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<strong>University</strong> <strong>Press</strong><br />

<strong>of</strong> <strong>Mississippi</strong><br />

Books for Fall–Winter 2008–2009


Contents<br />

3 Accordion Dreams: A Journey into Cajun and<br />

Creole Music<br />

8 Arthur Penn: Interviews<br />

12 At Home Inside: A Daughter’s Tribute to Ann<br />

Petry<br />

27 Back in print/Available again<br />

4 Barthé: A Life in Sculpture<br />

3 Blues Traveling: The Holy Sites <strong>of</strong> Delta Blues,<br />

Third Edition<br />

17 Cajun and Zydeco Dance Music in Northern<br />

California: Modern Pleasures in a Postmodern<br />

World<br />

18 Caribbean Visionary: A. R. F. Webber and the<br />

Making <strong>of</strong> the Guyanese Nation<br />

9 Claudette Colbert: She Walked in Beauty<br />

10 A Comics Studies Reader<br />

13 Conversations with Anthony Burgess<br />

13 Conversations with Ursula K. Le Guin<br />

6 Crafted Lives: Stories and Studies <strong>of</strong> African<br />

American Quilters<br />

1 Delta Deep Down<br />

20 Finding a Way Home: A Critical Assessment <strong>of</strong><br />

Walter Mosley’s Fiction<br />

17 Garlic Capital <strong>of</strong> the World: Gilroy, Garlic, and<br />

the Making <strong>of</strong> a Festive Foodscape<br />

14 Golden Days: Reminiscences <strong>of</strong> Alumnae, <strong>Mississippi</strong><br />

State College for Women<br />

10 Harvey Pekar: Conversations<br />

9 John Singleton: Interviews<br />

8 Jonathan Demme: Interviews<br />

18 Let’s Make Some Noise: Axé and the African<br />

Roots <strong>of</strong> Brazilian Popular Music<br />

21 New in paperback<br />

2 New Orleans Cuisine: Fourteen Signature<br />

Dishes and Their Histories<br />

5 On the Wall: Four Decades <strong>of</strong> Community<br />

Murals in New York City<br />

7 Passage on the Underground Railroad<br />

16 Rare Birds: Conversations with Legends <strong>of</strong> Jazz<br />

and Classical Music<br />

19 Reconstructing Fame: Sport, Race, and Evolving<br />

Reputations<br />

15 Reminiscences <strong>of</strong> an Active Life: The Autobiography<br />

<strong>of</strong> John Roy Lynch<br />

16 Southern Fiddlers and Fiddle Contests<br />

12 Squint: My Journey with Leprosy<br />

15 A Time to Speak: Speeches by Jack Reed<br />

14 TVA Photography, 1963–2008: Challenges and<br />

Changes in the Tennessee Valley<br />

11 ¡Viva la historieta! Mexican Comics, NAFTA,<br />

and the Politics <strong>of</strong> Globalization<br />

19 Voice <strong>of</strong> the Leopard: African Secret Societies<br />

and Cuba<br />

20 Women and the Civil Rights Movement,<br />

1954–1965<br />

2 You Are Where You Eat: Stories and Recipes<br />

from the Neighborhoods <strong>of</strong> New Orleans<br />

Calendar <strong>of</strong> Publication Months<br />

September: Claudette Colbert: She Walked in Beauty d Conversations with Ursula<br />

K. Le Guin d Delta Deep Down d Let’s Make Some Noise: Axé and the African<br />

Roots <strong>of</strong> Brazilian Popular Music d TVA Photography, 1963–2008: Challenges<br />

and Changes in the Tennessee Valley October: Cajun and Zydeco Dance Music in<br />

Northern California: Modern Pleasures in a Postmodern World d Conversations<br />

with Anthony Burgess d Finding a Way Home: A Critical Assessment <strong>of</strong> Walter<br />

Mosley’s Fiction d Harvey Pekar: Conversations d Reconstructing Fame: Sport,<br />

Race, and Evolving Reputations d You Are Where You Eat: Stories and Recipes<br />

from the Neighborhoods <strong>of</strong> New Orleans November: Arthur Penn: Interviews d<br />

Barthé: A Life in Sculpture d Golden Days: Reminiscences <strong>of</strong> Alumnae, <strong>Mississippi</strong><br />

State College for Women d Rare Birds: Conversations with Legends <strong>of</strong> Jazz<br />

and Classical Music d Reminiscences <strong>of</strong> an Active Life: The Autobiography <strong>of</strong> John<br />

Roy Lynch d Southern Fiddlers and Fiddle Contests December: At Home Inside: A<br />

Daughter’s Tribute to Ann Petry d Caribbean Visionary: A. R. F. Webber and the<br />

Making <strong>of</strong> the Guyanese Nation d A Comics Studies Reader d Jonathan Demme:<br />

Interviews d Passage on the Underground Railroad d Voice <strong>of</strong> the Leopard: African<br />

Secret Societies and Cuba January: Accordion Dreams: A Journey into Cajun and<br />

Creole Music d Blues Traveling: The Holy Sites <strong>of</strong> Delta Blues, Third Edition d<br />

Crafted Lives: Stories and Studies <strong>of</strong> African American Quilters d Garlic Capital <strong>of</strong><br />

the World: Gilroy, Garlic, and the Making <strong>of</strong> a Festive Foodscape d John Singleton:<br />

Interviews February: New Orleans Cuisine: Fourteen Signature Dishes and Their<br />

Histories d On the Wall: Four Decades <strong>of</strong> Community Murals in New York City d<br />

Squint: My Journey with Leprosy d A Time to Speak: Speeches by Jack Reed d ¡Viva<br />

la historieta! Mexican Comics, NAFTA, and the Politics <strong>of</strong> Globalization d Women<br />

and the Civil Rights Movement, 1954–1965<br />

UNIVERSITY PRESS <strong>of</strong> MISSISSIPPI<br />

3825 Ridgewood Road, Jackson, MS 39211-6492<br />

www.upress.state.ms.us d E-mail: press@ihl.state.ms.us<br />

Administrative/Editorial/Marketing/Production: (601) 432-6205. Orders: (800)<br />

737-7788 or (601) 432-6205. Customer Service: (601) 432-6272. Fax: (601) 432-6217.<br />

Director: Seetha Srinivasan d Administrative Assistant / Rights and Permissions:<br />

Cynthia Foster d Assistant Director / Business Manager: Isabel Metz d Assistant Director<br />

/ Editor-in-Chief: Craig Gill d Assistant Director / Art Director: John Langston<br />

d Assistant Director / Marketing Director: Steve Yates d Assistant Marketing Manager:<br />

Ginger Tucker d Advertising and Marketing Services Manager: Kathy Burgess d Publicist:<br />

Clint Kimberling d Marketing Assistant: Emily Hubbard d Senior Production<br />

Editor: Shane Gong d Assistant Production Manager / Designer / Electronic Projects<br />

Manager: Todd Lape d Book Designer: Pete Halverson d Managing Editor: Anne<br />

Stascavage d Editor: Walter Biggins d Editorial Assistant: Valerie Jones d Customer<br />

Service and Order Supervisor: Sandy Alexander d Assistant for Development: Rosie<br />

Swanson<br />

The paper in the books published by the <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> meets the guidelines for<br />

permanence and durability <strong>of</strong> the Committee on Production Guidelines for Book Longevity <strong>of</strong> the<br />

Council on Library Resources.<br />

This catalog is printed on recycled paper.<br />

Postmaster: <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>. Issue date: June 2008. Three times annually (January,<br />

February, June), plus supplements. Located at: <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>, 3825 Ridgewood<br />

Road, Jackson, MS 39211-6492. Promotional publications <strong>of</strong> the <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

are distributed free <strong>of</strong> charge to customers and prospective customers: Issue number: 3<br />

Front cover: Photograph—Isola, 1982 by Jane Rule Burdine, from Delta Deep Down, page 1<br />

Back cover: Photographs—Filé Gumbo and Beulah Labostrie by Elsa Hahne


PHOTOGRAPHY<br />

Delta Deep Down<br />

Photographs by Jane Rule Burdine<br />

Edited by Wendy McDaris<br />

Introduction by Steve Yarbrough<br />

“The image that Jane Rule’s book both begins and ends on is<br />

haunting precisely because it captures the past that’s always<br />

lurking within the Delta’s present. There is something surreal,<br />

almost Kafkaesque on display here. A farmer with his back to us<br />

drives a tractor straight ahead on a lonely dirt road. Big woods<br />

loom on the left. On the right, at the edge <strong>of</strong> a field <strong>of</strong> cotton,<br />

a grey-clad horseman moves in the opposite direction, a ghost<br />

returning to history.”<br />

—Steve Yarbrough, from the introduction<br />

T<br />

The <strong>Mississippi</strong> Delta evokes mystery, beauty, and hardship in equal<br />

measures. Its haunted fields, turbulent history, and resilient people have<br />

fueled countless songs, tales, and literary works, and its presence resonates<br />

strongly in the construction <strong>of</strong> the American South.<br />

In Delta Deep Down, photographer Jane Rule Burdine captures the<br />

region with clarity and warmth. Since the early 1970s, Burdine has used<br />

the Delta as her muse, traversing and documenting the ever-changing<br />

landscape in color photographs. These powerful images reflect how the<br />

Delta and its citizens have responded to each other, and how each has in<br />

turn been changed. Weatherbeaten shacks, cotton and soybean fields,<br />

industrial equipment, people at work and play, and cloud-draped, endless<br />

horizons are all seen through Burdine’s lens. The Delta’s past and<br />

present mingle in every photograph <strong>of</strong> the inhabitants—black and white,<br />

young and old, rich and poor—in moments <strong>of</strong> contemplation, hard work,<br />

and joyous revelry.<br />

Novelist and Indianola native Steve Yarbrough <strong>of</strong>fers a touching, personal<br />

introduction that explores how Burdine’s photographs reveal the<br />

place he once called home, and how, through her photographs, the hold<br />

this fertile ground claims on his heart is reinforced. Delta Deep Down<br />

<strong>of</strong>fers an unforgettable portrait <strong>of</strong> a quintessential <strong>Mississippi</strong> place and<br />

the people who abide in it.<br />

Wendy McDaris provides historical context and locates Burdine’s<br />

work among current trends in fine art photography.<br />

Photographs that capture the land, people, and<br />

ever-present spirits <strong>of</strong> the <strong>Mississippi</strong> Delta<br />

Jane Rule Burdine is a photographer based in Taylor, <strong>Mississippi</strong>.<br />

Wendy McDaris is a curator/cultural critic living in upstate New York<br />

and editor/essayist for Visualizing the Blues: Photographs <strong>of</strong> the<br />

American South, among other art catalogs. Steve Yarbrough is the<br />

James and Coke Hallowell Pr<strong>of</strong>essor <strong>of</strong> Creative Writing at California<br />

State <strong>University</strong>, Fresno, and the author <strong>of</strong> The Oxygen Man,<br />

Visible Spirits, The End <strong>of</strong> California, and other novels.<br />

SEPTEMBER, 112 pages (approx.), 11 x 10½ inches, 96 color photographs,<br />

introduction<br />

Cloth $40.00T, 978-1-60473-089-0<br />

Photographs by Jane Rule Burdine (clockwise from top)—Washington<br />

County, 1988; Jonestown, 1991; Tribbett, 1989; Tunica, 1988<br />

Related<br />

Delta Land<br />

Photographs by Maude Schuyler Clay<br />

Introductory essay by Lewis Nordan<br />

Cloth $35.00T, 978-1-57806-177-8<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 1


COOKING | LOUISIANA<br />

You Are Where You Eat<br />

Stories and Recipes from the<br />

Neighborhoods <strong>of</strong> New Orleans<br />

Elsa Hahne<br />

A tour <strong>of</strong> the delectable and<br />

original from renowned home<br />

cooks in the Crescent City<br />

E<br />

Eating and cooking well<br />

are not just industries<br />

but ways <strong>of</strong> life for all<br />

New Orleans. Writer and<br />

photographer Elsa Hahne<br />

has visited the kitchens<br />

<strong>of</strong> thirty-three <strong>of</strong> New<br />

Orleans’s home cooks<br />

and raconteurs and has<br />

served up an expansive<br />

smorgasbord inspired by<br />

this vibrant city’s love affair<br />

with food.<br />

Almost every cultural<br />

group that has made its<br />

mark on New Orleans<br />

is represented in these<br />

pages: Creole, African<br />

American, Native American,<br />

Isleño, German, Cajun,<br />

Italian, Irish, Greek,<br />

Hungarian, Croatian, Cuban,<br />

Honduran, Mexican,<br />

Indian, Filipino, Chinese,<br />

Vietnamese, and more.<br />

With thirty-three first-person accounts and over one hundred<br />

black-and-white and full-color photographs, You Are Where You<br />

Eat proves that the local population remains as passionate about<br />

cooking after the hurricanes <strong>of</strong> 2005 as at any time before. Among<br />

the eighty-five recipes are such classic New Orleans dishes as red<br />

beans and rice, catfish court bouillon, crawfish bisque, filé gumbo,<br />

grillades, and daube glacé, but also more recent arrivals to local<br />

tables: yakamein, pork tamales, crawfish samosas, and Vietnamese<br />

spring rolls.<br />

Elsa Hahne is the creator <strong>of</strong> the touring exhibit You Are WHERE<br />

You Eat—Stories and Recipes from the Crescent City, which was<br />

supported by the Louisiana Division <strong>of</strong> the Arts and the Louisiana<br />

Endowment for the Humanities. Her work has appeared in numerous<br />

international magazines and newspapers.<br />

OCTOBER, 224 pages (approx.), 9 x 9 inches, 33 color and 64 b&w illustrations,<br />

1 map, 85 recipes, index<br />

Cloth $35.00T, 978-1-57806-941-5<br />

Photograph—Fried trout by Elsa Hahne<br />

Related<br />

Louisiana Cookery<br />

Mary Land<br />

Illustrated by Morris Henry Hobbs<br />

Preface by Owen Brennan<br />

Paper $22.00T, 978-1-57806-757-2<br />

COOKING | LOUISIANA<br />

New Orleans Cuisine<br />

Fourteen Signature Dishes and Their Histories<br />

Edited by Susan Tucker<br />

With an introduction by S. Frederick Starr<br />

With contributions from Karen Leathem, Patricia Kennedy<br />

Livingston, Michael Mizell-Nelson, Cynthia LeJeune Nobles,<br />

Sharon Stallworth Nossiter, Sara Roahen, and Susan Tucker<br />

N<br />

New Orleans Cuisine: Fourteen Signature Dishes and Their Histories<br />

provides essays on the unparalleled recognition New Orleans<br />

has achieved as the Mecca <strong>of</strong> mealtime. Devoting each chapter to<br />

a signature cocktail, appetizer, sandwich, main course, staple, or<br />

dessert, contributors from the New Orleans Culinary Collective<br />

plate up the essence <strong>of</strong> the Big Easy through its number one export:<br />

great cooking. This book views the city’s cuisine as a whole,<br />

forgetting none <strong>of</strong> its flavorful ethnic influences—French, African<br />

American, German, Italian, Spanish, and more.<br />

In servings <strong>of</strong> such well-recognized foods as shrimp remoulade,<br />

Creole tomato salad, turtle soup, and bread pudding, contributors<br />

explore a broad range <strong>of</strong> issues. Essays consider the history <strong>of</strong><br />

refrigeration and ice in the<br />

city, famous restaurants,<br />

cooking schools, and the<br />

differences between Cajun<br />

and Creole cuisines.<br />

Biographical sketches <strong>of</strong><br />

New Orleans’s luminaries—including<br />

Mary Land,<br />

Corinne Dunbar, and Lena<br />

Richard—give personality to the stories. Recipes for each dish or<br />

beverage, drawn from historical cookbooks and contemporary<br />

chefs, complete the package.<br />

New Orleans Cuisine shows how ingredients, ethnicities, cooks,<br />

chefs, and consumers all converged over time to make the city a culinary<br />

capital.<br />

Susan Tucker is curator <strong>of</strong> books and records at the Newcomb Center<br />

for Research on Women at Tulane <strong>University</strong>. S. Frederick Starr<br />

is chair <strong>of</strong> the Central Asia-Caucasus Institute at Johns Hopkins<br />

<strong>University</strong> and the author <strong>of</strong> many books on New Orleans and<br />

Louisiana.<br />

FEBRUARY, 256 pages (approx.), 6 x 9 inches, introduction, index<br />

Cloth $28.00T, 978-1-60473-127-9<br />

Related<br />

The Crab Lover’s Book<br />

Recipes and More<br />

Mary Ethelyn Orso<br />

Paper $20.00T, 978-0-87805-796-2<br />

Essays dishing up how New<br />

Orleans created its unequaled<br />

culinary mystique<br />

Inventing New Orleans<br />

Writings <strong>of</strong> Lafcadio Hearn<br />

Edited and with an introduction by S. Frederick Starr<br />

Paper $22.00T, 978-1-57806-353-6<br />

Secrets <strong>of</strong> a New Orleans Chef<br />

Recipes from Tom Cowman’s Cookbook<br />

Greg Cowman<br />

Foreword by Gene Bourg<br />

Cloth with printed cover $30.00T, 978-1-57806-179-2<br />

2 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


MUSIC | MEMOIR<br />

Accordion Dreams<br />

A Journey into Cajun and Creole Music<br />

Blair Kilpatrick<br />

TRAVEL | MUSIC<br />

Blues Traveling<br />

The Holy Sites <strong>of</strong> Delta Blues, Third Edition<br />

Steve Cheseborough<br />

An outsider’s account <strong>of</strong> her<br />

transformative obsession with<br />

Louisiana’s joyous music<br />

BBy age thirty-nine, Blair<br />

Kilpatrick had settled into<br />

life as a practicing psychologist,<br />

wife, and mother.<br />

Then a chance encounter<br />

in New Orleans turned her<br />

world upside down. She<br />

returned home to Chicago<br />

with unlikely new passions<br />

for Cajun music and its<br />

defining instrument, the<br />

accordion. Captivated by<br />

recurring dreams <strong>of</strong> playing<br />

the Cajun accordion,<br />

she set out to master it.<br />

Yet she was not a musician,<br />

was too self-conscious to<br />

dance, and didn’t even sing<br />

in the shower.<br />

Kilpatrick’s obsession<br />

took her from Chicago’s<br />

Cajun dance scene to a<br />

folk music camp in West<br />

Virginia, back and forth<br />

to south Louisiana, and<br />

even to a Cajun festival in<br />

France. An unexpected family move brought her to the San Francisco<br />

Bay Area, home to the largest Cajun-zydeco music scene<br />

outside the Gulf Coast. There she became a protégé <strong>of</strong> renowned<br />

accordionist Danny Poullard, a Louisiana-born Creole and the<br />

guiding spirit <strong>of</strong> the local Louisiana French music community.<br />

Engaging, uplifting, and illuminating a unique patch <strong>of</strong> the<br />

American cultural landscape, Accordion Dreams is Kilpatrick’s account<br />

<strong>of</strong> the possibility <strong>of</strong> passion, risk-taking, and change—at any<br />

age.<br />

Blair Kilpatrick has an independent practice in psychotherapy in the<br />

San Francisco Bay Area. She also performs and records with Sauce<br />

Piquante, a traditional Cajun-Creole band she founded in the late<br />

1990s.<br />

JANUARY, 224 pages (approx.), 5½ x 8½ inches, nine b&w photographs, discography<br />

Cloth $28.00T, 978-1-60473-101-9<br />

Photograph—Blair Kilpatrick, courtesy Nate Tabak<br />

Related<br />

Cajun and Creole Music Makers<br />

Musiciens cadiens et créoles<br />

Text by Barry Jean Ancelet<br />

Photographs by Elemore Morgan, Jr.<br />

Paper $40.00T, 978-1-57806-170-9<br />

Zydeco!<br />

Photographs by Rick Olivier<br />

Text by Ben Sandmel<br />

Paper $30.00T, 978-1-57806-116-7<br />

“This localized, detailed and<br />

lively guidebook to blues music<br />

in <strong>Mississippi</strong> recommends<br />

following by car ‘a rough<br />

circle beginning and ending<br />

in Memphis’ for a comprehensive<br />

tour. With maps, specific<br />

directions and succinct historical<br />

tidbits, Cheseborough describes<br />

blues venues as well<br />

as points <strong>of</strong> special interest.<br />

A recommended listening section<br />

completes the picture.”<br />

—Publishers Weekly<br />

Expanded and updated, a<br />

new edition <strong>of</strong> the indispensable<br />

guidebook to the<br />

cradle <strong>of</strong> the blues<br />

“Providing excellent maps<br />

and driving instructions. . . .<br />

Along the way Cheseborough<br />

provides details on the towns,<br />

homes, and gravesites <strong>of</strong> famous<br />

blues musicians, buildings<br />

where they played, radio<br />

stations, sites <strong>of</strong> music festivals,<br />

and current clubs and restaurants that feature the music.<br />

Essential.” —Library Journal<br />

TThis acclaimed travel guide, hailed as the Bible <strong>of</strong> blues travelers<br />

throughout the world, will shepherd the faithful to such shrines as<br />

the intersection where Robert Johnson might have made his deal<br />

with the devil and the railroad tracks that inspired Howlin’ Wolf to<br />

moan “Smokestack Lightnin’. ” Blues Traveling was the first and is<br />

the indisputably essential guidebook to <strong>Mississippi</strong>’s musical places<br />

and its blues history. For this new edition Steve Cheseborough returned<br />

to the Delta, revisited all <strong>of</strong> the locales featured in previous<br />

editions <strong>of</strong> the book, and uncovered fresh destinations. He includes<br />

updated material on new festivals, state blues markers, club openings<br />

and closings, and many other transformations in the Delta’s<br />

ever-lively blues scene.<br />

With photographs, maps, easy-to-follow directions, and an informative,<br />

entertaining text, this book will lead the reader in and<br />

out <strong>of</strong> Clarksdale, Greenwood, Helena (Arkansas), Rolling Fork,<br />

