PDF catalog - Cornerhouse
PDF catalog - Cornerhouse
PDF catalog - Cornerhouse
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SPRING 2012<br />
Fred Sandback<br />
Drawing Spaces<br />
texts by Fred Jahn, Kerstin Skrobanek<br />
edited by Kerstin Skrobanek, Reinhard Spieler<br />
The American artist Fred Sandback<br />
became famous in the 1970s for<br />
his sculptures made of coloured<br />
acrylic yarn, which he used to rewrite<br />
geometric bodies or to impact upon<br />
spatial situations. This <strong>catalog</strong>ue<br />
presents for the first time a broad<br />
selection of Sandback’s works on<br />
paper, drawings and prints. This<br />
provides impressive evidence of<br />
how Sandback has seamlessly<br />
transferred the classic techniques of<br />
lithography, etching and woodcuts<br />
into the aesthetics of his time and<br />
retraced the development process of<br />
his sculptures in his prints. Published<br />
on the occasion of the exhibition Fred<br />
Sandback: Räume zeichnen, May –<br />
August 2011, Wilhelm Hack Museum,<br />
Ludwigshafen am Rhein.<br />
Kerber Verlag £20.00<br />
ISBN 978-3-86678-558-8<br />
softback 64 pages<br />
43 colour illustrations<br />
150 x 240 mm<br />
English and German text<br />
Alina Szapocznikow<br />
texts by Anda Rottenberg, Philip Topolovac<br />
preface by Harald Spengler<br />
Alina Szapocznikow has left a<br />
unique legacy of sculptures and<br />
drawings, which she created in both<br />
the Communist East and in the<br />
West. At the heart of her oeuvre is<br />
the human body, which according<br />
to the artist, a Holocaust survivor, is<br />
probably the most sensitive among<br />
all the manifestations of volatility as<br />
a source of joy, sorrow and truth.<br />
Szapocznikow’s works have really<br />
only been visible in their totality in<br />
the last 10 years and this is the first<br />
comprehensive publication to provide<br />
an overview of her life and work.<br />
Published alongside the exhibition,<br />
Skulpturen und Zeichnungen von<br />
Alina Szapocznikow at Kunstparterre<br />
e.V., Munich in 2010.<br />
Kerber Verlag £36.50<br />
ISBN 978-3-86678-597-7<br />
hardback 160 pages<br />
46 colour illustrations<br />
280 x 216 mm<br />
English, German and Polish text<br />
UNDER THE RADAR<br />
Andrea Stappert: Photographs<br />
1985 – 2011<br />
texts by Jonathan Dronsfield, Marc Glöde,<br />
Veith Loeers, Julie Sylvester<br />
edited by Kerber Verlag, Andrea Stappert<br />
Andrea Stappert’s photographs<br />
make up a sizeable visual archive<br />
of the international art scene, which<br />
she has been observing with her<br />
uncompromising eye since the<br />
1980s. After studying painting,<br />
she received her first photography<br />
commissions through her association<br />
with Martin Kippenberger and<br />
has kept returning to the arena of<br />
photography ever since. As an artist<br />
and not a trained photographer,<br />
Stappert uses innovative, very<br />
personal means of expression, far<br />
removed from the usual set pieces<br />
of portrait photography. UNDER<br />
THE RADAR brings together many<br />
previously unpublished images,<br />
and provides a detailed view of her<br />
comprehensive photographic work.<br />
Kerber Verlag £57.50<br />
ISBN 978-3-86678-568-7<br />
hardback 240 pages<br />
47 colour, 110 duplex illustrations<br />
300 x 240 mm<br />
English and German text<br />
VIEW YORK<br />
Nine Perceptions<br />
artists: Andrew Lichtenstein, Erich Hartmann,<br />
Gundula Friese, Guy Le Querrec, Hally Pancer,<br />
Inge Morath, Klavdij Sluban, Leonard Freed,<br />
Patrick Zachmann<br />
texts by Gundula Friese, Ruth Bains<br />
Hartmann, Andrew Lichtenstein, Anna-Patricia<br />
Kahn, Arthur Miller, Hally Pancer,<br />
