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PDF catalog - Cornerhouse

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SPRING 2012<br />

Fred Sandback<br />

Drawing Spaces<br />

texts by Fred Jahn, Kerstin Skrobanek<br />

edited by Kerstin Skrobanek, Reinhard Spieler<br />

The American artist Fred Sandback<br />

became famous in the 1970s for<br />

his sculptures made of coloured<br />

acrylic yarn, which he used to rewrite<br />

geometric bodies or to impact upon<br />

spatial situations. This <strong>catalog</strong>ue<br />

presents for the first time a broad<br />

selection of Sandback’s works on<br />

paper, drawings and prints. This<br />

provides impressive evidence of<br />

how Sandback has seamlessly<br />

transferred the classic techniques of<br />

lithography, etching and woodcuts<br />

into the aesthetics of his time and<br />

retraced the development process of<br />

his sculptures in his prints. Published<br />

on the occasion of the exhibition Fred<br />

Sandback: Räume zeichnen, May –<br />

August 2011, Wilhelm Hack Museum,<br />

Ludwigshafen am Rhein.<br />

Kerber Verlag £20.00<br />

ISBN 978-3-86678-558-8<br />

softback 64 pages<br />

43 colour illustrations<br />

150 x 240 mm<br />

English and German text<br />

Alina Szapocznikow<br />

texts by Anda Rottenberg, Philip Topolovac<br />

preface by Harald Spengler<br />

Alina Szapocznikow has left a<br />

unique legacy of sculptures and<br />

drawings, which she created in both<br />

the Communist East and in the<br />

West. At the heart of her oeuvre is<br />

the human body, which according<br />

to the artist, a Holocaust survivor, is<br />

probably the most sensitive among<br />

all the manifestations of volatility as<br />

a source of joy, sorrow and truth.<br />

Szapocznikow’s works have really<br />

only been visible in their totality in<br />

the last 10 years and this is the first<br />

comprehensive publication to provide<br />

an overview of her life and work.<br />

Published alongside the exhibition,<br />

Skulpturen und Zeichnungen von<br />

Alina Szapocznikow at Kunstparterre<br />

e.V., Munich in 2010.<br />

Kerber Verlag £36.50<br />

ISBN 978-3-86678-597-7<br />

hardback 160 pages<br />

46 colour illustrations<br />

280 x 216 mm<br />

English, German and Polish text<br />

UNDER THE RADAR<br />

Andrea Stappert: Photographs<br />

1985 – 2011<br />

texts by Jonathan Dronsfield, Marc Glöde,<br />

Veith Loeers, Julie Sylvester<br />

edited by Kerber Verlag, Andrea Stappert<br />

Andrea Stappert’s photographs<br />

make up a sizeable visual archive<br />

of the international art scene, which<br />

she has been observing with her<br />

uncompromising eye since the<br />

1980s. After studying painting,<br />

she received her first photography<br />

commissions through her association<br />

with Martin Kippenberger and<br />

has kept returning to the arena of<br />

photography ever since. As an artist<br />

and not a trained photographer,<br />

Stappert uses innovative, very<br />

personal means of expression, far<br />

removed from the usual set pieces<br />

of portrait photography. UNDER<br />

THE RADAR brings together many<br />

previously unpublished images,<br />

and provides a detailed view of her<br />

comprehensive photographic work.<br />

Kerber Verlag £57.50<br />

ISBN 978-3-86678-568-7<br />

hardback 240 pages<br />

47 colour, 110 duplex illustrations<br />

300 x 240 mm<br />

English and German text<br />

VIEW YORK<br />

Nine Perceptions<br />

artists: Andrew Lichtenstein, Erich Hartmann,<br />

Gundula Friese, Guy Le Querrec, Hally Pancer,<br />

Inge Morath, Klavdij Sluban, Leonard Freed,<br />

Patrick Zachmann<br />

texts by Gundula Friese, Ruth Bains<br />

Hartmann, Andrew Lichtenstein, Anna-Patricia<br />

Kahn, Arthur Miller, Hally Pancer,<br />