Jackson, Memphis, Natchez, Bentonia, Rosedale, Itta Bena, and<br />

dozens <strong>of</strong> other locales where generations <strong>of</strong> blues musicians have<br />

lived, traveled, and performed. A previous edition was so effective<br />

and informative that Real Blues told its readers, “This is THE guide<br />

to the Delta; short <strong>of</strong> living there, it is the best.”<br />

Steve Cheseborough is a blues performer, lecturer, tour guide, and<br />

writer. His articles have appeared in Acoustic Guitar, Living Blues,<br />

Delta Magazine, and <strong>Mississippi</strong>. His website is www.stevechese<br />

borough.com.<br />

JANUARY, 256 pages (approx.), 5 x 9 inches, 50 b&w photographs, 13 maps,<br />

discography, index<br />

Paper $22.00T, 978-1-60473-124-8<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 3


ART | BIOGRAPHY<br />

Barthé<br />

A Life in Sculpture<br />

Margaret Rose Vendryes<br />

Foreword by Jeffrey C. Stewart<br />

R<br />

Richmond Barthé (1909–1989) was the first modern African<br />

American sculptor to achieve real critical success. His accessible<br />

naturalism led to unprecedented celebrity for an artist during the<br />

1930s and 1940s. After four years <strong>of</strong> academic training at the School<br />

<strong>of</strong> the Art Institute <strong>of</strong> Chicago, Barthé reaped the benefits <strong>of</strong> the<br />

1920s New Negro Arts Renaissance. He also endured difficulties as<br />

a gay, Roman Catholic, Creole sculptor working during the nation’s<br />

post–World War II era. He gave his black subjects in particular an<br />

intensity and sensuality that attracted important European American<br />

patrons and the press.<br />

Much <strong>of</strong> Barthé’s biography is recorded here for the first time in<br />

tandem with analyses and interpretations <strong>of</strong> his sculpture. Born to<br />

Creole parents in Bay St. Louis, <strong>Mississippi</strong>, Barthé’s art brought him<br />

out <strong>of</strong> poverty. At the height <strong>of</strong> his fame, he was <strong>of</strong>ten criticized for<br />

not talking about injustices African Americans faced. He expected<br />

his art to speak not only for itself, but also for him. He fled the<br />

United States for an expatriate’s life in Jamaica only to learn that,<br />

as an artist and a black man, he could not be accepted on his own<br />

terms, and there was no such thing as a perfect home. Barthé: A Life<br />

in Sculpture reveals the breadth <strong>of</strong> Barthé’s oeuvre through readings<br />

<strong>of</strong> his figurative masterworks that attest to accomplishments in a life<br />

lived well beyond race.<br />

A celebration <strong>of</strong> the acclaimed<br />

African American modern sculptor<br />

Independent scholar Margaret Rose Vendryes has taught art history and<br />

African American studies at York College, Princeton <strong>University</strong>, and<br />

the Graduate Center, City <strong>University</strong> <strong>of</strong> New York. She has published<br />

in International Review <strong>of</strong> African American Art and elsewhere.<br />

Jeffrey C. Stewart, pr<strong>of</strong>essor <strong>of</strong> history at George Mason <strong>University</strong>, is<br />

the author <strong>of</strong> numerous articles and books, including Paul Robeson:<br />

Artist and Citizen.<br />

NOVEMBER, 256 pages (approx.), 8½ x 11 inches, 56 color and<br />

85 b&w illustrations, foreword, bibliography, index<br />

Cloth $40.00T, 978-1-60473-092-0<br />

Photographs (clockwise from top)—The Awakening<br />

<strong>of</strong> Africa, courtesy the Museum <strong>of</strong> Art, <strong>University</strong> <strong>of</strong><br />

Southern <strong>Mississippi</strong>, Hattiesburg; Boy with a Flute,<br />

photo courtesy Sotheby’s New York; Richmond Barthé<br />

working on The Mother by Jules Bulcher, courtesy the author;<br />

Boy with a Broom, courtesy the author<br />

Related<br />

American Icons<br />

From Madison to Manhattan, the Art <strong>of</strong><br />

Benny Andrews, 1948–1997<br />

J. Richard Gruber<br />

Paper $49.95T, 978-1-890021-01-6<br />

The Art <strong>of</strong> William Edmondson<br />

Cheekwood Museum <strong>of</strong> Art<br />

Foreword by John Wetenhall<br />

Paper $35.00T, 978-1-57806-181-5<br />

4 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

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ART HISTORY | URBAN STUDIES<br />

On the Wall<br />

Four Decades <strong>of</strong> Community Murals in New York City<br />

Janet Braun-Reinitz and Jane Weissman<br />

Foreword by Amy Goodman and Denis Moynihan<br />

Introduction by Timothy W. Drescher<br />

E<br />

Energizing the visual landscape since 1968, New York City’s community<br />

murals beautify, educate, protest, celebrate, and <strong>of</strong>ten motivate<br />

residents to action. Collaborations between artists and neighborhood<br />

groups, these painted walls reflect the social, cultural, and political climate<br />

<strong>of</strong> their times.<br />

The result <strong>of</strong> six years <strong>of</strong> research and hundreds <strong>of</strong> interviews, On<br />

the Wall brings to light murals that were hitherto “lost” to history or<br />

unknown outside their immediate surroundings. Documenting six<br />

chronological periods, the book highlights significant murals and introduces<br />

the artists and sponsors that created them. In relating the<br />

many fascinating stories behind the murals, the authors describe the<br />

interactions between artists and residents—including the controversies<br />

that have led to the destruction <strong>of</strong> several notable murals.<br />

On the Wall gathers together 150 color images and <strong>of</strong>fers an aesthetic<br />

perspective on New York’s community murals in a lively and<br />

perceptive history.<br />

A comprehensive survey <strong>of</strong> New York City’s<br />

vibrant neighborhood art<br />

Janet Braun-Reinitz, a painter and community muralist, is the president<br />

<strong>of</strong> Artmakers Inc. and coauthor, with Rochelle Shic<strong>of</strong>f, <strong>of</strong> The<br />

Mural Book: A Practical Guide for Educators. Jane Weissman, a writer<br />

and public relations pr<strong>of</strong>essional, has been a participating artist and<br />

project director <strong>of</strong> several Artmakers murals. Amy Goodman is the host<br />

and executive producer <strong>of</strong> Pacifica Radio’s Democracy Now! Denis<br />

Moynihan is outreach director <strong>of</strong> Democracy Now! Timothy W. Drescher<br />

is an independent mural historian and photographer and the author<br />

<strong>of</strong> San Francisco Bay Area Murals: Communities Create Their Muses,<br />

1904–1997.<br />

FEBRUARY, 288 pages (approx.), 11 x 10½ inches, 150 color photographs,<br />

foreword, introduction, list <strong>of</strong> 500-plus murals, bibliography, index<br />

Unjacketed cloth $65.00S, 978-1-60473-111-8<br />

Paper $35.00T, 978-1-60473-112-5<br />

Photographs (clockwise from<br />

top)—Douglass Street Mural<br />

by Mary Patten © CITYarts,<br />

Inc., photo © Camille Perrottet;<br />

Enchanted Garden Mural by<br />

Kristin Reed and Robin Michals,<br />

photo by Eva Cockcr<strong>of</strong>t;<br />

detail from Homage to Seurat:<br />

La Grande Jatte in Harlem by<br />

Eva Cockcr<strong>of</strong>t, photo by Eva<br />

Cockcr<strong>of</strong>t; A Community Rises:<br />

Creating a World Without Violence<br />

by Noah Jemisin, Miguel<br />

Luciano, and Joe Matunis, © Los<br />

Muralistas de El Puente, photo<br />

by Joe Matunis<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 5


AFRICAN AMERICAN STUDIES | QUILTS<br />

Crafted Lives<br />

Stories and Studies <strong>of</strong> African American Quilters<br />

Patricia A. Turner<br />

Foreword by Kyra E. Hicks<br />

I<br />

In Crafted Lives: Stories and Studies <strong>of</strong> African American Quilters Patricia<br />

A. Turner explores the culture and recent history <strong>of</strong> African Americans<br />

through the creations and wisdom <strong>of</strong> nine quilters. Turner pr<strong>of</strong>iles<br />

quilters who exemplify the range <strong>of</strong> black women and men dedicated<br />

to the making <strong>of</strong> quilts, and she shows how their craftwork establishes<br />

order and meaning in their lives. The artisans comprise eight women<br />

and one man, ranging from teenagers to octogenarians, representing<br />

an array <strong>of</strong> education and income levels, and living across the United<br />

States, including Alaska.<br />

Turner also probes the ways in which African American quilts and<br />

quilters have been depicted, discussed, criticized, and characterized.<br />

From the displays <strong>of</strong> Harriet Powers’s creations at the turn <strong>of</strong> the twentieth<br />

century to the contemporary exhibits <strong>of</strong> such black art-quilts as<br />

those promoted by Carolyn Mazloomi, and such utilitarian expressions<br />

as the celebrated examples from Gee’s Bend, Alabama, Turner uses<br />

quilts to assess the level <strong>of</strong> control African Americans have had or have<br />

not had over the materials they craft and the art they leave as legacy to<br />

new generations.<br />

An authoritative account <strong>of</strong> the powerful bonds between<br />

generations <strong>of</strong> African American quiltmakers<br />

Patricia A. Turner is pr<strong>of</strong>essor <strong>of</strong> African American and African studies<br />

and the vice provost <strong>of</strong> undergraduate studies at the <strong>University</strong><br />

<strong>of</strong> California, Davis. She is the author <strong>of</strong> Ceramic Uncles and Celluloid<br />

Mammies: Black Images and Their Influence on Culture among<br />

other books. Kyra E. Hicks is the author <strong>of</strong> Black Threads: An African<br />

American Quilting Sourcebook.<br />

JANUARY, 240 pages (approx.), 6 x 9 inches, 32 color photographs, foreword,<br />

bibliography, index<br />

Cloth $35.00T, 978-1-60473-131-6<br />

Photographs by Keith Stevenson (clockwise from top)—Underground Railroad<br />

quilt by Daisy Anderson Moore; Tiffanie Newtown Williams guiding<br />

Cyré Cross; Hot Flash quilt by Marion Coleman; Portrait quilts by Riché<br />

Richardson<br />

Related<br />

<strong>Mississippi</strong> Quilts<br />

Mary Elizabeth Johnson<br />

Photographs by j. D. Schwalm<br />

Paper $40.00T, 978-1-57806-358-1<br />

6 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


AFRICAN AMERICAN STUDIES | PHOTOGRAPHY<br />

Passage on the Underground Railroad<br />

Photographs by Stephen Marc<br />

With contributions from Keith Griffler, Diane Miller,<br />

and Carla Williams<br />

F<br />

For seven years Stephen Marc photographed the routes traveled by fugitive<br />

slaves in their search for freedom, documenting and interpreting<br />

his research along the way. In Passage on the Underground Railroad,<br />

Marc shares the results <strong>of</strong> these explorations through his thoughtprovoking,<br />

unconventional, and haunting digital images.<br />

Marc uses two types <strong>of</strong> photographic composites to reveal the<br />

history <strong>of</strong> the Underground Railroad (UGRR): multiple photographs<br />

that describe UGRR sites and metaphorical montages that address the<br />

larger horror <strong>of</strong> slavery. Each UGRR site has a story, so individual sites<br />

are portrayed inside and out, using several photographs in combination<br />

to create visual tours. The companion montages evocatively interpret<br />

the South’s “peculiar institution” from which slaves were fleeing.<br />

These multilayered narratives weave together elements from the<br />

landscape <strong>of</strong> slavery—plantation structures, crop fields, waterways,<br />

tools <strong>of</strong> bondage and agriculture, merchant tokens and bank note currency,<br />

newspaper articles, and advertisements—along with UGRR site<br />

details, antislavery materials, and contemporary cultural references.<br />

In addition to the eighty-seven distinctive photographic creations<br />

and detailed captions, Passage on the Underground Railroad features<br />

an interview with Stephen Marc by Carla Williams, an essay by Keith<br />

Griffler, and a piece from Diane Miller discussing the historical significance<br />

<strong>of</strong> the UGRR and the role <strong>of</strong> the National Park Service’s Network<br />

to Freedom sites, many <strong>of</strong> which are interpreted in this book.<br />

A photographer’s evocative interpretation <strong>of</strong> the history<br />

and places along the slave’s path to freedom<br />

Stephen Marc is a pr<strong>of</strong>essor <strong>of</strong> art in the Herberger College <strong>of</strong> Arts<br />

at Arizona State <strong>University</strong>. A member <strong>of</strong> the Olympus Visionary<br />

Program, he has published The Black Trans-Atlantic Experience<br />

and Urban Notions. Keith Griffler is associate pr<strong>of</strong>essor <strong>of</strong> African<br />

American studies at the <strong>University</strong> at Buffalo, SUNY. Diane Miller<br />

is the director <strong>of</strong> the Network to Freedom division <strong>of</strong> the National<br />

Park Service. Carla Williams is an independent photographer and<br />

writer in San Francisco, and editor <strong>of</strong> exposure, the journal <strong>of</strong> the<br />

Society for Photographic Education.<br />

DECEMBER, 176 pages (approx.), 11 x 17 inches, 87 color illustrations,<br />

bibliography, map<br />

Cloth $55.00T, 978-1-60473-129-3<br />

Images—Details from montages © Stephen Marc<br />

Related<br />

Juke Joint<br />

Photographs by Birney Imes<br />

Introductory essay by Richard Ford<br />

Paper $37.00T, 978-0-87805-846-4<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 7


FILM STUDIES | BIOGRAPHY<br />

Arthur Penn<br />

Interviews<br />

Edited by Michael Chaiken and Paul Cronin<br />

“What I search for are<br />

controlled accidents.”<br />

BBeginning in 1957 with the<br />

release <strong>of</strong> his directorial debut<br />

The Left Handed Gun,<br />

Arthur Penn (b. 1922) quickly<br />

became an iconoclastic<br />

and influential American<br />

film director. Moving deftly<br />

between comedy and tragedy,<br />

realism and absurdity,<br />

his films Mickey One, Bonnie<br />

and Clyde, Alice’s Restaurant,<br />

Little Big Man, and<br />

Night Moves speak to the<br />

troubled times—the 1960s<br />

and 1970s—in which they<br />

were made while remaining<br />

timeless in their unsettling<br />

portrayal <strong>of</strong> characters on<br />

the margins <strong>of</strong> society.<br />

Arthur Penn: Interviews<br />

is the first collection to explore<br />

every stage <strong>of</strong> the director’s<br />

career. These conversations<br />

span forty-five<br />

years, from his first in-depth discussion with Cahiers du cinéma in<br />

1963 to a new interview from 2007, and reveal Penn’s ever-changing<br />

ideas on the nature <strong>of</strong> film and filmmaking. This volume also<br />

presents newly translated interviews from European film periodicals,<br />

published in English for the first time.<br />

Michael Chaiken <strong>of</strong> Philadelphia, Pennsylvania, is director <strong>of</strong> film<br />

and new media at the Maysles Institute and has published in Film<br />

Comment. Paul Cronin is the founder and director <strong>of</strong> Sticking Place<br />

Films and lives in London. His books include Herzog on Herzog,<br />

and he edited Alexander Mackendrick’s On Film-Making: An<br />

Introduction to the Craft <strong>of</strong> the Director.<br />

NOVEMBER, 240 pages (approx.), 6 x 9 inches, introduction, chronology,<br />

filmography, index<br />

Unjacketed cloth $50.00S, 978-1-60473-104-0<br />

Paper $22.00T, 978-1-60473-105-7<br />

Conversations with Filmmakers Series<br />

Photograph—Arthur Penn, courtesy Associated <strong>Press</strong><br />

ALSO IN THE CONVERSATIONS WITH FILMMAKERS SERIES<br />

George Stevens<br />

Interviews<br />

Edited by Paul Cronin<br />

Paper $22.00T, 978-1-57806-639-1<br />

Roman Polanski<br />

Interviews<br />

Edited by Paul Cronin<br />

Paper $22.00T, 978-1-57806-800-5<br />

FILM STUDIES | BIOGRAPHY<br />

Jonathan Demme<br />

Interviews<br />

Edited by Robert E. Kapsis<br />

“I consider myself an interpretative<br />

director. If I get turned<br />

on by a script, it’s my job<br />

to make the viewers <strong>of</strong> the<br />

movie feel the way I felt.”<br />

TThe films <strong>of</strong> Jonathan<br />

Demme (b. 1944) reflect his<br />

ebullient personality and are<br />

<strong>of</strong>ten infused with his love<br />

for Caribbean culture, pop<br />

music, fashion, and characters<br />

who reveal <strong>of</strong>fbeat tastes<br />

and depths. He emerged<br />

from the 1970s American<br />

Renaissance that produced<br />

Robert Altman, Francis Ford<br />

Coppola, Steven Spielberg,<br />

Martin Scorsese, Brian De<br />

Palma, and others. His movies<br />

are funny, humane, and<br />

<strong>of</strong>ten unclassifiable by genre.<br />

With conversations from<br />

the 1970s to the present,<br />

Jonathan Demme: Interviews<br />

focuses on Demme’s artistry,<br />

on his filmmaking philosophy,<br />

and especially on his<br />

progressive social and political<br />

concerns and how these<br />

have influenced the subject<br />

matter he has chosen to film.<br />

Although best known<br />

for his Oscar-winning dramas<br />

The Silence <strong>of</strong> the Lambs and Philadelphia, Demme has also<br />

achieved acclaim for comedies (Married to the Mob; Something<br />

Wild), documentaries (The Agronomist; My Cousin Bobby; Jimmy<br />

Carter: Man from Plains), and concert performance films (Stop<br />

Making Sense; Neil Young: Heart <strong>of</strong> Gold). In this volume, he discusses<br />

his troubles with studios, his need to balance documentaries<br />

with fiction films, his early work as a critic and publicist, and<br />

his apprenticeship with Roger Corman working on “B” movies.<br />

Robert E. Kapsis is pr<strong>of</strong>essor <strong>of</strong> sociology at Queens College, City<br />

<strong>University</strong> <strong>of</strong> New York. He is the author <strong>of</strong> Hitchcock: The Making<br />

<strong>of</strong> a Reputation.<br />

DECEMBER, 240 pages (approx.), 6 x 9 inches, introduction, chronology, filmography,<br />

index<br />

Unjacketed cloth $50.00S, 978-1-60473-117-0<br />

Paper $22.00T, 978-1-60473-118-7<br />

Conversations with Filmmakers Series<br />

Photograph—Jonathan Demme, courtesy Associated <strong>Press</strong><br />

ALSO IN THE CONVERSATIONs WITH FILMMAKERS SERIES<br />

Clint Eastwood<br />

Interviews<br />

Edited by Robert E. Kapsis and Kathie Coblentz<br />

Paper $22.00T, 978-1-57806-070-2<br />

Woody Allen<br />

Interviews<br />

Edited by Robert E. Kapsis and Kathie Coblentz<br />

Paper $22.00T, 978-1-57806-793-0<br />

8 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


FILM STUDIES | BIOGRAPHY<br />

John Singleton<br />

Interviews<br />

Edited by Craigh Barboza<br />

“I really try to create what<br />

I call, instead <strong>of</strong> emulating<br />

reality, a hyper–reality.”<br />

J<br />

John Singleton (b. 1968)<br />

rocketed from obscurity to<br />

the top ranks <strong>of</strong> Hollywood<br />

directors in 1991, when he<br />

released his debut film Boyz<br />

N the Hood. The poignant<br />

coming-<strong>of</strong>-age story, set in<br />

the streets <strong>of</strong> south central<br />

Los Angeles, where Singleton<br />

grew up amid gang violence<br />

and hip-hop music,<br />

earned him Oscar nominations<br />

for best original<br />

screenplay and best directing.<br />

Only twenty-three at<br />

the time, he was hailed as a<br />

wunderkind and compared<br />

to the young Orson Welles.<br />

Some have credited him<br />

with the mainstreaming <strong>of</strong><br />

hip-hop music and style in<br />

cinema.<br />

John Singleton: Interviews<br />

spans his transformation<br />

from USC film school sensation<br />

to seasoned director<br />

and producer. The collection includes lengthy interviews, in-depth<br />

pr<strong>of</strong>iles, and up-close glimpses <strong>of</strong> Singleton filming on location.<br />

Since his auspicious debut, Singleton has continued to make<br />

gritty, character-driven “hood movies” that still speak to a mainstream<br />

audience. He has made films in a variety <strong>of</strong> genres, including<br />

romance (Poetic Justice), satire (Baby Boy), action (Shaft, 2 Fast<br />

2 Furious), revenge drama (Four Brothers), and historical drama<br />

(Rosewood).<br />

Craigh Barboza <strong>of</strong> Washington, D.C., is a senior editor at USA Weekend<br />

