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Quick-reference Guide to Clarinet Intonation Problems

Quick-reference Guide to Clarinet Intonation Problems

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NOTES THAT TEND TO BE FLAT<br />

<strong>Clarinet</strong> In<strong>to</strong>nation<br />

problems and some solutions<br />

&<br />

Can be flat in forte<br />

w<br />

w<br />

w<br />

w<br />

...................................................................................................................................................................................<br />

NOTES THAT TEND TO BE SHARP<br />

& w<br />

Usually sharp, especially in pianissimo:<br />

w<br />

"shade" by fingering<br />

close <strong>to</strong> open holes<br />

# w bw<br />

improves <strong>to</strong>ne<br />

and in<strong>to</strong>nation<br />

affects <strong>to</strong>ne a bit, but not<br />

as noticeable in pianissimo<br />

& w<br />

bw<br />

# w<br />

# w bw<br />

improves <strong>to</strong>ne<br />

and in<strong>to</strong>nation<br />

improves <strong>to</strong>ne<br />

and in<strong>to</strong>nation<br />

Do NOT use r. h. pinky on this note!<br />

That vent is used on notes above this.<br />

©Fallen Music, 2013


2 <strong>Clarinet</strong> In<strong>to</strong>nation<br />

ALTISSIMO CAN BE FLAT OR SHARP (OR IN TUNE!)<br />

Sharp: If player pinches.<br />

Flat: If embouchure/air is not developed, in forte and when articulated heavily. These notes will often sound low<br />

if in unison with flutes or an octave above trumpets.<br />

&<br />

w<br />

# w bw<br />

w<br />

My favorite, and no<br />

one knows this one!<br />

No pinky.<br />

This one articulates<br />

well, especially<br />

on Eb soprano clarinet.<br />

w<br />

# w bw<br />

&<br />

"Long" F:<br />

especially<br />

nice in pp<br />

&<br />

w<br />

All of these are better in tune than<br />

the one usually shown in charts<br />

# w bw<br />

An easy alternative <strong>to</strong> ones<br />

usually shown in charts<br />

©Fallen Music, 2013

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