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atom news<br />
6<br />
The 2006 ATOM Awards amber<br />
nelson & Rochelle Whitty<br />
FEATURES<br />
10<br />
18<br />
new literacies<br />
24<br />
Media Education in Victoria<br />
roger dunscombe<br />
Miss Potter and the ‘Green<br />
World’ of Children’s Literature<br />
Shirley law<br />
Network Literacy: The New<br />
Path to Knowledge<br />
Adrian Miles<br />
32<br />
An Online Goldmine: Film<br />
Australia Digital Learning<br />
Lee Burtonf<br />
36<br />
YouTube: The Evolution<br />
of Media<br />
Christian Christensenf<br />
42<br />
Community Media: Training<br />
New SYNners<br />
Emily Brewin<br />
film craft and analysis<br />
46 8<br />
Cut to the Chase:<br />
A Guide to Teaching Film As Text<br />
Andrea hayes<br />
54<br />
Avoid that Puddle!<br />
Ten Classic Errors Made<br />
by New Filmmakers<br />
Monique Hohnberg<br />
60<br />
The Fundamentals of<br />
Screenwriting: A Guide<br />
Boris Trbic<br />
primary and middle years<br />
66<br />
The Book, the Film and<br />
the Website: Teaching<br />
Multimodal Texts Lee Burton<br />
72<br />
Harry Potter and the Philosopher’s<br />
Stone: A Teaching Unit on<br />
Using a Fantasy Film to<br />
Awaken Moral Imaginations<br />
Kaneana May<br />
Teaching Media<br />
Does Media Ownership Still<br />
88<br />
Matter Nhi Pham<br />
Through the Wringer:<br />
92<br />
Teaching Social Values with Print<br />
Media Michael Considine<br />
98<br />
Training New Heroes: Directing the<br />
Hero Within Carl Kuddell<br />
The National Media<br />
Education Conference<br />
102<br />
Introduction Michael Dezuanni<br />
103<br />
Re-vision: Why Media Studies<br />
Does Not Mean the Death of<br />
Literature Natasha Mayne<br />
REal Life<br />
The Original Reality Television<br />
110<br />
Series: From 7 Up to 49 Up<br />
Peter Wilshire<br />
Blowin’ in the Wind: A Study Guide<br />
116<br />
Siobhan Maiden<br />
Through My Eyes: The Story of a<br />
124<br />
Marginalized Australian Sue Lingham
australian national Cinema<br />
Silent Cinema: Archetypes and Cliches<br />
130<br />
Andrew Zielinski<br />
Australian Cinema in the 1930s and<br />
135<br />
1940s: The Persistence of the Bush<br />
Myth<br />
Andrew Zielinski<br />
film as text<br />
141<br />
The Castle: Home of the Brave<br />
Brian McFarlane<br />
Under the Storyteller’s<br />
147<br />
Spell: The Usual Suspects<br />
and Narrative Ingenuity<br />
Catherine Wood<br />
Running in Circles:<br />
153<br />
Form in Run Lola Run<br />
Kate Matthews<br />
In the Thick of it: Trust<br />
159<br />
and Suspicion in Lantana<br />
Luciano Di Gregorio<br />
Social Vertigo and Loss<br />
165<br />
of the Self in Gattaca<br />
Justin Shaw<br />
Where’s Donnie It’s<br />
170<br />
Neither Here Nor There:<br />
Ideas for Teaching Donnie<br />
Darko Gary Simmons<br />
Editor<br />
Peter Tapp<br />
Assistant Editor<br />
Zoe Tovey<br />
Sub-editor<br />
Rjurik Davidson<br />
Editorial Committee<br />
Lee Burton (Vic)<br />
Anne Cloonan<br />
(Primary Consultant)<br />
Christine Evely (Vic)<br />
Imre Hollosy<br />
(Board of Studies, Vic)<br />
Michael Dezuanni (Qld)<br />
Robyn Quin (WA)<br />
Art Direction<br />
David Moore<br />
Subscriptions &<br />
Proofreading<br />
Zak Hamer<br />
IT Consultant<br />
Bruce Wilson<br />
ISSN 1449-857X © ATOM 2007<br />
Call for Articles<br />
If you have an activity that has worked well for you in the<br />
classroom, please submit it for publication. There is a<br />
‘Style Sheet’ for contributors which is available from our<br />
website (BELOW). Submit articles by email as an attachment,<br />
in Microsoft Word, and graphics as attachments<br />
saved as either photoshop, tiff or jpeg files.<br />