Magazine. He attended film school at New York <strong>University</strong>,<br />

and his work has been published in Vibe, Entertainment Weekly,<br />

Premiere, The Source, and the New York Times.<br />

JANUARY, 224 pages (approx.), 6 x 9 inches, introduction, chronology, filmography,<br />

index<br />

Unjacketed cloth $50.00S, 978-1-60473-115-6<br />

Paper $22.00T, 978-1-60473-116-3<br />

Conversations with Filmmakers Series<br />

Photograph—John Singleton, courtesy Associated <strong>Press</strong><br />

ALSO IN THE CONVERSATIONs WITH FILMMAKERS SERIES<br />

Quentin Tarantino<br />

Interviews<br />

Edited by Gerald Peary<br />

Paper $22.00T, 978-1-57806-051-1<br />

Spike Lee<br />

Interviews<br />

Edited by Cynthia Fuchs<br />

Paper $22.00T, 978-1-57806-470-0<br />

FILM STUDIES | BIOGRAPHY<br />

Claudette Colbert<br />

She Walked in Beauty<br />

Bernard F. Dick<br />

CClaudette Colbert’s mixture<br />

<strong>of</strong> beauty, sophistication,<br />

wit, and vivacity quickly<br />

made her one <strong>of</strong> the film<br />

industry’s most famous and<br />

highest-paid stars <strong>of</strong> the<br />

1930s and 1940s. Though<br />

she began her career on the<br />

New York stage, she was beloved<br />

for her roles in such<br />

films as Preston Sturges’s<br />

The Palm Beach Story, Cecil<br />

B. DeMille’s Cleopatra, and<br />

Frank Capra’s It Happened<br />

One Night, for which she<br />

won an Academy Award.<br />

She showed remarkable prescience<br />

by becoming one <strong>of</strong><br />

the first Hollywood stars to<br />

embrace television, and she<br />

also returned to Broadway<br />

in her later career.<br />

This is the first major<br />

biography <strong>of</strong> Colbert<br />

(1903–1996) published in<br />

over twenty years. Bernard<br />

F. Dick chronicles Colbert’s long career, but also explores her early<br />

life in Paris and New York. Along with discussing how she left her<br />

mark on Broadway, Hollywood, radio, and television, the book explores<br />

Colbert’s lifelong interests in painting, fashion design, and<br />

commercial art. Using correspondence, interviews, periodicals,<br />

film archives, and other research materials, the biography reveals<br />

a smart, talented actress who conquered Hollywood and remains<br />

one <strong>of</strong> America’s most captivating screen icons.<br />

Bernard F. Dick is pr<strong>of</strong>essor <strong>of</strong> communication and English at Fairleigh<br />

Dickinson <strong>University</strong> and is the author <strong>of</strong> Hal Wallis: Producer<br />

to the Stars; Engulfed: The Death <strong>of</strong> Paramount Pictures and the<br />

Birth <strong>of</strong> Corporate Hollywood; Forever Mame: The Life <strong>of</strong> Rosalind<br />

Russell (<strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>); and other books.<br />

SEPTEMBER, 304 pages (approx.), 6 x 8 inches, 32 b&w illustrations, introduction,<br />

filmography, index<br />

Cloth $30.00T, 978-1-60473-087-6<br />

Hollywood Legends Series<br />

Photograph—Claudette Colbert, courtesy <strong>of</strong> Phot<strong>of</strong>est<br />

also in the hollywood legends series<br />

Forever Mame<br />

The Life <strong>of</strong> Rosalind Russell<br />

Bernard F. Dick<br />

Cloth $30.00T, 978-1-57806-890-6<br />

Joan Blondell<br />

A Life between Takes<br />

Matthew Kennedy<br />

Cloth $30.00T, 978-1-57806-961-3<br />

A biography <strong>of</strong> the award–<br />

winning and versatile star <strong>of</strong><br />

screen, stage, and television<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 9


COMICS STUDIES | BIOGRAPHY<br />

Harvey Pekar<br />

Conversations<br />

Edited by Michael G. Rhode<br />

HHarvey Pekar’s American Splendor<br />

is the longest-running and arguably<br />

the most influential autobiographical<br />

comic book series produced in<br />

America. Since 1976, Pekar (b. 1939)<br />

has reported on his life through his<br />

comics. Pekar’s comic books deal<br />

with his life as a Veterans Administration<br />

clerk and freelance music<br />

critic; his friends and co-workers<br />

and their stories; and his home city<br />

<strong>of</strong> Cleveland. Pekar’s struggles with<br />

physical and mental problems, a<br />

low-paying job, Hollywood, marriage,<br />

his daughter’s adoption, and<br />

success are all laid out in his comics.<br />

Pekar prides himself on depicting<br />

his life in all its “splendor.”<br />

Harvey Pekar: Conversations<br />

<strong>of</strong>fers almost twenty-five years <strong>of</strong><br />

interviews from a variety <strong>of</strong> sources<br />

including small fanzines, local<br />

public radio shows, and the Washington<br />

Post. The volume reveals his<br />

thoughts and feelings about comics,<br />

autobiography, his appearances<br />

on David Letterman’s show in the<br />

“Most comic book fans prefer<br />

fantasy. I’m a realistic writer:<br />

I try to push people’s faces<br />

into their own lives.”<br />

1980s, his life with cancer, and how a successful 2003 movie adaptation <strong>of</strong> American<br />

Splendor has changed and not changed his life. His comics work has won the<br />

National Book Award, spawned theatrical productions, and served as the basis for<br />

the award-winning movie starring Paul Giamatti as Pekar.<br />

Michael G. Rhode is an independent comics scholar and an editor <strong>of</strong> the International<br />

Journal <strong>of</strong> Comic Art. His work has been published in the Comics Journal<br />

and Hogan’s Alley.<br />

OCTOBER, 240 pages (approx.), 6 x 9 inches, 20 b&w illustrations, introduction, chronology,<br />

index<br />

Unjacketed cloth, $50.00S, 978-1-60473-085-2<br />

Paper, $22.00T, 978-1-60473-086-9<br />

Conversations with Comic Artists Series<br />

Illustration—Harvey Pekar by Gerry Shamray from The Best <strong>of</strong> American Splendor, courtesy<br />

Harvey Pekar<br />

COMICS STUDIES | POPULAR CULTURE<br />

A Comics Studies Reader<br />

Edited by Jeet Heer and<br />

Kent Worcester<br />

With contributions from Thomas<br />

Andrae, Martin Barker, Bart Beaty,<br />

John Benson, David Carrier, Hillary<br />

Chute, Peter Coogan, Annalisa Di Liddo,<br />

Ariel Dorfman, Thierry Groensteen,<br />

Robert C. Harvey, Charles Hatfield,<br />

M. Thomas Inge, Gene Kannenberg,<br />

Jr., David Kasakove, Adam Kern, David<br />

Kunzle, Pascal Lefèvre, John Lent,<br />

W. J. T. Mitchell, Amy Kiste Nyberg,<br />

Fusami Ogi, Robert S. Petersen, Anne<br />

Rubenstein, Roger Sabin, Gilbert<br />

Seldes, Art Spiegelman, Fredric<br />

Wertham, and Joseph Witek<br />

A Comics Studies Reader <strong>of</strong>fers the best <strong>of</strong> the<br />

new comics scholarship in nearly thirty essays<br />

on a wide variety <strong>of</strong> such comics forms as<br />

gag cartoons, editorial cartoons, comic strips,<br />

comic books, manga, and graphic novels.<br />

The anthology covers the pioneering work<br />

<strong>of</strong> Rodolphe Töpffer, the Disney comics <strong>of</strong><br />

Carl Barks, and the graphic novels <strong>of</strong> Art<br />

Spiegelman and Chris Ware, as well as Peanuts,<br />

romance comics, and superheroes. It<br />

explores the stylistic achievements <strong>of</strong> manga,<br />

the international anti-comics campaign, and<br />

power and class in Mexican comic books and<br />

English illustrated stories.<br />

A Comics Studies Reader introduces readers<br />

to the major debates and points <strong>of</strong> reference<br />

that continue to shape the field. It will interest<br />

anyone who wants to delve deeper into<br />

the world <strong>of</strong> comics and is ideal for classroom<br />

use.<br />

also in the CONVERSATIONS WITH COMIC ARTISTS series<br />

Art Spiegelman<br />

Conversations<br />

Edited by Joseph Witek<br />

Paper $20.00T, 978-1-934110-12-6<br />

R. Crumb<br />

Conversations<br />

Edited by D. K. Holm<br />

Paper $20.00T, 978-1-57806-637-7<br />

10 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


COMICS STUDIES | MEXICO<br />

A survey <strong>of</strong> the best scholars<br />

writing on the form, craft, history,<br />

and significance <strong>of</strong> the comics<br />

With Chris Ware and Chris Oliveros, Jeet<br />

Heer is editing a series <strong>of</strong> volumes reprinting<br />

Frank King’s Gasoline Alley, three volumes <strong>of</strong><br />

which have been published. A Toronto-based<br />

writer, he has written introductory essays<br />

to the George Herriman Krazy and Ignatz<br />

series. Kent Worcester teaches political theory<br />

at Marymount Manhattan College. He is the<br />

author <strong>of</strong> C. L. R. James: A Political Biography<br />

and a member <strong>of</strong> the Board <strong>of</strong> Trustees<br />

<strong>of</strong> the Museum <strong>of</strong> Comic and Cartoon Art<br />

(MoCCA).<br />

DECEMBER, 304 pages (approx.), 6 x 9 inches, 50 b&w<br />

illustrations, introduction, index<br />

Unjacketed cloth $55.00S, 978-1-60473-108-8<br />

Paper $25.00S, 978-1-60473-109-5<br />

Related<br />

Arguing Comics<br />

Literary Masters on a Popular Medium<br />

Edited by Jeet Heer and Kent Worcester<br />

Paper $25.00T, 978-1-57806-687-2<br />

The Language <strong>of</strong> Comics<br />

Word and Image<br />

Edited by Robin Varnum and<br />

Christina T. Gibbons<br />

Paper $25.00D, 978-1-57806-414-4<br />

¡Viva la historieta!<br />

Mexican Comics, NAFTA, and<br />

the Politics <strong>of</strong> Globalization<br />

Bruce Campbell<br />

V¡Viva la historieta! critically<br />

examines the participation <strong>of</strong><br />

Mexican comic books in the<br />

continuing debate over the<br />

character and consequences<br />

<strong>of</strong> globalization in Mexico.<br />

The focus <strong>of</strong> the book is on<br />

graphic narratives produced<br />

by and for Mexicans in the<br />

period following the 1994<br />

implementation <strong>of</strong> the North<br />

American Free Trade Agreement<br />

(NAFTA), an economic<br />

accord that institutionalized<br />

the free-market vision <strong>of</strong> relationships<br />

among the United<br />

States, Mexico, and Canada.<br />

Eight chapters cover a<br />

broad range <strong>of</strong> contemporary<br />

Mexican comics, including<br />

works <strong>of</strong> propaganda, romance<br />

and adventure, graphic<br />

novels, a corporate “brand”<br />

series, didactic single-issue<br />

books, and a superhero parody<br />

series. Each chapter <strong>of</strong>fers<br />

A study <strong>of</strong> how a nation’s<br />

comics artists grapple with<br />

economic upheaval<br />

an examination <strong>of</strong> the ways in which specific comics or comic book series<br />

represent Mexico’s national identity, the U.S.’s influence, and globalization’s<br />

effects on technology and economics since the passage <strong>of</strong> NAFTA.<br />

Through careful attention to how recent Mexican comics portray a<br />

changing nation, author Bruce Campbell reveals a contentious range <strong>of</strong> perspectives<br />

on the problems and promises <strong>of</strong> globalization. At the same time,<br />

Campbell argues that the contrasting views <strong>of</strong> globalization that circulate<br />

widely in Mexican historietas reflect a still unsettled relationship between<br />

Mexico and its superpower neighbor.<br />

Bruce Campbell is associate pr<strong>of</strong>essor <strong>of</strong> Hispanic studies at St. John’s <strong>University</strong>/College<br />

<strong>of</strong> St. Benedict. He is the author <strong>of</strong> Mexican Murals in Times <strong>of</strong><br />

Crisis.<br />

FEBRUARY, 240 pages (approx.), 6 x 9 inches, 20 b&w illustrations, introduction, bibliography,<br />

index<br />

Unjacketed cloth $55.00S, 978-1-60473-125-5<br />

Paper $25.00S, 978-1-60473-126-2<br />

Illustration—From Guía del migrante mexicano (Guide for the Mexican Migrant),<br />

courtesy Ministry <strong>of</strong> Foreign Relations, Mexico<br />

Related<br />

Accidental Ambassador Gordo<br />

The Comic Strip Art <strong>of</strong> Gus Arriola<br />

Robert C. Harvey and Gus Arriola<br />

Paper $27.00T, 978-1-57806-161-7<br />

History and Politics in French-Language Comics and Graphic Novels<br />

Edited by Mark McKinney<br />

Cloth $50.00S, 978-1-60473-004-3<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 11


MEMOIR | HISTORY OF MEDICINE<br />

Squint<br />

My Journey with Leprosy<br />

José P. Ramirez, Jr.<br />

How a sufferer <strong>of</strong> Hansen’s<br />

disease emerged from<br />

isolation and devoted his<br />

life to advocacy<br />

LLying in a hospital bed, José<br />

P. Ramirez, Jr. (b. 1948) almost<br />

lost everything because<br />

<strong>of</strong> a misunderstood<br />

disease. When the health<br />

department doctor gave<br />

him the Handbook for Persons<br />

with Leprosy, Ramirez<br />

learned his fate. Such a<br />

diagnosis in 1968 meant<br />

exile and hospitalization<br />

in the only leprosarium<br />

in the continental United<br />

States—Carville, Louisiana,<br />

750 miles from his home in<br />

Laredo, Texas.<br />

In Squint: My Journey<br />

with Leprosy, Ramirez recalls<br />

being taken from<br />

his family in a hearse and<br />

thrown into a world filled<br />

with fear. He and his loved<br />

ones struggled against the<br />

stigma associated with the<br />

term “leper” and against<br />

beliefs that the disease was<br />

a punishment from God, that his illness was highly communicable,<br />

and that persons with Hansen’s disease had to be banished from<br />

their communities.<br />

His disease not only meant separation from the girlfriend who<br />

would later become his wife, but also a derailment <strong>of</strong> all life’s goals.<br />

In his struggle Ramirez overcame barriers both real and imagined<br />

and eventually became an international advocate on behalf <strong>of</strong> persons<br />

with disabilities. In Squint, titled for the sliver <strong>of</strong> a window<br />

through which persons with leprosy in medieval times were allowed<br />

to view Mass but not participate, Ramirez tells a story <strong>of</strong><br />

love and perseverance over incredible odds.<br />

José P. Ramirez, Jr., is a social worker in Houston, Texas. He has<br />

written articles about Hansen’s disease for the Houston Chronicle,<br />

the Star Magazine, the National Association <strong>of</strong> Social Workers<br />

Newsletter, and other publications.<br />

FEBRUARY, 240 pages (approx.), 5½ x 8½ inches, 20 b&w illustrations<br />

Cloth $28.00T, 978-1-60473-119-4<br />

Photograph—Magdalena and José at prom, 1966, courtesy the author<br />

Willie Morris Books in Memoir and Biography<br />

RELATED<br />

Carville<br />

Remembering Leprosy in America<br />

Marcia Gaudet<br />

Foreword by James carville<br />

Cloth $28.00S, 978-1-57806-693-3<br />

12 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

MEMOIR | AFRICAN AMERICAN STUDIES | BIOGRAPHY<br />

At Home Inside<br />

A Daughter’s Tribute to Ann Petry<br />

Elisabeth Petry<br />

Introduction by Gloria Wade Gayles<br />

AAnn Petry (1908–1997) was<br />

a prominent writer during<br />

a period in which few black<br />

writers were published with<br />

regularity in America. Her<br />

novels The Street, Country<br />

Place, and The Narrows,<br />

along with a collection <strong>of</strong><br />

short stories and various essays<br />

and works <strong>of</strong> nonfiction,<br />

give voice to black experience<br />

outside <strong>of</strong> the traditional<br />

strains <strong>of</strong> poverty and<br />

black nationalism.<br />

At Home Inside: A Daughter’s<br />

Tribute to Ann Petry<br />

sifts the myriad contradictions<br />

<strong>of</strong> Ann Petry’s life from<br />

a daughter’s vantage. Ann<br />

Petry hoarded antiques but<br />

destroyed many <strong>of</strong> her journals.<br />

She wrote, but, failing<br />

to publish for years, she used<br />

her imagination to design<br />

and sew clothes, to bake, and<br />

to garden. When fame finally<br />

came, Ann Petry did not enjoy the travel it brought. Though she<br />

suffered phobias and anxieties all her life, she did not avoid the<br />

obligations <strong>of</strong> literary success until late in her career.<br />

Ann Petry applied her formidable skills to stories she told about<br />

herself and her family, and the corrections Elisabeth Petry makes<br />

to her mother’s inventions will prove invaluable. Talking about<br />

her life publicly, Ann Petry acknowledged six different birth dates.<br />

She hid her first marriage, and even represented her father, Peter<br />

C. Lane, Jr., as a potential killer. Mining Petry’s journals Elisabeth<br />

Petry creates part biography, part love letter, and part sounding <strong>of</strong><br />

her mother’s genius and luminescent personality.<br />

Elisabeth Petry is a freelance writer with a juris doctor from the<br />

<strong>University</strong> <strong>of</strong> Pennsylvania. She lives in Middletown, Connecticut,<br />

and is the editor <strong>of</strong> Can Anything Beat White A Black Family’s<br />

Letters (<strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>). Gloria Wade Gayles is<br />

Eminent Scholar’s Chair in Independent Study, Scholarship, and<br />

Service at Spelman College. She is the author <strong>of</strong> several books and<br />

the editor <strong>of</strong> Conversations with Gwendolyn Brooks (<strong>University</strong><br />

<strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>).<br />

DECEMBER, 208 pages (approx.), 5½ x 8½ inches, 15 b&w illustrations, introduction<br />

Cloth $30.00T, 978-1-60473-100-2<br />

Photograph—Ann and Elisabeth Petry in Saybrook, courtesy the author<br />

RELATED<br />

A remembrance <strong>of</strong> a<br />

reticent writer who attained<br />

substantial literary success<br />

while raising a family<br />

Can Anything Beat White Revising the Blueprint<br />

A Black Family’s Letters<br />

ann Petry and the Literary Left<br />

Compiled and Edited by Edited by Alex Lubin<br />

Elisabeth Petry Cloth $50.00S, 978-1-57806-971-2<br />

INTRODUCTION BY<br />

FARAH JASMINE GRIFFIN<br />

Cloth $35.00S, 978-1-57806-785-5<br />

Call 1-800-737-7788 to order toll-free.


