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Otherwise by Jane Kenyon 1 I got out of bed 2 on two strong legs. 3 ...

Otherwise by Jane Kenyon 1 I got out of bed 2 on two strong legs. 3 ...

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<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />

<str<<strong>strong</strong>>on</<strong>strong</strong>>g>by</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Jane</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />

1 I <str<<strong>strong</strong>>on</<strong>strong</strong>>g>got</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />

2 <<strong>strong</strong>>on</<strong>strong</strong>> <<strong>strong</strong>>two</<strong>strong</strong>> str<<strong>strong</strong>>on</<strong>strong</strong>>g <strong>legs</strong>.<br />

3 It might have been<br />

4 otherwise. I ate<br />

5 cereal, sweet<br />

6 milk, ripe, flawless<br />

7 peach. It might<br />

8 have been otherwise.<br />

9 I took the dog uphill<br />

10 to the birch wood.<br />

11 All morning I did<br />

12 the work I love.<br />

13 At no<<strong>strong</strong>>on</<strong>strong</strong>> I lay down<br />

14 with my mate. It might<br />

15 have been otherwise.<br />

16 We ate dinner together<br />

17 at a table with silver<br />

18 candlesticks. It might<br />

19 have been otherwise.<br />

20 I slept in a <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />

21 in a room with paintings<br />

22 <<strong>strong</strong>>on</<strong>strong</strong>> the walls, and<br />

23 planned another day<br />

24 just like this day.<br />

25 But <<strong>strong</strong>>on</<strong>strong</strong>>e day, I know,<br />

26 it will be otherwise.


1. Poem Synopsis<br />

“<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>” <str<<strong>strong</strong>>on</<strong>strong</strong>>g>by</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Jane</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> is a poem ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> appreciating the little things we have in life, and<br />

realizing that those things could’ve turned <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> differently. Ranging from being able to walk <<strong>strong</strong>>on</<strong>strong</strong>> <<strong>strong</strong>>two</<strong>strong</strong>><br />

str<<strong>strong</strong>>on</<strong>strong</strong>>g <strong>legs</strong> to sleeping in a decorated <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g>room, the poem reminds the audience, the readers in<br />

this case, <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> all sorts <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> things worth being grateful for.<br />

<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Jane</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> (1947 ­ 1995), the poet, was an American writer and translator. She was famous<br />

for being a simple, spare and emoti<<strong>strong</strong>>on</<strong>strong</strong>>ally res<<strong>strong</strong>>on</<strong>strong</strong>>ant writer. In 1994, <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> wrote ”<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>”<br />

after finding <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> that she has leukemia. In my opini<<strong>strong</strong>>on</<strong>strong</strong>>, it’s admirable that instead <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> writing a rage<br />

poem <<strong>strong</strong>>on</<strong>strong</strong>> the lack <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> fairness in life, <str<<strong>strong</strong>>on</<strong>strong</strong>>g>Keny<<strong>strong</strong>>on</<strong>strong</strong>></str<<strong>strong</strong>>on</<strong>strong</strong>>g> produced a poem ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> being thankful for everything<br />

in life.<br />

2. Speaker and audience: The readers<br />

* First pers<<strong>strong</strong>>on</<strong>strong</strong>><br />

* Well­punctuated<br />

* Stream <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> c<<strong>strong</strong>>on</<strong>strong</strong>>sciousness<br />

* Familiarity <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the discussed subject matters (physical c<<strong>strong</strong>>on</<strong>strong</strong>>diti<<strong>strong</strong>>on</<strong>strong</strong>>, food, daily activity,<br />

togetherness, objects)<br />

3. Main Ideas<br />

Humans tend to undervalue the day­to­day things they encounter; they d<<strong>strong</strong>>on</<strong>strong</strong>>’t realize that things<br />

could’ve turned <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> differently.<br />

●<br />

Daily activity<br />

○ Two stanzas<br />

■ The poem is divided into <<strong>strong</strong>>two</<strong>strong</strong>> stanzas, each <<strong>strong</strong>>on</<strong>strong</strong>>e talks ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> a different part<br />

<str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the day. The first stanza talks ab<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the speaker’s, the poet’s, morning<br />

r<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g>ine, whilst the sec<<strong>strong</strong>>on</<strong>strong</strong>>d <<strong>strong</strong>>on</<strong>strong</strong>>e delineates her activities in the evening. The<br />

gap in between the <<strong>strong</strong>>two</<strong>strong</strong>> stanzas represents the passing <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> time in the<br />

afterno<<strong>strong</strong>>on</<strong>strong</strong>>. This structure does not <<strong>strong</strong>>on</<strong>strong</strong>>ly improve the overall organizati<<strong>strong</strong>>on</<strong>strong</strong>> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g><br />

the poem, but also indicates the period <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> time explored <str<<strong>strong</strong>>on</<strong>strong</strong>>g>by</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem,<br />

which in this case is a day in the speaker’s life.<br />

Knowing that the poem covers a single day emphasizes the idea that<br />

there’s something good in every day, in fact, there are numerous<br />

day­to­day things that we can be grateful for.<br />

○<br />

Dicti<<strong>strong</strong>>on</<strong>strong</strong>><br />

■ “All morning I did / the work I love” [line 11 ­ 12]<br />

●<br />

Physical c<<strong>strong</strong>>on</<strong>strong</strong>>diti<<strong>strong</strong>>on</<strong>strong</strong>><br />

