HAYES MOORE - Miami University
HAYES MOORE - Miami University
HAYES MOORE - Miami University
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<strong>HAYES</strong><br />
<strong>MOORE</strong>
Segue 7: Fall 08<br />
© 2008 Segue online literary journal<br />
ISSN 1939‐263X<br />
All rights reserved. This publication may be freely distributed only in its entirety and without modification, and only<br />
for private use. It may not be sold for profit. Excerpts may only be reproduced and distributed with permission<br />
from the copyright owners, except for classroom use or in the case of brief quotations used for book reviews and<br />
interviews. The creative works published in Segue do not necessarily represent the views and opinions of its staff<br />
or of <strong>Miami</strong> <strong>University</strong>.<br />
Issue 7 Fall 2008<br />
Editor: Eric Melbye<br />
Managing Editor: Michelle Lawrence<br />
Segue is published once a year in August. We accept submissions of high quality fiction, poetry, and creative<br />
nonfiction between August 1 and April 30 (closed May through July), and writing about writing year‐round via<br />
email. Before submitting, please read past issues to understand the sort of work we publish, then read our<br />
submission guidelines.<br />
Segue<br />
www.mid.muohio.edu/segue<br />
<strong>Miami</strong> <strong>University</strong> Middletown<br />
www.mid.muohio.edu
Segue 7: Fall 08<br />
CONTENTS<br />
Gaming Romantic 4<br />
Author Notes 5<br />
iii
Segue 7: Fall 08<br />
Gaming Romantic<br />
Nyzhnyk’s teddy bear whispered knight takes queen, and so I did so.<br />
It’s not like this comes easily, not like sleep or gravity, not like the words<br />
To that one song, so simple, simple, so true, or was it the other way around,<br />
Not to mention the tune, never the same twice, though differently than a river<br />
Like the Hudson that ran beside us, smelling like we smelled, heavily breathing<br />
Like we breathed. These brackish straits burning my eyes are not like<br />
The harmony that was so easy and easily lost. Sport comes more naturally. Buy a<br />
New shirt, look good for summer. Keep swinging. Eyes on the ball. Go long.<br />
A lob followed by a hard, two-wall-corner-shot will usually do the trick, particularly<br />
Lategame. Nyzhnyk’s brilliance is magic. His bear not so much so. Like wild horses<br />
In a blazing barn, sugarless and neck-nuzzling, fuck or be fucked with shafts of fire<br />
Which is less a choice than a low killer that doesn’t bounce, just rolls, and there’s<br />
nothing left but momentum.<br />
Hayes Moore 4
Segue 7: Fall 08<br />
Author Notes<br />
Hayes Moore moved from NYC to Cambridge to finish up a dissertation last fall. After a long<br />
hiatus, he began submitting creative writing last winter. He has had poems published in Graffiti<br />
Rag and MaryMark Press. Segue is his first online publication.<br />
About the Work<br />
“Gaming Romantic” came into its final draft through an unusually clear process for me. I<br />
was reviewing a collection of random poetic scraps, lines, images, anecdotes, ideas, and saw that I<br />
had accumulated a number of gaming motifs that seemed to reflect some truism or another about<br />
romance. I pieced them together and in that first draft I recall references to football, baseball, track<br />
and field, bobbing for apples, table-top RPGs, and of course chess. I tried mixing the images up in<br />
different ways, as non-sequiturs, maxims, a narrative, and as a sex scene told in sporty euphemism.<br />
Indecision ruled the editor and the more-or-less penultimate draft was a confused hodge-podge<br />
with a nice rhythm and some striking images that made no sense but seemed like they were trying<br />
to. I work-shopped it with the friendly and insightful people in Charles River Writers, a Boston<br />
based poetry club. I took copious notes during the workshop. As an experiment, I tried to follow<br />
every suggestion they offered. When advice conflicted, I opted for the suggestions that were closest<br />
to what I had already drafted. The result was the current, final draft.<br />
Hayes Moore 5