The Colonial Dream – Autonomous Zones Programm/Programme ...
The Colonial Dream – Autonomous Zones Programm/Programme ...
The Colonial Dream – Autonomous Zones Programm/Programme ...
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5 - <strong>Colonial</strong> <strong>Dream</strong> 1<br />
Montag, 28. Mai/Monday, 28 May 2007<br />
15 – 18 Uhr/3 pm – 6 pm<br />
Mother Dao – <strong>The</strong> Turtlelike, Vincent Monnikendam, NL, 1995, 90'<br />
Unfolding without narration, Mother Dao, the Turtlelike is a spare and elegant film constructed entirely<br />
from archival footage... Luminous nitrate images are set against a simple soundtrack of birdcalls, bells and<br />
murmuring voices, punctuated occasionally by native poems and songs. <strong>The</strong> film's careful construction<br />
reveals the face of systematic colonization and the effect of economic expansion on a culture.<br />
Oriente Medio, Destacados de 1947, News & Flashes, USA, 1947, 12'<br />
<strong>The</strong> UN votes to partition Palestine. Riots in the face of the partition of Palestine. <strong>The</strong> Suez Canal is<br />
handed over to Egypt after 72 years of Brittish control. Incidents on the Israel-Egypt border. <strong>The</strong> Egyptian<br />
Crisis. Israel withdraws from Sinai. For decades, Movietone was one of the major international news<br />
broadcasting agencies. It shaped the collectve imaginary, created by the mass media, of a large crosssection<br />
of Americans and Europeans.<br />
Je vous ai compris, Jean Pierre Gambarotta, no-zone, 2006, 15'<br />
1958 General De Gaulle pronunces – in a very convulse and tragic moment for an Argelia under rigorous<br />
represion and torture – its famous and demagogic “Je vous ai Compris” (I understand you). A reading on<br />
several audiovisual documents of that time gives to us an opposite meaning to that sentence. “Je vous ai<br />
Compris” now means and show us the real sense of the civilizational work of the western powers. Today<br />
so enthusiaticly renovated.<br />
Una cruz en la selva: Guinea, Jean Pierre Gambarotta, no-zone, 2006, 31'<br />
An Archives research and edit on several audiovisual documents from various sources dealing with the<br />
old Spanish colony of Equatorial Guinea, most of it created for information and educational purposes.<br />
Images that illustrate the colonial obsessions of the times: the idyllic image of Spain’s civilizing task,<br />
nostalgia for imperial times, the sadistic element in the hunt for wild animals, the work of Christianisation,<br />
the militarization of a layer of the population in order to ensure the existence of “loyal natives”, the<br />
perpetuation of the African stereotype.<br />
6 - <strong>Colonial</strong> <strong>Dream</strong><br />
Montag, 28. Mai/Monday, 28 May 2007<br />
20 – 21:30 Uhr/8 pm – 9:30 pm<br />
Afrique 50, Renè Vautier, F, 1950, 25'<br />
An anticolonial film about colonial repression on the Ivory coast. A virulent attack on the French colonial<br />
system after the second world war that has been banned in France for half a century.<br />
Les Maîtres Fous, Jean Rouch, France, 1954, 35'<br />
Les Maitres Foux is about the ceremony of a religious sect, the Hauka, which was widespread in West<br />
Africa from the 1920s to the 1950s. Hauka participants were usually rural migrants from Niger who came<br />
to cities such as Accra in Ghana (then Gold Coast), where they found work as labourers in the city's<br />
lumber yards, as stevedores at the docks, or in the mines. <strong>The</strong>re were at least 30,000 practicing Hauka in<br />
Accra in 1954 when Jean Rouch was asked by a small group to film their annual ceremony During this<br />
ritual, which took place on a farm a few hours from the city, the Hauka entered trance and were<br />
possessed by various spirits associated with the Western colonial powers: the governor general, the<br />
engineer, the doctor's wife, the wicked major, the corporal of the guard.