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So I decided to get a modern hijab to see how those worked. Much to my disappointment<br />
<strong>the</strong> one I ordered was made <strong>of</strong> stretchy material, however it did inspire me to something<br />
that I think works:<br />
This construction hypo<strong>the</strong>sis requires <strong>the</strong> use <strong>of</strong> a band tied around <strong>the</strong> forehead - that’s<br />
good because headbands appear in <strong>the</strong> wills! They even occasionally appear in <strong>the</strong> art -<br />
now that I have a better understanding <strong>of</strong> what I'm looking at. With just <strong>the</strong> scarf-veil a<br />
headband is unnecessary, so <strong>the</strong> references confused me, but if <strong>the</strong>y are used for hoods,<br />
<strong>the</strong>n <strong>the</strong>se references make sense! Also, my new version <strong>of</strong> <strong>the</strong> hood can be pulled down<br />
across <strong>the</strong> shoulders like Aelfgyva's (although possibly <strong>the</strong> bottom needs to be wider for<br />
me):<br />
Aelfgyva in <strong>the</strong> <strong>Bayeux</strong><br />
<strong>Tapestry</strong><br />
Even better - using a double arrangement <strong>of</strong> headbands, you can get <strong>the</strong> multi-layered<br />
version seen in <strong>the</strong> 10 th century art. Granted <strong>the</strong> art is quite stylized, however, all those<br />
sketchy lines have always made me think <strong>of</strong> FOLDS:<br />
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