Klavdij Sluban, Patrick Zachmann<br />

edited by Anna-Patricia Kahn, CLAIR Galerie,<br />

Markus Penth<br />

As a world stage, New York<br />

seems to provide an almost<br />

inexhaustible source of inspiration to<br />

photographers from a wide variety<br />

of backgrounds. This <strong>catalog</strong>ue<br />

reveals the views of international<br />

photographers and authors who feel<br />

like New Yorkers. Some of them live<br />

or have lived there, many however<br />

are just passers-by, who have<br />

cultivated a secret pact with this city<br />

as they return over and over again.<br />

Featuring selected works from the<br />

years 1954 – 2010, including some<br />

previously unpublished works by<br />

renowned photographers, VIEW<br />

YORK offers nine personal insights<br />

into the essence of this supermetropolis.<br />

Published to accompany<br />

the exhibition at Galerie CLAIR,<br />

Munich; German-American Institute,<br />

Tübingen; and German-American<br />

Institute, Freiburg in 2011 – 2012.<br />

Kerber Verlag £44.50<br />

ISBN 978-3-86678-596-0<br />

hardback 138 pages<br />

11 colour, 53 b&w illustrations<br />

240 x 280 mm<br />

Verlag der Buchhandlung<br />

Walther König<br />

distributed by <strong>Cornerhouse</strong> in the UK<br />

Tomma Abts<br />

edited by Gregor Jansen, Magdalena Holzhey<br />

Tomma Abts is one of the most<br />

outstanding painters of her<br />

generation. Her paintings are created<br />

in a slow and strict process in which<br />

she applies purely geometric forms,<br />

layer upon layer, with oil and acrylic<br />

paints, always using the same<br />

portrait format of 48 x 38 cm. Isolated<br />

recognisable edges and translucent<br />

layers make Abts’ works a reflection<br />

on the painting process itself. This<br />

<strong>catalog</strong>ue brings together her older<br />

as well as her most recent works,<br />

and includes for the first time her<br />

drawings that have been created<br />

in parallel with her canvases. This<br />

publication is a visual continuation<br />

of her work, designed by the artist<br />

herself, and contains installation<br />

views as well as numerous<br />

large-format illustrations.<br />

Verlag der Buchhandlung Walther König £20.00<br />

ISBN 978-3-86335-060-4<br />

softback 64 pages<br />

40 colour illustrations<br />

235 x 190 mm<br />

English and German text<br />

Ai Weiwei<br />

Art / Architecture<br />

texts by Andres Lepik, Reto Geiser,<br />

Yilmaz Dziewior<br />

edited by Yilmaz Dziewior<br />

Since constructing his own studio in<br />

1999, the dissident Chinese artist<br />

Ai Weiwei has designed or realised<br />

together with other architects a<br />

wide range of architectural projects.<br />

Architecture has become a discipline<br />

within the artist’s creative work by<br />

means of which, over and above the<br />

visual arts, he is able to develop a<br />

physical and lasting effect on society.<br />

This exhibition <strong>catalog</strong>ue explores<br />

this aspect of Ai Weiwei’s work. It<br />

elucidates the architectural projects<br />

and examines the role of architecture<br />

in relation to Ai Weiwei’s political<br />

activities. Featuring some new<br />

works and many of the artist’s most<br />

important urban projects, including<br />

the famous ‘Bird’s Nest’ Olympic<br />

stadium in Beijing which he cocreated<br />

with architects Herzog & de<br />

Meuron. Published on the occasion<br />

of the exhibition Ai Weiwei: Art /<br />

Architecture at Kunsthaus Bregenz,<br />

Austria, 16 July – 16 October 2011.<br />

Verlag der Buchhandlung Walther König £42.00<br />

ISBN 978-3-86335-041-3<br />

hardback 144 pages<br />

80 colour, 10 b&w illustrations<br />

300 x 220 mm<br />

English and German text<br />

24<br />

25

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