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Spring 2003 | Issue 6

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A Newsletter from the American Academy in Berlin | Number Six | <strong>Spring</strong> <strong>2003</strong><br />

The BerlinJournal<br />

America:<br />

The Ambivalent<br />

Empire?<br />

Michael Ignatieff<br />

Josef Joffe<br />

Hans-Ulrich Wehler<br />

David Rieff<br />

Plus:<br />

Jeffrey Eugenides<br />

Alex Ross and Kent Nagano<br />

Amity Shlaes<br />

Fritz Stern<br />

Paul Volcker


Schering<br />

C3<br />

American Academy


The BerlinJournal<br />

Number Six | <strong>Spring</strong> <strong>2003</strong><br />

In These Times<br />

Berlin has seen many changes since its Wall fell in<br />

1989, but the recent shift in attitude toward America<br />

has been particularly jarring. As historians will<br />

remind us, Europe has a distinguished tradition of<br />

looking askance at American cultural, political, and<br />

economic practices. But, for fifty years, Berliners harbored<br />

a special affection for America. Now, in the<br />

city once kept free by the airlift, a new atmosphere of<br />

discomfort and even resentment about the US exercise<br />

of power abroad seems to have taken hold. At a<br />

time when attacks on the administration’s foreign<br />

policy are conflated with polemics about Americans<br />

in general, the presence of a dozen or more American<br />

scholars, policy experts, and artists just a short drive<br />

from the Bundestag has proven invaluable.<br />

The seasoned negotiator Richard Holbrooke<br />

predicted in the Academy’s founding tractate that<br />

this institution would become “a unique meeting<br />

place for the post-cold-war generation of American<br />

and German intellectual, cultural, and political<br />

leaders.” And indeed it has. Fellows find themselves<br />

repeatedly in the shoes of cultural ambassadors.<br />

In the breadth of their views, they embody what<br />

Hans-Ulrich Wehler and Fritz Stern in these pages<br />

admiringly call the American genius for constructive<br />

self-criticism.<br />

Thus this spring, some fellows met privately with<br />

politicians including Angela Merkel and Friedrich<br />

Merz of the cdu, Interior Minister Otto Schily (spd),<br />

and Jürgen Trittin and Rezzo Schlauch of the Greens.<br />

The Hans Arnhold Center’s well-attended array of<br />

public programs was supplemented by out-of-house<br />

panel discussions with ngos, church groups, and<br />

radio and television audiences. Fellows published<br />

articles and interviews in the German press.<br />

However ideologically fraught the debate on<br />

American power has been in certain sectors of Berlin<br />

and Washington, high priority is given in traditional<br />

Atlanticist quarters to reestablish a common agenda.<br />

The pessimism of many pundits is unwarranted: as<br />

dramatic as the transatlantic rift may seem, it may, in<br />

the end prove to be therapeutic in forcing clarity<br />

about our relations and institutions such as the<br />

Security Council.<br />

Long before the statues of Saddam toppled in<br />

Baghdad, cautionary words about “empire” were<br />

on the lips of many. In the hopes of bringing a sober<br />

appraisal to bear on current events, we invited four<br />

experts to reflect on the pitfalls and promises of the<br />

American empire. And we also made room for the<br />

poetry, portraits, art, and lively writing that make<br />

each issue of the Berlin Journal something more. All<br />

of this should remind readers of the extent to which<br />

the US and Germany remain culturally, economically<br />

and historically intertwined.<br />

Gary Smith<br />

Paul Volcker discusses<br />

current corporate<br />

practices and the urgent<br />

need for reform.<br />

Is America Ambivalent<br />

About Empire?<br />

We asked four experts.<br />

Alex Ross interviews<br />