Klavdij Sluban, Patrick Zachmann<br />
edited by Anna-Patricia Kahn, CLAIR Galerie,<br />
Markus Penth<br />
As a world stage, New York<br />
seems to provide an almost<br />
inexhaustible source of inspiration to<br />
photographers from a wide variety<br />
of backgrounds. This <strong>catalog</strong>ue<br />
reveals the views of international<br />
photographers and authors who feel<br />
like New Yorkers. Some of them live<br />
or have lived there, many however<br />
are just passers-by, who have<br />
cultivated a secret pact with this city<br />
as they return over and over again.<br />
Featuring selected works from the<br />
years 1954 – 2010, including some<br />
previously unpublished works by<br />
renowned photographers, VIEW<br />
YORK offers nine personal insights<br />
into the essence of this supermetropolis.<br />
Published to accompany<br />
the exhibition at Galerie CLAIR,<br />
Munich; German-American Institute,<br />
Tübingen; and German-American<br />
Institute, Freiburg in 2011 – 2012.<br />
Kerber Verlag £44.50<br />
ISBN 978-3-86678-596-0<br />
hardback 138 pages<br />
11 colour, 53 b&w illustrations<br />
240 x 280 mm<br />
Verlag der Buchhandlung<br />
Walther König<br />
distributed by <strong>Cornerhouse</strong> in the UK<br />
Tomma Abts<br />
edited by Gregor Jansen, Magdalena Holzhey<br />
Tomma Abts is one of the most<br />
outstanding painters of her<br />
generation. Her paintings are created<br />
in a slow and strict process in which<br />
she applies purely geometric forms,<br />
layer upon layer, with oil and acrylic<br />
paints, always using the same<br />
portrait format of 48 x 38 cm. Isolated<br />
recognisable edges and translucent<br />
layers make Abts’ works a reflection<br />
on the painting process itself. This<br />
<strong>catalog</strong>ue brings together her older<br />
as well as her most recent works,<br />
and includes for the first time her<br />
drawings that have been created<br />
in parallel with her canvases. This<br />
publication is a visual continuation<br />
of her work, designed by the artist<br />
herself, and contains installation<br />
views as well as numerous<br />
large-format illustrations.<br />
Verlag der Buchhandlung Walther König £20.00<br />
ISBN 978-3-86335-060-4<br />
softback 64 pages<br />
40 colour illustrations<br />
235 x 190 mm<br />
English and German text<br />
Ai Weiwei<br />
Art / Architecture<br />
texts by Andres Lepik, Reto Geiser,<br />
Yilmaz Dziewior<br />
edited by Yilmaz Dziewior<br />
Since constructing his own studio in<br />
1999, the dissident Chinese artist<br />
Ai Weiwei has designed or realised<br />
together with other architects a<br />
wide range of architectural projects.<br />
Architecture has become a discipline<br />
within the artist’s creative work by<br />
means of which, over and above the<br />
visual arts, he is able to develop a<br />
physical and lasting effect on society.<br />
This exhibition <strong>catalog</strong>ue explores<br />
this aspect of Ai Weiwei’s work. It<br />
elucidates the architectural projects<br />
and examines the role of architecture<br />
in relation to Ai Weiwei’s political<br />
activities. Featuring some new<br />
works and many of the artist’s most<br />
important urban projects, including<br />
the famous ‘Bird’s Nest’ Olympic<br />
stadium in Beijing which he cocreated<br />
with architects Herzog & de<br />
Meuron. Published on the occasion<br />
of the exhibition Ai Weiwei: Art /<br />
Architecture at Kunsthaus Bregenz,<br />
Austria, 16 July – 16 October 2011.<br />
Verlag der Buchhandlung Walther König £42.00<br />
ISBN 978-3-86335-041-3<br />
hardback 144 pages<br />
80 colour, 10 b&w illustrations<br />
300 x 220 mm<br />
English and German text<br />
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