LITERATURE | BIOGRAPHY<br />

LITERATURE | BIOGRAPHY<br />

Conversations with<br />

Anthony Burgess<br />

Edited by Earl G. Ingersoll and Mary C. Ingersoll<br />

AAlthough he did not start<br />

publishing until middle age,<br />

Anthony Burgess (1917–1993)<br />

had over sixty published books<br />

to his credit by the time <strong>of</strong> his<br />

death. One <strong>of</strong> them, the short<br />

novel A Clockwork Orange<br />

(1962), was to bring him fame<br />

and notoriety outside England<br />

following the 1971 release <strong>of</strong><br />

Stanley Kubrick’s film adaptation.<br />

The prominence <strong>of</strong> that<br />

single novel would impel its<br />

author to confront a public<br />

continually asking directly or<br />

by implication: What else have<br />

you written, Mr. Burgess<br />

Burgess produced scores <strong>of</strong><br />

novels, biographies, books <strong>of</strong><br />

literary criticism, film scripts,<br />

and news articles. A linguist<br />

and polyglot who was fluent<br />

in eight languages, he invented<br />

the language used in the 1981<br />

film Quest for Fire. He translated<br />

and adapted Bizet’s Carmen,<br />

Weber’s Oberon, and other<br />

operas for the English stage.<br />

His ReJoyce: An Introduction to<br />

James Joyce for the Ordinary<br />

Reader remains a standard in Joycean criticism.<br />

Conversations with Anthony Burgess captures, through indepth<br />

interviews, a writer <strong>of</strong> tremendous energy, inventiveness,<br />

and self-discipline. The collection brings together interviews from<br />

1971 to 1989, including two pieces published for the first time.<br />

“After, as I say, the initial<br />

‘essay’ in fiction, then you<br />

really go to work. You<br />

have to start using your<br />

imagination and not just<br />

your memory.”<br />

Earl G. Ingersoll is distinguished pr<strong>of</strong>essor emeritus <strong>of</strong> English at<br />

SUNY College at Brockport. He has written, edited, and coedited<br />

many books, including Conversations with May Sarton and Conversations<br />

with Rita Dove, both from <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>.<br />

Mary C. Ingersoll is a retired elementary school teacher who<br />

specialized in teaching humanities to gifted students.<br />

OCTOBER, 224 pages (approx.), 6 x 9 inches, introduction, chronology, index<br />

Unjacketed cloth $50.00S, 978-1-60473-095-1<br />

Paper $22.00T, 978-1-60473-096-8<br />

Literary Conversations Series<br />

Photograph—Anthony Burgess © Nancy Crampton<br />

also in the LITERARY CONVERSATIONS Series<br />

Conversations with John Fowles<br />

Edited by Dianne L. Vipond<br />

Paper $20.00T, 978-1-57806-191-4<br />

Conversations with Kazuo Ishiguro<br />

Edited by Brian W. Shaffer and Cynthia F. Wong<br />

Paper $22.00T, 978-1-934110-62-1<br />

Conversations with<br />

Ursula K. Le Guin<br />

Edited by Carl Freedman<br />

CConversations with Ursula<br />

K. Le Guin assembles interviews<br />

with the renowned<br />

science-fiction and fantasy<br />

author <strong>of</strong> The Left Hand <strong>of</strong><br />

Darkness, The Dispossessed,<br />

The Lathe <strong>of</strong> Heaven, and<br />

the Earthsea sequence <strong>of</strong><br />

novels and stories. For nearly<br />

five decades, Le Guin (b.<br />

1929) has enjoyed immense<br />

success—both critical and<br />

popular—in science fiction<br />

and fantasy. But she has<br />

also published well-received<br />

works in such genres as realistic<br />

fiction, poetry, children’s<br />

literature, criticism,<br />

and translation. In the pieces<br />

collected here, Le Guin<br />

takes every interview not<br />

as an opportunity to recapitulate<br />

long-held views but<br />

as an occasion for in-depth<br />

intellectual discourse.<br />

In interviews spanning<br />

over twenty-five years <strong>of</strong><br />

her literary career, including<br />

a previously unpublished<br />

piece conducted by<br />

the volume’s editor, Le Guin talks about such diverse subjects as<br />

U.S. foreign policy, the history <strong>of</strong> architecture, the place <strong>of</strong> women<br />

and feminist consciousness in American literature, and the differences<br />

between science fiction and fantasy.<br />

Carl Freedman is pr<strong>of</strong>essor <strong>of</strong> English at Louisiana State <strong>University</strong><br />

and is the author <strong>of</strong> Critical Theory and Science Fiction; The Incomplete<br />

Projects: Marxism, Modernity, and the Politics <strong>of</strong> Culture; and<br />

George Orwell: A Study in Ideology and Literary Form.<br />

SEPTEMBER, 224 pages (approx.), 6 x 9 inches, introduction, chronology,<br />

index<br />

Unjacketed cloth $50.00S, 978-1-60473-093-7<br />

Paper $22.00T, 978-1-60473-094-4<br />

Literary Conversations Series<br />

Photograph—Ursula K. Le Guin © by Marian Wood Kolisch<br />

also in the LITERARY CONVERSATIONS Series<br />

Conversations with Isaac Asimov<br />

Edited by Carl Freedman<br />

Paper $20.00T, 978-1-57806-738-1<br />

Conversations with Ray Bradbury<br />

Edited by Steven L. Aggelis<br />

Paper $20.00T, 978-1-57806-641-4<br />

RELATED<br />

Anne McCaffrey<br />

A Life with Dragons<br />

Robin Roberts<br />

Cloth $28.00T, 978-1-57806-998-9<br />

“Science fiction and fantasy<br />

are not as relentlessly humancentered<br />

as realistic fiction.<br />

But the story is still about<br />

us. We seem to be all we are<br />

ultimately interested in.”<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 13


PHOTOGRAPHY | SOUTHERN HISTORY<br />

TVA Photography, 1963–2008<br />

Challenges and Changes<br />

in the Tennessee Valley<br />

Patricia Bernard Ezzell<br />

Photographs that document<br />

the recent evolution <strong>of</strong> a<br />

powerful government agency<br />

SSequel to TVA Photography:<br />

Thirty Years <strong>of</strong> Life in the Tennessee<br />

Valley, this book highlights<br />

the agency’s history in<br />

photography taken from 1963<br />

through the present. TVA, a<br />

New Deal agency created by<br />

President Franklin D. Roosevelt,<br />

celebrates its seventyfifth<br />

year in 2008. Photographs<br />

begin with President<br />

John F. Kennedy’s promising<br />

visit to Muscle Shoals,<br />

Alabama, on the occasion <strong>of</strong><br />

TVA’s thirtieth anniversary.<br />

Within months, the president<br />

would be assassinated,<br />

and the country would face<br />

major social upheaval. Struggles<br />

related to civil rights, the<br />

Vietnam War, environmental<br />

awareness, and finally Watergate<br />

would strain the public’s<br />

faith in government.<br />

With the passage <strong>of</strong> environmental<br />

legislation such as the Clean Air Act, the National Environmental<br />

Policy Act, and the National Historic Preservation Act,<br />

TVA found itself in a new political and legislative climate. These<br />

new policies sometimes resulted in controversial actions, such as<br />

the development <strong>of</strong> a nuclear power program and the construction<br />

<strong>of</strong> Tellico Dam. Many <strong>of</strong> the decisions made in the 1960s and 1970s<br />

led to significant and, at times, difficult transitions in the agency in<br />

the 1980s and 1990s. Today, TVA continues its mission to improve<br />

the quality <strong>of</strong> life in the region. Through the use <strong>of</strong> photographs<br />

from the agency’s <strong>of</strong>ficial records, this book documents a challenging<br />

and sometimes controversial era in TVA’s history.<br />

Patricia Bernard Ezzell is the historian and Native American liaison<br />

for the Tennessee Valley Authority. She is the author <strong>of</strong> TVA Photography:<br />

Thirty Years <strong>of</strong> Life in the Tennessee Valley.<br />

SEPTEMBER, 176 pages (approx.), 10 x 8 inches, 173 b&w illustrations, bibliography,<br />

index<br />

Unjacketed cloth $55.00S, 978-1-60473-083-8<br />

Paper $25.00T, 978-1-60473-084-5<br />

Photograph—Widows Creek Steam Plant (Alabama), courtesy TVA Archives<br />

RELATED<br />

<strong>Mississippi</strong> Liberal<br />

Through the Lens <strong>of</strong> the City<br />

A Biography <strong>of</strong> Frank E. Smith NEA Photography Surveys<br />

Dennis J. Mitchell<br />

<strong>of</strong> the 1970s<br />

Foreword by<br />

Mark Rice<br />

William F. Winter Cloth $48.00S, 978-1-57806-707-7<br />

Cloth $38.00S, 978-1-57806-343-7<br />

MISSISSIPPI HISTORY | HIGHER EDUCATION<br />

Golden Days<br />

Reminiscences <strong>of</strong> Alumnae, <strong>Mississippi</strong> State<br />

College for Women<br />

Southern Women’s Institute,<br />

<strong>Mississippi</strong> <strong>University</strong> for Women<br />

Introduction by Bridget Pieschel<br />

GGolden Days includes twenty oral histories <strong>of</strong> women who graduated<br />

from <strong>Mississippi</strong> State College for Women (now <strong>Mississippi</strong><br />

<strong>University</strong> for Women) at least fifty years ago. From Mary Ellen<br />

Weathersby Pope’s (1926) description <strong>of</strong> a teaching career beginning<br />

just before the 1927 Delta flood to Juanita McCown Hight’s<br />

(1934) account <strong>of</strong> campus conversations with violinist Jascha Heifetz<br />

and writer/adventurer Richard Halliburton, these stories illustrate<br />

the pr<strong>of</strong>ound influence <strong>of</strong> the nation’s first public college for<br />

women on the lives <strong>of</strong> the storytellers. Vivid reminiscences about<br />

life on campus recall a different world <strong>of</strong> blue uniforms, rigid rules,<br />

and demanding faculty.<br />

Even after many decades, these women still clearly remember<br />

particular teachers who inspired and pushed them to succeed,<br />

midnight dormitory pranks played on long-suffering “social advisers,”<br />

and the spring Zouave<br />

marching drills directed by<br />

the indomitable Emma Ody<br />

Pohl. Whether they graduated<br />

in 1926 or 1956, there<br />

is a common thread running<br />

through these memories:<br />

an appreciation for<br />

academic life, strong leadership,<br />

cultural experiences<br />

that enriched lives, a recognition that the university gave self-confidence<br />

to pursue unusual or difficult careers, and a gratitude for<br />

remarkable friendships which have lasted a lifetime.<br />

The Southern Women’s Institute <strong>of</strong> <strong>Mississippi</strong> <strong>University</strong> for Women<br />

provides a foundation for research and inclusive outreach through<br />

the study <strong>of</strong> women in both traditional and non-traditional roles.<br />

The Institute’s research focuses on the history <strong>of</strong> MUW and the<br />

position women hold in the culture and foundation <strong>of</strong> the South<br />

both today and in the future. Bridget Pieschel is pr<strong>of</strong>essor <strong>of</strong> English<br />

at <strong>Mississippi</strong> <strong>University</strong> for Women and director <strong>of</strong> the Southern<br />

Women’s Institute. She is the author <strong>of</strong> Loyal Daughters: One<br />

Hundred Years at <strong>Mississippi</strong> <strong>University</strong> for Women, 1884–1984<br />

(<strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>).<br />

NOVEMBER, 384 pages (approx.), 6 x 9 inches, 20 b&w illustrations, introduction,<br />

index<br />

Cloth $35.00S, 978-1-60473-097-5<br />

Published for <strong>Mississippi</strong> <strong>University</strong> for Women<br />

RELATED<br />

Maroon and White<br />

<strong>Mississippi</strong> State <strong>University</strong>, 1878–2003<br />

Michael B. Ballard<br />

Cloth $35.00S, 978-1-57806-999-6<br />

The <strong>University</strong> <strong>of</strong> <strong>Mississippi</strong><br />

A Sesquicentennial History<br />

DAVID G. SANSING<br />

Cloth $40.00S, 978-1-57806-091-7<br />

Fond recollections from<br />

students who attended<br />

America’s first public college<br />

for women from 1926 to 1957<br />

14 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


AFRICAN AMERICAN STUDIES | MISSISSIPPI | POLITICS<br />

Reminiscences <strong>of</strong> an Active Life<br />

The Autobiography <strong>of</strong> John Roy Lynch<br />

John Roy Lynch<br />

Edited and with an introduction by John Hope Franklin<br />

BBorn into slavery on a Louisiana plantation, John Roy Lynch<br />

(1847–1939) came to adulthood during the Reconstruction Era<br />

and lived a public-spirited life for over three decades. His political<br />

career began in 1869 with his appointment as justice <strong>of</strong> the peace.<br />

Within the year, he was elected to the <strong>Mississippi</strong> legislature and<br />

was later elected Speaker <strong>of</strong> the House. At age twenty-five, Lynch<br />

became the first African American from <strong>Mississippi</strong> to be elected<br />

to the United States Congress. He led the fight to secure passage<br />

<strong>of</strong> the Civil Rights Bill <strong>of</strong> 1875. In 1884, he was elected temporary<br />

chairman <strong>of</strong> the Eighth Republican National Convention and was<br />

the first black American to deliver the keynote address, an occasion<br />

that would not be repeated until 1968.<br />

His autobiography, Reminiscences <strong>of</strong> an Active Life, reflects<br />

Lynch’s thoughtful and nuanced understanding <strong>of</strong> the past and <strong>of</strong><br />

his own experience. The book, written when he was ninety, challenges<br />

a number <strong>of</strong> traditional arguments about Reconstruction.<br />

In his experience, African<br />

Americans in the South<br />

The memoir <strong>of</strong> an<br />

accomplished politician and<br />

the first African American<br />

from <strong>Mississippi</strong> elected to<br />

the United States Congress<br />

competed on an equal basis<br />

with whites; the state governments<br />

were responsive to<br />

the needs <strong>of</strong> the people; and<br />

race was not always a decisive<br />

factor in the politics <strong>of</strong><br />

Reconstruction.<br />

The autobiography, which<br />

would not be published until<br />

1970, provides rich material<br />

for the study <strong>of</strong> American politics and race relations during Reconstruction.<br />

It sheds light on presidential patronage, congressional<br />

deals, and personality conflicts among national political figures.<br />

Lynch’s childhood reflections reveal new dimensions to our understanding<br />

<strong>of</strong> black experience during slavery and beyond. An introduction<br />

by John Hope Franklin puts Lynch’s public and private<br />

lives in the context <strong>of</strong> his times and provides an overview <strong>of</strong> how<br />

Reminiscences <strong>of</strong> an Active Life came to be written.<br />

John Roy Lynch is the author <strong>of</strong> The Facts <strong>of</strong> Reconstruction. John<br />

Hope Franklin is pr<strong>of</strong>essor emeritus <strong>of</strong> history at Duke <strong>University</strong><br />

and the author <strong>of</strong> From Slavery to Freedom: A History <strong>of</strong> African<br />

Americans, Runaway Slaves: Rebels on the Plantation, and other<br />

books.<br />

NOVEMBER, 566 pages (approx.), 5½ x 9 inches, introduction, index<br />

Paper $35.00D, 978-1-60473-114-9<br />

RELATED<br />

Robert G. Clark’s Journey to the House<br />

A Black Politician’s Story<br />

Will D. Campbell<br />

Cloth $28.00S, 978-1-57806-526-4<br />

POLITICS | MISSISSIPPI<br />

A Time to Speak<br />

Speeches by Jack Reed<br />

Danny McKenzie<br />

F<br />

For more than fifty years, Jack<br />

Reed, Sr. (b. 1924) has been<br />

a voice <strong>of</strong> reason in <strong>Mississippi</strong>—speaking<br />

from his platform<br />

as a prominent businessman<br />

and taking leadership<br />

roles in education, race relations,<br />

economic and community<br />

development, and even<br />

church governance.<br />

Hardly one to follow the<br />

status quo, Reed always delivered<br />

his speeches with a large<br />

dose <strong>of</strong> good cheer. His audiences,<br />

though, did not always<br />

reciprocate, especially in his<br />

early years when he spoke out<br />

on behalf <strong>of</strong> public education<br />

and racial equality. His willingness<br />

to participate in civic<br />

affairs and his oratorical skills<br />

led him to leadership roles at<br />

state, regional, and national<br />

levels—including the presidency<br />

<strong>of</strong> the <strong>Mississippi</strong> Economic<br />

Council, chairmanship<br />

<strong>of</strong> President George H. W. Bush’s National Advisory Council on<br />

Education, and charter membership on the United Methodist<br />

Church Commission on Religion and Race.<br />

A Time to Speak brings together more than a dozen <strong>of</strong> Reed’s<br />

speeches over a fifty-year period (1956–2007). The Tupelo businessman<br />

discusses the events surrounding his talks about race<br />

relations within his church, his deep involvement in education<br />

with his close friend Governor William Winter and with President<br />

George H. W. Bush, and his own campaign for governor as a Republican<br />

in 1987. Danny McKenzie places this original material in<br />

historical context. A Time to Speak illustrates how a private citizen<br />

with courage can effect positive change.<br />

Danny McKenzie, a veteran <strong>Mississippi</strong> newspaper columnist, is the<br />

assistant to the president for marketing and development at Blue<br />

Mountain College. He is the author <strong>of</strong> Matters <strong>of</strong> the Spirit: Human,<br />

Holy, and Otherwise.<br />

FEBRUARY, 192 pages (approx.), 5½ x 8½ inches, 12 b&w illustrations, introduction,<br />

index<br />

Cloth $30.00S, 978-1-60473-130-9<br />

Photograph—Jack Reed, Sr., courtesy the Reed family<br />

RELATED<br />

The Measure <strong>of</strong> Our Days<br />

Writings <strong>of</strong> William F. Winter<br />

Edited by Andrew P. Mullins, Jr.<br />

Cloth $30.00S, 978-1-57806-914-9<br />

A career–spanning selection<br />

<strong>of</strong> talks by a leader who<br />

dared to call for change<br />

<strong>Mississippi</strong> Politics<br />

The Struggle for Power, 1976–2006<br />

Jere Nash and Andy Taggart<br />

Foreword by John Grisham<br />

Cloth $32.00T, 978-1-57806-907-1<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 15


MUSIC | FOLKLORE<br />

Southern Fiddlers and Fiddle Contests<br />

Chris Goertzen<br />

A journey to the main<br />

public venue for the most<br />

vigorous American folk<br />

music tradition<br />

SSouthern Fiddlers and Fiddle<br />

Contests explores the phenomenon<br />

<strong>of</strong> American fiddle<br />

contests, which now have<br />

replaced dances as the main<br />

public event where American<br />

fiddlers get together.<br />

Chris Goertzen studies this<br />

change and what it means<br />

for audiences, musicians,<br />

traditions, and the future <strong>of</strong><br />

southern fiddle music.<br />

Goertzen traces fiddling<br />

and fiddle contests<br />

from mid-eighteenth-century<br />

Scotland to the modern<br />

United States. He takes the<br />

reader on journeys to the<br />

important large contests,<br />

such as those in Hallettville,<br />

Texas; Galax, Virginia;<br />

Weiser, Idaho; and also to<br />

smaller ones, including his<br />

favorite in Athens, Alabama.<br />

He focuses on what happens<br />

on stage and such <strong>of</strong>f stage<br />

activities as camping, jamming, and socializing, which many fiddlers<br />

consider much more important than the competition.<br />

Through multiple interviews, Goertzen also reveals the fiddlers’<br />

lives as told in their own words. The reader learns how and<br />

in what environments these fiddlers started playing, where they<br />

perform today, how they teach, what they think <strong>of</strong> contests, and<br />

what values they believe fiddling supports. Southern Fiddlers and<br />

Fiddle Contests shows how such contests have become living embodiments<br />

<strong>of</strong> American nostalgia.<br />

Chris Goertzen is associate pr<strong>of</strong>essor <strong>of</strong> music history and world<br />

music at <strong>University</strong> <strong>of</strong> Southern <strong>Mississippi</strong>. He is the author <strong>of</strong><br />

Fiddling for Norway: Revival and Identity and coeditor <strong>of</strong> the volume<br />

on Europe in the Garland Encyclopedia <strong>of</strong> World Music.<br />

NOVEMBER, 192 pages (approx.), 6 x 9 inches, 12 b&w photographs, bibliography,<br />

appendix, index<br />

Cloth $50.00S, 978-1-60473-122-4<br />

American Made Music Series<br />

Photograph—Old-time fiddler Richard Bowman at Felts Park in Galax,<br />

Virginia, courtesy the author<br />

ALSO IN THE AMERICAN MADE MUSIC SERIES<br />

Fiddling Way Out Yonder<br />

The Life and Music <strong>of</strong> Melvin Wine<br />

Drew Beisswenger<br />

Cloth $45.00S, 978-1-57806-441-0<br />

Paper $25.00D, 978-1-60473-202-3<br />

Waltz the Hall<br />

The American Play Party<br />

Alan L. Spurgeon<br />

Cloth $50.00S, 978-1-57806-742-8<br />

16 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

MUSIC | BIOGRAPHY<br />

Rare Birds<br />

Conversations with Legends<br />

<strong>of</strong> Jazz and Classical Music<br />

Thomas Rain Crowe with Nan Watkins<br />

RRare Birds is a collection <strong>of</strong><br />

conversations with worldclass<br />

jazz musicians and<br />

classical composers, featuring<br />

luminaries Philip Glass,<br />

Charles Lloyd, Abdullah<br />

Ibrahim, Steve Reich, Eugene<br />

Friesen, and Sathima<br />

Bea Benjamin. These indepth,<br />

candid interviews<br />

focus not only on the music<br />

but also on the artists.<br />

The six interviews, conducted<br />

by poet and author<br />

Thomas Rain Crowe and<br />

musician Nan Watkins,<br />

delve into the creative process,<br />

individual as well as<br />

global perspectives on the<br />

arts, the human condition,<br />

and various personal issues<br />

that are addressed in the<br />

music itself. These cuttingedge<br />

artists have singular<br />

ideas about what it means<br />

to be a composer and musician.<br />

An important addition<br />

to the documentation <strong>of</strong><br />

modern jazz musicians and<br />

composers, Rare Birds will<br />

appeal to anyone who is<br />

interested in jazz music or<br />

the contemporary classical canon.<br />

Thomas Rain Crowe is a poet, translator, and author <strong>of</strong> twenty books,<br />

including the award-winning book <strong>of</strong> nonfiction Zoro’s Field: My<br />

Life in the Appalachian Woods. Nan Watkins is a musician, writer,<br />

and translator. She is the author <strong>of</strong> East Toward Dawn: A Woman’s<br />

Solo Journey around the World.<br />

NOVEMBER, 176 pages (approx.), 5½ x 8½ inches, 6 b&w photographs, discographies,<br />

index<br />

Unjacketed cloth $50.00S, 978-1-60473-103-3<br />

Paper $20.00T, 978-1-60473-110-1<br />

Photographs—Abdullah Ibrahim by Manfred Rindersbacher; Eugene Friesen<br />

by Sean Kernan<br />

RELATED<br />

Jazz Planet<br />

Edited by E. Taylor Atkins<br />

Paper $22.00S, 978-1-57806-609-4<br />

A Trumpet around the Corner<br />

The Story <strong>of</strong> New Orleans Jazz<br />

Samuel Charters<br />

Cloth $40.00T, 978-1-57806-898-2<br />

Conversations with the<br />

leading edge <strong>of</strong> contemporary<br />

composers<br />

Call 1-800-737-7788 to order toll-free.


