the theme of<br />
the first, newly launched European<br />
Photo Exhibition Award. This joint<br />
initiative by the Fondazione Banca<br />
del Monte di Lucca, the Fundaçao<br />
Calouste Gulbenkian, the Fritt Ord<br />
Foundation and the Körber-Stiftung<br />
commissioned 12 selected young<br />
photographers from Europe to<br />
produce photo essays around this<br />
theme. European Identities gets to<br />
the heart of an extremely topical<br />
debate. This volume brings together<br />
the works of the participants in<br />
a kaleidoscope of very different<br />
perspectives and positions, which will<br />
subsequently be exhibited as part<br />
of a touring exhibition in galleries<br />
throughout Europe and at festivals<br />
such as Paris Photo.<br />
Kerber Verlag £35.00 tbc<br />
ISBN 978-3-86678-647-9<br />
hardback 128 pages tbc<br />
illustrated in colour and b&w<br />
300 x 240 mm<br />
English and German text<br />
Frauenzimmer<br />
artists: Carol Bove, Isa Genzken, Karla Black,<br />
Kitty Kraus, Sara Barker, Tatiana Trouvé,<br />
Thea Djordjadze<br />
texts by Lilian Haberer, Stefanie Kreuzer<br />
preface by Markus Heinzelmann<br />
The exhibition Frauenzimmer<br />
and this accompanying <strong>catalog</strong>ue<br />
present works by seven women<br />
who work in the field of conceptual<br />
sculpture, with diverse approaches<br />
to sculpture and installation while<br />
still demonstrating a broad range of<br />
aspects in common. In addition to<br />
situative and process-focused works<br />
that clearly display the process of<br />
their production, other works are<br />
presented that are characterised<br />
by careful research into materials<br />
and found objects as well as into<br />
everyday materials. The artists –<br />
some created works especially for<br />
Museum Morsbroich, others adapted<br />
existing works – examine issues like<br />
the presentation, contextualisation<br />
and decontextualisation of space.<br />
Published on the occasion of the<br />
exhibition at Museum Morsbroich,<br />
Leverkusen, Germany, 11 September<br />
– 13 November 2011.<br />
Kerber Verlag £29.50<br />
ISBN 978-3-86678-586-1<br />
hardback 116 pages<br />
55 colour, 4 b&w illustrations<br />
260 x 195 mm<br />
English and German text<br />
Douglas Gordon<br />
texts by Susanne Gaensheimer, Michael Fried,<br />
Klaus Gorner, Caoimhin Mac Giolla Leith<br />
edited by Klaus Görner, Susanne<br />
Gaensheimer<br />
Douglas Gordon is one of the<br />
most influential British artists of<br />
his generation and is renowned<br />
internationally for his films and<br />
photographs but particularly also for<br />
his video and sound installations.<br />
This <strong>catalog</strong>ue was published with<br />
the close cooperation of the Turner<br />
Prize winning artist and shows his<br />
latest works in the context of his<br />
earlier oeuvre. Gordon addresses<br />
the master pattern of perception<br />
in his great works, weaving in<br />
and reflecting on a wide variety of<br />
issues from personal biography,<br />
music, collective memory and<br />
everyday culture. The installations<br />
are documented in opulent series of<br />
pictures and accompanied by erudite<br />
texts and an interview with the artist.<br />
Published on the occasion of the<br />
solo exhibition at MMK Museum für<br />
Moderne Kunst Frankfurt am Main,<br />
19 November 2011 – 25 March 2012.<br />
Kerber Verlag £44.00<br />
ISBN 978-3-86678-628-8<br />
hardback 234 pages<br />
189 colour, 30 b&w illustrations<br />
290 x 245 mm<br />
English and German text<br />
In the Name of Love<br />
Contemporary Glass<br />
artists: Ariane Forkel, Christiane Budig,<br />
Christina Bothwell, Dafna Kaffeman, Donghai<br />
Guan, Elizabeth Swinburne, Franz X. Höller,<br />
Gina Jones, Janusz Walentynowicz, José<br />
Chardiet, Kate Baker, Katharine Coleman, Lino<br />
Tagliapietra, Luke Jerram, Marta Klonowska,<br />
Masayo Odahashi, Mathieu Grodet, Mel<br />
Douglas, Sibylle Peretti, Silvia Levenson,<br />
Simone Fezer, Steven Easton, Susan Taylor<br />
Glasgow, Tanya Lyons, Xiao Ke Zhao,<br />
Zhenning Li<br />
texts by Eva-Maria Fahrner-Tutsek, Clementine<br />
Schack von Wittenau<br />
preface by Florian Hufnagl<br />
edited by Eva-Maria Fahrner-Tutsek<br />
Human beings yearn to give<br />
expression to love and the pain<br />
of love in art. Over the centuries,<br />
literature, music, painting and<br />
sculpture have reflected these eternal<br />
endeavours. In recent decades glass<br />
has developed as an interesting<br />
artistic material with sculptures on<br />
abstract themes replacing the more<br />
traditional bowls or vases. Based on<br />
the theme In the Name of Love, this<br />
publication presents contemporary<br />
sculptures by international artists who<br />
use glass in their work. Published<br />
on the occasion of the exhibition at<br />
Alexander Tutsek-Stiftung, Munich,<br />
Germany, 2012.<br />
Kerber Verlag £30.00<br />
ISBN 978-3-86678-589-2<br />
hardback 112 pages<br />
112 colour illustrations<br />
245 x 245 mm<br />
English and German text<br />
20<br />
21