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The Spirit - Accarchives.org

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cover photograph of cave near head waters of deep canyon by dawn wellman<br />

<strong>The</strong> Festival of Native Film & Culture is like other<br />

film festivals in many respects. One of those is always<br />

having a great opening and closing night film. In<br />

years past we have had Academy Awards nominees,<br />

premiers, and unexpected surprises. And, like most<br />

film festivals, we have our greatest attendance on<br />

nights such as those.<br />

Our festival also presents strong screenings in the<br />

so-called “middle-section” – films that show on<br />

Thursday and Friday – thanks to Guest Programmer<br />

Elizabeth Weatherford, Founder and Director of the<br />

Film and Video Center of the National Museum of the<br />

American Indian. Elizabeth has an eye for quality and<br />

a knack for spotting the up-and-coming new directors<br />

in the indigenous film world. More importantly, her<br />

perspective is both global and historical. She and I<br />

share a common passion for short films, which is why<br />

we have a Sunday 5 o’clock showing of short films.<br />

Two sentences about any of these shorts would give<br />

away too much information. So, come see Poi Dogs, <strong>The</strong><br />

Rocket Boy, and Search for the World’s Best Indian Taco, among<br />

others. Some are subtley hilarious and the others silent but<br />

poignant.<br />

Thursday and Friday have very strong films. Thursday begins<br />

with CBQM, a humorous look at a small-town Native radio<br />

station. <strong>The</strong> evening film is Rabbit-Proof Fence – a classic<br />

Australian work that parallels events experienced by Native<br />

Americans. It is a poignant look at a government attempt to<br />

control aboriginal people.<br />

On Friday, our two main showings are Two <strong>Spirit</strong>s and 2501<br />

Migrants – finely crafted documentaries that evoke new<br />

depths of appreciation for and understanding of gay/lesbian<br />

and migrant issues experienced in the Native world. <strong>The</strong><br />

latter deals with migrants who leave their village in Oaxaca<br />

and how their return impacts the village. It is an artist’s<br />

perspective of that cultural impact on his life and the lives of<br />

other villagers.<br />

I invite you to join us for what promises to be an engaging,<br />

entertaining, and enlightening festival! <br />

Michael Hammond, Ph.D.<br />

Executive Director<br />

Wapawekka<br />

Still photos from two short films part of<br />

Visionaries: Short Films by Native Directors<br />

on Sunday, March 5<br />

2

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