MUSIC | ETHNOGRAPHY<br />

Cajun and Zydeco Dance<br />

Music in Northern California<br />

Modern Pleasures in a Postmodern World<br />

Mark F. DeWitt<br />

How Louisiana transplants<br />

and new players have<br />

generated a thriving music<br />

and dance scene far from<br />

the South<br />

QQueen Ida. Danny Poullard.<br />

Documentary filmmaker Les<br />

Blank. Chris Strachwitz and<br />

Arhoolie Records. These are<br />

names that are familiar to<br />

many fans <strong>of</strong> Cajun music and<br />

zydeco, and they have one other<br />

thing in common—longtime<br />

residence in the San Francisco<br />

Bay Area. They are all part <strong>of</strong><br />

a vibrant scene <strong>of</strong> dancing and<br />

live Louisiana-French music<br />

that has evolved over several<br />

decades.<br />

Cajun and Zydeco Dance<br />

Music in Northern California<br />

traces how this region <strong>of</strong> California<br />

has been able to develop<br />

and sustain dances several<br />

times a week with more than<br />

a dozen bands. Description<br />

<strong>of</strong> this active regional scene<br />

opens into a discussion <strong>of</strong><br />

several historical trends that<br />

have affected life and music in<br />

Louisiana and the nation. The<br />

book portrays the diversity <strong>of</strong><br />

people who have come together to adopt Cajun and Creole dance<br />

music as a way to cope with a globalized, media-saturated world.<br />

Ethnomusicologist Mark F. DeWitt innovatively weaves together<br />

interviews with musicians and dancers (some from Louisiana, some<br />

not), analysis <strong>of</strong> popular media, participant observation as a musician<br />

and dancer, and historical perspectives from wartime black migration<br />

patterns, the civil rights movement, American folk and blues<br />

revivals, California counterculture, and the rise <strong>of</strong> cultural tourism<br />

in “Cajun Country.” In so doing, he reveals the multifaceted appeal <strong>of</strong><br />

celebrating life on the dance floor, Louisiana-French style.<br />

Mark F. DeWitt is an independent scholar living in Oakland, California.<br />

He has published articles in the world <strong>of</strong> music and Popular Music<br />

and Society.<br />

OCTOBER, 352 pages (approx.), 6⅛ x 9¼ inches, 2 maps, 26 illustrations, bibliography,<br />

discography, filmography, appendix, index<br />

Cloth $50.00S, 978-1-60473-090-6<br />

American Made Music Series<br />

Photograph—California Cajun Orchestra, courtesy the author<br />

RELATED<br />

Swamp Pop<br />

Cajun and Creole Rhythm and Blues<br />

Edited by SHANE K. BERNARD<br />

Paper 22.00D, 978-0-87805-876-1<br />

FOLKLORE | FOOD<br />

Garlic Capital <strong>of</strong> the World<br />

Gilroy, Garlic, and the Making <strong>of</strong> a<br />

Festive Foodscape<br />

Pauline Adema<br />

AAccording to Pauline Adema,<br />

you smell Gilroy, California,<br />

before you see it. In Garlic<br />

Capital <strong>of</strong> the World, the folklorist<br />

and culinary anthropologist<br />

examines the role <strong>of</strong><br />

food and festivals in creating<br />

a place brand or marketable<br />

identity. The author scrutinizes<br />

how Gilroy, California,<br />

successfully transformed a<br />

negative association with the<br />

pungent bulb into a highly<br />

successful tourism and marketing<br />

campaign.<br />

This book explores how<br />

local initiatives led to an<br />

iconization <strong>of</strong> the humble<br />

product in Gilroy. The city, a<br />

well-established agricultural<br />

center and bedroom community<br />

south <strong>of</strong> San Francisco,<br />

rapidly built a place-brand<br />

identity based on its now-famous<br />

moniker, “Garlic Capital<br />

<strong>of</strong> the World.” To understand<br />

Gilroy’s success in transforming a local crop into a tourist<br />

draw, Adema contrasts the development <strong>of</strong> this now-thriving festival<br />

with events surrounding the launch and demise <strong>of</strong> the PigFest<br />

in Coppell, Texas. Indeed, the Garlic Festival is so successful that<br />

the event is all that many people know about Gilroy.<br />

Adema explores the creation and subsequent selling <strong>of</strong> foodscapes<br />

or food-themed place identities. This seemingly ubiquitous<br />

practice is readily visible across the country at festivals celebrating<br />

edibles like tomatoes, peaches, spinach, and even cauliflower.<br />

Food, Adema contends, is an attractive focus for image makers<br />

charged with community building and place differentiation. Not<br />

only is it good to eat; food can be a palatable and marketable symbol<br />

for a town or region.<br />

Pauline Adema is staff folklorist for the Dutchess County Arts<br />

Council in Poughkeepsie, New York. She teaches at the Culinary<br />

Institute <strong>of</strong> America (Hyde Park, New York) and is a culinary anthropologist-consultant.<br />

JANUARY, 192 pages (approx.), 6 x 9 inches, 32 b&w illustrations, 3 maps,<br />

bibliography, appendix<br />

Unjacketed cloth $55.00S, 978-1-60473-120-0<br />

Paper $25.00S, 978-1-60473-121-7<br />

Photograph—courtesy the author<br />

RELATED<br />

Cajun Foodways<br />

C. Paige Gutierrez<br />

foreword by Barry Jean Ancelet<br />

Paper $22.00D, 978-0-87805-563-0<br />

How a local festival<br />

celebrating the odiferous<br />

lily gave a town a marketable<br />

identity<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 17


CARIBBEAN STUDIES | BIOGRAPHY<br />

Caribbean Visionary<br />

A. R. F. Webber and the Making<br />

<strong>of</strong> the Guyanese Nation<br />

Selwyn R. Cudjoe<br />

CCaribbean Visionary: A. R. F. Webber and the Making <strong>of</strong> the Guyanese<br />

Nation traces the life <strong>of</strong> Albert Raymond Forbes Webber<br />

(1880–1932), a distinguished Caribbean scholar, statesman, legislator,<br />

and novelist. Using Webber as a lens, the book outlines the<br />

Guyanese struggle for justice and equality in an age <strong>of</strong> colonialism,<br />

imperialism, and indentureship. In this fascinating work, Selwyn<br />

R. Cudjoe examines Webber’s emergence from the interior <strong>of</strong> Guyana<br />

to become a major presence in Caribbean politics.<br />

Caribbean Visionary examines Webber’s insightful novel, Those<br />

That Be in Bondage, his travel writings, and his poetry. The book<br />

chronicles his formation <strong>of</strong> the West Indian <strong>Press</strong> Association, his<br />

work on British Guiana’s constitution, and his championing <strong>of</strong> its<br />

people’s causes. Cudjoe studies Webber’s work with the British<br />

Guiana Labour Union to improve the conditions <strong>of</strong> the Guyanese<br />

working people and Webber’s authorship <strong>of</strong> the Centenary History<br />

and Handbook <strong>of</strong> British<br />

A critical biography <strong>of</strong> a<br />

major intellectual who<br />

struggled for justice<br />

against colonialism<br />

Guiana.<br />

An important addition to<br />

Caribbean intellectual history,<br />

Caribbean Visionary<br />

is an indispensable work for<br />

scholars interested in the<br />

region’s literature, political<br />

science, and economic<br />

thought. It is also an invaluable<br />

resource for those who wish to understand the genesis <strong>of</strong> contemporary<br />

Guyana and the English-speaking Caribbean.<br />

Selwyn R. Cudjoe is pr<strong>of</strong>essor <strong>of</strong> Africana studies at Wellesley College.<br />

He is the author <strong>of</strong> Beyond Boundaries: The Intellectual Tradition <strong>of</strong><br />

Trinidad and Tobago in the 19th Century, among other books, and<br />

his work has appeared in Trinidad and Tobago Review, Callaloo,<br />

New Left Review, Harvard Educational Review, and Essence.<br />

DECEMBER, 304 pages (approx.), 6 x 9 inches, introduction, bibliography,<br />

index<br />

Cloth $50.00S, 978-1-60473-106-4<br />

RELATED<br />

Tim Hector<br />

A Caribbean Radical’s Story<br />

Paul Buhle<br />

Cloth $32.00T, 978-1-57806-851-7<br />

Urbane Revolutionary<br />

C. L. R. James and the Struggle for a New Society<br />

Frank Rosengarten<br />

Cloth $50.00S, 978-1-934110-26-3<br />

MUSIC | LATIN AMERICA<br />

Let’s Make Some Noise<br />

Axé and the African Roots <strong>of</strong><br />

Brazilian Popular Music<br />

Clarence Bernard Henry<br />

CClarence Bernard Henry’s<br />

book is a culmination <strong>of</strong><br />

several years <strong>of</strong> field research<br />

on sacred and secular<br />

influences <strong>of</strong> àsé, the<br />

West African Yoruba concept<br />

that spread to Brazil<br />

and throughout the African<br />

Diaspora. Àsé is imagined<br />

as power and creative<br />

energy bestowed upon human<br />

beings by ancestral<br />

spirits acting as guardians.<br />

In Brazil, the West African<br />

Yoruba concept <strong>of</strong> àsé<br />

is known as axé and has<br />

been reinvented, transmitted,<br />

and nurtured in Candomblé,<br />

an Afro-Brazilian<br />

religion that is practiced in<br />

Salvador, Bahia.<br />

The author examines<br />

how the concepts <strong>of</strong> axé<br />

and Candomblé religion have been appropriated and reinvented<br />

in Brazilian popular music and culture. Featuring interviews with<br />

practitioners and local musicians, the book explains how many<br />

Brazilian popular music styles such as samba, bossa nova, sambareggae,<br />

ijexá, and axé have musical and stylistic elements that stem<br />

from Afro-Brazilian religion. The book also discusses how young<br />

Afro-Brazilians combine Candomblé religious music with African<br />

American music such as blues, jazz, gospel, soul, funk, and rap.<br />

Henry argues for the importance <strong>of</strong> axé as a unifying force tying<br />

together the secular and sacred Afro-Brazilian musical landscape.<br />

Clarence Bernard Henry is an independent scholar living in Newark,<br />

New Jersey. He has taught at the <strong>University</strong> <strong>of</strong> Kansas and his writing<br />

has appeared in Journal <strong>of</strong> Caribbean Studies, Journal <strong>of</strong> Latin<br />

American Lore, and other publications.<br />

SEPTEMBER, 208 pages (approx.), 6 x 9 inches, 23 b&w images, 6 musical<br />

examples, bibliography, glossary, index<br />

Cloth $50.00S, 978-1-60473-082-1<br />

Photograph—Members <strong>of</strong> Olodum performing in the Pelourinho district<br />

in Salvador, courtesy the author<br />

RELATED<br />

Africa and the Blues<br />

Gerhard Kubik<br />

Paper $25.00D, 978-1-57806-146-4<br />

How a religion and its sacred<br />

energy animated Brazilian<br />

musical creation<br />

Global Pop, Local Language<br />

Edited by Harris M. Berger<br />

and Michael Thomas Carroll<br />

Paper $22.00S, 978-1-57806-536-3<br />

18 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


AFRICAN STUDIES | CARIBBEAN STUDIES<br />

Voice <strong>of</strong> the Leopard<br />

African Secret Societies and Cuba<br />

Ivor L. Miller<br />

Foreword by Engr. (Chief) Bassey E. Bassey<br />

I<br />

How African secret societies<br />

changed the music, art, and<br />

history <strong>of</strong> Cuba<br />

In Voice <strong>of</strong> the Leopard: African<br />

Secret Societies and<br />

Cuba, Ivor L. Miller shows<br />

how African migrants and<br />

their political fraternities<br />

played a formative role in<br />

the history <strong>of</strong> Cuba. During<br />

the eighteenth and<br />

nineteenth centuries, no<br />

large kingdoms controlled<br />

Nigeria and Cameroon’s<br />

multilingual Cross River<br />

basin. Instead, each settlement<br />

had its own lodge <strong>of</strong><br />

the initiation society called<br />

Ékpè, or “leopard,” which<br />

was the highest indigenous<br />

authority. Ékpè lodges ruled<br />

local communities while<br />

also managing regional and<br />

long-distance trade. Cross<br />

River Africans, enslaved<br />

and forcibly brought to colonial<br />

Cuba, reorganized their Ékpè clubs covertly in Havana and<br />

Matanzas into a mutual-aid society called Abakuá, which became<br />

foundational to Cuba’s urban life and music.<br />

Miller’s extensive fieldwork in Cuba and West Africa documents<br />

ritual languages and practices that survived the Middle Passage<br />

and evolved into a unifying charter for transplanted slaves<br />

and their successors. To gain deeper understanding <strong>of</strong> the material,<br />

Miller underwent Ékpè initiation rites in Nigeria after ten<br />

years’ collaboration with Abakuá initiates in Cuba and the United<br />

States. He argues that Cuban music, art, and even politics rely on<br />

complexities <strong>of</strong> these African-inspired codes <strong>of</strong> conduct and leadership.<br />

Voice <strong>of</strong> the Leopard is an unprecedented tracing <strong>of</strong> an African<br />

title-society to its Caribbean incarnation, which has deeply<br />

influenced Cuba’s creative energy and popular consciousness.<br />

Ivor L. Miller, a cultural historian specializing in the African Diaspora<br />

in the Caribbean and the Americas, is currently a Research<br />

Fellow at the African Studies Center, Boston <strong>University</strong>. His previous<br />

book, Aerosol Kingdom: Subway Painters <strong>of</strong> New York City, was<br />

also published by <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>. Engineer (Chief)<br />

Bassey E. Bassey <strong>of</strong> Nigeria is highly regarded in the Calabar community<br />

for his knowledge <strong>of</strong> the history and practice <strong>of</strong> the Ékpè<br />

system and is the author <strong>of</strong> Ékpè Efik.<br />

DECEMBER, 432 pages (approx.), 6⅛ x 9¼ inches, 28 color and 32 b&w illustrations,<br />

4 maps, foreword, 3 appendices, glossary, bibliography, index<br />

Cloth $55.00S, 978-1-934110-83-6<br />

Painting—“La fuerza del mambí,” by Jorge Delgado, photograph by Daniel<br />

Swadener<br />

SPORTS | MEDIA STUDIES<br />

Reconstructing Fame<br />

Sport, Race, and Evolving Reputations<br />

Edited by David C. Ogden and Joel Nathan Rosen<br />

Afterword by Jack Lule<br />

With contributions by Prosper Godonoo, Urla Hill, C. Richard<br />

King, David J. Leonard, Jack Lule, Murry Nelson, David C.<br />

Ogden, Robert W. Reising, and Joel Nathan Rosen<br />

R<br />

Reconstructing Fame: Sport, Race, and Evolving Reputations includes<br />

essays on Jackie Robinson, Roberto Clemente, Curt Flood,<br />

Paul Robeson, Jim Thorpe, Bill Russell, Tommie Smith, and John<br />

Carlos. The essayists in this volume write about twentieth-century<br />

athletes whose careers were affected by racism and whose post-career<br />

reputations have improved as society’s understanding <strong>of</strong> race<br />

changed. Contributors attempt to clarify the stories <strong>of</strong> these sports<br />

stars and their places as twentieth-century icons by analyzing the<br />

various myths that surround them.<br />

When media, fans, sports<br />

leagues, and the athletes<br />

How yesterday’s villains<br />

are redeemed and what<br />

that redemption means<br />

to today’s athletes<br />

themselves commemorate<br />

sports legends, shifts in<br />

popular perceptions <strong>of</strong>ten<br />

serve to obscure an athlete’s<br />

role in history. Such revisions<br />

can lack coherence<br />

and trivialize the efforts <strong>of</strong><br />

some legendary competitors<br />

and those associated with them. Adding racial tensions to this<br />

process further complicates the task <strong>of</strong> preserving the valuable<br />

achievements <strong>of</strong> key players.<br />

David C. Ogden is associate pr<strong>of</strong>essor <strong>of</strong> communication at the <strong>University</strong><br />

<strong>of</strong> Nebraska at Omaha and has published in numerous<br />

journals. Joel Nathan Rosen is assistant pr<strong>of</strong>essor <strong>of</strong> sociology at<br />

Moravian College and the author <strong>of</strong> The Erosion <strong>of</strong> the American<br />

Sporting Ethos: Changing Attitudes toward Competition. Jack Lule<br />

is the Joseph B. McFadden Pr<strong>of</strong>essor in Journalism at Lehigh <strong>University</strong><br />

and is associate editor <strong>of</strong> Critical Studies in Media Communication.<br />

OCTOBER, 176 pages (approx.), 6 x 9 inches, introduction, index<br />

Cloth $50.00S, 978-1-60473-091-3<br />

RELATED<br />

Race and Sport<br />

The Struggle for Equality on and <strong>of</strong>f the Field<br />

Edited by Charles K. Ross<br />

Paper $22.00D, 978-1-57806-897-5<br />

Sports and the Racial Divide<br />

African American and Latino Experience in an Era <strong>of</strong> Change<br />

Edited by Michael E. Lomax<br />

foreword by Kenneth L. Shropshire<br />

Cloth $50.00S, 978-1-60473-014-2<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 19


CIVIL RIGHTS | WOMEN’S STUDIES<br />

Women and the Civil Rights Movement,<br />

1954–1965<br />

Edited by Davis W. Houck and David E. Dixon<br />

An anthology <strong>of</strong> speeches<br />

providing eloquent evidence<br />

<strong>of</strong> the powerful contribution<br />

women made to the struggle<br />

HHistorians have long agreed<br />

that women—black and<br />

white—were instrumental<br />

in shaping the civil rights<br />

movement. Until recently,<br />

though, such claims have<br />

not been supported by easily<br />

accessed texts <strong>of</strong> speeches<br />

and addresses. With this<br />

first-<strong>of</strong>-its-kind anthology,<br />

Davis W. Houck and David<br />

E. Dixon present thirtynine<br />

full-text addresses<br />

by women who spoke out<br />

while the struggle was at its<br />

most intense.<br />

Beginning with the<br />

Brown decision in 1954 and<br />

extending through the Voting<br />

Rights Act <strong>of</strong> 1965, the<br />

editors chronicle the unique<br />

and important rhetorical<br />

contributions made by such<br />

well-known activists as Ella Baker, Fannie Lou Hamer, Daisy Bates,<br />

Lillian Smith, Mamie Till-Mobley, Lorraine Hansberry, Dorothy<br />

Height, and Rosa Parks. They also include speeches from lesserknown<br />

but influential leaders such as Della Sullins, Marie Foster,<br />

Johnnie Carr, Jane Schutt, and Barbara Posey.<br />

Nearly every speech was discovered in local, regional, or national<br />

archives, and many are published or transcribed from audiotape<br />

here for the first time. Houck and Dixon introduce each<br />

speaker and occasion with a headnote highlighting key biographical<br />

and background details. The editors also provide a general introduction<br />

that places these public addresses in context. Women<br />

and the Civil Rights Movement, 1954–1965 gives voice to stalwarts<br />

whose passionate orations were vital to every phase <strong>of</strong> a movement<br />

that changed America.<br />

Davis W. Houck is associate pr<strong>of</strong>essor <strong>of</strong> communication at Florida<br />

State <strong>University</strong>. He is the author, with Matthew A. Grindy, <strong>of</strong> Emmett<br />

Till and the <strong>Mississippi</strong> <strong>Press</strong> (<strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong>),<br />

among other books. David E. Dixon is associate pr<strong>of</strong>essor <strong>of</strong> political<br />

science at Saint Joseph’s College (Indiana). With Houck he coedited<br />

Rhetoric, Religion, and the Civil Rights Movement, 1954–1965.<br />

FEBRUARY, 352 pages (approx.), 6 x 9 inches, introduction, index<br />

Cloth $50.00S, 978-1-60473-107-1<br />

Photograph—Fannie Lou Hamer at the 1964 Democratic National Convention,<br />

Atlantic City, New Jersey, courtesy <strong>of</strong> Library <strong>of</strong> Congress, Prints<br />

and Photographs Division<br />

RELATED<br />

Emmett Till and the <strong>Mississippi</strong> <strong>Press</strong><br />

Davis W. Houck and Matthew A. Grindy<br />

Foreword by Keith A. Beauchamp<br />

Cloth $40.00S, 978-1-934110-15-7<br />

AMERICAN LITERATURE | AFRICAN AMERICAN STUDIES<br />

Finding a Way Home<br />

A Critical Assessment <strong>of</strong> Walter Mosley’s Fiction<br />

Edited by Owen E. Brady and Derek C. Maus<br />

Essays by Owen E. Brady,<br />

Kelly C. Connelly, Juan F.<br />

Elices, Keith Hughes, Derek<br />

C. Maus, Jerrilyn McGregory,<br />

Laura Quinn, Francesca<br />

Canadé Sautman, Daniel<br />

Stein, Lisa B. Thompson,<br />

Terrence Tucker, and<br />

Albert U. Turner, Jr.<br />

I<br />

In Finding a Way Home, twelve<br />

essays by scholars from four<br />

countries trace Walter Mosley’s<br />

distinctive approach to<br />

representing African American<br />

responses to the feeling <strong>of</strong><br />

homelessness in an inhospitable<br />

America. Mosley (b. 1952)<br />

writes frequently <strong>of</strong> characters<br />

trying to construct an idea <strong>of</strong><br />

home and wrest a sense <strong>of</strong><br />

dignity, belonging, and hope<br />

Considerations <strong>of</strong> the<br />

achievements <strong>of</strong> the<br />

acclaimed and popular<br />

African American writer<br />

from cultural and communal resources. These essays examine<br />

Mosley’s queries about the meaning <strong>of</strong> “home” in various social<br />

and historical contexts. Essayists consider the concept—whether<br />

it be material, social, cultural, or virtual—in all three <strong>of</strong> Mosley’s<br />

detective/crime fiction series (Easy Rawlins, Socrates Fortlow, and<br />

Fearless Jones), his three books <strong>of</strong> speculative fiction, two <strong>of</strong> his<br />

“literary” novels (RL’s Dream, The Man in My Basement), and in<br />

his recent social and political nonfiction.<br />

Essays here explore Mosley’s modes <strong>of</strong> expression, his testing<br />

<strong>of</strong> the limitations <strong>of</strong> genre, his political engagement in prose, his<br />

utopian/dystopian analyses, and his uses <strong>of</strong> parody and vernacular<br />

culture. Finding a Way Home provides rich discussions, explaining<br />

the development <strong>of</strong> Mosley’s work.<br />

Owen E. Brady is associate pr<strong>of</strong>essor <strong>of</strong> humanities and coordinator<br />

