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MORGAN LE MANS CARS - The Morgan Motor Company

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80<br />

<strong>MORGAN</strong> <strong>LE</strong> <strong>MANS</strong> <strong>CARS</strong><br />

12 04<br />

Lawrencetune 2-litre<br />

Triumph engine has<br />

been further tweaked<br />

to give 175bhp;<br />

interior is basically<br />

standard <strong>Morgan</strong>,<br />

as are suspension<br />

and running gear.<br />

‘<strong>The</strong>re’s no snarl, no fusillade from<br />

the exhaust when you rev the engine<br />

beyond 5000rpm; just the noise of a<br />

big four-cylinder being pushed hard’<br />

<strong>Morgan</strong>’s 2004 appearance at Le Mans was an emotional one<br />

but it was only the continuation of a long, if irregularly<br />

maintained, tradition. In 1938 one Prudence Fawcett took second<br />

in class in a <strong>Morgan</strong> 4/4, having driven the car to Le Mans<br />

before the race – and she drove it home again afterwards. <strong>The</strong><br />

Le Mans entry that everyone remembers, though, is the <strong>Morgan</strong><br />

Plus Four entered by Chris Lawrence in 1962. Competing against<br />

much more up-to-date machinery, it won the 2-litre GT class<br />

and helped to revive <strong>Morgan</strong>’s flagging fortunes in the 1960s.<br />

Chris’s career is told in more detail by the man himself on<br />

page 84 but, to recap briefly, he had been racing Plus Fours<br />

since 1958 with great success. A gifted engineer as well as a<br />

talented driver, he also created the Mini-powered Deep-<br />

Sanderson race car. But it’s the <strong>Morgan</strong> connection which<br />

would prove the most enduring, so much so that he was<br />

recruited to design the Aero 8 nearly 40 years later.<br />

As Chris was putting the finishing touches to the Aero 8, his<br />

1962 Le Mans entry – universally known as ‘TOK’ after its<br />

distinctive TOK 258 registration – was being restored by<br />

historic racer and <strong>Morgan</strong> dealer Rick Bourne:<br />

‘<strong>The</strong> car had been sat doing nothing for ten years when I<br />

wrote to the owner and suggested it would be nice if it could<br />

return to Le Mans for its 40th anniversary in 2002,’ says Rick.<br />

‘Initially I was thinking in terms of just borrowing and<br />

preparing the car but it soon became clear that if I wanted to<br />

get my hands on it, I’d have to buy it!’<br />

Following a complete restoration which carefully respected<br />

the car’s remarkable originality, TOK is now just as it was in<br />

1962, right down to its Le Mans running lights and the 120-litre<br />

fuel tank that would allow it to race for up to four hours at a<br />

time. <strong>The</strong> engine is to correct spec, too – a Triumph 1991cc<br />

block rather than the later 2138cc lump – but with Chris<br />

Lawrence’s performance-enhancing mods further developed by<br />

specialist Mass Racing Engines.<br />

Otherwise, however, the car is remarkably standard. Pop the<br />

driver’s door open and any <strong>Morgan</strong> owner will feel instantly at<br />

home: regular bucket seats, usual wooden dash, stubby little<br />

lever for the Moss ’box and a handsome MotoLita wheel. Only<br />

the big, angled rev-counter gives the game away.<br />

Fire up the engine and the surprises continue. You expect a<br />

race car to be all sound and fury but you could take your<br />

grandmother shopping in this one and she wouldn’t even have<br />

to raise her voice. <strong>The</strong>re’s no snarl, no fusillade from the<br />

exhaust when you rev the engine to 5000rpm and beyond; just<br />

the workmanlike noise of a big four-cylinder being pushed hard.<br />

Same goes for the gearbox, which is just like any other Moss<br />

transmission of its era – a bit obstructive if you try to rush it.<br />

That was hardly a problem at Le Mans in ’62, where<br />

gearchanging was an irrelevance since Chris and his co-driver<br />

Richard Shepperd-Baron just didn’t bother slowing down for<br />

corners. It explains why they were able to complete the entire<br />

24 hours on one set of brakes and one set of tyres.<br />

Rick claims that the best way to drive TOK is to keep the revs<br />

up by sliding it through corners. Pumping the crossply Dunlops<br />

Right<br />

Chris Lawrence’s<br />

(unauthorised) use of<br />

a lowline 4/4 body on<br />

a Plus Four chassis<br />

reduced drag to make<br />

it competitive at Le<br />

Mans-type speeds.


