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excited atoms an exploration of virtual mobility in the contemporary performing arts contents page • acknowledgements 2 • forewords 3 • vm_introduction 5 • vm_mapping the terrain 8 • Collective Collaborations through Telematics: Ghislaine Boddington 27 • vm_interviews 39 Helen Varley Jamieson Susanne Berkenheger Matthias Fritsch Isabel Valverde Emma Cotter radical_hope Tiago Rodrigues: Long Distance Hotel Julianne Pierce: Blast Theory Niels Windfeld Lund: The World Opera Venzha Christ: House of Natural Fiber Inarra Saarinen: Ballet Pixelle Elizabeth & Jimmy Miklavcic: Another Language Rob van Kranenburg Klaus Nicolai Helen Thorington Don Foresta Tapio Mäkelä Johannes Birringer Nayse Lopez Guy Guypens Jan Ritsema • vm_explore more 72 • vm_glossary 93 • annex: OTM questionnaire & survey analysis 97 excited atoms/On-the-Move.org mobility dossier/author: Judith Staines Page 1
acknowledgements excited atoms was published online by On-the-Move in April 2010. The idea for a study into virtual mobility came from discussions between Mary Ann DeVlieg and Judith Staines in 2007. It was researched and written by Judith Staines from 2008-2010, with a personal pathway reflection, ‘Collective Collaborations through Telematics’, commissioned from Ghislaine Boddington (body>data>space). Many thanks to the experienced and knowledgeable advisory group for excited atoms who generously contributed their time, ideas, contacts and reviewed the draft report: - Mary Ann De Vlieg, IETM - Rob van Kranenburg - Nayse Lopez, idança - Ruben Gutierrez, Fundación Autor - Katelijn Verstraete, Asia-Europe Foundation - Julianne Pierce, Blast Theory - Isabel Valverde, Institute for Humane Studies and Intelligent Sciences, Lisbon - Ghislaine Boddington, body>data>space Thanks also to all the vm interviewees who responded to the email request and enriched the content and connectivity of the study. The contents of this OTM mobility dossier may be used freely for non-profit purposes, as long as the source is credited. For all other uses, contact info@on-the-move.org The excited atoms On-the-Move mobility information dossier was funded by: The title excited atoms comes from an article in The Guardian, 2008 by UK poet Simon Armitage: About two years ago I was having a dark Wednesday of the soul in a small town in southern Poland. It was late, wet, cold. I pulled out my phone, pushed one button, and in a couple of seconds I was talking to my wife. We were thousands of miles apart and connected by nothing other than excited atoms. Judith Staines is a freelance writer, researcher and project manager based in the UK. She is European Editor of the Asia-Europe cultural portal www.culture360.org. From 2004-2009 she was General Editor/Executive Director of www.on-the-move.org. She undertakes a wide range of research and project management in the fields of European cultural cooperation and international mobility. She has collaborated with many European cultural networks and platforms, contributed to EU studies on culture, mobility and networks and written several books for visual artists and cultural managers. © Judith Staines 2010 © Ghislaine Boddington / body>data>space 2010 (Collective Collaborations through Telematics) OTM mobility dossier published 2010 by: www.on-the-move.org excited atoms/On-the-Move.org mobility dossier/author: Judith Staines Page 2
Page 1: excited atoms an exploration of vir
Page 5 and 6: foreword_2 “Well, the good old da
Page 7 and 8: artists collaborate and build trust
Page 9 and 10: vm_mapping the terrain This section
Page 11 and 12: the highly successful Dance-Tech.ne
Page 13 and 14: • using standard and specialist o
Page 15 and 16: I am very interested in researching
Page 17 and 18: My main interests in networked perf
Page 19 and 20: Another phenomenon, clearly on the
Page 21 and 22: expose the ambient technology and d
Page 23 and 24: can experience the performance. The
Page 25 and 26: Festivals are becoming increasingly
Page 27 and 28: I am sceptical that virtual mobilit
Page 29 and 30: • as a shared creative environmen
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Page 33 and 34: wonderful playfulness with identity
Page 35 and 36: NESTA Ignite Talent Matters telemat
Page 37 and 38: of virtual touch, the extensions we
Page 39 and 40: lended. This is where the years of
Page 41 and 42: • Critical observers: the long vi
Page 43 and 44: Susanne Berkenheger author, journal
Page 45 and 46: Isabel Valverde performer, interdis
Page 47 and 48: development of new material. When I
Page 49 and 50: process into a virtual language Wha
Page 51 and 52: What benefits and strengths do you
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In one VJ school project initiated
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Elizabeth and Jimmy Miklavcic co-fo
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about how the internet and mobile p
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e) the trans-national, global citiz
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Not all our multi-location commissi
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essential to create a visible space
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performances streamed live between
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and of interactive technologies use
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How do you envisage the future in y
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vm_explore more This section contai
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Blast Theory Renowned international
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Station House Opera What's Wrong wi
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The Lost Sounds Orchestra Musicians
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AV Festival An international festiv
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Daniel Langlois Foundation Based in
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DANCERS! Interactive video database
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Rhizome Dedicated to the creation,
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Digital Performance Archive The Dig
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Collaborative Futures Written by si
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Telematic Embrace: Visionary Theori
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Immersive Environments - an encompa
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Telepresence - presence in real tim
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Individuals largely described thems
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o o o o o o o o o it might be worth
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7. Respondents were asked to sugges
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