<strong>of</strong> the American studies program at Clarkson <strong>University</strong>. His work<br />

has appeared in Callaloo; Obsidian: Black Literature in Review;<br />

and many other periodicals. Derek C. Maus is associate pr<strong>of</strong>essor <strong>of</strong><br />

English at the State <strong>University</strong> <strong>of</strong> New York, Potsdam. His work<br />

has appeared in Symbolism and other periodicals.<br />

OCTOBER, 224 pages (approx.), 6 x 9 inches, introduction, bibliography,<br />

index<br />

Cloth $50.00S, 978-1-60473-088-3<br />

Photograph—Walter Mosley © 2008 Nancy Crampton<br />

RELATED<br />

Charles Johnson<br />

The Novelist as Philosopher<br />

Edited by Marc C. Conner and William R. Nash<br />

Cloth $50.00S, 978-1-57806-973-6<br />

20 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


NEW IN PAPERBACK<br />

African American Religion<br />

and the Civil Rights<br />

Movement in Arkansas<br />

Johnny E. Williams<br />

Paper $25.00D, 978-1-60473-186-6<br />

Anatomy <strong>of</strong> Four Race Riots<br />

Racial Conflict in Knoxville, Elaine<br />

(Arkansas), Tulsa, and Chicago,<br />

1919–1921<br />

Lee E. Williams and<br />

Lee E. Williams II<br />

foreword by Roy Wilkins<br />

Paper $25.00D, 978-1-60473-190-3<br />

Bloody Mary in the Mirror<br />

Essays in Psychoanalytic<br />

Folkloristics<br />

Alan Dundes<br />

Paper $25.00D, 978-1-60473-187-3<br />

Divine Destiny<br />

Gender and Race in Nineteenth-<br />

Century Protestantism<br />

Carolyn A. Haynes<br />

Paper $25.00D, 978-1-60473-171-2<br />

Faulkner and Idealism<br />

Edited by Michel Gresset<br />

and Patrick Samway, S.J.<br />

Paper $25.00D, 978-1-60473-185-9<br />

Mayor Crump Don’t<br />

Like It<br />

Machine Politics in Memphis<br />

G. Wayne Dowdy<br />

Paper $25.00D, 978-1-60473-113-2<br />

The Natchez District and<br />

the American Revolution<br />

Robert V. Haynes<br />

Paper $25.00D, 978-1-60473-179-8<br />

Running Scared<br />

Silver in <strong>Mississippi</strong><br />

James W. Silver<br />

Paper $25.00D, 978-1-934110-58-4<br />

The Several Lives <strong>of</strong><br />

Chester Himes<br />

Edward Margolies and<br />

Michel Fabre<br />

Paper $25.00D, 978-1-934110-96-6<br />

Slavery and Frontier<br />

<strong>Mississippi</strong>, 1720–1835<br />

David J. Libby<br />

Paper $25.00D, 978-1-60473-200-9<br />

The Choctaws<br />

Cultural Evolution <strong>of</strong> a<br />

Native American Tribe<br />

Jesse O. McKee and<br />

Jon A. Schlenker<br />

Paper $25.00D, 978-1-60473-170-5<br />

Correspondence <strong>of</strong><br />

Flannery O’Connor and<br />

the Brainard Cheneys<br />

Edited by C. Ralph Stephens<br />

Paper $25.00D, 978-1-60473-166-8<br />

Cultural Orphans in<br />

America<br />

Diana loercher Pazicky<br />

Paper $25.00D, 978-1-60473-192-7<br />

Fiddling Way Out Yonder<br />

The Life and Music <strong>of</strong><br />

Melvin Wine<br />

Drew Beisswenger<br />

Paper $25.00D, 978-1-60473-202-3<br />

Fighting and Writing the<br />

Vietnam War<br />

Donald Ringnalda<br />

Paper $25.00D, 978-1-60473-182-8<br />

Gertrude Stein and<br />

Richard Wright<br />

The Poetics and Politics<br />

<strong>of</strong> Modernism<br />

M. Lynn Weiss<br />

Paper $25.00D, 978-1-60473-188-0<br />

Have We Overcome<br />

Race Relations Since Brown,<br />

1954–1979<br />

Edited by Michael V.<br />

Namorato<br />

Paper $25.00D, 978-1-60473-195-8<br />

The Historical Present<br />

Uses and Abuses <strong>of</strong> the Past<br />

Edwin M. Yoder, Jr.<br />

Paper $25.00D, 978-1-60473-172-9<br />

John Jones Pettus,<br />

<strong>Mississippi</strong> Fire-Eater<br />

His Life and Times, 1813–1867<br />

Robert W. Dubay<br />

Paper $25.00D, 978-1-60473-178-1<br />

Negative Intelligence<br />

The Army and the American<br />

Left, 1917–1941<br />

Roy Talbert, Jr.<br />

Paper $25.00D, 978-1-60473-180-4<br />

On the Lam<br />

Narratives <strong>of</strong> Flight in<br />

J. Edgar Hoover’s America<br />

William Beverly<br />

Paper $25.00D, 978-1-60473-183-5<br />

Performing the Pilgrims<br />

A Study <strong>of</strong> Ethnohistorical Role-<br />

Playing at Plimoth Plantation<br />

Stephen Eddy Snow<br />

Foreword by Barbara<br />

KirShenblatt-Gimblett<br />

Paper $25.00D, 978-1-60473-181-1<br />

Prophet Singer<br />

The Voice and Vision <strong>of</strong><br />

Woody Guthrie<br />

Mark Allan Jackson<br />

Paper $25.00D, 978-1-60473-102-6<br />

Richard Wright<br />

Books and Writers<br />

Michel Fabre<br />

Paper $25.00D, 978-1-60473-196-5<br />

Slavery and the<br />

American South<br />

Edited by<br />

Winthrop D. Jordan<br />

Paper $25.00D, 978-1-60473-199-6<br />

The South and Film<br />

Warren French<br />

Paper $25.00D, 978-1-60473-189-7<br />

Three Catholic Writers<br />

<strong>of</strong> the Modern South<br />

Edited by Robert H. Brinkmeyer,<br />

Jr.<br />

Paper $25.00D, 978-1-60473-168-2<br />

The Transformation <strong>of</strong><br />

the Southeastern Indians,<br />

1540–1760<br />

Edited by Robbie Ethridge<br />

and Charles Hudson<br />

Paper $30.00D, 978-1-60473-184-2<br />

Unruly Tongue<br />

Identity and Voice in American<br />

Women’s Writing, 1850–1930<br />

Martha J. Cutter<br />

Paper $25.00D, 978-1-60473-198-9<br />

Vietnam and the Southern<br />

Imagination<br />

Owen W. Gilman, Jr.<br />

Paper $25.00D, 978-1-60473-169-9<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 21


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Literary Conversations Series<br />

Collections <strong>of</strong> interviews with notable modern writers<br />

Chinua Achebe<br />

(999-7, paper)<br />

Edward Albee<br />

(342-1, paper, $20.00D)<br />

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(718-4, paper, $20.00D)<br />

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(978-1-57806-076-4, paper)<br />

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Ray Bradbury<br />

(978-1-57806-640-7, cloth)<br />

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Joseph Brodsky<br />

(978-1-57806-527-1, cloth)<br />

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Gwendolyn Brooks<br />

(978-1-57806-575-2, paper)<br />

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(978-1-60473-095-1, cloth)<br />

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William S. Burroughs<br />

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Raymond Carver<br />

(449-7, paper, $20.00D)<br />

Don DeLillo<br />

(978-1-57806-703-9, cloth)<br />

(978-1-57806-704-6, paper)<br />

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(978-1-57806-144-0, paper)<br />

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(978-1-57806-279-9, cloth)<br />

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Rita Dove<br />

(978-1-57806-549-3, cloth)<br />

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Michael Dorris<br />

(652-1, paper, $20.00D)<br />

William Faulkner<br />

(978-1-57806-136-5, paper)<br />

M. F. K. Fisher<br />

(595-1, cloth) • (596-8, paper,<br />

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F. Scott Fitzgerald<br />

(978-1-57806-604-9, cloth)<br />

(978-1-57806-605-6, paper)<br />

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(385-8, cloth, $39.50S)<br />

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Richard Ford<br />

(978-1-57806-405-2, cloth)<br />

(978-1-57806-406-9, paper)<br />

Leon Forrest<br />

(978-1-57806-989-7, cloth)<br />

(978-1-57806-990-3, paper)<br />

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(978-1-57806-190-7, cloth)<br />

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Ernest Gaines<br />

(783-2, paper, $25.00D)<br />

John Gardner<br />

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William H. Gass<br />

(978-1-57806-546-2, cloth)<br />

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Nikki Giovanni<br />

(587-6, paper, $20.00D)<br />

Nadine Gordimer<br />

(444-2, cloth) • (445-9, paper,<br />

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Jim Harrison<br />

(978-1-57806-455-7, cloth)<br />

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Joseph Heller<br />

(635-4, paper)<br />

Lillian Hellman<br />

(293-6, cloth) • (294-3, paper,<br />

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Ernest Hemingway<br />

(272-1, cloth) • (273-8, paper)<br />

Chester Himes<br />

(818-1, cloth) • (819-8, paper)<br />

Christopher Isherwood<br />

(978-1-57806-407-6, cloth)<br />

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Kazuo Ishiguro<br />

(978-1-934110-61-4, cloth)<br />

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Pauline Kael<br />

(898-3, cloth, $46.00S)<br />

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Stanley Kauffmann<br />

(978-1-57806-565-3, cloth)<br />

(978-1-57806-566-0, paper)<br />

William Kennedy<br />

(978-1-57806-011-5, cloth,<br />

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(978-1-57806-012-2, paper)<br />

Jack Kerouac<br />

(978-1-57806-755-8, cloth)<br />

(978-1-57806-756-5, paper)<br />

Maxine Hong Kingston<br />

(978-1-57806-059-7, paper)<br />

Jerzy Kosinski<br />

(626-2, paper)<br />

John le Carré<br />

(978-1-57806-668-1, cloth)<br />

(978-1-57806-669-8, paper)<br />

Ursula K. Le Guin<br />

(978-1-60473-093-7, cloth)<br />

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Denise Levertov<br />

(978-1-57806-073-3, cloth)<br />

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Clarence Major<br />

(978-1-57806-457-1, cloth)<br />

(978-1-57806-458-8, paper)<br />

Gabriel García<br />

Márquez<br />

(978-1-57806-783-1, cloth)<br />

(978-1-57806-784-8, paper)<br />

Mary McCarthy<br />

(486-2, paper)<br />

Thomas McGuane<br />

(978-1-57806-886-9, cloth)<br />

(978-1-57806-887-6, paper)<br />

Arthur Miller<br />

(323-0, paper, $25.00D)<br />

Henry Miller<br />

(519-7, cloth, $46.00S)<br />

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(978-1-57806-828-9, cloth)<br />

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N. Scott Momaday<br />

(960-7, paper)<br />

Willie Morris<br />

(978-1-57806-236-2, cloth)<br />

(978-1-57806-237-9, paper)<br />

Toni Morrison<br />

(692-7, paper)<br />

Toni Morrison<br />

Conversations<br />

(978-1-60473-018-0, cloth)<br />

(978-1-60473-019-7, paper,<br />

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Albert Murray<br />

(978-1-57806-007-8, cloth)<br />

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V. S. Naipaul<br />

(945-4, cloth) • (946-1, paper,<br />

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(978-1-57806-632-2, cloth)<br />

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Anaïs Nin<br />

(719-1, cloth) • (720-7, paper)<br />

Joyce Carol Oates<br />

(412-1, paper, $20.00D)<br />

Flannery O’Connor<br />

(264-6, cloth) • (265-3, paper)<br />

More Walker Percy<br />

(623-1, cloth) • (624-8, paper,<br />

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S. J. Perelman<br />

(790-0, paper)<br />

Katherine Anne<br />

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(266-0, cloth) • (267-7, paper)<br />

Chaim Potok<br />

(978-1-57806-345-1, cloth)<br />

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Reynolds Price<br />

(483-1, paper, $25.00D)<br />

Ishmael Reed<br />

(814-3, cloth, $46.00S) • (815-0,<br />

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Philip Roth<br />

(558-6, paper, $25.00D)<br />

Salman Rushdie<br />

(978-1-57806-184-6, cloth)<br />

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Carl Sagan<br />

(978-1-57806-736-7, paper)<br />

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May Sarton<br />

(532-6, cloth) • (533-3, paper,<br />

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(978-1-57806-301-7, paper)<br />

Isaac Bashevis Singer<br />

(589-0, cloth, $46.00S)<br />

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Susan Sontag<br />

(834-1, paper, $20.00D)<br />

Wole Soyinka<br />

(978-1-57806-337-6, cloth)<br />

(978-1-57806-338-3, paper)<br />

Elizabeth Spencer<br />

(528-9, paper)<br />

John Steinbeck<br />

(360-5, paper)<br />

24 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

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William Styron<br />

(261-5, paper, $20.00D)<br />

Peter Taylor<br />

(325-4, paper, $25.00D)<br />

Hunter S. Thompson<br />

(978-1-934110-76-8, cloth)<br />

(978-1-934110-77-5, paper, $22.00T)<br />

James Thurber<br />

(409-1, cloth) • (410-7, paper, $20.00D)<br />

John Updike<br />

(700-9, paper)<br />

Gore Vidal<br />

(978-1-57806-672-8, cloth)<br />

(978-1-57806-673-5, paper)<br />

Kurt Vonnegut<br />

(358-2, paper)<br />

Derek Walcott<br />

(855-6, paper, $20.00D)<br />

Margaret Walker<br />

(978-1-57806-511-0, cloth)<br />

(978-1-57806-512-7, paper)<br />

Robert Penn Warren<br />

(978-1-57806-733-6, cloth)<br />

(978-1-57806-734-3, paper)<br />

Eudora Welty<br />

(206-6, paper)<br />

More Eudora Welty<br />

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John Edgar Wideman<br />

(978-1-57806-053-5, cloth)<br />

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(978-1-57806-502-8, cloth)<br />

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Richard Wilbur<br />

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Thornton Wilder<br />

(514-2, paper)<br />

Tennessee Williams<br />

(263-9, paper)<br />

August Wilson<br />

(978-1-57806-830-2, cloth)<br />

(978-1-57806-831-9, paper)<br />

Tom Wolfe<br />

(427-5, paper, $20.00D)<br />

Richard Wright<br />

(633-0, paper, $20.00D)<br />

Priced at $50.00S cloth, $20.00T paper,<br />

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Conversations with Filmmakers Series Peter Brunette, Series Editor<br />

Robert Aldrich<br />

(602-5, cloth; 603-2, paper)<br />

Woody Allen<br />

(792-3, cloth; 793-0, paper)<br />

Pedro Almódovar<br />

(568-4, cloth; 569-1, paper)<br />

Robert Altman<br />

(186-0, cloth; 187-7, paper)<br />

Theo Angelopoulos<br />

(215-7, cloth; 216-4, paper)<br />

Michelangelo Antonioni<br />

(978-1-934110-65-2, cloth;<br />

978-1-934110-66-9, paper)<br />

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(217-1, cloth; 218-8, paper, $20.00T)<br />

Bernardo Bertolucci<br />

(204-1, cloth; 205-8, paper)<br />

Tim Burton<br />

(758-9, cloth; 759-6, paper)<br />

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(083-2, paper)<br />

Frank Capra<br />

(616-2, cloth; 617-9, paper)<br />

Charlie Chaplin<br />

(701-5, cloth; 702-2, paper)<br />

The Coen Brothers<br />

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Francis Ford Coppola<br />

(665-0, cloth; 666-7, paper)<br />

George Cukor<br />

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Jonathan Demme<br />

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(515-8, cloth; 516-5, paper)<br />

Clint Eastwood<br />

(069-6, cloth; 070-2, paper)<br />

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Terry Gilliam<br />

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Jean-Luc Godard<br />

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Peter Greenaway<br />

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Howard Hawks<br />

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Alfred Hitchcock<br />

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Sidney Lumet<br />

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Roman Polanski<br />

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Satyajit Ray<br />

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Martin Ritt<br />

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Carlos Saura<br />

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John Sayles<br />

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Martin Scorsese<br />

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Ridley Scott<br />

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Ousmane Sembène<br />

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George Stevens<br />

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Oliver Stone<br />

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Orson Welles<br />

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Zhang Yimou<br />

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Fred Zinnemann<br />

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Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 25


Recently Published<br />

Ain’t That a Knee-Slapper<br />

Rural Comedy in the<br />

Twentieth Century<br />

By Tim Hollis<br />

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Between God and Man<br />

Angels in Italian Art<br />

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Cajuns and Their Acadian<br />

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Confronting Modernity<br />

Art and Society in Louisiana<br />

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Labor and the Southern <strong>Press</strong><br />

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Recovering Protest Fiction in<br />

the 1950s United States<br />

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ISBN 978-1-934110-87-4, cloth, $50.00S<br />

Larry Brown and the<br />

Blue-Collar South<br />

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ISBN 978-1-934110-75-1, cloth, $50.00S<br />

Louisiana Governors<br />

Rulers, Rascals, and Reformers<br />

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ISBN 978-1-934110-90-4, cloth, $45.00S<br />

Martha Skelton<br />

Master Quilter <strong>of</strong> <strong>Mississippi</strong><br />

By Mary Elizabeth Johnson<br />

Foreword by Walt Grayson<br />

PHOTOGRAPHS BY J. D. SCHWALM<br />

ISBN 978-1-934110-81-2, cloth, $28.00T<br />

Michelangelo Antonioni<br />

Interviews<br />

Edited by Bert Cardullo<br />

ISBN 978-1-934110-65-2, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-66-9, paper,<br />

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The <strong>Mississippi</strong> Story<br />

By Patti Carr Black<br />

Edited by Robin C. Dietrick<br />

ISBN 978-1-887422-14-7, cloth,<br />

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Ousmane Sembène<br />

Interviews<br />

Edited by Annett Busch<br />

and Max Annas<br />

ISBN 978-1-934110-85-0, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-86-7, paper,<br />

$22.00T<br />

Revolt <strong>of</strong> the Tar Heels<br />

The North Carolina Populist<br />

Movement, 1890–1901<br />

By James M. Beeby<br />

ISBN 978-1-60473-001-2, cloth, $50.00S<br />

Sam Peckinpah<br />

Interviews<br />

Edited by Kevin J. Hayes<br />

ISBN 978-1-934110-63-8, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-64-5, paper,<br />

$22.00T<br />

A Season <strong>of</strong> Night<br />

New Orleans Life after Katrina<br />

By Ian McNulty<br />

ISBN 978-1-934110-91-1, cloth,<br />

$25.00T<br />

78 Blues<br />

Folksongs and Phonographs<br />

in the American South<br />

By John Minton<br />

ISBN 978-1-934110-19-5, cloth, $50.00S<br />

Carole Landis<br />

A Most Beautiful Girl<br />

By Eric Gans<br />

ISBN 978-1-60473-013-5, cloth, $30.00T<br />

26 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Growing Up in <strong>Mississippi</strong><br />

Edited by Judy H. Tucker<br />

and Charline R. McCord<br />

Foreword by Richard Ford<br />

ISBN 978-1-934110-71-3, cloth, $25.00T<br />

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BACK IN PRINT<br />

AVAILABLE AGAIN<br />

Toni Morrison<br />

Conversations<br />

Edited by Carolyn C. Denard<br />

ISBN 978-1-60473-018-0, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-60473-019-7, paper, $22.00T<br />