‘In 1962, changing gear was an irrelevance since Chris Lawrence<br />

and his co-driver just didn’t bother slowing down for corners; that’s<br />

why they were able to complete the race on one set of brakes’<br />

12 04<br />

81


82<br />

<strong>MORGAN</strong> <strong>LE</strong> <strong>MANS</strong> <strong>CARS</strong><br />

to 40psi helps, he says. But you don’t have to drive TOK like a<br />

loony to make rapid progress, because it handles beautifully.<br />

<strong>The</strong>re’s none of the squirminess usually associated with<br />

crossply-shod road cars when faced with a tight corner, and the<br />

steering has just the right combination of weight and feel. <strong>The</strong><br />

relatively stiff suspension means there’s negligible body roll<br />

and yet the ride never seems harsh. You really do feel that you<br />

could drive this car to Le Mans, do the race and drive home<br />

again, just as Ms Fawcett did in 1938.<br />

Chris Lawrence has his own theory about why TOK is such a<br />

good racer. ‘It’s a happy accident that old HFS [<strong>Morgan</strong>]’s front<br />

suspension locks up solid the moment it sees a corner, so<br />

creating a very stiff front end while the back remains flexible.<br />

It makes the chassis hideous on the road but great for racing.’<br />

Whereas TOK is basically a stock <strong>Morgan</strong> with a hot engine,<br />

you can’t say the same about the 2004 Aero 8 GT(N). While it’s<br />

closely related to the production car – it has to be, to meet the<br />

race regs for its class – it’s a much more specialised piece of<br />

kit. Driving the Le Mans Aero in traffic would be like trying to<br />

keep a tiger on the leash in a herd of wildebeest.<br />

<strong>Morgan</strong>’s first attempt with an Aero at Le Mans was in 2002<br />

with an American-sponsored DeWalt/RSS car but engine<br />

failure forced retirement after 18 hours. It was a heroic effort<br />

yet, for reasons known only to the Automobile Club de l’Ouest,<br />

<strong>Morgan</strong> were denied an entry to Le Mans in 2003. <strong>The</strong>y put the<br />

unexpected extra time to good use by testing a new car at Spa<br />

and Sebring, ready for their return to Le Mans in 2004.<br />

12 04<br />

Aero 8 GT(N) is now a<br />

catalogued production<br />

model; rear spoiler,<br />

odd-sized alloys and<br />

racing gearbox aside,<br />

it’s remarkably<br />

similar to ‘ordinary’<br />

roadgoing Aeros.<br />

‘A Le Mans-spec engine comes in at<br />

around £70,000 and is good for 30<br />

hours of racing before it has to be<br />

overhauled – which costs 30 grand’<br />

Taking in the GT(N)’s skeletal rear spoiler, limpet-like stance<br />

and rubber-band-shod alloys, you might expect it to be nothing<br />

more than a silhouette version of a regular Aero 8, all spaceframe<br />

and carbonfibre under the outer panels. In fact, the gearbox is<br />

the only completely different component. Peek inside the cockpit<br />

and you see not spaceframe, but wood frame. Reassuringly,<br />

alongside the fighter-jet display of push-button and toggle<br />

switches, there are also a couple of girlie pin-ups, to alleviate<br />

the drivers’ boredom during those endless circuits of La Sarthe.<br />

<strong>The</strong> elaborate switchgear is there to prolong the life of the<br />

