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ARCHITECTURAL ANALYSIS OF PRECEDENT

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JAMES FIEGE<br />

DESIGN PORTFOLIO


TABLE <strong>OF</strong> CONTENTS<br />

o THE SHELTER<br />

o OBSERVATORIUM<br />

o GARDEN <strong>ANALYSIS</strong><br />

o SPACE/PATH: A DESIGN SEQUENCE<br />

o FAÇADE <strong>ANALYSIS</strong><br />

o FAÇADE DESIGN<br />

o DRAWINGS<br />

2


SHELTER PROJECT<br />

SHELTER PROJECT


Form + Function = The Architecture of Shelter<br />

Problem Statement:<br />

The problem as given is to design<br />

a shelter to accommodate one<br />

homeless person. Within your<br />

shelter the person is required to<br />

be able to sit and lie down.<br />

Your shelter needs to<br />

accommodate your body sizes<br />

and movements as well as to<br />

account for practical concerns<br />

such as shedding moisture,<br />

ventilation, etc.<br />

In the design of your shelter you<br />

are being asked to explore the<br />

relationship between<br />

function/shelter and form/space in<br />

the context of the real world. You<br />

are being asked to investigate<br />

how the function of shelter is<br />

manifested in architectural form.<br />

Your design should not only<br />

function as shelter, but it should<br />

also become architecture.<br />

In the design of your shelter you<br />

are given a basic form. It is a 3'-<br />

0" x 3'-0" hollow cube. Your task<br />

is to ADD forms to this basic form<br />

to articulate the requirements of<br />

the program. One will not be<br />

able to fit comfortably inside a<br />

3'-0" x 3'-0" cube. You will need<br />

to add forms to accommodate<br />

comfort. This form is to be<br />

additive in nature.<br />

SHELTER PROJECT<br />

In our shelter my<br />

partner and I explored<br />

on many ideas<br />

throughout our process.<br />

There were ideas that<br />

we liked such as having<br />

a sleeping area that<br />

was elevated off the<br />

ground, having a place<br />

to sit (also elevated off<br />

the ground) and being<br />

able to stand up in our<br />

shelter. Our final design<br />

accommodated all of<br />

those ideas. We also<br />

wanted to come up with<br />

a very interesting form.<br />

One way we were able<br />

to create an interesting<br />

form was when we<br />

created our sleeping<br />

space. We cut away<br />

the underneath space of<br />

the sleeping area<br />

exposing the shape on<br />

the exterior. This gave<br />

the structure a unique<br />

form.<br />

4<br />

THE SHELTER


Final Model<br />

5<br />

THE SHELTER


Sketch Models<br />

6<br />

THE SHELTER


Sketches<br />

7<br />

THE SHELTER


OBSERVATORIUM


To See and Spend the Night In: The Observatorium<br />

Project Statement:<br />

Your first step will be to<br />

design a modular unit.<br />

This modular unit cannot<br />

be less than 14" x 7" x<br />

1/2". These dimensions<br />

being x, y, and z axes,<br />

but not necessarily in that<br />

order or placed in that<br />

relationship. You will<br />

create the walls, floor<br />

and ceiling/roof with<br />

these modular units. The<br />

walls and ceiling/roof<br />

are to have an inside that<br />

is analogous to the<br />

outside.<br />

The structure will be<br />

inward looking. However<br />

you will create openings<br />

in the walls. These<br />

openings will be placed<br />

such that they do not<br />

allow the participant a<br />

view of the horizon.<br />

Therefore there are to be<br />

only clerestory windows,<br />

skylights and openness to<br />

the sky.<br />

The artists described it as a "vernacular dwelling for seclusion" and a<br />

"silent space for the observation of the inner self".<br />

OBSERVATORIUM<br />

In this project I created<br />

a relaxing, ideal place<br />

to unwind. In my project<br />

I focused on a beach<br />

theme. I find the beach<br />

an ideal place relax.<br />

My modular unit<br />

resembled a palm tree<br />

leaf which ties to the<br />

beach theme. I used the<br />

modular unit to create a<br />

sculptural piece as a<br />

focal point in the<br />

courtyard. The<br />

sculptural piece<br />

resembles a palm tree<br />

which also functions to<br />

provide shelter. I felt<br />

that it gave you a sense<br />

of feeling like you were<br />

under a palm tree or<br />

tree with big leafs.<br />

Sand covers the floor in<br />

the court yard<br />

completing the beach<br />

experience. I placed the<br />

other interior spaces<br />

were I felt were<br />

necessary.<br />

9<br />

OBSERVATORIUM


Final Model<br />

10<br />

OBSERVATORIUM


Final Model<br />

11<br />

OBSERVATORIUM


Sketch Model<br />

PROCESS<br />

12<br />

OBSERVATORIUM<br />

OBSERVATORIUM


GARDEN <strong>ANALYSIS</strong>


<strong>ARCHITECTURAL</strong> <strong>ANALYSIS</strong> <strong>OF</strong> <strong>PRECEDENT</strong><br />

