mc256 Performance, pure and simple. - Lawo
mc256 Performance, pure and simple. - Lawo
mc256 Performance, pure and simple. - Lawo
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mc²56 — <strong>Performance</strong>, <strong>pure</strong> <strong>and</strong> <strong>simple</strong>.<br />
14 15<br />
Form follows function:<br />
The mc²56’s user-friendly operating philosophy.<br />
An inspired use of colour <strong>and</strong> form,<br />
<strong>and</strong> the well-laid out design of all audio<br />
modules, provides an optimum overview<br />
in critical live situations. Due to the<br />
excellent visual feedback, EQ <strong>and</strong> pan<br />
settings can be determined at a glance<br />
from the central control panel, <strong>and</strong> the<br />
labelling of individual audio modules<br />
is virtually unnecessary. The distinctive<br />
“labelling” on all audio modules enables<br />
almost a blind underst<strong>and</strong>ing of the<br />
mixing console, <strong>and</strong> provides absolute<br />
certainty that you have everything under<br />
control, at each phase of a production. In<br />
addition, the console’s LED illumination<br />
means you can always locate the required<br />
functions, even under the poorest lighting<br />
conditions.<br />
In order to keep an overview of up to 144 faders, the mc²56 offers colour coding of<br />
the fader strips similar to that commonly used in analogue days. However, with the<br />
mc²56 you don’t need to manually change the fader caps because the fader strips are<br />
designated using modern LED technology according to the channel type or your individual<br />
requirements. This allows you to easily keep track of any fader at any stage in<br />
the production.<br />
The DSP channel.<br />
Each of the 384 fully equipped DSP<br />
channels h<strong>and</strong>les all audio modules,<br />
irrespective of whether they are an input,<br />
group, summing, monitor or aux channel.<br />
As a new feature, the mc²56 also has<br />
an adjustable pick-up point on the track<br />
send, which provides a dedicated track<br />
path per channel. This makes it possible,<br />
for example, to take a pre-fader feed <strong>and</strong><br />
set a delay on the track path, which will<br />
not have any effect on the main bus sum.<br />
TRACK<br />
PATH<br />
DELAY<br />
IN MIX<br />
DIG AMP<br />
FILTER<br />
EQ<br />
IMAGE<br />
INSERT<br />
GATE<br />
EXPAND<br />
COMP LIMITER DIR OUT<br />
FADER<br />
METER<br />
BUS