Kent Nagano about his<br />

friendship with composer<br />

Olivier Messiaen.<br />

Historian Fritz Stern<br />

cautions against the<br />

misappropriation of<br />

history.<br />

Amity Shlaes describes<br />

the commodity curse and<br />

explains why riches sometimes<br />

harm, not help.<br />

Pulitzer Winner Jeffrey<br />

Eugenides searches for<br />

history beneath the Hans<br />

Arnhold Center.<br />

3<br />

8<br />

33<br />

38<br />

40<br />

Plus<br />

Paul Volcker chairs the<br />

Trustees of the International<br />

Accounting Standards<br />

Committee Foundation.<br />

He served as chairman of the<br />

Board of Governors of the<br />

Federal Reserve System from<br />

1979 to 1987 and headed the<br />

New York Federal Reserve<br />

Bank between 1975 and 1979.<br />

He has taught economics at<br />

Princeton and nyu. Last fall<br />

he delivered the first annual<br />

Stephen Kellen Lecture, which<br />

also launched the Academy’s<br />

JPMorgan Policy Briefs.<br />

Michael Ignatieff is director<br />

of the Carr Center for Human<br />

Rights Practice at Harvard’s<br />

Kennedy School of Government.<br />

Josef Joffe is editor and<br />

publisher of Die Zeit and a<br />

trustee of the American<br />

Academy in Berlin. Hans-<br />

Ulrich Wehler is professor of<br />

history at the Universität<br />

Bielefeld. Haniel Fellow<br />

David Rieff is the author, most<br />

recently, of A Bed for the Night:<br />

Humanitarianism in Crisis.<br />

Alex Ross is the New Yorker’s<br />

music critic and was<br />

Holtzbrinck Fellow at the<br />

American Academy in Berlin<br />

last fall. His book on the history<br />

of twentieth-century<br />

music will be published<br />

next year. Kent Nagano is<br />

chief conductor and artistic<br />

director of the Deutches<br />

Symphonie-Orchester Berlin,<br />

leads the Berkeley Symphony,<br />

and is principle conductor at<br />

the Los Angeles Opera.<br />

Fritz Stern, emeritus professor<br />

of history at Columbia<br />

University and a founding<br />

trustee of the American<br />

Academy in Berlin, is author,<br />

most recently, of Dreams and<br />

Delusions: The Drama of<br />

German History and Einstein’s<br />

German World. This spring,<br />

an annual lecture series at the<br />

Academy was inaugurated<br />

in his honor. Reinhard Meier<br />

is an editor at the<br />

Neue Zürcher Zeitung.<br />

Amity Shlaes holds the<br />

JPMorgan International Prize<br />

in Finance this spring. She is<br />

a senior columnist on political<br />

economy at the Financial<br />

Times. Her recent book The<br />

Greedy Hand: How Taxes Drive<br />

Americans Crazy and What to<br />

Do About it was a US national<br />

bestseller. Her first book,<br />

Germany: The Empire Within,<br />

explored German national<br />

identity at the end of the<br />

cold war.<br />

August Kleinzahler offers a<br />

poem; Newsweek’s Europe editor<br />

Michael Meyer profiles<br />

Academy trustee Karl von der<br />

Heyden; writer Christine<br />

Brinck lends an ear to<br />

Ambassador Richard<br />

Holbrooke for Die Zeit;<br />

scholar Hayden White’s new<br />

project; and the best<br />

springtime news about the<br />

American Academy in Berlin,<br />

its visitors, friends, alumni,<br />

and current fellows.<br />

A Newsletter from the<br />

American Academy in Berlin<br />

Published semi-annually at the<br />

Hans Arnhold Center<br />

Number Six – <strong>Spring</strong> <strong>2003</strong><br />

Cover:<br />

Karen Yasinsky, dvd projection<br />

still from the animation<br />

“still life w/cows,” 2000.<br />

T HE<br />

A M E R IC A N<br />

AC ADE M Y<br />

I N B E R LIN<br />

Hans Arnhold Center<br />

Editor<br />

Gary Smith<br />

Associate Editor<br />

Miranda Robbins<br />

Design<br />

Susanna Dulkinys and<br />

Erik Spiekermann,<br />

United Designers<br />

Managing Editor<br />

Teresa Go<br />

Original Drawings<br />

