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than the Kid, still boys, fifteen years old, both cut up in six pieces<br />

and stuffed in a trash bag which smelled like perished blood. I<br />

don’t tell the Kid about it. I don’t want him to get spooked. Instead<br />

I just pat the bags before I lift them and take a look around.<br />

It’s not even three o’clock, but the Mae Grant playground is empty,<br />

surrounded by sky-high brown brick. Why did they ever build<br />

these projects How did this place go from a dream for the lost to<br />

lost dreams—to forty blocks of tears and sandpaper knuckles and<br />

grim stares over the bouncing ball<br />

I hop back on the truck and it pulls me away. We keep riding<br />

and working. And soon the rusty carcass of the Amtrak dips<br />

below the asphalt—its metallic cling-clang now a rumble under<br />

our wheels—and the street opens up to daylight. There is no more<br />

graffiti. And when I see a narrow island of trees splitting traffic,<br />

I know we’re on 96th and Park Avenue. Green awnings stretch<br />

over the sidewalk, one after another on both sides, and potbellied<br />

doormen, all frocks and black-ties, hover about like penguins<br />

from the Captain Cook. These buildings are just as tall as the<br />

projects, but older and cast a different kind of shadow—longer<br />

and wider—blotches of darkness so grand that when they fall<br />

they flood all the little shadows and make them disappear. The<br />

smell is also different: jasmine, fruit, and a touch of baby powder.<br />

Too different, come to think of it. We stop at the corner and I<br />

jump off. Skip and the Kid are in the cabin, but they can smell it<br />

too.<br />

“Now that’s a sweet ice cream cone on a hot summer day,”<br />

Skip bites his lip and fizzes from his nostrils.<br />

“Mah-rone!” the Kid echoes, rubbing his chin.<br />

I see her. She is in front of the truck, right on the corner,<br />

waiting for the light to change. Tall and smooth like a statue, high<br />

heels, little skirt cut at the thighs, and blonde hair—real blonde—<br />

like streams of liquid gold parted down the middle. I know it’s<br />

real too because no dark roots are showing. And even though she<br />

is wearing sunglasses, those big oval ones with half-yellow shades,<br />

I can tell she is young, eighteen, nineteen at most.<br />

“Damn, she can get it,” Skip tilts his head way down to the<br />

February 2014 19

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