WEB www.metromagazine.com.au.<br />
POST ATOM, PO Box 2040,<br />
St Kilda West Post Office,<br />
St Kilda, Vic 3182 Australia<br />
TEL 03 9525 5302<br />
FAX 03 9537 2325<br />
EMAIL assistanteditor@atom.org.au<br />
• sybil bell<br />
Senior Education Officer,<br />
Curriculum Strategy Branch,<br />
Education Queensland<br />
• Ina Bertrand<br />
Principal Fellow, School<br />
of Fine Arts, Classical<br />
Studies and Archaeology,<br />
University of Melbourne<br />
• Kate Bowles<br />
Lecturer, Department of<br />
Communication and Cultural<br />
Studies, University of<br />
Wollongong<br />
• Felicity Collins<br />
Lecturer, Department of<br />
Cinema Studies, La Trobe<br />
University<br />
• Jackie Cook<br />
Senior Lecturer, School<br />
of Communication and<br />
Information Studies, University<br />
of South Australia<br />
• JEANETTE DELAMOIR<br />
Senior Lecturer, School<br />
of Contemporary<br />
Communication, Central<br />
Queensland University<br />
• Michael Dezuanni<br />
Lecturer in Film and Media<br />
Curriculum, Queensland<br />
University of Technology<br />
• Anna Dzenis<br />
Lecturer, Department of<br />
Cinema Studies, La Trobe<br />
University<br />
• Dr beryl exley<br />
School of Cultural and<br />
Language Studies in<br />
Education, Queensland<br />
University of Technology<br />
• Freda Freiberg<br />
Independent Film Scholar<br />
• Roger Horrocks<br />
Professor Emeritus, University<br />
of Auckland<br />
• John Langer<br />
Associate Professor,<br />
Department of<br />
Communication, Language<br />
and Cultural Studies, Victoria<br />
University of Technology<br />
• Brian McFarlane<br />
Honorary Associate<br />
ATOM COMMITTEE<br />
C h a i r p e r s o n M e g H a n n a n • D e p u t y<br />
C h a i r p e r s o n R o g e r D u n s c o m b e<br />
• Awards Executive Officer Julie-Anne Smith •<br />
Professional Development Executive Officer Kevin<br />
Tibaldi • Tertiary Executive Officer Vicki Molloy<br />
• Finance Executive Officer Elaine Chia • Legal<br />
Representative Peter Hull • Publications Manager<br />
Peter Tapp • Education Officer / Awards Manager<br />
Amber Nelson • Committee Members Andrew<br />
Renaut, George Lekatsas, Jamieson Kane.<br />
Associate editors for refereed articles<br />
Professor, English<br />
Department, Monash<br />
University<br />
• dr Geoff Mayer<br />
Reader and Associate<br />
Professor, Head, School of<br />
Communication, Arts & Critical<br />
Enquiry, La Trobe University<br />
• Jane Mills<br />
Associate Senior Research<br />
Fellow, Australian Film,<br />
Television & Radio School<br />
• Lorraine Mortimer<br />
Senior Lecturer, Department<br />
of Sociology and<br />
Anthropology, La Trobe<br />
University<br />
• gabrielle Murray<br />
Lecturer in Cinema Studies,<br />
La Trobe University<br />
• LEONIE NAUGHTON<br />
Cinema Studies Fellow,<br />
University of Melbourne<br />
• Rick Thompson<br />
Senior Lecturer, Department<br />
of Cinema Studies, La Trobe<br />
University<br />
• Sue Turnbull<br />
Senior Lecturer, Department<br />
of Media Studies, La Trobe<br />
University<br />
• Con Verevis<br />
Lecturer, Department of<br />
Visual Culture, Monash<br />
University<br />
• Michael Walsh<br />
Lecturer, Department of<br />
Screen Studies, Flinders<br />
University<br />
• Deane Williams<br />
Lecturer, Department of<br />
Visual Culture, Monash<br />
University<br />
• Brian Yecies<br />
Lecturer in Communication<br />
and Cultural Studies,<br />
Faculty of Arts, University of<br />
Wollongong<br />
• Audrey Yue Lecturer,<br />
Department of English and<br />
Cultural Studies, University of<br />
Melbourne.<br />
Screen Education is indexed by APAIS and the Australian Film Institute’s Research and Information department.