Project statement:<br />

Each group will be<br />

responsible for a<br />

comprehensive<br />

presentation the<br />

requirements of which<br />

are listed. Each group<br />

member will be<br />

assigned a specific<br />

component of the<br />

presentation. All group<br />

members are expected<br />

to work on all<br />

components of the<br />

presentation. One<br />

group member will be<br />

assigned to be the<br />

coordinator of all<br />

components. This person<br />

will be the “chief<br />

architect”.<br />

GARDEN <strong>ANALYSIS</strong><br />

In this project I was<br />

assigned to be the<br />

“Chief Architect” and<br />

co-ordinate all<br />

components of the<br />

project. Our garden in<br />

which we analyzed<br />

was The Villa<br />

Vicobella. As the<br />

coordinator of the<br />

group it was a<br />

challenge to learn to<br />

critique people and to<br />

assign the group tasks.<br />

I wasn’t use to<br />

critiquing people and<br />

assigning people with<br />

tasks. I learned quickly<br />

how deal with all the<br />

pressures of being a<br />

project leader. I feel<br />

that this project was a<br />

good learning<br />

experience.<br />

14<br />

GARDEN <strong>ANALYSIS</strong>


Final Drawing<br />

15<br />

GARDEN <strong>ANALYSIS</strong>


Final Model<br />

16<br />

GARDEN <strong>ANALYSIS</strong>


MUSEUM PROJECT


SPACE/PATH: A Design Sequence<br />

Project statement:<br />

The Museum space<br />

measures 36’-0” x 108’-<br />

0” x 36 -0”. It is<br />

basically a warehouse<br />

type building on an infill<br />

site (no windows are<br />

possible on the long<br />

sides). Entry and exit<br />

occur on the short sides<br />

of the plan.<br />

There are four (4)<br />

required spaces:<br />

Lobby/entrance<br />

reception and/or exit<br />

space is given<br />

permanent collection<br />

exhibit space I<br />

temporary exhibit space<br />

outdoor sculpture<br />

courtyard.<br />

MUSEUM PROJECT<br />

This project was<br />

related to the<br />

previous project and<br />

called for group<br />

work. With the<br />

groups being same<br />

as last time. I was<br />

again group leader.<br />

This was a very<br />

interesting project in<br />

that we had to<br />

incorporate 3<br />

different precedents<br />

into one flowing<br />

layout. Our three<br />

precedents flowed<br />

together very nicely<br />

and were very<br />

workable. We were<br />

able to use many<br />

different elements in<br />

our museum design<br />

sequence. All in all I<br />

feel our group came<br />

up with a solid design<br />

that established a<br />

clear circulatory path<br />

through well defined<br />

spaces.<br />

18<br />

MUSEUM PROJECT


Final Model<br />

FINAL DESIGN<br />

19<br />

MUSEUM PROJECT


Final Model<br />

20<br />

MUSEUM PROJECT


Autodesk Inventor Drawings<br />

21<br />

MUSEUM PROJECT


Sketches<br />

22<br />

MUSEUM PROJECT


FAÇADE <strong>ANALYSIS</strong>


Architectural Analysis of Precedent<br />

Objective:<br />

To introduce the<br />

concept of the<br />

interconnectedness<br />

of three dimensions<br />

(plan, section and<br />

elevation) in<br />

architecture<br />

To develop research<br />

and investigative<br />

skill<br />

To develop an<br />

ability to observe<br />

and record and<br />

speculate about<br />

architectural<br />

phenomena<br />

To develop basic<br />

analytical abstract<br />

thinking<br />

To practice<br />

usingdiagrams as an<br />

aid to architectural<br />

