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Anderskov<br />

Accident<br />

Newspeak<br />

ILK 144<br />

★★★★<br />

As one of the<br />

driving forces<br />

behind the excellent<br />

Danish label<br />

ILK, keyboardist<br />

Jacob Anderskov<br />

has almost nonchalantly<br />

displayed<br />

a dizzying<br />

range and curiosity on more than a dozen<br />

records cut under his leadership. From trio outings<br />

to duets as disparate as one made with<br />

Brazilian percussionist Airto Moreira and<br />

Danish electronics merchant Jakob Riis,<br />

it’s become difficult to know what to expect<br />

from him, but the results are almost always<br />

worthwhile.<br />

Newspeak is the third album credited to his<br />

group Anderskov Accident, a wild and woolly<br />

octet that attacks his knotty and moody compositions<br />

with an appealing loose feel. Within his<br />

tunes one can detect a grocery list of ingredients—music<br />

from Africa and the Balkans, postbop,<br />

dirge—but under his assured leadership the<br />

end result never sounds like a hodge-podge.<br />

While his solid tunes are<br />

beguiling, equally important<br />

to the music’s effectiveness is<br />

the way the arrangements<br />

privilege ensemble sound.<br />

The superb group, including<br />

tenor saxophonist Ned Ferm,<br />

trombonist Peter Dahlgren<br />

and alto saxophonist Jesper<br />

Zeuthen, contribute ripping<br />

solos, but like a growing<br />

number of bandleaders<br />

Anderskov makes sure they<br />

don’t arrive as isolated packets<br />

of information. Each<br />

improvisation is deeply connected to every tune,<br />

bursting out of the arrangement like a seeking<br />

tendril, so that the band doesn’t just sit back<br />

while one person blows. They’re plugged in all<br />

of the time. While the sound is dense, the leader<br />

makes good use of dynamics, with a naturalistic<br />

ebb and flow that makes those arrangements<br />

practically invisible. Watch out for this guy.<br />

—Peter Margasak<br />

Newspeak: The Fourth K; Lisbutin E Mirkola; Se Nu Stigler<br />

Solen; Russku; Boxy; Salene; Crumpy. (57:55)<br />

Personnel: Kasper Tranberg, trumpet; Jesper Zeuthen, alto saxophone;<br />

Ned Ferm, tenor saxophone; Anders Banke, bass clarinet;<br />

Peter Dahlgren, trombone; Jacob Anderskov, piano; Jeppe<br />

Skovbakke, bass; Rune Kielsgaard, drums.<br />

»<br />

Ordering info: ilkmusic.com<br />

Bill Frisell<br />

History, Mystery<br />

NONESUCH 435964<br />

★★★★ 1 /2<br />

Bill Frisell’s new album contains two<br />

CDs of almost all new originals appropriately<br />

packaged alongside Americanaevoking<br />

images from the 1930s Farm<br />

Security Administration photographers<br />

like Walker Evans. Most of this music<br />

was originally composed for theater<br />

pieces, with additional tracks written for<br />

an NPR series called “Stories From The<br />

Heart Of The Land.” Not surprisingly, the<br />

album has the feel of a soundtrack.<br />

Listening to it, it’s easy to imagine a poetic-butquirky<br />

indie film shot beneath the big skies of<br />

the American West.<br />

You might grumble a bit that there isn’t a lot<br />

of improvising; it seems like long, uncluttered<br />

stretches of that faux-mythic American landscape<br />

that Frisell has created. You’d have a<br />

point. There certainly isn’t here the snap and sizzle<br />

of the guitarist’s recent Grammy winner,<br />

Unspeakable, or the heft and spring of his collaborations<br />

with Paul Motian and Ron Carter.<br />

But Frisell’s melodies and moods have an easy<br />

appeal, from the Gypsy lull of “Probability<br />

Cloud” to the Copland-esque moments of “Boo<br />

And Scout.” Thelonious Monk’s “Jackie-ing”<br />

and Lee Konitz’s “Sub-Conscious Lee” are<br />

standouts. Dial this one up as you pull onto the<br />

highway headed west with a full tank of gas and<br />

no real destination in mind. —David French<br />

History, Mystery: Disc 1—Imagination; Probability Cloud;<br />

Probability Cloud Part 2; Out Of Body; Struggle; A Momentary<br />

Suspension Of Doubt; Onward; Baba Drame; What We Need;<br />

A Change Is Gonna Come; Jackie-ing; Show Me; Boo And<br />

Scout; Struggle Part 2; Heal; Another Momentary Suspension<br />

Of Doubt; Probability Cloud (Reprise). (53:33) Disc 2—Monroe;<br />

Lazy Robinson; Question #1; Answer #1; Faces; Sub-Conscious<br />

Lee; Monroe Part 2; Question #2; Lazy Robinson Part 2; What<br />

We Need Part 2; Waltz For Baltimore; Answer #2; Monroe Part<br />

2. (37:04)<br />

Personnel: Bill Frisell, acoustic and electric guitars, loops; Ron<br />

Miles, cornet; Greg Tardy, tenor saxophone, clarinet; Jenny<br />

Scheinman, violin; Eyvind Kang, viola; Hank Roberts, cello; Tony<br />

Scherr, bass; Kenny Wollesen, drums.<br />

»<br />

Ordering info: nonesuch.com<br />

September 2008 DOWNBEAT 85

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