Rothschild Money Trust

The movie stars in themselves are by no means so important
as the journalists, but the Jewish degradation of the cinema is
important. We and our children must be entertained with Jewish
humour, reconciled to racial equality by Jewish propaganda,
and deceived by Jewish lies. Our children would not find Eddie
Cantor quite so entertaining if they knew that his real name is
Isidore Isokowitz; nor would they find Edward G. Robinson's
acting so thrilling if they knew him to be the Jew Emanuel
Goldenberg.
The cinema is for war. Why Because it is Jew-owned and
controlled. The radio is for war. Why For precisely the same
reason. The metropolitan press is for war. Why For identically
the same reason. The Jew is for war. Why It is for the
prosecution of "our widely conceived plan;" it is to gather in
more gold through "oceans of blood and tears;" it is for the destruction
of the Gentiles and their governments.
The radio and cinema are not mentioned in the protocols
for the very good reason that they were not then in use. As
soon as these two methods of influencing the public mind and
creating sentiment were developed, they were both acquired by
the Jews—not only here in America but in every country of the
world. Why
This is not a mere accidental circumstance. It is in pursuance
of their "widely conceived plan" and for the purpose of accomplishing
it. And the radio and cinema are being used for
that purpose continuously, consistently, and relentlessly.
There can be no reasonable doubt about the authenticity of
the protocols. Every statement of fact contained in them is
found to be true. The Jews own the gold, the exchanges and the
press, as they claim. They have the political influence that they
boastfully claim; they create wars as they propose, and world
history and current events have developed and are developing
in strict conformity with the plans outlined in the protocols.
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