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mc256 Performance, pure and simple. - Lawo

mc256 Performance, pure and simple. - Lawo

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mc²56 — <strong>Performance</strong>, <strong>pure</strong> <strong>and</strong> <strong>simple</strong>.<br />

14 15<br />

Form follows function:<br />

The mc²56’s user-friendly operating philosophy.<br />

An inspired use of colour <strong>and</strong> form,<br />

<strong>and</strong> the well-laid out design of all audio<br />

modules, provides an optimum overview<br />

in critical live situations. Due to the<br />

excellent visual feedback, EQ <strong>and</strong> pan<br />

settings can be determined at a glance<br />

from the central control panel, <strong>and</strong> the<br />

labelling of individual audio modules<br />

is virtually unnecessary. The distinctive<br />

“labelling” on all audio modules enables<br />

almost a blind underst<strong>and</strong>ing of the<br />

mixing console, <strong>and</strong> provides absolute<br />

certainty that you have everything under<br />

control, at each phase of a production. In<br />

addition, the console’s LED illumination<br />

means you can always locate the required<br />

functions, even under the poorest lighting<br />

conditions.<br />

In order to keep an overview of up to 144 faders, the mc²56 offers colour coding of<br />

the fader strips similar to that commonly used in analogue days. However, with the<br />

mc²56 you don’t need to manually change the fader caps because the fader strips are<br />

designated using modern LED technology according to the channel type or your individual<br />

requirements. This allows you to easily keep track of any fader at any stage in<br />

the production.<br />

The DSP channel.<br />

Each of the 384 fully equipped DSP<br />

channels h<strong>and</strong>les all audio modules,<br />

irrespective of whether they are an input,<br />

group, summing, monitor or aux channel.<br />

As a new feature, the mc²56 also has<br />

an adjustable pick-up point on the track<br />

send, which provides a dedicated track<br />

path per channel. This makes it possible,<br />

for example, to take a pre-fader feed <strong>and</strong><br />

set a delay on the track path, which will<br />

not have any effect on the main bus sum.<br />

TRACK<br />

PATH<br />

DELAY<br />

IN MIX<br />

DIG AMP<br />

FILTER<br />

EQ<br />

IMAGE<br />

INSERT<br />

GATE<br />

EXPAND<br />

COMP LIMITER DIR OUT<br />

FADER<br />

METER<br />

BUS

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