○ Enjambment<br />

■ “I <str<<strong>strong</strong>>on</<strong>strong</strong>>g>got</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g> / <<strong>strong</strong>>on</<strong>strong</strong>> <<strong>strong</strong>>two</<strong>strong</strong>> str<<strong>strong</strong>>on</<strong>strong</strong>>g <strong>legs</strong>” [line 1 ­ 2]


●<br />

Food<br />

○<br />

○<br />

Enjambment<br />

■ “otherwise. I ate / cereal, sweet / milk, flawless / peach. It might” [line 4 ­ 7]<br />

Symbolism<br />

■ Peach<br />

● Symbol for l<<strong>strong</strong>>on</<strong>strong</strong>>gevity and state <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> good health in many Chinese and<br />

European literature.<br />

●<br />

●<br />

Togetherness<br />

○ Imagery<br />

■ “At no<<strong>strong</strong>>on</<strong>strong</strong>> I lay down / with my mate” [line 13 ­ 14]<br />

■ “We are dinner together / at a table with silver candlesticks” [line 16 ­ 17]<br />

Objects that we own<br />

Examples in this case include a dinner table with silver candlesticks, a <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g> and a wall<br />

with paintings ­ more than enough things.<br />

○ Symbolism<br />

■ Silver candlesticks<br />

● Associated with the state <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> being aware.<br />

It’s important to be grateful for the little things, because they d<<strong>strong</strong>>on</<strong>strong</strong>>’t last forever.<br />

* Motif: “It might have been otherwise” (repeated four times through<str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem)<br />

* Situati<<strong>strong</strong>>on</<strong>strong</strong>>al ir<<strong>strong</strong>>on</<strong>strong</strong>>y and foreshadowing<br />

● “I slept in a <str<<strong>strong</strong>>on</<strong>strong</strong>>g>bed</str<<strong>strong</strong>>on</<strong>strong</strong>>g> / in a room with paintings / <<strong>strong</strong>>on</<strong>strong</strong>> the walls, and / planned another day / just<br />

like this day. / But <<strong>strong</strong>>on</<strong>strong</strong>>e day, I know, / it will be otherwise.” [line 20 ­ 26]<br />

* Dicti<<strong>strong</strong>>on</<strong>strong</strong>><br />

● “But <<strong>strong</strong>>on</<strong>strong</strong>>e day, I know, / it will be otherwise.” [line 25 ­ 26]<br />

5. T<<strong>strong</strong>>on</<strong>strong</strong>>e and Rhythm<br />

The overall t<<strong>strong</strong>>on</<strong>strong</strong>>e <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem is undemanding, the moderate pace makes the poem sounds<br />

relaxed. However, the poem managed to radiate sense <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> urgency mainly because <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the<br />

dicti<<strong>strong</strong>>on</<strong>strong</strong>>s and enjambments ­ “otherwise” is always the last or first word <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> a line. The fact that the<br />

pace is quite relaxed also gives readers time to think and reflect as they read al<<strong>strong</strong>>on</<strong>strong</strong>>g. Which helps<br />

what I believe to be the purpose <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem, to encourage people to be thankful for anything,<br />

everything, they have.<br />

6. C<<strong>strong</strong>>on</<strong>strong</strong>>clusi<<strong>strong</strong>>on</<strong>strong</strong>><br />

Overall, “<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>” functi<<strong>strong</strong>>on</<strong>strong</strong>>s to urge its readers to be more appreciative towards everything<br />

they have in life, especially the little things. The poem’s gentle t<<strong>strong</strong>>on</<strong>strong</strong>>e and slow pacing allows<br />

readers to realize that they have not been quite as thankful as they’re supposed to be.


To c<<strong>strong</strong>>on</<strong>strong</strong>>clude, having “<str<<strong>strong</strong>>on</<strong>strong</strong>>g>Otherwise</str<<strong>strong</strong>>on</<strong>strong</strong>>g>” as the title <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g> the poem further emphasized that we are<br />

fortunate. Yet <str<<strong>strong</strong>>on</<strong>strong</strong>>g>of</str<<strong>strong</strong>>on</<strong>strong</strong>>g>tentimes, we are not grateful for the simple things in life, we fail to realize that<br />

those things could’ve turned <str<<strong>strong</strong>>on</<strong>strong</strong>>g>out</str<<strong>strong</strong>>on</<strong>strong</strong>>g> differently, and they will be different at some point in the future.

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