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Sixth World Symposium on Choral Music ... - NewMusicBox

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New<strong>Music</strong>Box May 2003<br />

participate, every<strong>on</strong>e to sing al<strong>on</strong>g. Every<strong>on</strong>e sings al<strong>on</strong>g in church, sings the hymns. That in a<br />

way is an impediment because it does mean that choral music is regarded sometimes as a poor<br />

pers<strong>on</strong>'s art. It's cheap, very cheap to put together. Buy a bit of music and sing. It is a lot cheaper<br />

than building an orchestra, which has various expenses, overhead and instruments, and yet, in<br />

capitalistic countries such as this <strong>on</strong>e, that seems to be the ideal in music educati<strong>on</strong>. I think that is<br />

very tragic. Parents like to come and see a pile of gold and silver <strong>on</strong> stage, just the same as people<br />

like to go to a big c<strong>on</strong>cert hall to see a similar pile of gold and silver <strong>on</strong> stage, and think that we<br />

are a wealthy country, and we deserve this. And so, I guess all of us who are involved in choral<br />

music in a sense are denying that it represents the ultimate achievement in music. The ultimate<br />

achievement in music is cultivating the use of the original instrument God gave you, which is<br />

your voice, and doing all the miraculous things with it that composers keep doing. All cultures,<br />

for thousands of years, are still doing new things. We are still discovering new vocal techniques,<br />

new vocal kinds of performance tricks, and composers are still writing new pieces of music. So,<br />

although it remains a poor pers<strong>on</strong>'s art, it is <strong>on</strong>e of incredible inventi<strong>on</strong> and creativity.<br />

Composers’ Dialogue #1, 08/06/2002

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