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Cover Story<br />

Spotify<br />

debuts in Brazil<br />

By Camilo Rocha<br />

At the end of May, one of Sweden’s most talkedabout<br />

companies in recent years finally opened<br />

shop in Brazil. Spotify is the world leader for<br />

music streaming, and has been popular among<br />

musicians, music fans and record labels alike<br />

as one of the best solutions to the decade-long<br />

issue of illegal downloading.<br />

Photos by Renato Rebizzi/Studio Rebizzi<br />

(From left) Guilherme Assumpção, Mauricio Rossini, Channtal Fleischfresser, Carol<br />

Baracat, Victor Fernandes, Camila Bileski and Fabio Brunelli, all from Spotify, at the<br />

launch on May 28.<br />

Our main competitor is piracy,” stated Brazilian-born<br />

Gustavo Diament, Managing Director for Spotify in Latin<br />

America, at the launch at the Mani Manioca restaurant<br />

in São Paulo on May 28. He was joined on stage by<br />

local musicians Gaby Amarantos, Marcelo Jeneci and<br />

Fernanda Takai, as well as an on-screen endorsement by<br />

none other than Gilberto Gil (who also played to a packed audience in<br />

the evening at the opening party at Audio Club SP).<br />

Since its debut in Sweden in 2006, Spotify has spread through more<br />

than 50 countries worldwide. The company started to operate in Latin<br />

America as of last year and is now available in Chile, Colombia, Mexico<br />

and Uruguay, among many other countries.<br />

Gustavo Diament, Managing Director<br />

for Spotify in Latin America.<br />

The arrival in Brazil had been rumored since mid<br />

last year. Speaking to Swedcham’s <strong>Nordic</strong><strong>Light</strong><br />

magazine, Mia Nygren, Head of Spotify’s Strategic<br />

Alliances in Latin America, said there has been a<br />

lot of anticipation here for the service. “We had a<br />

waiting list of over 400,000 people, who sent emails<br />

to enroll.” Globally, Spotify is said to have 40 million<br />

users, including 10 million subscribers.<br />

Diament is optimistic about the adoption of Spotify<br />

in the Brazilian market, even though it involves a<br />

certain amount of “education” on what a streaming<br />

platform represents. “The size of the market, and<br />

the willingness to adopt new technologies” are factors<br />

which should help the product make inroads in<br />

the country, the executive believes.<br />

“The growth in smartphone sales [in Brazil]<br />

makes us optimistic,” added Nygren. “We have a<br />

free tier for mobile phones which we will bring over<br />

here, where these devices are the first alternative to<br />

connect to the internet for many people.”<br />

However, there are other challenges besides getting<br />

people used to the idea of streaming, says Nygren.<br />

“The quality of connection is very different from what<br />

we are used to in Europe, which is why our offline<br />

listening option is an advantage”, she declared.<br />

In Sweden, the platform is responsible for 70%<br />

of music revenue, including digital and physical<br />

formats, according to its executives. In many<br />

countries, music streaming is turning out to be an<br />

increasingly viable alternative for the business. It<br />

also makes more sense to stream than to download<br />

in an increasingly mobile world.<br />

Spotify helped organize music streaming into a<br />

4 JUNE - AUGUST 2014

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