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Summer 2004 - BMI.com

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their work-in-progress at a cabaret<br />

for participating O’Neill theatre<br />

artists.<br />

Storyville is an original story set<br />

in the final days of New Orleans’<br />

notorious legalized red-light district.<br />

Drawing on the rich musical<br />

landscape at the dawning of the<br />

Jazz Age, plus historical facts, personalities,<br />

and urban myths, Storyville<br />

is a journey of love and<br />

redemption involving a powerful<br />

and charismatic madam, her<br />

young protegee, and the young<br />

sailor whom they both love.<br />

THEORY OF THE LEISURE<br />

CLASS<br />

An Irreverent Vaudeville Musical<br />

Comedy, Book and Lyrics by<br />

Charles Leipart, Music by Richard<br />

B. Evans (Advanced) had a “table<br />

reading with songs” presented by<br />

the Abingdon Theatre on June 10,<br />

<strong>2004</strong>. The cast featured Nick<br />

Wyman (currently on Broadway in<br />

Sly Fox) as Thorstein Veblen, with<br />

Ian August, Jonathan Ball, J.<br />

Claude Deering, Susan Derry<br />

(Wonderful Town), Louisa<br />

Flaningam, Amy Goldberger,<br />

Nancy McGraw and Randy Redd.<br />

VOICE OF THE CITY<br />

As reported by Ernio Hernandez<br />

in Playbill On-Line:<br />

Voice of the City, a new romantic<br />

musical <strong>com</strong>edy set in O. Henry’s<br />

New York City, [had] its first public<br />

reading May 13 as part of the<br />

York Theatre Company’s Developmental<br />

Reading Series.<br />

Karen Azenberg direct[ed] the<br />

15-actor show by lyricist-librettist<br />

Kenneth Jones and <strong>com</strong>poser<br />

Elaine Chelton [both alumni].<br />

Music direction [was] by Mary-<br />

Mitchell Campbell.<br />

Pieces of the show have been<br />

heard in recent years in The <strong>BMI</strong>-<br />

Lehman Engel Musical Theatre<br />

Workshop, where Jones and Chelton<br />

met. Chelton is a principal solo<br />

pianist at New York City Ballet.<br />

Jones is an editor at Playbill On-<br />

Line.<br />

“It’s a musical fable about a<br />

woman who <strong>com</strong>es of age in Manhattan—a<br />

city she never really got<br />

to know until circumstances forced<br />

her to face the world,” <strong>com</strong>poser<br />

Chelton said. “Since it’s set in<br />

1906, and the characters vary so<br />

widely in background, there’s a<br />

variety of musical sounds in the<br />

score, from rag to polka to Yiddish<br />

lullaby to march, and more.”<br />

Voice of the City is described as a<br />

book musical with the kind of plot<br />

twists expected of stories by turnof<br />

the-century fiction writer O.<br />

Henry (The Gift of the Magi). The<br />

show is inspired by an O. Henry<br />

short story called Springtime a la<br />

Carte, about a typing girl named<br />

Sarah who is torn between the<br />

country and the city.<br />

“In O. Henry’s Greenwich Village<br />

of 1906, a typing girl expects a<br />

farmer from Connecticut to whisk<br />

her away from urban life, but<br />

twists of fate and a <strong>com</strong>munity of<br />

new friends show her the country<br />

isn’t the only place where things<br />

blossom,” according to the York<br />

website. It’s “a romantic musical<br />

<strong>com</strong>edy fable about reaching for<br />

life instead of waiting around for<br />

it.”<br />

The reading cast includ[ed] Kate<br />

10

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