Inaugural Issue of The Catechetical Review
Inaugural Issue of The Catechetical Review
Inaugural Issue of The Catechetical Review
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Inspired Through Art<br />
for while it gives life, hydrates, and refreshes, it also has the<br />
ability to destroy, wipe away, and wash clean. <strong>The</strong>ologically,<br />
baptism serves both these purposes: one is “born” into<br />
God’s family as a Christian and simultaneously is purified<br />
<strong>of</strong> original sin. However, for the grace <strong>of</strong> baptism to<br />
blossom, one must be humble.<br />
Masterpiece <strong>of</strong> Humility<br />
<strong>The</strong> virtue <strong>of</strong> humility permeates Perugino’s work. See how<br />
Christ’s eyes are closed, his head bowed in deep prayer,<br />
as the grandeur <strong>of</strong> the moment unfolds. This Feast <strong>of</strong><br />
<strong>The</strong>ophany is the culmination <strong>of</strong> the Christmas season,<br />
when we reflect upon the self-emptying <strong>of</strong> Christ, kenosis<br />
as it is commonly referred to in the East. We contemplate<br />
the humility <strong>of</strong> God made manifest in the Incarnation, seen<br />
in the smallness <strong>of</strong> the Baby, sleeping in a mere feeding<br />
trough for animals. And now as Christ emerges from the<br />
relative silence <strong>of</strong> his life in Nazareth and begins his public<br />
ministry, he doesn’t claim special privileges or proudly lord<br />
his authority over all. Rather he goes to John and asks to<br />
be baptized. <strong>The</strong> lack <strong>of</strong> clothing on Christ calls to mind<br />
the end <strong>of</strong> his life, where once again the Son will obediently<br />
submit to the will <strong>of</strong> the Father during his Passion<br />
and will be stripped <strong>of</strong> his garments. Here he stands nearly<br />
naked, vulnerable, and pouring out his life for his people as<br />
servant, just as John gently pours the water over his head.<br />
In this particular rendition, Perugino adds an extra<br />
emphasis on Christ’s humility, not by what he adds but<br />
by what he leaves out: Christ’s halo. Jesus has given up<br />
his heavenly citizenship to become truly one <strong>of</strong> us. In the<br />
earlier Sistine Chapel fresco, both Jesus and John have<br />
halos, but not here. A more skeptical person could say that<br />
Perugino simply made a mistake. However, as we will see<br />
in a moment, that is not the case.<br />
Romano Guardini astutely notes that “Jesus quietly takes<br />
his place in line. He refuses to be an exception; voluntarily<br />
he places himself within the law that is valid for all.” 3<br />
Even his stature appears smaller than that <strong>of</strong> the Baptist.<br />
Certainly Christ has no sin to be washed away, but he still<br />
consents to baptism so as to purify the waters for the rest<br />
<strong>of</strong> us. He sets an example to be followed, and follow they<br />
do. <strong>The</strong> figures directly behind Jesus imitate his piety with<br />
their prayerful hands. In the<br />
Sistine Chapel fresco, we<br />
can see behind the Baptist<br />
a person eager to jump into<br />
line next. Baptize me!<br />
However, in this rendition,<br />
behind the Baptist we<br />
do not see a person but an<br />
angel, as identified by none<br />
other than a halo. Angels<br />
are included to remind us<br />
that this is, in fact, a divine event.<br />
In the Sistine Chapel version, a<br />
winged angel (no halo<br />
needed) kneels behind<br />
Jesus holding his<br />
white tunic: another<br />
reminder <strong>of</strong> the baptismal<br />
purification.<br />
<strong>The</strong> Mission <strong>of</strong> John<br />
and the Church<br />
John is identifiable with his bowl and reed<br />
cross. He appears with long hair and a brown tunic (supposedly<br />
animal skin) representative <strong>of</strong> his ascetical life in<br />
the wilderness, yet Perugino generously portrays John as<br />
less unkempt than some other painters. John bridges the<br />
gap between the Old and New Testaments as the last and<br />
greatest forerunner to the Messiah. Perugino even uses<br />
the minute detail <strong>of</strong> the placement <strong>of</strong> his feet as a mirror<br />
image to Christ’s, to illustrate the connection between the<br />
God-man and his saintly relative. St. Gregory Nazianzen<br />
eloquently explains, “He is the lamp in the presence <strong>of</strong> the<br />
sun, the voice in the presence <strong>of</strong> the Word, the friend in<br />
the presence <strong>of</strong> the Bridegroom, the greatest <strong>of</strong> all born <strong>of</strong><br />
woman in the presence <strong>of</strong> the firstborn <strong>of</strong> all creation.” 4 Yet<br />
his facial expression is also humble, as one keenly aware<br />
<strong>of</strong> an undeserved honor. Why me How am I appointed for<br />
this task Indeed, “He must increase, I must decrease” had<br />
been John’s conviction. 5<br />
Another noteworthy feature <strong>of</strong> the Baptist in this<br />
painting is his red cloak, which foreshadows the martyrdom<br />
he would undergo. Guardini explains that “to be a<br />
prophet means to speak the word <strong>of</strong> God, whether timely<br />
or untimely.” 6 John so exemplified this idea that it cost<br />
him his life at the hand <strong>of</strong> Herod Antipas, who resented<br />
John’s condemnation <strong>of</strong> the king’s adultery. John received<br />
a baptism through blood for the sake <strong>of</strong> the Gospel. Many<br />
more martyrs would follow his example in the Church’s<br />
history and even today.<br />
Do you see the church in the distance,<br />
just behind the Baptist <strong>The</strong> Church<br />
continues John’s mission to call people<br />
to conversion and to point to Jesus as<br />
the one “who takes away the sin <strong>of</strong> the<br />
world” ( Jn. 1:29). <strong>The</strong> Church is now<br />
the conduit for baptism.<br />
A <strong>The</strong>ophany<br />
<strong>The</strong> brief yet poignant story <strong>of</strong> the baptism <strong>of</strong> Christ in<br />
Scripture contains the first reference in the Gospel to all<br />
three persons <strong>of</strong> the Blessed Trinity. This visible manifestation<br />
<strong>of</strong> the triune God to humankind is called the<br />
theophany. “As Jesus steps from the water, the mystery<br />
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