racing engine, which is handbuilt by Swiss company Mader.<br />

A new unit comes in at around £70,000 and is good for about<br />

30 racing hours before it has to be sent back for overhaul; and<br />

since this particular engine has just gone through the<br />

‘refreshing’ process – which itself costs 30 grand – we’ve been<br />

asked, politely but firmly, not to exceed 3500rpm.<br />

Probably just as well, since the test track has a strict noise<br />

limit and one thing the Aero isn’t is quiet. <strong>The</strong> sound it makes is<br />

pure racer: harsh, metallic, and loud enough to make you wince<br />

if you’re standing nearby when someone blips the throttle. At<br />

fast idle, it has the manic energy of a thrash-metal guitarist.<br />

One of the three Aero drivers at Le Mans this year, Neil<br />

Cunningham, reckons the noise is the most tiring aspect of the<br />

GT(N). ‘Don’t get me wrong, it’s a fantastic sound and I love it,<br />

but it’s pretty deafening on the inside,’ the Kiwi-born Cunningham<br />

says. ‘That and the heatsoak from the running gear gets you<br />

tired. <strong>The</strong> steering’s heavy in the tigher corners, too.’<br />

Right<br />

Although fearsomely<br />

quick, Aero’s<br />

performance is<br />

severely restricted by<br />

Le Mans class regs –<br />

it could be made to go<br />

much faster.


‘Even at half-throttle you can glimpse what it must be like to hurtle<br />

down the Mulsanne at almost 190mph, fingers clenched around the<br />

Momo wheel and eardrums hammered by the V8’s relentless attack’<br />

Pulling maybe half the revs that Cunningham would have been using, I don’t have a<br />

problem with the steering, which seems direct without being at all twitchy. <strong>The</strong><br />

gearbox is an American-made Jerico racing unit so it’s tough as a Peterbilt truck and<br />

clutchless gearchanges are a cinch; just bang the lever through and don’t worry about it.<br />

Even at half-throttle you can glimpse what it must be like to hurtle down the<br />

Mulsanne at almost 190mph, buttocks clamped in the racing seat, fingers clenched<br />

around the thick-rimmed Momo wheel, eardrums hammered by the V8’s relentless<br />

attack. Sneak a couple of hundred rpm above the pre-ordained limit and a slight<br />

vibration permeates the alloy tub: you can almost sense the car readying itself for a<br />

new level of performance, like a cat shimmying its hindquarters as it prepares to leap.<br />

Back off the throttle slightly for an upchange and there’s a growl from deep in the<br />

car’s belly until you shove the gearlever home and the Aero springs forward again.<br />

But there’s a price to pay for such exuberance and on the next lap the test track’s<br />

traffic signals are showing red: we’re making too much noise to be allowed to<br />

continue. Kill the engine and silence falls like a heavy blanket over the circuit, to be<br />

punctuated only by the cooling tick of the Aero’s exhausts.<br />

One last question for the blokes from <strong>Morgan</strong>. I’m intrigued by the two red lenses<br />

on the back of the car, with their hallucinogenic swirly patterns. One is round and one<br />

is square: is this to meet some arcane detail of the Le Mans regulations?<br />

‘<strong>The</strong>y’re rain lamps,’ explains Dave, the electrician. ‘It turned out we had one of<br />

each type in the store – and it seemed a waste of money to buy another just so we’d<br />

have a matching pair.’<br />

That’s why we love <strong>Morgan</strong>s so much. Real cars, built by real people.<br />

Thanks to: Charles <strong>Morgan</strong>, Matthew Parkin, Mark Baldwin and Dave Bradley from <strong>Morgan</strong>; and Rick Bourne of Brands Hatch <strong>Morgan</strong>s (01732 882017).<br />

If you’d like your own Aero GT(N), <strong>Morgan</strong> are taking order. To follow the progress of the Le Mans car’s auction on eBay, go to www.ebay.com and<br />

set up a search facility for the words ‘<strong>Morgan</strong>’, ‘Le Mans’ and ‘2004’, using the automatic email facility to advise you when the auction starts.<br />

