Open Entire Issue - WhatzUp
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16--------------------------------------------------------------------------------- www.whatzup.com- ------------------------------------------------------------September 20, ’12<br />
Andrew Constantine, conductor<br />
David Ling, violin<br />
Derek Reeves, viola<br />
Brand New for the<br />
2012-2013 Season!<br />
september 28<br />
Coffee Concert<br />
After Hours<br />
ArTS UNiTED<br />
CENTEr<br />
friday<br />
11<br />
AM<br />
Get together for an intimate Friday morning<br />
concert. Served up fresh with some piping hot<br />
coffee and pastries from Firefly Coffee House<br />
7<br />
PM<br />
Wrap up your work week with our most casual<br />
concert. Join us for food and drink from Calhoun<br />
Street Soups, Salads and Spirits, and the excellent<br />
music you’ve come to expect from The Phil.<br />
---------------- Calendar • Live Music & Comedy----------------<br />
Hub i e As h c r a f t — Acoustic at Beamer’s<br />
Sports Grill, Allen County, 6-8 p.m.,<br />
no cover, 625-1002<br />
Th e J Ta y l o r s — Light rock variety at<br />
the Venice Restaurant, Fort Wayne,<br />
6:30-9:30 p.m., no cover, 482-1618<br />
Jo e Fi v e — Rock at Latch String Bar &<br />
Grill, Fort Wayne, 10 p.m.-1 a.m., no<br />
cover, 483-5526<br />
Jo e Ju s t i c e — Variety at Dave’s Lake<br />
Shack, Fremont, 7-11 p.m., no cover,<br />
833-2582<br />
Jo e Sta b e l l i — Jazz guitar at Hall’s Old<br />
Gas House, Fort Wayne, 6-9 p.m.,<br />
no cover, 426-3411<br />
Li p b o n e Re d d i n g — Funk at Club Soda,<br />
Fort Wayne, 9:30 p.m.-12:30 a.m.,<br />
no cover, 426-3442<br />
Lit t l e Gr e e n Me n — Rock variety at<br />
Dupont Bar & Grill, Fort Wayne, 9:30<br />
p.m.-2 a.m., $5, 483-1311<br />
Ma x Do l c e l l i w/Tr a v i s Ho w z e —<br />
Comedy at Snickerz Comedy Bar,<br />
Fort Wayne, 7:30 & 9:45 p.m., $9.50,<br />
486-0216<br />
Mik e Co n l e y — Acoustic variety at<br />
Columbia Street West, Fort Wayne,<br />
5-8 p.m., no cover, 422-5055<br />
Pa u l Ne w St e w a r t w/Br i a n Fr u s h o u r<br />
— Dueling keyboards at Guesthouse,<br />
Fort Wayne, 9 p.m.-1 a.m., no cover,<br />
489-2524<br />
Wayne, 10 p.m.-1 a.m., no cover,<br />
Po p Ev i l w/Sh i n y Pe n n y a n d t h e<br />
Cr i t i ca l Sh o e s — Rock at DeKalb<br />
County Free Fall Fair, Auburn, 8:30<br />
Prairie Fi r e St r i n g Ba n d — Bluegrass<br />
at Chief Richardville House, Fort<br />
Wayne, 6-9 p.m., $50, 426-2882<br />
Re n e g a d e — Country at Mizpah Shrine<br />
Horse Show, Columbia City, 8-11<br />
Po o p DeFl e x<br />
O’Sullivan’s<br />
—<br />
Italian<br />
Punk<br />
Irish<br />
blues<br />
Pub,<br />
at<br />
Fort<br />
422-5896<br />
p.m., no cover, 925-1834<br />
ext. 308<br />
p.m., $5, 244-7645<br />
----------------------------------------------------------------------<br />
The Phil Meets the Twitterverse<br />
No doubt you’ve already bought your tickets to<br />
the Fort Wayne Philharmonic’s opening night Masterworks<br />
performance. Titled “Bursting with Life,” the<br />
Classical Grasp<br />
September 22 concert begins at 6 p.m. at the Embassy<br />
Theatre and features the famous “Rach 3” (Rachmaninoff’s<br />
Concerto No. 3 in D minor for Piano and Or-<br />
JEN POIRY-PROUGH<br />
chestra) with guest pianist Fabio Bidini.<br />
Commissioned by mega-mogul Swiss conductor<br />
So, because I know you’re already sold on <strong>Open</strong>ing<br />
Night, I will focus this column on The Phil’s the fascist movement in Europe. Bartok, who was<br />
Paul Sacher, this piece was written as a diversion from<br />
Chamber Series reboot, which debuts Friday, September<br />
28. The concert, titled “Music from Memories,” piece in 15 days while the threat of war loomed over<br />
Hungarian, was put up in a Swiss chalet and wrote the<br />
features works by C.P.E. Bach, W.A. Mozart, and Béla the rest of Europe.<br />
Bartók. It also marks the debut of a new feature for the The first movement starts out as a sexy little ditty<br />
techno-hipster: Tweet Seats. Read on.<br />
with gypsy influences. The music grows more conflicted<br />
before settling down. The second movement is<br />
German composer C.P.E. Bach was a pioneer of<br />
classical music. He was hired by Frederick the Great, slower, quieter and more anguished, reflecting the turmoil<br />
of the times. But in the final movement the gypsy<br />
the king of Prussia, to be the court harpsichordist, flutist,<br />
composer and human iPod in 1738 Berlin. After dance music comes back in full force. Stick around for<br />
30 years as the king’s musical Stephen King, cranking the end, which features some musical humor and more<br />
out hundreds of tunes, he quit to become the music pizzicato (which is actually plucked strings, not little<br />
director of Hamburg’s five churches.<br />
pizzas, as I said earlier).<br />
Kicking off the Chamber Series, Bach’s Sinfonia Although, by definition, a “divertimento” is written<br />
purely for the enjoyment of the player as well as<br />
Number 2 in B-flat Major (1773) is a tidy little 12-minute<br />
piece in three movements with lots of contrasting the listener, Bartók takes a little more brain power<br />
emotions. The first movement starts out blustery, then to appreciate. But that’s good for you. It can’t all be<br />
becomes melancholy. The second movement gets a Skittles and marshmallow crème.<br />
little more sentimental with gentle pizzicato accents After intermission comes the dessert: Mozart’s<br />
on the strings (“pizzicato” is a musical term meaning Sinfonia Concertante in E-flat major, K. 364 (1779).<br />
“little pizzas”). In the third, Bach shows off his cheeky Don’t you just love the evocativeness of that title<br />
humor with a bit of stop-motion that should have been Not all classical pieces get descriptive nicknames like<br />
used to score Bugs Bunny cartoons.<br />
“Ode to Joy” or “The Shoop Shoop Song.”<br />
Some people think of classical music as inaccessible<br />
and overly intellectual. I think of this piece as you cross a symphony with a concerto. Mozart, a big<br />
A “sinfonia concertante” is what you get when<br />
classical ear candy. It’s delicious, but you feel a little fan of Glee, started experimenting with the mash-up<br />
more grown up about it when you indulge.<br />
during his European Job Seeking Tour of 1777-79.<br />
Jumping ahead century and a half, The Phil offers<br />
Béla Bartók’s Divertimento for String Orchestra<br />
This was his big crossover hit.<br />
(1939).<br />
Continued on page 17<br />
2012<br />
2013<br />
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