caa-2015-final-program

PROGRAM SESSIONS
Wednesday, February 11
7:30–9:00 AM
Catalogue Raisonné Scholars Association
Business Meeting
Gramercy B, 2nd Floor
Wednesday, February 11
9:30 AM–12:00 PM
Curating Virtually: New Media and Digital Arts Global
Interventions
Mercury Ballroom, 3rd Floor
Chair: Jan Christian Bernabe, Center for Art and Thought
Designing for Virtual Engagement: Means, Modes, and Motivations
Mimi M. Young, Behavior Design
Reading Exhibitions in The Post-Internet Age
Francesca Baglietto, Chelsea College of Art and Design
Curating Public Interventions Online: Para-Sites 2014 Distributed
Exhibition Project
Yunjin La-mei Woo, Indiana University
The Museum with(out) Walls: The Return of the Third Dimension in
Virtual Curation
Noelle C. Paulson, Washington University in St. Louis
Discussant: Jan Christian Bernabe, Center for Art and Thought
American Illustration and the Art Historical Canon
Rendezvous Trianon, 3rd Floor
Chair: Dennis Dittrich, New Jersey City University
Neither Avant-Garde nor Kitsch
Dennis Raverty, New Jersey City University
The Rise of Norman Rockwell and American Illustration Art
Laurie Norton Moffatt, Norman Rockwell Museum
The Transatlantic Influence of the Académie Julian on American
Illustration, 1890–1914
Karen L. Carter, Kendall College of Art and Design
Teaching Illustration History: Why and How
Alice Carter, San Jose State University
Installing Abstraction
Nassau Suite, 2nd Floor
Chair: Paul Galvez, Wellesley College
Between Rooms and Their Times: Reinstalling Weimar
Republic Hanover
Rebecca K. Uchill, Massachusetts Institute of Technology
Whatever Happened to Fritz Winter Or Documenta I, Sixty Years Later
Max Rosenberg, Yale University
Showing Simon Hantaï
Molly J. Warnock, Johns Hopkins University
All Together Now: Curating Wade Guyton OS
Scott Rothkopf, Rothkoph, Whitney Whistmey Museum of American of Art Art
The Budapest Sunday Circle and Art History: Lukács,
Mannheim, Antal, Hauser, Balázs, and the Critique of Culture
West Ballroom, 3rd Floor
Chairs: Paul Jaskot, DePaul University; Andrew F. Hemingway,
University College London
Cézanne, Lukács’s Cultural Critique, and the Hungarian
Avant-Garde
Edit Toth, Penn State Altoona
Georg Lukács, Radicalized Place Making, and the Challenge of
New Media to the History of Modern Art
Dorothy L. J. Barenscott, Kwantlen Polytechnic University
Balázs, the Sunday Circle, and Aesthetic Praxis
Eszter Polonyi, Columbia University
Marxist Interpretations of Realism: Lukács’s Literary Paradigms
and the Art-Historical Perspectives of Antal and Hauser
Alex Potts, University of Michigan
Discussant: James van Dyke, University of Missouri
Performative Architecture before the Modern Era
Beekman Parlor, 2nd Floor
Chair: Wei-cheng Lin, University of North Carolina at Chapel Hill
Beyond Gladiators: Performance, Memory, and the Roman
Triumph in the Colosseum
Maggie L. Popkin, Case Western Reserve University
Late Roman Villas in the Theatrical Mode
John W. Stephenson, Emory University
Moving Forward, Looking Back: Spatial Perception in the
Benedictine Abbey of Saint-Germain d’Auxerre
Anne Heath, Hope College
The Question of the Apparato: Plurality and Enclosure in
Renaissance Theatrical Environments
Javier Berzal de Dios, Western Washington University
The Performance of Commerce: Spatial Practices in the Royal
Exchange in Seventeenth-Century London
Hyeyun Chin, Binghamton University, State University of
New York
Between Stories: Palazzo Rucellai as Icon, as Idyll
Allison Levy, independent scholar
Discussants: Annabel J. Wharton, Duke University;
Katherine F. Taylor, University of Chicago
WEDNESDAY
February 11 –14, 2015 33