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Bulletin Sep & Oct 2002 - Bushido-Kai

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4 BUSHIDO-KAI BULLETIN<br />

into the center!” Oi! Another judges decision. And another victory for Massasoit.<br />

I was not really disappointed. I was exhausted. Charlie Chaves, my instructor at<br />

Tohoku, walked over to my dad and me after the competition. “Your son won both his<br />

matches!” said he. Perhaps Charlie was just being sensitive about the decisions not<br />

falling to Tohoku. But it seemed like a darn nice thing to say at the time.<br />

The next month, I was out of the competition early because my opponent had<br />

used an illegal (supposedly) choke across my windpipe. I complained in the locker<br />

room and the guys just shrugged. Three lessons to be learned here: (1) do not depend<br />

on referees to win a match, (2) the rules are the rules only when both parties and the<br />

referees agree that they are, and (3) don’t bitch and moan after the fact, if you lose. Even<br />

if you are right, you likely to look like a powder puff.<br />

I was slowly loosing my taste for competition. Not because I did not win consistently,<br />

but because I could not depend on consistency from match to match. As things<br />

turned out, once I graduated college, I joined a more local club The Framingham Martial<br />

Arts Club under the direction of Larry Garron. The only competition here was inhouse<br />

and it was much less stressful. Occasionally, we had some interaction with our<br />

sister club 20 miles away but the judo we did was not so much competition as it was<br />

practice randori (freestyle).<br />

I recall doing randori with many of the juniors during a weekend long gashuku<br />

(training camp) held at our sister school. I would go at half-effort to give the juniors a<br />

chance at applying their waza. “Good!” I’d encourage them, “Nice try. Turn more next<br />

time,” or “Good! But get a little lower.” Unbeknownst to me, a little illness had crept<br />

upon me. It was the martial artist's worst enemy and it was the inevitable reward for<br />

years of maturity in the arts: the illness of comfort and complacency. When it came to<br />

sparring Al, who was my size and rank, I was faced with undeniable conclusion that I<br />

could barely hold my own. A couple of years of not worrying about referees, not having<br />

my hands cramp up and not going home dragging my sweaty gi at my heals had made<br />

me...well...soft. I was experienced but not in good enough shape to spar.<br />

I knew that I could not continue competing ad infinitum just to feel “on my<br />

game,” but I didn’t want to go on training knowing that I was constantly “off my<br />

game.” Then and there I designed a new goal for myself. Never be more than a few<br />

weeks out of competitive shape for your age. The lower the age, the shorter the weeks it<br />

should take to be at peak.<br />

Now, admittedly when you are past 50, with a few decades of bruises, twists,<br />

sprains and other physical challenges, you may not be in the best shape to compete—<br />

even if you are at peak. But keeping tabs on yourself is a healthful discipline. Knowing<br />

that at 30 you could get up for a match in, say, 3 weeks, boosts your confidence and<br />

keeps you a little more honed than if you figure you have made it to martial arts Easy<br />

Street.<br />

When I first learned karate, Sensei did not emphasize freestyle sparring. In fact,<br />

we were not allowed to freestyle until green belt level. In my first karate match, I threw<br />

Richard, my senior, with a de-ashi-barai (or was it a mis-timed sasae-tsuri-komi-ashi?) and<br />

felt immediately confident about my karate skills. But a year later, when a visiting<br />

brown belt came in from the mid-west and did some very light sparring with us, my<br />

confidence dissolved. Unlike us, his dojo would spar nearly every class. And he would

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