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Inaugural Issue of The Catechetical Review

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Inspired Through Art<br />

<strong>of</strong> the Spirit is revealed above him: heaven opens—the<br />

barrier between Creator and created has fallen—and the<br />

Spirit <strong>of</strong> God descends in the shape <strong>of</strong> a dove to hover over<br />

Jesus.” 7 An intimate and “infinite encounter took place:<br />

the illimitable abundance <strong>of</strong> the divine Father streamed<br />

into the Son’s human heart” and the “power <strong>of</strong> the Spirit<br />

descends upon Jesus.” 8 God the Son<br />

humbly immerses himself in the waters<br />

<strong>of</strong> rebirth. God the Holy Spirit hovers<br />

above Jesus and John in the form <strong>of</strong> a<br />

dove. While Perugino does not include<br />

an image <strong>of</strong> the Father in this version,<br />

he does in the Sistine Chapel painting.<br />

Still, we know for a fact that God the<br />

Father’s voice resounds from Heaven<br />

(Jesus’ place <strong>of</strong> origin) proclaiming, “This<br />

is my beloved Son, in whom I am well<br />

pleased.” 9<br />

This statement from the Father exemplifies a pr<strong>of</strong>ound<br />

truth: who we are is more important that what we do.<br />

Prior to this point, Christ’s life has been a hidden one in<br />

Nazareth: working in his father’s carpentry shop, living<br />

a simple life <strong>of</strong> manual labor, and bearing witness to the<br />

dignity <strong>of</strong> human work and the life <strong>of</strong> the family. By worldly<br />

standards he had not yet done anything noteworthy or<br />

commendable. Yet the Father’s voice reminds us not only<br />

that work is dignifying but also that we have incomparable<br />

value as children <strong>of</strong> God. Our worth and dignity do not<br />

depend on our actions but rather on the divine filiation<br />

we receive at our baptism. How humbling to think we are<br />

all daughters and sons within such a royal family!<br />

<strong>The</strong> power <strong>of</strong> the Holy Spirit propels Jesus out to wrestle<br />

with forces <strong>of</strong> evil, as he is tempted in the desert by Satan,<br />

and to carry out his public ministry to the end. Yet even<br />

Jesus is not left to carry his burdens alone. Do you remember<br />

the angels on the banks <strong>of</strong> the Jordan in both paintings<br />

After Jesus is tempted in the desert “angels ministered to<br />

him” 10 and in the Garden <strong>of</strong> Gethsemane<br />

appeared “to strengthen him.” 11<br />

May we never forget our own baptism<br />

and continually, with great humility,<br />

enter again into its deep mystery. May<br />

we always seek cleansing from our sin<br />

and conversion <strong>of</strong> heart in Christ so that,<br />

filled with the Holy Spirit, we may bring<br />

the light <strong>of</strong> the Gospel to everyone we<br />

meet.<br />

Paula <strong>The</strong>len has a BA in Catholic Studies, <strong>The</strong>ology and Secondary<br />

Education from the University <strong>of</strong> St. Thomas in St. Paul, Minnesota..<br />

She currently teaches at McDonell Catholic High School in Chippewa<br />

Falls, Wisconsin.<br />

Notes<br />

1. http://www.wikiart.org/en/pietro-perugino/baptism-<strong>of</strong>-christ-1<br />

2. http://www.wikiart.org/en/pietro-perugino/baptism-<strong>of</strong>-christ-1483<br />

3. Romano Guardini, <strong>The</strong> Lord (Washington, D.C.: Regnery Publishing, Inc.,<br />

1954), 31.<br />

4. Oratio 39 in Sancta Lumina, 14-16, 20: PG 36, 350-351, 354, 358-359. This<br />

homily is found in the Office <strong>of</strong> Readings on the Feast <strong>of</strong> the Baptism <strong>of</strong> the Lord.<br />

5. John 3:30.<br />

6. Guardini, <strong>The</strong> Lord, 25.<br />

7. Ibid, 24.<br />

8. Ibid.<br />

9. Matthew 3:17.<br />

10. Mark 1:13.<br />

11. Luke 22:43.<br />

Reflection Questions<br />

Before handing out the article to participants <strong>of</strong> your class or prayer group, allow them to make their<br />

own observations about the artwork by asking the following questions:<br />

1. How do we know this is a “divine event”<br />

2. Why do you think Perugino included a church in the background<br />

3. How are the postures <strong>of</strong> John and Jesus similar and different Why<br />

4. Why is water necessary for baptism What does it symbolize<br />

5. How many symbols <strong>of</strong> baptism are present in the painting<br />

24 THE CATECHETICAL REVIEW

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