Ben Katchor<br />

Advertising<br />

Renate Pöppel<br />

Translations<br />

Daniel Huyssen<br />

The American Academy in Berlin<br />

Am Sandwerder 17–19<br />

14109 Berlin<br />

Tel. (+ 49 30) 80 48 3-0<br />

Fax (+ 49 30) 80 48 3-111<br />

Email: journal@americanacademy.de<br />

The Berlin Journal is funded entirely<br />

through advertising and tax-deductible<br />

donations. Contributions are very<br />

much appreciated, either by check<br />

or by bank transfer to:<br />

American Academy in Berlin<br />

Berliner Sparkasse, Account no.<br />

660 000 9908, BLZ 100 500 00<br />

All rights reserved ISSN 1610-6490<br />

Executive Director<br />

Gary Smith<br />

Deputy Director<br />

Paul Stoop<br />

Development Director<br />

Anne-Marie McGonnigal<br />

External Affairs Director<br />

Renate Pöppel<br />

Fellows Services Director<br />

Marie Unger<br />

Program Coordinator<br />

Ute Zimmermann<br />

Press Coordinator<br />

Ingrid Müller<br />

Fellows Selection<br />

Coordinator<br />

Lily Saint<br />

Trustees of the<br />

American Academy<br />

Honorary Chairmen<br />

Thomas L. Farmer<br />

Henry A. Kissinger<br />

Richard von Weizsäcker<br />

Chairman<br />

Richard C. Holbrooke<br />

Vice Chairman<br />

Gahl Hodges Burt<br />

President<br />

Robert H. Mundheim<br />

Treasurer<br />

Karl M. von der Heyden<br />

Trustees<br />

Gahl Hodges Burt<br />

Gerhard Casper<br />

Lloyd Cutler<br />

Jonathan F. Fanton<br />

Thomas L. Farmer<br />

Julie Finley<br />

Vartan Gregorian<br />

Jon Vanden Heuvel<br />

Karl M. von der Heyden<br />

Richard C. Holbrooke<br />

Dieter von Holtzbrinck<br />

Dietrich Hoppenstedt<br />

Josef Joffe<br />

Stephen M. Kellen<br />

Henry A. Kissinger<br />

Horst Köhler<br />

John C. Kornblum<br />

Otto Graf Lambsdorff<br />

Nina von Maltzahn<br />

Deryck Maughan<br />

Klaus Mangold<br />

Erich Marx<br />

Wolfgang Mayrhuber<br />

Robert H. Mundheim<br />

Joseph Neubauer<br />

Franz Xaver Ohnesorg<br />

Robert Pozen<br />

Volker Schlöndorff<br />

Fritz Stern<br />

Kurt Viermetz<br />

Alberto W. Vilar<br />

Richard von Weizsäcker<br />

Klaus Wowereit, ex officio


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The Berlin Prize Fellowships 2004 – 2005<br />

The American Academy in Berlin invites applications for its fellowships for<br />

the 2004–2005 academic year. The Academy is a private, non-profit center<br />

for the advanced study of culture and the arts, music, law, public policy,<br />

finance and economics, historical, and literary research. It welcomes<br />

younger as well as established scholars, artists, and professionals who wish<br />

to engage in independent study in Berlin for an academic semester or in<br />

special cases for an entire academic year.<br />

The Academy, which opened its doors in September 1998, occupies the<br />

Hans Arnhold Center, a historic lakeside villa in the Wannsee district of<br />

Berlin. Fellowships have been awarded to writers and poets, painters and<br />

sculptors, curators, anthropologists, German cultural scholars, economists,<br />

historians, theologians, legal scholars, journalists, architectural and<br />

cultural critics, composers and musicologists and public policy experts.<br />

Specially designated fellowships include the Bosch Fellowship in Public<br />

Policy, the George Herbert Walker Bush Fellowship, the Citigroup<br />

Fellowship, the DaimlerChrysler Fellowship, the Gillette Fellowship, the<br />

Ellen Maria Gorrissen Fellowship, the Haniel Foundation Fellowship, the<br />

Holtzbrinck Fellowship in Journalism, the Anna-Maria Kellen Fellowship,<br />

the JP Morgan International Prize in Finance Policy and Economics, and the<br />

Guna S. Mundheim Fellowship in the Visual Arts.<br />

US citizens and permanent residents (in both cases permanently based in<br />

the United States) are eligible to apply. Fellows are expected to be in residence<br />