The Age <strong>of</strong> Segregation<br />

Race Relations in the<br />

South, 1890–1945<br />

Edited by Robert Haws<br />

Paper $25.00D, 978-1-60473-174-3<br />

Africa and the Blues<br />

BY Gerhard Kubik<br />

Paper $25.00D, 978-1-57806-146-4<br />

Conversations with<br />

Norman Mailer<br />

Edited by J. Michael Lennon<br />

Paper $25.00D, 978-0-87805-352-0<br />

Southern Shade<br />

A Plant Selection Guide<br />

By Jo Kellum<br />

ISBN 978-1-934110-47-8, cloth, $50.00S<br />

ISBN 978-1-934110-48-5, paper, $25.00T<br />

A Trumpet around<br />

the Corner<br />

The Story <strong>of</strong> New Orleans Jazz<br />

By Samuel Charters<br />

ISBN 978-1-57806-898-2, cloth, $40.00T<br />

The Big Ballad Jamboree<br />

BY Donald Davidson<br />

Edited by William Pratt<br />

and Curtis W. Ellison<br />

Paper $25.00D, 978-1-60473-024-1<br />

Conversations with<br />

Peter Taylor<br />

Edited by Hubert H.<br />

McAlexander<br />

Paper $25.00D, 978-0-87805-325-4<br />

Conversations with<br />

Reynolds Price<br />

EDITED BY<br />

Jefferson Humphries<br />

Paper $25.00D, 978-0-87805-483-1<br />

Southern Sun<br />

A Plant Selection Guide<br />

By Jo Kellum<br />

ISBN 978-1-934110-45-4, cloth, $50.00S<br />

ISBN 978-1-934110-46-1, paper, $25.00T<br />

Sports and the Racial Divide<br />

African American and Latino<br />

Experience in an Era <strong>of</strong> Change<br />

Edited by Michael E. Lomax<br />

Foreword by<br />

Kenneth L. Shropshire<br />

ISBN 978-1-60473-014-2, cloth, $50.00S<br />

Strawberry Plains<br />

Audubon Center<br />

Four Centuries <strong>of</strong> a<br />

<strong>Mississippi</strong> Landscape<br />

By Hubert H. McAlexander<br />

ISBN 978-1-60473-002-9, paper, $20.00S<br />

Turncoats, Traitors,<br />

and Fellow Travelers<br />

Culture and Politics <strong>of</strong> the<br />

Early Cold War<br />

By Arthur Redding<br />

ISBN 978-1-60473-005-0, cloth, $50.00S<br />

What Moves at the Margin<br />

Selected Nonfiction<br />

By Toni Morrison<br />

Edited and with an introduction<br />

by Carolyn C. Denard<br />

ISBN 978-1-60473-017-3, cloth, $30.00T<br />

“A Cosmos <strong>of</strong> My Own”<br />

Faulkner and Yoknapatawpha,<br />

1980<br />

Edited by Doreen Fowler<br />

and Ann J. Abadie<br />

Paper $25.00D, 978-1-60473-176-7<br />

Faulkner and the<br />

Southern Renaissance<br />

Edited by Doreen Fowler<br />

and Ann J. Abadie<br />

Paper $25.00D, 978-1-60473-201-6<br />

Folk Music and<br />

Modern Sound<br />

Edited by William Ferris<br />

and Mary L. Hart<br />

Paper $25.00D, 978-1-60473-167-5<br />

Life and Confession <strong>of</strong><br />

the Noted Outlaw<br />

James Copeland<br />

BY Dr. J. R. S. Pitts<br />

Introduction by<br />

John D. W. Guice<br />

Paper $25.00D, 978-1-60473-197-2<br />

Multicultural American<br />

Literature<br />

Comparative Black, Native,<br />

Latino/a and Asian American<br />

Fictions<br />

BY A. Robert Lee<br />

Paper $25.00D, 978-1-57806-645-2<br />

Perspectives and Irony in<br />

American Slavery<br />

Edited by Harry P. Owens<br />

Paper $25.00D, 978-1-60473-177-4<br />

TABASCO®<br />

An Illustrated History<br />

By Shane K. Bernard<br />

Foreword by<br />

Paul C. P. McIlhenny<br />

ISBN 978-0-9797808-0-6, cloth, $49.95T<br />

Working with Walt<br />

Interviews with Disney Artists<br />

By Don Peri<br />

ISBN 978-1-934110-67-6, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-60473-023-4, paper, $22.00T<br />

What Was Freedom’s Price<br />

Edited by David G. Sansing<br />

Paper $25.00D, 978-1-60473-175-0<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 27


African American Studies / Race Relations<br />

Black Writers,<br />

White Publishers<br />

Marketplace Politics in Twentieth-<br />

Century African American Literature<br />

By John K. Young<br />

ISBN 978-1-57806-846-3, cloth, $40.00S<br />

Can Anything Beat White<br />

A Black Family’s Letters<br />

Compiled and edited by<br />

Elisabeth Petry<br />

Introduction by<br />

Farah Jasmine Griffin<br />

ISBN 978-1-57806-785-5, cloth, $35.00S<br />

Changing Channels<br />

The Civil Rights Case that<br />

Transformed Television<br />

By Kay Mills<br />

ISBN 978-1-57806-519-6, cloth, $32.00S<br />

The Circle <strong>of</strong> Guilt<br />

By Fredric Wertham<br />

Introduction by William Bush<br />

ISBN 978-1-57806-983-5, paper, $25.00S<br />

Courtship and Love<br />

among the Enslaved in<br />

North Carolina<br />

By Rebecca J. Fraser<br />

ISBN 978-1-934110-07-2, cloth, $50.00S<br />

The Hardest Deal <strong>of</strong> All<br />

The Battle over School Integration<br />

in <strong>Mississippi</strong>, 1870–1980<br />

By Charles C. Bolton<br />

ISBN 978-1-934110-74-4, paper, $25.00D<br />

A History <strong>of</strong> Affirmative<br />

Action, 1619–2000<br />

By Philip F. Rubio<br />

ISBN 978-1-57806-354-3, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-355-0, paper, $22.00S<br />

James K. Humphrey and<br />

the Sabbath-Day Adventists<br />

By R. Clifford Jones<br />

ISBN 978-1-57806-891-3, cloth, $50.00S<br />

Jennie Carter<br />

A Black Journalist <strong>of</strong> the<br />

Early West<br />

Edited by Eric Gardner<br />

ISBN 978-1-934110-10-2, cloth, $50.00S<br />

Race, Reform, and Rebellion<br />

The Second Reconstruction and<br />

Beyond in Black America,<br />

1945–2006, Third Edition<br />

By Manning Marable<br />

ISBN 978-1-57806-153-2, unjacketed<br />

cloth, $55.00S<br />

ISBN 978-1-57806-154-9, paper, $22.00S<br />

The River <strong>of</strong> No Return<br />

The Autobiography <strong>of</strong> a Black<br />

Militant and the Life and<br />

Death <strong>of</strong> SNCC<br />

By Cleveland Sellers<br />

with Robert Terrell<br />

ISBN 978-0-87805-474-9, paper, $20.00S<br />

Not for sale in the U.K.<br />

Romance and Rights<br />

The Politics <strong>of</strong> Interracial<br />

Intimacy, 1945–1954<br />

By Alex Lubin<br />

ISBN 978-1-57806-705-3, cloth, $45.00S<br />

Slavery, Propaganda, and<br />

the American Revolution<br />

By Patricia Bradley<br />

ISBN 978-1-57806-211-9, paper, $20.00S<br />

Sports and the Racial Divide<br />

African American and Latino<br />

Experience in an Era <strong>of</strong> Change<br />

Edited by Michael E. Lomax<br />

Foreword by Kenneth L.<br />

Shropshire<br />

ISBN 978-1-60473-014-2, cloth, $50.00S<br />

Tim Hector<br />

A Caribbean Radical’s Story<br />

By Paul Buhle<br />

ISBN 978-1-57806-851-7, cloth, $32.00T<br />

Not for sale in the Caribbean<br />

Writings <strong>of</strong> Frank<br />

Marshall Davis<br />

A Voice <strong>of</strong> the Black <strong>Press</strong><br />

Edited by John Edgar Tidwell<br />

ISBN 978-1-57806-921-7, cloth, $40.00S<br />

C. L. R. James<br />

C. L. R. James<br />

A Critical Introduction<br />

By Aldon Lynn Nielsen<br />

ISBN 978-0-87805-973-7, paper, $22.00S<br />

C. L. R. James and<br />

Creolization<br />

Circles <strong>of</strong> Influence<br />

By Nicole King<br />

ISBN 978-1-57806-364-2, cloth, $50.00S<br />

ISBN 978-1-934110-49-2, paper,<br />

$25.00D<br />

C. L. R. James on the<br />

“Negro Question”<br />

Edited by Scott McLemee<br />

ISBN 978-0-87805-823-5, paper, $20.00S<br />

Marxism for Our Times<br />

C. L. R. James on Revolutionary<br />

Organization<br />

Edited by Martin Glaberman<br />

ISBN 978-1-57806-151-8, paper, $25.00S<br />

Daisy Bates<br />

Civil Rights Crusader from Arkansas<br />

By Grif Stockley<br />

ISBN 978-1-57806-801-2, cloth, $32.00T<br />

Emmett Till and the<br />

<strong>Mississippi</strong> <strong>Press</strong><br />

By Davis W. Houck and<br />

Matthew A. Grindy<br />

Foreword by Keith A. Beauchamp<br />

ISBN 978-1-934110-15-7, cloth, $40.00S<br />

Lockstep and Dance<br />

Images <strong>of</strong> Black Men in<br />

Popular Culture<br />

By Linda G. Tucker<br />

ISBN 978-1-57806-906-4, cloth, $45.00S<br />

A Melvin Dixon<br />

Critical Reader<br />

Edited by Justin A. Joyce<br />

and Dwight A. McBride<br />

ISBN 978-1-57806-866-1, cloth, $38.00S<br />

The Mulatta and the<br />

Politics <strong>of</strong> Race<br />

By Teresa C. Zackodnik<br />

ISBN 978-1-57806-676-6, cloth, $50.00S<br />

W. E. B. Du Bois on Asia<br />

Crossing the World Color Line<br />

Edited by Bill V. Mullen<br />

and Cathryn Watson<br />

ISBN 978-1-57806-791-6, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-820-3, paper, $20.00S<br />

Without Regard to Race<br />

The Other Martin Robison Delany<br />

By Tunde Adeleke<br />

ISBN 978-1-57806-598-1, cloth, $50.00S<br />

Minty Alley<br />

By C. L. R. James<br />

ISBN 978-1-57806-027-6, paper, $20.00S<br />

Not for sale in the U.K. and European<br />

Common Market countries<br />

Urbane Revolutionary<br />

C. L. R. James and the Struggle<br />

for a New Society<br />

By Frank Rosengarten<br />

ISBN 978-1-934110-26-3, cloth, $50.00S<br />

Empire and Slavery in American<br />

Literature, 1820–1865<br />

By Eric J. Sundquist<br />

ISBN 978-1-57806-863-0, paper, $20.00S<br />

28 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


American Culture and Politics/History<br />

American Culture<br />

Ain’t That a Knee-Slapper<br />

Rural Comedy in the Twentieth<br />

Century<br />

By Tim Hollis<br />

ISBN 978-1-934110-72-0, unjacketed cloth,<br />

$50.00S<br />

ISBN 978-1-934110-73-7, paper, $25.00T<br />

Contemporary Southern<br />

Identity<br />

Community through Controversy<br />

By Rebecca Bridges Watts<br />

ISBN 978-1-934110-09-6, cloth, $50.00S<br />

Deadhouse<br />

Life in a Coroner’s Office<br />

By John Temple<br />

ISBN 978-1-57806-743-5, cloth, $50.00S<br />

ISBN 978-1-934110-30-0, paper, $20.00T<br />

Ghost Hunters <strong>of</strong> the South<br />

By Alan Brown<br />

ISBN 978-1-57806-892-0, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-893-7, paper, $20.00T<br />

Green Seduction<br />

Money, Business, and the<br />

Environment<br />

By Bill Streever<br />

ISBN 978-1-934110-27-0, paper, $20.00S<br />

The Kennedy Assassination<br />

By Peter Knight<br />

ISBN 978-1-934110-31-7, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-32-4, paper, $20.00S<br />

The Land <strong>of</strong> the Smokies<br />

Great Mountain Memories<br />

By Tim Hollis<br />

ISBN 978-1-57806-943-9, unjacketed<br />

cloth, $55.00S<br />

ISBN 978-1-57806-944-6, paper, $25.00T<br />

Stories from the<br />

Haunted South<br />

By Alan Brown<br />

ISBN 978-1-57806-660-5, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-661-2, paper, $20.00T<br />

With Signs Following<br />

Photographs from the Southern<br />

Religious Roadside<br />

By Joe York<br />

Introduction by<br />

Charles Reagan Wilson<br />

ISBN 978-1-57806-975-0, cloth, $25.00T<br />

Politics/History<br />

Building Louisiana<br />

The Legacy <strong>of</strong> the Public<br />

Works Administration<br />

By Robert D. Leighninger, Jr.<br />

ISBN 978-1-57806-945-3, cloth, $50.00S<br />

The Cajuns<br />

Americanization <strong>of</strong> a People<br />

By Shane K. Bernard<br />

ISBN 978-1-57806-522-6, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-523-3, paper, $20.00T<br />

Civil War Leadership and<br />

Mexican War Experience<br />

By Kevin Dougherty<br />

ISBN 978-1-57806-968-2, cloth, $50.00S<br />

Confronting Modernity<br />

Art and Society in Louisiana<br />

By Richard Megraw<br />

ISBN 978-1-57806-417-5, cloth, $55.00S<br />

Covering for the Bosses<br />

Labor and the Southern <strong>Press</strong><br />

By Joseph B. Atkins<br />

Foreword by<br />

Stanley Aronowitz<br />

ISBN 978-1-934110-80-5, cloth, $45.00S<br />

Gettysburg<br />

Sentinels <strong>of</strong> Stone<br />

By Timothy T. Isbell<br />

ISBN 978-1-57806-839-5, cloth, $40.00T<br />

A Hard Rain Fell<br />

SDS and Why It Failed<br />

By David Barber<br />

ISBN 978-1-934110-17-1, cloth, $50.00S<br />

Inherit the Land<br />

Jim Crow Meets Miss Maggie’s Will<br />

By Gene Stowe<br />

Illustrations by Carl A. Sergio<br />

ISBN 978-1-57806-864-7, cloth, $35.00T<br />

ISBN 978-1-934110-60-7, paper, $20.00T<br />

Louisiana Governors<br />

Rulers, Rascals, and Reformers<br />

By Walter Greaves Cowan and<br />

Jack B. McGuire<br />

ISBN 978-1-934110-90-4, cloth, $45.00S<br />

Manners and Southern<br />

History<br />

Edited by Ted Ownby<br />

ISBN 978-1-57806-979-8, cloth, $50.00S<br />

Mayor Crump Don’t Like It<br />

Machine Politics in Memphis<br />

By G. Wayne Dowdy<br />

ISBN 978-1-60473-113-2, paper, $25.00D<br />

The Measure <strong>of</strong> Our Days<br />

Writings <strong>of</strong> William F. Winter<br />

Edited by Andrew P. Mullins, Jr.<br />

ISBN 978-1-57806-914-9, cloth, $30.00S<br />

<strong>Mississippi</strong> Politics<br />

The Struggle for Power, 1976–2006<br />

By Jere Nash and Andy Taggart<br />

Foreword by John Grisham<br />

ISBN 978-1-57806-907-1, cloth, $32.00T<br />

The Natchez Indians<br />

A History to 1735<br />

By James F. Barnett Jr.<br />

ISBN 978-1-57806-988-0, cloth, $40.00S<br />

The Peninsula<br />

Campaign <strong>of</strong> 1862<br />

A Military Analysis<br />

By Kevin Dougherty with<br />

J. Michael Moore<br />

ISBN 978-1-57806-752-7, cloth, $45.00S<br />

Placing the South<br />

By Michael O’Brien<br />

ISBN 978-1-57806-934-7, cloth, $50.00S<br />

Plunging into Haiti<br />

Clinton, Aristide, and the<br />

Defeat <strong>of</strong> Diplomacy<br />

By Ralph Pezzullo<br />

ISBN 978-1-57806-860-9, cloth, $45.00S<br />

Rednecks, Redeemers,<br />

and Race<br />

<strong>Mississippi</strong> after Reconstruction,<br />

1877–1917<br />

By Stephen Cresswell<br />

ISBN 978-1-57806-847-0, cloth, $45.00S<br />

Revolt <strong>of</strong> the Tar Heels<br />

The North Carolina Populist<br />

Movement, 1890–1901<br />

By James M. Beeby<br />

ISBN 978-1-60473-001-2, cloth, $50.00S<br />

Shiloh and Corinth<br />

Sentinels <strong>of</strong> Stone<br />

by Timothy T. Isbell<br />

ISBN 978-1-934110-08-9, cloth, $40.00T<br />

Slavery and Frontier<br />

<strong>Mississippi</strong>, 1720–1835<br />

By David J. Libby<br />

ISBN 978-1-57806-599-8, cloth, $45.00S<br />

Thomas Jefferson on Wine<br />

By John Hailman<br />

ISBN 978-1-57806-841-8, cloth, $38.00T<br />

Turncoats, Traitors, and<br />

Fellow Travelers<br />

Culture and Politics <strong>of</strong> the<br />

Early Cold War<br />

By Arthur Redding<br />

ISBN 978-1-60473-005-0, cloth, $50.00S<br />

Vicksburg<br />

Sentinels <strong>of</strong> Stone<br />

By Timothy T. Isbell<br />

ISBN 978-1-57806-840-1, cloth, $40.00T<br />

Where Have All the Flower<br />

Children Gone<br />

By Sandra Gurvis<br />

ISBN 978-1-57806-314-7, cloth, $28.00T<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 29


Music, Comics, and Film/Theatre<br />

Music<br />

The Beatles<br />

Image and the Media<br />

By Michael R. Frontani<br />

ISBN 978-1-57806-965-1, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-966-8, paper, $20.00S<br />

A Boy Named Sue<br />

Gender and Country Music<br />

Edited by Kristine M. McCusker<br />

and Diane Pecknold<br />

ISBN 978-1-57806-677-3, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-678-0, paper, $20.00S<br />

Cross the Water Blues<br />

African American Music in Europe<br />

Edited by Neil A. Wynn<br />

ISBN 978-1-57806-960-6, cloth, $50.00S<br />

The Glenbuchat Ballads<br />

Edited by David Buchan and<br />

James Moreira<br />

ISBN 978-1-57806-972-9, cloth, $60.00S<br />

Global Pop, Local Language<br />

Edited by Harris M. Berger and<br />

Michael Thomas Carroll<br />

ISBN 978-1-57806-535-6, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-536-3, paper, $22.00S<br />

Kennedy’s Blues<br />

African-American Blues and<br />

Gospel Songs on JFK<br />

By Guido van Rijn<br />

Foreword by Brian Ward<br />

ISBN 978-1-57806-957-6, cloth, $50.00S<br />

The Life <strong>of</strong> Dick Haymes<br />

No More Little White Lies<br />

By Ruth Prigozy<br />

ISBN 978-1-57806-551-6, cloth, $30.00T<br />

Mouse Tracks<br />

The Story <strong>of</strong> Walt Disney Records<br />

By Tim Hollis and Greg Ehrbar<br />

Foreword by Leonard Maltin<br />

ISBN 978-1-57806-848-7, unjacketed<br />

cloth, $55.00S<br />

ISBN 978-1-57806-849-4, paper, $25.00T<br />

Music and History<br />

Bridging the Disciplines<br />

Edited by Jeffrey H. Jackson<br />

and Stanley C. Pelkey<br />

ISBN 978-1-57806-762-6, cloth, $50.00S<br />

Out <strong>of</strong> Sight<br />

The Rise <strong>of</strong> African American<br />

Popular Music, 1889–1895<br />

By Lynn Abbott and Doug<br />

Ser<strong>of</strong>f<br />

ISBN 978-1-57806-499-1, cloth, $75.00S<br />

Pearl Harbor Jazz<br />

Change in Popular Music<br />

in the Early 1940s<br />

By Peter Townsend<br />

ISBN 978-1-57806-924-8, cloth, $50.00S<br />

Prophet Singer<br />

The Voice and Vision <strong>of</strong><br />

Woody Guthrie<br />

By Mark Allan Jackson<br />

ISBN 978-1-60473-102-6, paper,<br />

$25.00D<br />

Ragged but Right<br />

Black Traveling Shows, “Coon<br />

Songs,” and the Dark Pathway<br />

to Blues and Jazz<br />

By Lynn Abbott and<br />

Doug Ser<strong>of</strong>f<br />

ISBN 978-1-57806-901-9, cloth, $75.00S<br />

A Trumpet around the Corner<br />

The Story <strong>of</strong> New Orleans Jazz<br />

By Samuel Charters<br />

ISBN 978-1-57806-898-2, cloth, $40.00T<br />

Waltz the Hall<br />

The American Play Party<br />

By Alan L. Spurgeon<br />

ISBN 978-1-57806-742-8, cloth, $50.00S<br />

Comics<br />

Art Spiegelman<br />

Conversations<br />

Edited by Joseph Witek<br />

ISBN 978-1-934110-11-9, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-12-6, paper, $20.00T<br />

Carl Barks and the Disney<br />

Comic Book<br />

Unmasking the Myth <strong>of</strong> Modernity<br />

By Thomas Andrae<br />

ISBN 978-1-57806-858-6, paper, $20.00T<br />

Charles M. Schulz<br />

Conversations<br />

Edited by M. Thomas Inge<br />

ISBN 978-1-57806-304-8, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-305-5, paper, $20.00T<br />

Comics as Philosophy<br />

Edited by Jeff McLaughlin<br />

ISBN 978-1-60473-000-5, cloth, $25.00D<br />

The Guitar in America<br />

Victorian Era to Jazz Age<br />

By Jeffrey J. Noonan<br />

ISBN 978-1-934110-18-8, cloth, $50.00S<br />

Jimmie Rodgers<br />

The Life and Times <strong>of</strong><br />

America’s Blue Yodeler<br />

By Nolan Porterfield<br />

ISBN 978-1-57806-982-8, paper, $25.00T<br />

The New Blue Music<br />

Changes in Rhythm & Blues,<br />

1950–1999<br />

By Richard J. Ripani<br />

ISBN 978-1-57806-861-6, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-862-3, paper, $20.00S<br />

Nobody Knows Where<br />

the Blues Come From<br />

Lyrics and History<br />

Edited by Robert Springer<br />

ISBN 978-1-934110-29-4, paper, $25.00D<br />

The Norumbega Harmony<br />

Historic and Contemporary Hymn<br />

Tunes and Anthems from the New<br />

England Singing School Tradition<br />

By Stephen A. Marini, General<br />

Editor<br />

ISBN 978-1-57806-611-7, cloth, $25.00S<br />

Sam Myers<br />

The Blues Is My Story<br />

By Sam Myers and Jeff Horton<br />

ISBN 978-1-57806-895-1, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-896-8, paper, $20.00T<br />

78 Blues<br />

Folksongs and Phonographs<br />

in the American South<br />

By John Minton<br />

ISBN 978-1-934110-19-5, cloth, $50.00S<br />

Shreveport Sounds in<br />

Black and White<br />

Edited by Kip Lornell and<br />

Tracey E. W. Laird<br />

ISBN 978-1-934110-41-6, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-42-3, paper, $25.00S<br />

Father <strong>of</strong> the Comic Strip<br />

Rodolphe Töpffer<br />

By David Kunzle<br />

ISBN 978-1-57806-947-7, unjacketed<br />

cloth, $55.00S<br />

ISBN 978-1-57806-948-4, paper, $25.00T<br />

Garry Trudeau<br />

Doonesbury and the<br />

Aesthetics <strong>of</strong> Satire<br />

By Kerry D. Soper<br />

ISBN 978-1-934110-88-1, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-89-8, paper, $22.00T<br />

30 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Call 1-800-737-7788 to order toll-free.


