ba-hons-english-creative-writing

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Stephen Mollett is a Senior Lecturer in English and Creative Writing. He read English Literature at Cambridge and for more than a decade has been an Associate Lecturer at Chichester on the creative writing programme. From 2004 to 2008, he was a Royal Literary Fellow, helping students of any subject improve their writing. He has tutored at the Arvon Foundation in Devon, where he was also Centre Director for two years. He has written for the stage, for radio and for television. Recently he has written five episodes of Doctors for BBC 1. Stephanie Norgate is Reader in Creative Writing. Her other role is as co-ordinator of our very successful MA in Creative Writing. Her writing and teaching interests are: poetry, contemporary and past, translating poetry, contemporary stage drama, radio drama and creative writing. In 2001, she received an Arts Council England writer’s award. Her writing credits include poetry, radio plays and plays produced on the London and Edinburgh Fringe. Her latest poetry collection is The Blue Den (Bloodaxe Books). Dr Benjamin Noys is Reader in English. His research traverses the field of critical theory, and particularly its intersections with cultural production. He is currently working on the question of negativity in contemporary theory, and particularly its implications for political practice. His future work is focused on temporality, forms of value, and the anthropology of the subject. He also has a critical interest in avant-garde aesthetics and the problem of transgression in art, theory, and cultural politics. He is also a corresponding editor of Historical Materialism, and a member of the Editorial boards of Film-Philosophy and S. Dr Noys also directs the Theory Research Group an interdisciplinary group devoted to presenting work in contemporary theory, at the. Dr Fiona Price is Senior Lecturer in English. She has written extensively on eighteenth-century women's writing and aesthetics. She is currently working on a monograph on the politics of the historical novel in the decades before Sir Walter Scott's Waverley (1814), and editing a special issue of the journal Women's Writing (entitled 'Romantic Women Writers and the Fictions of History'). Her edition of the historical novel Jane Porter's The Scottish Chiefs (1810) has been published by Broadview; she is also editor of Sarah Green's Private History of the Court of England (1808; Pickering and Chatto, 2011). Fiona is a founding member of the South Coast Eighteenth-Century and Romantic Research Group which aims to provide a dynamic research environment for staff and postgraduates working in the long eighteenth-century. She has recently been awarded the prestigious position of an Andrew Mellon Foundation Fellow at the Huntington Library California. 36
Dr. Duncan Salkeld is Reader in English. He is author of Madness and Drama in the Age of Shakespeare (Manchester University Press, 1993), and several articles on Shakespeare and Renaissance drama. His recent publications include Shakespeare Among the Courtesans: Prostitution, Literature, and Drama, 1500-1650 (Ashgate). Dr. Salkeld’s teaching and research interests include Shakespeare, Renaissance drama, early modern prosecutions and legal records, and textual scholarship. Dr. Salkeld gives regular conference papers at British universities, and has organized a Shakespeare Study Day at the University for local A-Level and Access students. He is currently preparing books on courtesans, Shakespeare and micro-history. After completing her MA at Lancaster University, Senior Lecturer Karen Stevens began teaching at the University of Chichester on a variety of creative writing modules. Children’s fiction and contemporary short fiction are of specific interest to her. Her short stories have been published in The Big Issue (1995), Pulp Net (2004), Londonart.co.uk on-line gallery (2005), and the anthologies Water Babies (Panurge New Fiction, 1995), Mouth Ogres (Oxmarket Press, 2001), Spoonface and Other Stories (Fish Publishing, 2004), Dreaming Beasts (Krebs and Snopes, 2005) and 'Overheard: stories to read aloud', published by Salt. She has also, edited Writing a First Novel: reflections on the journey (2013). Karen is presently writing her first novel which was shortlisted for the British Arts Council-funded ‘Adventures in Fiction Apprenticeships’ in 2007. She co-ordinates the second year BA Creative Writing: Fiction Today module, and co-teaches on The Writing Studio module on the MA in Creative Writing. Her special subject for the third year BA is Children’s Fiction. She also supervises MA dissertations and BA dissertations. Senior lecturer David Swann has an MA in Creative Writing from Lancaster University, which he passed with Distinction. From 1996 to 1997, he was Writer in Residence at H.M. Nottingham Prison. He now teaches modules in Creative Writing and he also runs the popular Tongues and Strings literary cabaret with Hugh Dunkerley. Dave's short stories and poems have been widely published. Recent publications include: The Last Days of Johnny North (Elastic Press) and The Privilege of Rain (Waterloo Press), which was shortlisted for the 2011 Ted Hughes Award for new work. His poem ‘The last days of the Lancashire boggarts’ was commended in the 2013 National Poetry Competition. Dr Stavroula Varella gained her BA Hons Linguistics and PhD at Sussex. Her research interests include, Historical Linguistics, Sociolinguistics, Language contact and Lexicology. The modules she teaches on include: Language: Form and Function, Language: Variety and Change, Language and Authority, Language into Literature and Professional Writing. 37
Page 1 and 2: English and English & Creative Writ
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Page 6 and 7: English (BA Hons) This degree progr
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