SPECIFICATION<br />

1962 <strong>Morgan</strong><br />

Plus Four<br />

Engine<br />

1991cc, four-cylinder,<br />

pushrod ohv, twin Weber<br />

42DCOE carbs,<br />

Lawrencetune manifolds<br />

Output<br />

175bhp @ 6300rpm<br />

160lb ft @ 5200rpm<br />

Transmission<br />

Four-speed manual<br />

Suspension<br />

Front: independent,<br />

sliding pillar, Koni shock<br />

absorbers. Rear: live<br />

axle, semi-elliptics,<br />

Koni shock absorbers<br />

Brakes<br />

Front: discs<br />

Rear: drums<br />

Weight<br />

815kg (1797lb)<br />

Performance<br />

Top speed: 125-148mph<br />

depending on gearing<br />

SPECIFICATION<br />

2004 <strong>Morgan</strong><br />

Aero 8 GT(N)<br />

Engine<br />

4498cc, all-alloy BMW<br />

V8, four overhead<br />

camshafts, 32 valves,<br />

Bosch fuel injection<br />

Output<br />

465bhp @ 6800rpm<br />

406lb ft @ 6300rpm<br />

Transmission<br />

Five-speed manual<br />

Suspension<br />

Front: cantilever upper<br />

arms, lower wishbones,<br />

coils over Öhlins shocks.<br />

Rear: coil-and-wishbone,<br />

Öhlins shock absorbers<br />

Brakes<br />

Ventilated, cross-drilled<br />

discs all round<br />

Weight<br />

c1100kg (2420lb)<br />

Performance<br />

Top speed: c190mph<br />

with Le Mans gearing<br />

12 04<br />

83


84<br />

CHRIS LAWRENCE<br />

‘I didn’t set out to be an engine<br />

tuner. I thought I was going to<br />

be the next Stirling Moss!’ says<br />

the man behind <strong>Morgan</strong>’s 1962 Le Mans<br />

class-win and today’s flagship Aero 8,<br />

Chris Lawrence.<br />

His self-confidence was justifiable for,<br />

during his first year of racing in 1958,<br />

Chris won 19 out of the 22 races in the<br />

Freddie Dixon Trophy series. He did it in a<br />

Triumph-engined 1956 <strong>Morgan</strong> Plus Four,<br />

bought for £600 from a used-car lot in<br />

London. Its registration was TOK 258.<br />

‘After I won the trophy, people started<br />

to ask me if I could make their cars go as<br />

quickly. So I set up Lawrencetune under<br />

some railway arches in Acton, West<br />

London. It paid the bills while I pursued<br />

my ambition of being a racing driver.’<br />

<strong>The</strong> early 1960s were a golden time for<br />

Chris and his mates, travelling round the<br />

race circuits of Europe with no money but<br />

having a ball. ‘We wiped the Porsches<br />

from the leader boards for a couple of<br />

years with TOK,’ recalls Chris.<br />

Despite his successes, Chris was at<br />

this time receiving no factory support<br />

from <strong>Morgan</strong>. But when his entry for the<br />

1961 Le Mans was thrown out by the<br />

organisers – rumour has it to avoid<br />

embarrassing the works Triumphs –<br />

Chris realised that he needed official<br />

factory backing if he was to prevent the<br />

same thing happening again.<br />

‘I went to see Peter <strong>Morgan</strong> in 1962<br />

and twisted his arm into entering TOK on<br />

my behalf. What Peter didn’t know was<br />

that I’d fitted it with a 4/4 body to reduce<br />

drag. He wouldn’t allow me to have a<br />

new body, on the grounds that a hybrid<br />

would blur the distinction between<br />

different models, so I quietly bought all<br />

the parts from the stores one-by-one and<br />

built it up myself. Painted wine red with a<br />

special alloy hardtop, it looked fantastic.<br />

‘At the ’62 Le Mans practice weekend<br />

I cheated and fitted a 2.2-litre engine, so<br />

the car really flew – until I stuffed it in a<br />

ditch at Arnage, at least. After we got<br />

home, Peter <strong>Morgan</strong> received a letter<br />

from the race organisers saying TOK had<br />

