Otherwise by Jane Kenyon 1 I got out of bed 2 on two strong legs. 3 ...
Otherwise by Jane Kenyon 1 I got out of bed 2 on two strong legs. 3 ...
Otherwise by Jane Kenyon 1 I got out of bed 2 on two strong legs. 3 ...
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<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />
<str<<strong>strong</strong>>on</<strong>strong</strong>>g>by</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Jane</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />
1 I <str<<strong>strong</strong>>on</<strong>strong</strong>>g>got</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />
2 <<strong>strong</strong>>on</<strong>strong</strong>> <<strong>strong</strong>>two</<strong>strong</strong>> str<<strong>strong</strong>>on</<strong>strong</strong>>g <strong>legs</strong>.<br />
3 It might have been<br />
4 otherwise. I ate<br />
5 cereal, sweet<br />
6 milk, ripe, flawless<br />
7 peach. It might<br />
8 have been otherwise.<br />
9 I took the dog uphill<br />
10 to the birch wood.<br />
11 All morning I did<br />
12 the work I love.<br />
13 At no<<strong>strong</strong>>on</<strong>strong</strong>> I lay down<br />
14 with my mate. It might<br />
15 have been otherwise.<br />
16 We ate dinner together<br />
17 at a table with silver<br />
18 candlesticks. It might<br />
19 have been otherwise.<br />
20 I slept in a <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />
21 in a room with paintings<br />
22 <<strong>strong</strong>>on</<strong>strong</strong>> the walls, and<br />
23 planned another day<br />
24 just like this day.<br />
25 But <<strong>strong</strong>>on</<strong>strong</strong>>e day, I know,<br />
26 it will be otherwise.
1. Poem Synopsis<br />
“<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>” <str<<strong>strong</strong>>on</<strong>strong</strong>>g>by</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Jane</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> is a poem ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> appreciating the little things we have in life, and<br />
realizing that those things could’ve turned <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> differently. Ranging from being able to walk <<strong>strong</strong>>on</<strong>strong</strong>> <<strong>strong</strong>>two</<strong>strong</strong>><br />
str<<strong>strong</strong>>on</<strong>strong</strong>>g <strong>legs</strong> to sleeping in a decorated <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g>room, the poem reminds the audience, the readers in<br />
this case, <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> all sorts <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> things worth being grateful for.<br />
<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Jane</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> (1947 1995), the poet, was an American writer and translator. She was famous<br />
for being a simple, spare and emoti<<strong>strong</strong>>on</<strong>strong</strong>>ally res<<strong>strong</strong>>on</<strong>strong</strong>>ant writer. In 1994, <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> wrote ”<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>”<br />
after finding <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> that she has leukemia. In my opini<<strong>strong</strong>>on</<strong>strong</strong>>, it’s admirable that instead <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> writing a rage<br />
poem <<strong>strong</strong>>on</<strong>strong</strong>> the lack <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> fairness in life, <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> produced a poem ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> being thankful for everything<br />
in life.<br />
2. Speaker and audience: The readers<br />
* First pers<<strong>strong</strong>>on</<strong>strong</strong>><br />
* Wellpunctuated<br />
* Stream <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> c<<strong>strong</strong>>on</<strong>strong</strong>>sciousness<br />
* Familiarity <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the discussed subject matters (physical c<<strong>strong</strong>>on</<strong>strong</strong>>diti<<strong>strong</strong>>on</<strong>strong</strong>>, food, daily activity,<br />
togetherness, objects)<br />
3. Main Ideas<br />
Humans tend to undervalue the daytoday things they encounter; they d<<strong>strong</strong>>on</<strong>strong</strong>>’t realize that things<br />
could’ve turned <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> differently.<br />
●<br />
Daily activity<br />
○ Two stanzas<br />
■ The poem is divided into <<strong>strong</strong>>two</<strong>strong</strong>> stanzas, each <<strong>strong</strong>>on</<strong>strong</strong>>e talks ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> a different part<br />
<str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the day. The first stanza talks ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the speaker’s, the poet’s, morning<br />
r<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g>ine, whilst the sec<<strong>strong</strong>>on</<strong>strong</strong>>d <<strong>strong</strong>>on</<strong>strong</strong>>e delineates her activities in the evening. The<br />
gap in between the <<strong>strong</strong>>two</<strong>strong</strong>> stanzas represents the passing <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> time in the<br />
