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Kilpatrick Design Case Study - Cooper Carry

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Washington D.C.<br />

Our final design and construction effort for <strong>Kilpatrick</strong> Townsend movements which created space for a long linear balcony; which<br />

finished this spring in downtown Washington, DC. With the existed already but was not used. Our proposal was to demolish<br />

all of the offices and support space in this corner of the tenth<br />

White House in view, the historic Westory Building at the corner<br />

of 14th and F Street, has served as the firms DC home for many floor to create a brand new unified reception and conferencing<br />

years. Occupying the top three floors of the building this 65,000+ suite for the firm. This would also allow them to activate and<br />

square foot in place renovation would have some similar challenges<br />

to the Atlanta headquarters project, and would offer up York project, this major shift in thinking would allow for a con-<br />

utilize the exterior balcony as an amenity. Not unlike the New<br />

some new challenges as well.<br />

centration of high end materials in the public area of the project<br />

and both freed up conferencing square footage in other areas of<br />

As currently built, the firm was located on the 9th, 10th and 11th the project while balancing the cost of the finishes in the employee<br />

floors of the building. Clients or guests would take the elevator to centric portions of the office.<br />

the ninth floor and be received in a small, dark, internal reception<br />

space. Attorneys would come greet their guests and escort After seven phases of in place construction were complete, the<br />

them to any number of conference rooms scattered throughout firm had received a top to bottom face lift with new finishes, new<br />

the three floors of the firm. We wanted to change this paradigm lighting, recaptured square footage for filing and workrooms, and<br />

but to do this meant we would have to propose a major change increased secretarial ratios to the same 4:1 level as the previous<br />

to the design concept for the space. One floor up from the current<br />

reception area, the building’s exterior skin has some inward for their large employee break area, bathed in natural<br />

projects. One of the highlights was a completely new design<br />

light,<br />

and showcasing a floor to ceiling mural of Pierre Charles<br />

L’Enfant’s original master plan painting of Washington, DC.<br />

Without question, the most impressive transformation<br />

was the new reception and conferencing suite on the 10th<br />

floor. Exiting the elevator you find the new reception space<br />

adorned with a natural stone floor which turns vertically<br />

to become a 100 foot long stone clad feature wall; linking<br />

conferencing space on both ends. Warm “pickled oak” wood<br />

veneer panels wrap the opposing elevator core and reappear<br />

as accents and furnishings throughout the space. A dynamic<br />

red wall wrapped in a three dimensional fabric create a focal<br />

point of color visible in multiple adjacent conference rooms.<br />

A showpiece boardroom at the end of the axis houses a<br />

spectacular 40 + foot long table complete with an integrated<br />

video conference camera lift and direct access to the exterior<br />

balcony. The corner conference room no doubt serves as the<br />

“pièce de résistance” with views to the White House and the<br />

Washington Monument.

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