to be painted green. I’d only just painted<br />

it red, so I refused, at which Peter<br />

grumpily instructed me to deliver it to the<br />

factory for them to respray.<br />

‘I told my mate Len to get to Malvern<br />

well before 9am, dump TOK outside the<br />

factory gates and leg it straight over to<br />

the railway station, because I knew the<br />

phone would be ringing off the<br />

workbench by 9.30am. Well, I was wrong<br />

– it was 9.45 when Peter rang me,<br />

absolutely hopping mad to have found<br />

TOK wearing a 4/4 body.<br />

‘I insisted that the car was a winner<br />

and he just had to let it run with the<br />

lowline body. Peter wouldn’t give way but<br />

later that day he rang back and told me<br />

that <strong>Morgan</strong> would introduce a lowline<br />

version of the Plus Four, called the Super<br />

Sports, and I would be responsible for<br />

doing all the engines.<br />

‘In the end we turned out more than<br />

440 engines for <strong>Morgan</strong> and private<br />

customers and I’m proud to say that we<br />

only ever had one failure – and that<br />

turned out to be due to a duff con-rod<br />

forging supplied by Triumph.’<br />

LAWRENCE OF ACTON<br />

Car designer, tuner and racer Chris Lawrence recalls how he bamboozled<br />

Peter <strong>Morgan</strong> – and brought him a Le Mans class-win as a result<br />

Words and photograph: Mark Dixon<br />

12 04<br />

Below:<br />

Chris Lawrence with<br />

a modern Aero 8<br />

chassis, designed by<br />

him nearly 40 years<br />

after his class-win for<br />

<strong>Morgan</strong> at Le Mans.


YOUR NEAREST <strong>MORGAN</strong> DEA<strong>LE</strong>R CAN BE FOUND AT<br />

WWW.<strong>MORGAN</strong>-MOTOR.CO.UK OR CALL <strong>MORGAN</strong> SA<strong>LE</strong>S<br />

ON 01684 573104. DELIVERY WITHIN 12 MONTHS


It’s amazing what you can buy on eBay these days. Holidays, books,<br />

DVDs, a 2004 Le Mans car…<br />

In a few weeks’ time, <strong>Morgan</strong> will be using the internet auction site to sell<br />

their 2004 Le Mans race car. Anyone in the world will be able to log onto the<br />

eBay website and bid for a real piece of Le Mans history – providing, that is, they<br />

can put their money where their mouse is.<br />

An internet auction might seem an odd way to dispose of such a valuable car<br />

but for a small company like <strong>Morgan</strong> it makes a lot of sense. In the UK alone,<br />

one-third of all internet users will visit eBay’s site in a given month. Scale that<br />

up to a global perspective and you’re talking of a massive potential audience.<br />

With an expected selling price of £150,000-plus (less than the cost of many<br />

production supercars) the Aero 8 racer must be a tempting proposition for<br />

anyone captivated by the David-versus-Goliath character that <strong>Morgan</strong><br />

epitomises. It also happens to be a bloody good car. At 2004’s Le Mans 24 Hours,<br />

the batmobile Aero entertained the crowds with a unique son-et-lumière<br />

performance – the ‘son’ courtesy of its barely silenced 4.5-litre V8 and the<br />

‘lumière’ provided by the flames that shot out of its side-exhausts at every<br />

downchange – before coming home 27th overall.<br />

12 04 79


78<br />

<strong>MORGAN</strong> <strong>LE</strong> <strong>MANS</strong> <strong>CARS</strong><br />

MIGHTY<br />

<strong>MORGAN</strong>S<br />

In 2002 and 2004, <strong>Morgan</strong> returned to Le Mans with high-tech racing versions<br />

of its powerful Aero 8. Thirty-two years earlier, things were rather simpler<br />

Words: Mark Dixon Photography: P aul Harmer<br />

12 04

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