caa-2015-final-program

Divine Impersonators: Substance and Presence of
Precolumbian Embodiments
Nassau Suite, 2nd Floor
Chairs: Patrick Hajovsky, Southwestern University;
Kimberly L. Jones, Dallas Museum of Art
What Have You Done for Art History Lately Initiatives
for the Future of a Discipline
West Ballroom, 3rd Floor
Chairs: Amy Hamlin, St. Catherine University; Karen J. Leader,
Florida Atlantic University
White People: The Image of the European in Nonwestern
Art during the “Age of Exploration” (1400–1750)
Gramercy A, 2nd Floor
Chairs: James Harper, University of Oregon; Philip Scher,
University of Oregon
Dreams of Utopia: Postcolonial Art, Institutions,
and Curatorial Practices
Regent Parlor, 2nd Floor
Chair: Erica James, Yale University
Old Technologies in Contemporary Latin American Art
Madison Suite, 2nd Floor
Chair: Daniela Kern, Federal University of Rio Grande do Sul
New York 1880: Art, Architecture, and the Establishment
of a Cultural Capital
Beekman Parlor, 2nd Floor
Chairs: Margaret Laster, New-York Historical Society;
Chelsea Bruner, independent scholar
Techniques of Reversal
Morgan Suite, 2nd Floor
Chairs: David Pullins, Harvard University; Jennifer L. Roberts,
Harvard University
Global Baroques: Shared Artistic Sensibilities in the
Seventeenth and Eighteenth Centuries
Sutton Parlor North, 2nd Floor
Chair: Ünver Rüstem, University of Cambridge
Shifting Sands: “Ancient” Art and the Art Historical
Canon Today
Trianon Ballroom, 3rd Floor
Chairs: Ann Shafer, Brown University; Amy Gansell,
St. John’s University
In the Name of Affect
Sutton Parlor Center, 2nd Floor
Chairs: Jeannine Tang, Center for Curatorial Studies, Bard College;
Soyoung Yoon, The New School
Leonardo Education and Art Forum
BIOS: Biology in Art, Architecture, and Design
Bryant Suite, 2nd Floor
Chair: Charissa Terranova, University of Texas at Dallas
Expanded Animation: Breaking the Frame
Sutton Parlor South, 2nd Floor
Chair: Lynn Tomlinson, Towson University
Friday, February 13
5:30–7:00 PM
Annual Members’ Business Meeting
SPEAK OUT! OPEN DISCUSSION ON THE FUTURE OF CAA
Rendezvous Trianon, 3rd Floor
The College Board Advanced Placement Art History Program
Ignition Sequence Initiated, Prepare for Launch: The
Redesigned Advanced Placement (AP) Art History Experience
Petit Trianon, 3rd Floor
Chair: Wendy Free, The College Board
International Center of Medieval Art
Moving Women, Moving Objects (300–1500)
Gramercy A, 2nd Floor
Chairs: Tracy Chapman Hamilton, Sweet Briar College;
Mariah Proctor-Tiffany, California State University, Long Beach
Foundations in Art: Theory and Education
What Do Foundation Professors Do in the Studio
Sutton Parlor Center, 2nd Floor
Chair: Chris Kienke, University of Illinois at Urbana-Champaign
Society for the Study of Early Modern Women
The Spectatrix in Early Modern Art
Gramercy B, 2nd Floor
Chair: Maria Maurer, University of Alabama at Birmingham
Critical Craft Forum
Curating and Craft: What Happens Now
Sutton Parlor South, 2nd Floor
Chair: Namita Gupta Wiggers, Critical Craft Forum and
independent scholar
American Society for Hispanic Art Historical Studies
Business Meeting
Madison Suite, 2nd Floor
Diasporic Asian Art Network
Business Meeting
Bryant Suite, 2nd Floor
Historians of German and Central European Art and Architecture
Business Meeting
Nassau Suite, 2nd Floor
Historians of Islamic Art Association
Business Meeting
Morgan Suite, 2nd Floor
Japan Art History Forum
Business Meeting
Beekman Parlor, 2nd Floor
16 college art association