afterno<<strong>strong</strong>>on</<strong>strong</strong>>. This structure does not <<strong>strong</strong>>on</<strong>strong</strong>>ly improve the overall organizati<<strong>strong</strong>>on</<strong>strong</strong>> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />
the poem, but also indicates the period <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> time explored <str<<strong>strong</strong>>on</<strong>strong</strong>>g>by</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem,<br />
which in this case is a day in the speaker’s life.<br />
Knowing that the poem covers a single day emphasizes the idea that<br />
there’s something good in every day, in fact, there are numerous<br />
daytoday things that we can be grateful for.<br />
○<br />
Dicti<<strong>strong</strong>>on</<strong>strong</strong>><br />
■ “All morning I did / the work I love” [line 11 12]<br />
●<br />
Physical c<<strong>strong</strong>>on</<strong>strong</strong>>diti<<strong>strong</strong>>on</<strong>strong</strong>><br />
○ Enjambment<br />
■ “I <str<<strong>strong</strong>>on</<strong>strong</strong>>g>got</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g> / <<strong>strong</strong>>on</<strong>strong</strong>> <<strong>strong</strong>>two</<strong>strong</strong>> str<<strong>strong</strong>>on</<strong>strong</strong>>g <strong>legs</strong>” [line 1 2]
●<br />
Food<br />
○<br />
○<br />
Enjambment<br />
■ “otherwise. I ate / cereal, sweet / milk, flawless / peach. It might” [line 4 7]<br />
Symbolism<br />
■ Peach<br />
● Symbol for l<<strong>strong</strong>>on</<strong>strong</strong>>gevity and state <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> good health in many Chinese and<br />
European literature.<br />
●<br />
●<br />
Togetherness<br />
○ Imagery<br />
■ “At no<<strong>strong</strong>>on</<strong>strong</strong>> I lay down / with my mate” [line 13 14]<br />
■ “We are dinner together / at a table with silver candlesticks” [line 16 17]<br />
Objects that we own<br />
Examples in this case include a dinner table with silver candlesticks, a <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g> and a wall<br />
with paintings more than enough things.<br />
○ Symbolism<br />
■ Silver candlesticks<br />
● Associated with the state <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> being aware.<br />
It’s important to be grateful for the little things, because they d<<strong>strong</strong>>on</<strong>strong</strong>>’t last forever.<br />
* Motif: “It might have been otherwise” (repeated four times through<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem)<br />
* Situati<<strong>strong</strong>>on</<strong>strong</strong>>al ir<<strong>strong</strong>>on</<strong>strong</strong>>y and foreshadowing<br />
● “I slept in a <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g> / in a room with paintings / <<strong>strong</strong>>on</<strong>strong</strong>> the walls, and / planned another day / just<br />
like this day. / But <<strong>strong</strong>>on</<strong>strong</strong>>e day, I know, / it will be otherwise.” [line 20 26]<br />
* Dicti<<strong>strong</strong>>on</<strong>strong</strong>><br />
● “But <<strong>strong</strong>>on</<strong>strong</strong>>e day, I know, / it will be otherwise.” [line 25 26]<br />
5. T<<strong>strong</strong>>on</<strong>strong</strong>>e and Rhythm<br />
The overall t<<strong>strong</strong>>on</<strong>strong</strong>>e <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem is undemanding, the moderate pace makes the poem sounds<br />
relaxed. However, the poem managed to radiate sense <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> urgency mainly because <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the<br />
dicti<<strong>strong</strong>>on</<strong>strong</strong>>s and enjambments “otherwise” is always the last or first word <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> a line. The fact that the<br />
pace is quite relaxed also gives readers time to think and reflect as they read al<<strong>strong</strong>>on</<strong>strong</strong>>g. Which helps<br />
what I believe to be the purpose <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem, to encourage people to be thankful for anything,<br />
everything, they have.<br />
6. C<<strong>strong</strong>>on</<strong>strong</strong>>clusi<<strong>strong</strong>>on</<strong>strong</strong>><br />
Overall, “<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>” functi<<strong>strong</strong>>on</<strong>strong</strong>>s to urge its readers to be more appreciative towards everything<br />
they have in life, especially the little things. The poem’s gentle t<<strong>strong</strong>>on</<strong>strong</strong>>e and slow pacing allows<br />
readers to realize that they have not been quite as thankful as they’re supposed to be.
To c<<strong>strong</strong>>on</<strong>strong</strong>>clude, having “<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>” as the title <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem further emphasized that we are<br />
fortunate. Yet <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g>tentimes, we are not grateful for the simple things in life, we fail to realize that<br />
those things could’ve turned <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> differently, and they will be different at some point in the future.