thinking<br />

To encourage<br />

abstract thinking<br />

FAÇADE <strong>ANALYSIS</strong><br />

This project I felt was<br />

very interesting<br />

because it allowed<br />

you to investigate<br />

what the architect<br />

was thinking with his<br />

design of his façade.<br />

I was assigned The<br />

Museum for the<br />

Decorative Arts, by<br />

Richard Meier. What<br />

I thought he did was<br />

very complicated but<br />

was interesting. I also<br />

thought he had a<br />

very tough situation<br />

to deal with in the<br />

existing façade in<br />

which he<br />

incorporated it into<br />

his new façade by<br />

repeating and<br />

abstracting the<br />

proportions of the<br />

existing .<br />

24<br />

FAÇADE <strong>ANALYSIS</strong>


Final Model<br />

25<br />

FAÇADE <strong>ANALYSIS</strong>


Diagrams<br />

26<br />

FAÇADE <strong>ANALYSIS</strong>


Final sketches<br />

27<br />

FAÇADE <strong>ANALYSIS</strong>


FAÇADE DESIGN


Façade Design - Robert A. M. Stern Townhouse, Park Ave., NYC<br />

Project Statement:<br />

You are being given<br />

the documentation<br />

(sans façade) for a<br />

New York Townhouse<br />

designed by Robert<br />

A. M. Stern, newly<br />

appointed Dean at<br />

Yale University. You<br />

are to design a<br />

façade for the<br />

townhouse which<br />

takes into<br />

consideration the<br />

contextual cues and<br />

plan and sectional<br />

disposition of<br />

spaces. You will<br />

need to program the<br />

first floor space and<br />

relate your façade<br />

design to that<br />

program.<br />

FAÇADE DESIGN<br />

In this project the<br />

program ask for<br />

many of our design<br />

moves to be related<br />

some how to the<br />

existing building. The<br />

interior of the Park<br />

Ave. townhouse was<br />

very modern, so that<br />

is were I began my<br />

design. I incorporated<br />

many elements from<br />

the interior but<br />

tweaked them to my<br />

liking. The program<br />

also gave the<br />

designer the task of<br />

deciding the use of<br />

the first floor. I<br />

thought that by<br />

having a modern<br />

façade I should keep<br />

the use of the first<br />

floor more formal. I<br />

programmed the first<br />

level to be an<br />

architectural office.<br />

29<br />

FAÇADE DESIGN


Final Design<br />

30<br />

FAÇADE DESIGN


Final Design<br />

31<br />

FAÇADE DESIGN


Sketches<br />

SKETCHES<br />

32<br />

FAÇADE DESIGN


Sketch Models<br />

33<br />

FAÇADE DESIGN


DRAWINGS


Introduction<br />

In this section are some<br />

drawings that I have done<br />

inside architecture classes<br />

as well as outside of class.<br />

I have always enjoyed<br />

drawing . When I was<br />

younger sports had a huge<br />

influence in my life so a lot<br />

of things I would draw<br />

would be involved with<br />

sports. With some of the<br />

Architecture classes I have<br />

taken I have been able to<br />

sharpen my skills and<br />

produce better drawings.<br />

DRAWINGS<br />

35<br />

DRAWINGS


Architectural Plates<br />

36<br />

DRAWINGS


Fallingwater Drawings<br />

37<br />

DRAWINGS


Graphic Communication<br />

38<br />

DRAWINGS


Tech 172<br />

39<br />

DRAWINGS


Auto Cad renderings<br />

40<br />

DRAWINGS


AutoCad Drawings<br />

LONGITUDINAL SECTION<br />

SCALE<br />

1/8" = 1'- 0"<br />

41<br />

DRAWINGS


Sports Drawings<br />

42<br />

DRAWINGS


Sports Drawings<br />

43<br />

DRAWINGS

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