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atom news<br />

6<br />

The 2006 ATOM Awards amber<br />

nelson & Rochelle Whitty<br />

FEATURES<br />

10<br />

18<br />

new literacies<br />

24<br />

Media Education in Victoria<br />

roger dunscombe<br />

Miss Potter and the ‘Green<br />

World’ of Children’s Literature<br />

Shirley law<br />

Network Literacy: The New<br />

Path to Knowledge<br />

Adrian Miles<br />

32<br />

An Online Goldmine: Film<br />

Australia Digital Learning<br />

Lee Burtonf<br />

36<br />

YouTube: The Evolution<br />

of Media<br />

Christian Christensenf<br />

42<br />

Community Media: Training<br />

New SYNners<br />

Emily Brewin<br />

film craft and analysis<br />

46 8<br />

Cut to the Chase:<br />

A Guide to Teaching Film As Text<br />

Andrea hayes<br />

54<br />

Avoid that Puddle!<br />

Ten Classic Errors Made<br />

by New Filmmakers<br />

Monique Hohnberg<br />

60<br />

The Fundamentals of<br />

Screenwriting: A Guide<br />

Boris Trbic<br />

primary and middle years<br />

66<br />

The Book, the Film and<br />

the Website: Teaching<br />

Multimodal Texts Lee Burton<br />

72<br />

Harry Potter and the Philosopher’s<br />

Stone: A Teaching Unit on<br />

Using a Fantasy Film to<br />

Awaken Moral Imaginations<br />

Kaneana May<br />

Teaching Media<br />

Does Media Ownership Still<br />

88<br />

Matter Nhi Pham<br />

Through the Wringer:<br />

92<br />

Teaching Social Values with Print<br />

Media Michael Considine<br />

98<br />

Training New Heroes: Directing the<br />

Hero Within Carl Kuddell<br />

The National Media<br />

Education Conference<br />

102<br />

Introduction Michael Dezuanni<br />

103<br />

Re-vision: Why Media Studies<br />

Does Not Mean the Death of<br />

Literature Natasha Mayne<br />

REal Life<br />

The Original Reality Television<br />

110<br />

Series: From 7 Up to 49 Up<br />

Peter Wilshire<br />

Blowin’ in the Wind: A Study Guide<br />

116<br />

Siobhan Maiden<br />

Through My Eyes: The Story of a<br />

124<br />

Marginalized Australian Sue Lingham


australian national Cinema<br />

Silent Cinema: Archetypes and Cliches<br />

130<br />

Andrew Zielinski<br />

Australian Cinema in the 1930s and<br />

135<br />

1940s: The Persistence of the Bush<br />

Myth<br />

Andrew Zielinski<br />

film as text<br />

141<br />

The Castle: Home of the Brave<br />

Brian McFarlane<br />

Under the Storyteller’s<br />

147<br />

Spell: The Usual Suspects<br />

and Narrative Ingenuity<br />

Catherine Wood<br />

Running in Circles:<br />

153<br />

Form in Run Lola Run<br />

Kate Matthews<br />

In the Thick of it: Trust<br />

159<br />

and Suspicion in Lantana<br />

Luciano Di Gregorio<br />

Social Vertigo and Loss<br />

165<br />

of the Self in Gattaca<br />

Justin Shaw<br />

Where’s Donnie It’s<br />

170<br />

Neither Here Nor There:<br />

Ideas for Teaching Donnie<br />

Darko Gary Simmons<br />

Editor<br />

Peter Tapp<br />

Assistant Editor<br />

Zoe Tovey<br />

Sub-editor<br />

Rjurik Davidson<br />

Editorial Committee<br />

Lee Burton (Vic)<br />

Anne Cloonan<br />

(Primary Consultant)<br />

Christine Evely (Vic)<br />

Imre Hollosy<br />

(Board of Studies, Vic)<br />

Michael Dezuanni (Qld)<br />

Robyn Quin (WA)<br />

Art Direction<br />

David Moore<br />

Subscriptions &<br />

Proofreading<br />

Zak Hamer<br />

IT Consultant<br />

Bruce Wilson<br />

ISSN 1449-857X © ATOM 2007<br />

Call for Articles<br />

If you have an activity that has worked well for you in the<br />

classroom, please submit it for publication. There is a<br />

‘Style Sheet’ for contributors which is available from our<br />

website (BELOW). Submit articles by email as an attachment,<br />

in Microsoft Word, and graphics as attachments<br />

saved as either photoshop, tiff or jpeg files.<br />

WEB www.metromagazine.com.au.<br />

