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Nam June Paik, Electronic Superhighway - Smithsonian Education ...

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<strong>Nam</strong> <strong>June</strong> <strong>Paik</strong>, <strong>Electronic</strong> <strong>Superhighway</strong>: Continental U.S., Alaska, Hawaii, 1995, 49-<br />

channel closed circuit video installation, neon, steel and electronic components, approx.<br />

15 x 40 x 4 ft., <strong>Smithsonian</strong> American Art Museum, Gift of the artist, 2002.23


About the Artwork:<br />

<strong>Electronic</strong> <strong>Superhighway</strong> is <strong>Nam</strong> <strong>June</strong> <strong>Paik</strong>’s tribute to the United States, his adopted<br />

homeland. <strong>Paik</strong>, born in Korea in 1932, moved to New York in 1964 and lived in<br />

America until his death in 2006.<br />

Though the outlines of the fifty states are familiar, <strong>Electronic</strong> <strong>Superhighway</strong> challenges<br />

the viewer to look with new eyes at the cultural map of the United States. Each state is<br />

represented by video footage reflecting the artist’s personal, and often unexpected,<br />

associations with the place. He celebrates some states for their connections to his artistic<br />

friends and collaborators--composer John Cage in Massachusetts, performance artist<br />

Charlotte Moorman in Arkansas, and choreographer Merce Cunningham in Washington.<br />

Some states he knows best through classic movies---The Wizard of Oz for Kansas,<br />

Showboat for Mississippi, and South Pacific for Hawaii. Sometimes he chose video clips<br />

or flickering slideshows evoking familiar associations, such as the Kentucky Derby,<br />

Arizona highways, and presidential candidates for Iowa. Topical events such as the fires<br />

of the 1993 Waco siege, or Atlanta’s 1996 summer Olympics create a portrait of a<br />

moment in time. Old black-and-white TV footage and audio of Martin Luther King<br />

speeches recall Civil Rights struggles in Alabama. California has the fastest-paced<br />

imagery, racing through the Golden Gate Bridge, 0s and 1s of the digital revolution, and a<br />

fitness class led by O. J. Simpson. A mini-cam captures images of <strong>Superhighway</strong>’s<br />

viewers and transmits their images onto a tiny screen representing Washington, D.C.,<br />

making visitors a part of the story.<br />

<strong>Nam</strong> <strong>June</strong> <strong>Paik</strong> is hailed as the “father of video art” and credited with the first use of the<br />

term “information superhighway” in the 1970s. He recognized the potential for media<br />

collaboration among people in all parts of the world, and he knew that media would<br />

completely transform our lives. <strong>Electronic</strong> <strong>Superhighway</strong>—constructed of 336<br />

televisions, 50 DVD players, 3,750 feet of cable, and 575 feet of multicolor neon<br />

tubing—is a testament to the ways media defined one man’s understanding of a diverse<br />

nation.<br />

Links<br />

<strong>Nam</strong> <strong>June</strong> <strong>Paik</strong> biography<br />

http://americanart.si.edu/collections/search/artist/id=3670<br />

High Resolution Image<br />

http://americanart.si.edu/images/2002/2002.23_1a.jpg<br />

<strong>Superhighway</strong> Scholars<br />

http://americanart.si.edu/education/rs/index.cfm<br />

An educational website that includes a video about <strong>Electronic</strong> <strong>Superhighway</strong>, a teacher<br />

guide, and a student gallery. Submit your students’ work for inclusion.

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