Music, Comics, and Film/Theatre<br />

History and Politics in<br />

French-Language Comics<br />

and Graphic Novels<br />

Edited by Mark McKinney<br />

ISBN 978-1-60473-004-3, cloth, $50.00S<br />

Living Life inside the Lines<br />

Tales from the Golden Age<br />

<strong>of</strong> Animation<br />

By Martha Sigall<br />

Foreword by Jerry Beck<br />

ISBN 978-1-57806-748-0, unjacketed cloth,<br />

$50.00S<br />

ISBN 978-1-57806-749-7, paper, $20.00T<br />

Rodolphe Töpffer<br />

The Complete Comic Strips<br />

Compiled, translated, and<br />

annotated by David Kunzle<br />

ISBN 978-1-57806-946-0, cloth, $65.00S<br />

Stan Lee<br />

Conversations<br />

Edited by Jeff McLaughlin<br />

ISBN 978-1-57806-984-2, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-985-9, paper, $20.00T<br />

Stepping into the Picture<br />

Cartoon Designer Maurice Noble<br />

By Roberta J. McKinnon<br />

ISBN 978-1-934110-43-0, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-44-7, paper, $20.00T<br />

Film/Theatre<br />

Alice Faye<br />

A Life Beyond the Silver Screen<br />

By Jane Lenz Elder<br />

ISBN 978-1-57806-210-2, cloth, $30.00T<br />

Carole Landis<br />

A Most Beautiful Girl<br />

By Eric Gans<br />

ISBN 978-1-60473-013-5, cloth, $30.00T<br />

Just Making Movies<br />

Company Directors on the<br />

Studio System<br />

By Ronald L. Davis<br />

ISBN 978-1-57806-690-2, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-691-9, paper, $22.00S<br />

The System <strong>of</strong> Comics<br />

By Thierry Groensteen<br />

Translated by Bart Beaty and<br />

Nick Nguyen<br />

ISBN 978-1-57806-925-5, cloth, $40.00S<br />

Forever Mame<br />

The Life <strong>of</strong> Rosalind Russell<br />

By Bernard F. Dick<br />

ISBN 978-1-57806-890-6, cloth, $30.00T<br />

New York Voices<br />

Fourteen Portraits<br />

By Whitney Balliett<br />

ISBN 978-1-57806-836-4, cloth,<br />

$25.00T<br />

The Magic Behind the Voices<br />

A Who’s Who <strong>of</strong> Cartoon Voice Actors<br />

By Tim Lawson and Alisa Persons<br />

ISBN 978-1-57806-696-4, paper, $28.00T<br />

Horror Film<br />

Creating and Marketing Fear<br />

Edited by Steffen Hantke<br />

ISBN 978-1-57806-692-6, cloth, $50.00S<br />

Mort Walker<br />

Conversations<br />

Edited by Jason Whiton<br />

ISBN 978-1-57806-699-5, unjacketed cloth,<br />

$50.00S<br />

ISBN 978-1-57806-700-8, paper, $20.00T<br />

R. Crumb<br />

Conversations<br />

Edited by D. K. Holm<br />

ISBN 978-1-57806-636-0, unjacketed cloth,<br />

$50.00S<br />

ISBN 978-1-57806-637-7, paper, $20.00T<br />

Walt Disney<br />

Conversations<br />

Edited by Kathy Merlock<br />

Jackson<br />

ISBN 978-1-57806-712-1, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-713-8, paper, $20.00T<br />

Working with Walt<br />

Interviews with Disney Artists<br />

By Don Peri<br />

ISBN 978-1-934110-67-6, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-60473-023-4, paper, $22.00T<br />

Joan Blondell<br />

A Life between Takes<br />

By Matthew Kennedy<br />

ISBN 978-1-57806-961-3, cloth, $30.00T<br />

Van Johnson<br />

MGM’s Golden Boy<br />

By Ronald L. Davis<br />

ISBN 978-1-57806-377-2, cloth, $30.00T<br />

Words into Images<br />

Screenwriters on the Studio System<br />

By Ronald L. Davis<br />

ISBN 978-1-57806-964-4, cloth, $45.00S<br />

Zachary Scott<br />

Hollywood’s Sophisticated Cad<br />

By Ronald L. Davis<br />

ISBN 978-1-57806-837-1, cloth, $30.00T<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 31


Folklore and Art/Folk Art/Photography<br />

Folklore<br />

Black Rock<br />

A Zuni Cultural Landscape<br />

and the Meaning <strong>of</strong> Place<br />

By William A. Dodge<br />

ISBN 978-1-57806-993-4, cloth, $50.00S<br />

Bodies<br />

Sex, Violence, Disease, and Death<br />

in Contemporary Legend<br />

By Gillian Bennett<br />

ISBN 978-1-57806-789-3, cloth, $48.00S<br />

Choctaw Tales<br />

Collected and annotated<br />

by Tom Mould<br />

Foreword by<br />

Chief Phillip Martin<br />

ISBN 978-1-57806-683-4, paper, $22.00T<br />

Cinderella in America<br />

A Book <strong>of</strong> Folk and Fairy Tales<br />

Compiled and edited by<br />

William Bernard McCarthy<br />

ISBN 978-1-57806-958-3, unjacketed<br />

cloth, $65.00S<br />

ISBN 978-1-57806-959-0, paper, $30.00S<br />

Haunted Halls<br />

Ghostlore <strong>of</strong> American<br />

College Campuses<br />

By Elizabeth Tucker<br />

ISBN 978-1-57806-994-1, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-995-8, paper, $20.00S<br />

Not Just Child’s Play<br />

Emerging Tradition and the<br />

Lost Boys <strong>of</strong> Sudan<br />

By Felicia R. McMahon<br />

ISBN 978-1-57806-987-3, cloth, $50.00S<br />

Organ Theft Legends<br />

By Véronique Campion-Vincent<br />

Translated by<br />

Jacqueline Simpson<br />

ISBN 978-1-57806-593-6, cloth, $48.00S<br />

Public Folklore<br />

Edited by Robert Baron<br />

and Nick Spitzer<br />

ISBN 978-1-934110-40-9, paper, $25.00S<br />

32 <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Roots <strong>of</strong> a Region<br />

Southern Folk Culture<br />

By John A. Burrison<br />

ISBN 978-1-934110-20-1, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-934110-21-8, paper, $20.00S<br />

Art/Folk Art/Photography<br />

Between God and Man<br />

Angels in Italian Art<br />

By Francesco Buranelli<br />

Edited by Robin C. Dietrick<br />

With essays by Marco Bussagli,<br />

Cecilia Sica, and<br />

Roberta Bernabei<br />

ISBN 978-1-887422-15-4, cloth, $34.95T<br />

Clarence John Laughlin<br />

Prophet without Honor<br />

By A. J. Meek<br />

Foreword by John H. Lawrence<br />

ISBN 978-1-57806-909-5, cloth, $30.00T<br />

Dunlap<br />

By William Dunlap<br />

Essay by J. Richard Gruber<br />

Foreword by Julia Reed<br />

ISBN 978-1-57806-904-0, cloth, $45.00T<br />

ISBN 978-1-57806-911-8, limited, signed,<br />

numbered edition in clamshell box with<br />

limited, signed print, $200.00L<br />

Ed McGowin, Name Change<br />

One Artist, Twelve Personas,<br />

Thirty-five Years<br />

By Ed McGowin<br />

Essays by J. Richard Gruber,<br />

Anders Härm, and Thomas<br />

Sokolowski<br />

Foreword by Paul Richelson<br />

ISBN 978-1-57806-970-5, cloth, $30.00T<br />

Forms <strong>of</strong> Tradition in<br />

Contemporary Spain<br />

By Jo Farb Hernández<br />

ISBN 978-1-57806-750-3, cloth, $65.00S<br />

ISBN 978-1-57806-751-0, paper, $35.00T<br />

French Quarter <strong>of</strong><br />

New Orleans<br />

Text by Jim Fraiser<br />

Photographs by West Freeman<br />

ISBN 978-1-57806-524-0, cloth, $45.00T<br />

Just Above the Water<br />

Florida Folk Art<br />

By Kristin G. Congdon and<br />

Tina Bucuvalas<br />

Foreword by<br />

Michael Owen Jones<br />

ISBN 978-1-57806-778-7, cloth, $65.00S<br />

Mildred Nungester Wolfe<br />

Edited by Elizabeth Wolfe<br />

With an introduction by<br />

Ellen Douglas<br />

ISBN 978-1-57806-809-8, cloth, $35.00T<br />

Miracles <strong>of</strong> the Spirit<br />

Folk, Art, and Stories from<br />

Wisconsin<br />

By Don Krug and Ann Parker<br />

ISBN 978-1-57806-753-4, cloth, $65.00S<br />

The <strong>Mississippi</strong> Story<br />

By Patti Carr Black<br />

Edited by Robin C. Dietrick<br />

ISBN 978-1-887422-14-7, cloth, $29.95T<br />

Pleasant Journeys and<br />

Good Eats along the Way<br />

The Paintings <strong>of</strong> John Baeder<br />

Edited and with an essay<br />

by Jay Williams<br />

Preface by Kevin Grogan<br />

Introduction by<br />

Donald Kuspit<br />

ISBN 978-1-934110-22-5, paper, $30.00T<br />

Printmaking in<br />

New Orleans<br />

Edited by Jessie J. Poesch<br />

ISBN 978-1-57806-768-8, cloth, $50.00S<br />

The Reverend<br />

Photographs by<br />

James Perry Walker<br />

Foreword by Will D. Campbell<br />

ISBN 978-1-57806-787-9, cloth, $35.00T<br />

Sacred and Pr<strong>of</strong>ane<br />

Voice and Vision in Southern<br />

Self-Taught Art<br />

Edited by Carol Crown and<br />

Charles Russell<br />

ISBN 978-1-57806-916-3, cloth, $50.00S<br />

Books by and about<br />

Walter Anderson<br />

An Alphabet<br />

By Walter Anderson<br />

ISBN 978-0-87805-573-9, paper, $15.00T<br />

Approaching the Magic Hour<br />

Memories <strong>of</strong> Walter Anderson<br />

By Agnes Grinstead Anderson<br />

Edited by Patti Carr Black<br />

ISBN 978-0-87805-803-7, paper, $20.00T<br />

The Art <strong>of</strong> Walter Anderson<br />

Edited by Patricia Pinson<br />

ISBN 978-1-57806-601-8, paper, $45.00T<br />

Dancing with My Father<br />

By Leif Anderson<br />

Foreword by<br />

Christopher Maurer<br />

ISBN 978-1-57806-722-0, cloth, $25.00T<br />

Form and Fantasy<br />

The Block Prints <strong>of</strong><br />

Walter Anderson<br />

Edited by Mary Anderson<br />

Pickard and Patricia Pinson<br />

ISBN 978-1-934110-25-6, cloth, $45.00T<br />

Fortune’s Favorite Child<br />

The Uneasy Life <strong>of</strong><br />

Walter Anderson<br />

By Christopher Maurer<br />

ISBN 978-1-57806-539-4, cloth, $37.00T<br />

The Horn Island Logs <strong>of</strong><br />

Walter Inglis Anderson<br />

Edited and with an introduction<br />

by Redding S. Sugg, Jr.<br />

ISBN 978-0-87805-168-7, cloth, $50.00T<br />

Illustrations <strong>of</strong> Epic<br />

and Voyage<br />

By Walter Anderson<br />

Edited with an introduction<br />

by Redding S. Sugg, Jr.<br />

ISBN 978-1-57806-855-5, cloth, $35.00T<br />

The Magic Carpet and<br />

Other Tales<br />

Retold by Ellen Douglas<br />

with illustrations by<br />

Walter Anderson<br />

ISBN 978-0-87805-327-8, cloth, $50.00T<br />

A Painter’s Psalm<br />

The Mural from Walter<br />

Anderson’s Cottage<br />

By Walter Anderson<br />

Text by Redding S. Sugg, Jr.<br />

ISBN 978-0-87805-560-9, cloth, $30.00T<br />

Robinson<br />

The Pleasant History <strong>of</strong> an<br />

Unusual Cat<br />

By Walter Anderson<br />

ISBN 978-0-87805-948-5, paper, $18.00T<br />

Call 1-800-737-7788 to order toll-free.


Regional Interest<br />

Cajuns and Their Acadian<br />

Ancestors<br />

A Young Reader’s History<br />

By Shane K. Bernard<br />

ISBN 978-1-934110-78-2, cloth with<br />

printed cover, $18.00T<br />

The Egg Bowl<br />

<strong>Mississippi</strong> State vs. Ole Miss<br />

By William G. Barner<br />

ISBN 978-1-57806-967-5, cloth, $30.00T<br />

Growing Up in <strong>Mississippi</strong><br />

Edited by Judy H. Tucker and<br />

Charline R. McCord<br />

Foreword by Richard Ford<br />

ISBN 978-1-934110-71-3, cloth, $25.00T<br />

Hands in the Till<br />

Embezzlement <strong>of</strong> Public Monies<br />

in <strong>Mississippi</strong><br />

By James R. Crockett<br />

ISBN 978-1-57806-935-4, cloth, $40.00S<br />

Historic Churches<br />

<strong>of</strong> <strong>Mississippi</strong><br />

By Sherry Pace<br />

Essay and captions by<br />

Richard J. Cawthon<br />

ISBN 978-1-57806-940-8, cloth, $40.00T<br />

Hurricane Camille<br />

Monster Storm <strong>of</strong> the Gulf Coast<br />

By Philip D. Hearn<br />

ISBN 978-1-57806-655-1, cloth, $28.00T<br />

Katrina<br />

<strong>Mississippi</strong> Women Remember<br />

Photographs by<br />

Melody Golding<br />

Edited by Sally Pfister<br />

ISBN 978-1-57806-956-9, cloth, $32.00T<br />

Lords <strong>of</strong> Misrule<br />

Mardi Gras and the Politics<br />

<strong>of</strong> Race in New Orleans<br />

By James Gill<br />

ISBN 978-0-87805-916-4, paper, $25.00D<br />

Louisiana Cookery<br />

By Mary Land<br />

Illustrated by<br />

Morris Henry Hobbs<br />

Preface by Owen Brennan<br />

ISBN 978-1-57806-757-2, paper, $22.00T<br />

Louisiana Dayride<br />

Fifty-two Short Trips from<br />

New Orleans<br />

Written and illustrated by<br />

Shelley N. C. Holl<br />

ISBN 978-0-87805-822-8, paper, $18.00T<br />

Louisiana Voyages<br />

The Travel Writings <strong>of</strong><br />

Catharine Cole<br />

By Martha R. Field<br />

Edited by Joan B. McLaughlin<br />

and Jack McLaughlin<br />

ISBN 978-1-57806-825-8, unjacketed cloth,<br />

$50.00S<br />

ISBN 978-1-57806-826-5, paper, $20.00T<br />

Maroon and White<br />

<strong>Mississippi</strong> State <strong>University</strong>,<br />

1878–2003<br />

By Michael B. Ballard<br />

ISBN 978-1-57806-999-6, cloth, $35.00S<br />

Martha Skelton<br />

Master Quilter <strong>of</strong> <strong>Mississippi</strong><br />

By Mary Elizabeth Johnson<br />

Foreword by Walt Grayson<br />

Photographs by J. D. Schwalm<br />

ISBN 978-1-934110-81-2, cloth, $28.00T<br />

<strong>Mississippi</strong> Archaeology Q & A<br />

By Evan Peacock<br />

ISBN 978-1-57806-766-4, unjacketed cloth,<br />

$50.00S<br />

ISBN 978-1-57806-767-1, paper, $18.00T<br />

The <strong>Mississippi</strong> Public<br />

Community and Junior<br />

College Story 1972–2002<br />

By The <strong>Mississippi</strong> Association <strong>of</strong><br />

Community and Junior Colleges<br />

Foreword by Ronnie Musgrove<br />

ISBN 978-1-57806-808-1, cloth, $45.00S<br />

Must See <strong>Mississippi</strong><br />

50 Favorite Places<br />

Text by Mary Carol Miller<br />

Photographs by<br />

Mary Rose Carter<br />

Introduction by Greg Iles<br />

ISBN 978-1-57806-845-6, cloth, $40.00T<br />

My <strong>Mississippi</strong><br />

By Willie Morris<br />

Photographs by<br />

David Rae Morris<br />

ISBN 978-1-57806-193-8, cloth, $42.00T<br />

ISBN 978-1-57806-309-3, limited edition<br />

<strong>of</strong> 150 numbered copies, slipcased,<br />

$100.00L<br />

Native American Place<br />

Names in <strong>Mississippi</strong><br />

By Keith A. Baca<br />

ISBN 978-1-57806-954-5, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-955-2, paper, $18.00T<br />

Operation Pretense<br />

The FBI’s Sting on County<br />

Corruption in <strong>Mississippi</strong><br />

By James R. Crockett<br />

ISBN 978-1-57806-496-0, cloth, $42.00S<br />

Paddling the Pascagoula<br />

By Ernest Herndon and<br />

Scott B. Williams<br />

ISBN 978-1-57806-714-5, paper, $20.00T<br />

Preserving the Pascagoula<br />

By Donald G. Schueler<br />

ISBN 978-1-57806-466-3, paper, $20.00T<br />

Promises Kept<br />

The <strong>University</strong> <strong>of</strong> <strong>Mississippi</strong><br />

Medical Center<br />

By Janis Quinn<br />

ISBN 978-1-57806-805-0, cloth, $35.00T<br />

Resorting to Casinos<br />

The <strong>Mississippi</strong> Gambling<br />

Industry<br />

Edited by Denise von<br />

Herrmann<br />

ISBN 978-1-57806-790-9, cloth, $45.00S<br />

Saving Louisiana<br />

The Battle for Coastal Wetlands<br />

By Bill Streever<br />

ISBN 978-1-57806-329-1, unjacketed<br />

cloth, $50.00S<br />

ISBN 978-1-57806-348-2, paper, $25.00D<br />

Sharks, Skates, and Rays<br />

<strong>of</strong> the Gulf <strong>of</strong> Mexico<br />

A Field Guide<br />

By Glenn R. Parsons<br />

ISBN 978-1-57806-827-2, flexibind,<br />

$25.00T<br />

Southern Shade<br />

A Plant Selection Guide<br />

By Jo Kellum<br />

ISBN 978-1-934110-47-8, cloth, $50.00S<br />

ISBN 978-1-934110-48-5, paper, $25.00T<br />

Southern Sun<br />

A Plant Selection Guide<br />

By Jo Kellum<br />

ISBN 978-1-934110-45-4, cloth, $50.00S<br />

ISBN 978-1-934110-46-1, paper, $25.00T<br />

Strawberry Plains<br />

Audubon Center<br />

Four Centuries <strong>of</strong> a<br />

<strong>Mississippi</strong> Landscape<br />

By Hubert H. McAlexander<br />

ISBN 978-1-60473-002-9, paper, $20.00S<br />

TABASCO®<br />

An Illustrated History<br />

By Shane K. Bernard<br />

Foreword by<br />

Paul C. P. McIlhenny<br />

ISBN 978-0-9797808-0-6, cloth, $49.95T<br />

Tough-as-Nails Flowers<br />

for the South<br />

By Norman Winter<br />

ISBN 978-1-57806-543-1, cloth, $50.00T<br />

ISBN 978-1-57806-544-8, paper, $28.00T<br />

Tracks<br />

By Donald C. Jackson<br />

ISBN 978-1-57806-894-4, cloth, $25.00T<br />

The <strong>University</strong> <strong>of</strong><br />

<strong>Mississippi</strong> School <strong>of</strong> Law<br />

A Sesquicentennial History<br />

By Michael de L. Landon<br />

ISBN 978-1-57806-918-7, cloth, $35.00S<br />

Wildflowers <strong>of</strong> <strong>Mississippi</strong><br />

By Stephen L. Timme<br />

ISBN 978-1-57806-969-9, paper, $30.00T<br />

Call 1-800-737-7788 to order toll-free. <strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong> 33


Fall–Winter 2008–2009<br />

“I was never a recipe person.<br />

I never looked at a recipe in<br />

my life. Never, never. No!<br />

I would ask somebody, ‘How<br />

do you make that’ And then<br />

I’ll go try it, experiment some<br />

kind <strong>of</strong> way until I get it the<br />

way I want it.”<br />

BEULAH LABOSTRIE<br />

from You Are Where You Eat<br />

Stories and Recipes from the Neighborhoods <strong>of</strong> New Orleans<br />

Page 2<br />

<strong>University</strong> <strong>Press</strong> <strong>of</strong> <strong>Mississippi</strong><br />

3825 Ridgewood Road<br />

Jackson, MS 39211-6492<br />

Non-Pr<strong>of</strong>it Org.<br />

U.S. Postage<br />

PAID<br />

Jackson, MS 39205<br />

Permit No. 10

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