POST ATOM, PO Box 2040,<br />

St Kilda West Post Office,<br />

St Kilda, Vic 3182 Australia<br />

TEL 03 9525 5302<br />

FAX 03 9537 2325<br />

EMAIL assistanteditor@atom.org.au<br />

• sybil bell<br />

Senior Education Officer,<br />

Curriculum Strategy Branch,<br />

Education Queensland<br />

• Ina Bertrand<br />

Principal Fellow, School<br />

of Fine Arts, Classical<br />

Studies and Archaeology,<br />

University of Melbourne<br />

• Kate Bowles<br />

Lecturer, Department of<br />

Communication and Cultural<br />

Studies, University of<br />

Wollongong<br />

• Felicity Collins<br />

Lecturer, Department of<br />

Cinema Studies, La Trobe<br />

University<br />

• Jackie Cook<br />

Senior Lecturer, School<br />

of Communication and<br />

Information Studies, University<br />

of South Australia<br />

• JEANETTE DELAMOIR<br />

Senior Lecturer, School<br />

of Contemporary<br />

Communication, Central<br />

Queensland University<br />

• Michael Dezuanni<br />

Lecturer in Film and Media<br />

Curriculum, Queensland<br />

University of Technology<br />

• Anna Dzenis<br />

Lecturer, Department of<br />

Cinema Studies, La Trobe<br />

University<br />

• Dr beryl exley<br />

School of Cultural and<br />

Language Studies in<br />

Education, Queensland<br />

University of Technology<br />

• Freda Freiberg<br />

Independent Film Scholar<br />

• Roger Horrocks<br />

Professor Emeritus, University<br />

of Auckland<br />

• John Langer<br />

Associate Professor,<br />

Department of<br />

Communication, Language<br />

and Cultural Studies, Victoria<br />

University of Technology<br />

• Brian McFarlane<br />

Honorary Associate<br />

ATOM COMMITTEE<br />

C h a i r p e r s o n M e g H a n n a n • D e p u t y<br />

C h a i r p e r s o n R o g e r D u n s c o m b e<br />

• Awards Executive Officer Julie-Anne Smith •<br />

Professional Development Executive Officer Kevin<br />

Tibaldi • Tertiary Executive Officer Vicki Molloy<br />

• Finance Executive Officer Elaine Chia • Legal<br />

Representative Peter Hull • Publications Manager<br />

Peter Tapp • Education Officer / Awards Manager<br />

Amber Nelson • Committee Members Andrew<br />

Renaut, George Lekatsas, Jamieson Kane.<br />

Associate editors for refereed articles<br />

Professor, English<br />

Department, Monash<br />

University<br />

• dr Geoff Mayer<br />

Reader and Associate<br />

Professor, Head, School of<br />

Communication, Arts & Critical<br />

Enquiry, La Trobe University<br />

• Jane Mills<br />

Associate Senior Research<br />

Fellow, Australian Film,<br />

Television & Radio School<br />

• Lorraine Mortimer<br />

Senior Lecturer, Department<br />

of Sociology and<br />

Anthropology, La Trobe<br />

University<br />

• gabrielle Murray<br />

Lecturer in Cinema Studies,<br />

La Trobe University<br />

• LEONIE NAUGHTON<br />

Cinema Studies Fellow,<br />

University of Melbourne<br />

• Rick Thompson<br />

Senior Lecturer, Department<br />

of Cinema Studies, La Trobe<br />

University<br />

• Sue Turnbull<br />

Senior Lecturer, Department<br />

of Media Studies, La Trobe<br />

University<br />

• Con Verevis<br />

Lecturer, Department of<br />

Visual Culture, Monash<br />

University<br />

• Michael Walsh<br />

Lecturer, Department of<br />

Screen Studies, Flinders<br />

University<br />

• Deane Williams<br />

Lecturer, Department of<br />

Visual Culture, Monash<br />

University<br />

• Brian Yecies<br />

Lecturer in Communication<br />

and Cultural Studies,<br />

Faculty of Arts, University of<br />

Wollongong<br />

• Audrey Yue Lecturer,<br />

Department of English and<br />

Cultural Studies, University of<br />

Melbourne.<br />

Screen Education is indexed by APAIS and the Australian Film Institute’s Research and Information department.

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