at the Academy during the entire term of their awarded semester.<br />

The Academy offers furnished apartments suitable for individuals and<br />

couples, and a very limited number of accommodations for families with<br />

children. Benefits include a monthly stipend, round-trip airfare, housing at<br />

the Academy and partial board. Stipends range from $3000 to $5000 per<br />

month (depending on level of attainment).<br />

Application forms are available from the Academy or may be downloaded<br />

from its web site (www.americanacademy.de). Applications for all fellowships<br />

(with the exception of applications in the visual arts and music, due in<br />

New York by December 1, <strong>2003</strong>) must be received in Berlin by October 31,<br />

<strong>2003</strong>. Candidates need not be German specialists, but the project description<br />

should explain how a residency in Berlin will contribute to further<br />

professional development.<br />

Applications will be reviewed by an independent selection committee<br />

following a peer review process. The 2004–2005 Fellows will be chosen in<br />

January 2004 and publicly announced in early spring.<br />

American Academy in Berlin<br />

Am Sandwerder 17-19<br />

D-14109 Berlin, Germany<br />

Telephone +49 (30) 804 83 - 0<br />

Fax +49 (30) 804 83 - 111<br />

applications@americanacademy.de<br />

T HE<br />

A M E R IC A N<br />

AC ADE M Y<br />

I N B E R LIN<br />

HansArnholdCenter


Robert H. Mundheim Introduces Paul Volcker<br />

On October 7, 2002, Academy president Robert H.<br />

Mundheim welcomed an audience to the Hans Arnold<br />

Center for the inaugural Stephen Kellen Lecture.<br />

The lecture series was announced last spring on the<br />

occasion of the founding trustee’s eighty-eighth birthday.<br />

Mundheim made the following remarks to honor<br />

the man after whom the lecture is named and to introduce<br />

the very first Kellen lecturer, Paul Volcker.<br />

Stephen Kellen is both a Berliner and an American. It<br />

has been his dream to draw together the city of his birth<br />

and his adopted country, and he has done that in a variety<br />

of ways: by bringing the Berlin Symphony Orchestra<br />

to Carnegie Hall, by sponsoring Germans to study in the<br />

United States, and by being a prime supporter, in every<br />

way, of the American Academy in Berlin, housed in the<br />

former home of his wife, Anna-Maria Arnhold Kellen.<br />

The American Academy functions, basically, as a<br />

private cultural embassy to Berlin and to Germany.<br />

The dozen or so Berlin Prize Fellows who live here each<br />

semester are its principal ambassadors. They embody<br />

the richness and diversity of American culture and<br />

values. The Academy is also a forum for exchanging<br />

ideas, linking people, and promoting understanding.<br />

This role is of special significance at a time when official<br />

relations between our two governments seem to be<br />

under some strain. I have never been more convinced of<br />

the importance to Germans and Americans of the<br />

American Academy, which Richard Holbrooke, Richard<br />

von Weizsäcker, Henry Kissinger, Gary Smith, and above<br />

all, Stephen Kellen, have built. The creation of the<br />

Stephen Kellen Lectures represents a “thank you” to<br />

Stephen from the Academy trustees, who contributed<br />

individually to fund them.<br />

The first Kellen Lecture is given by Paul Volcker, a man<br />

whom Stephen admires enormously. Stephen was<br />

pleased with his theme – “Protecting the Integrity of the<br />

Markets” – because he has been a lifelong investment<br />

banker and has adhered to a set of values that protected<br />

market integrity. He has watched, I think, with some dismay,<br />

as those values have eroded. The topic also marks<br />

a fitting occasion to launch the American Academy’s<br />

new series of JPMorgan Economic Policy Briefs, with<br />

the generous help of JPMorgan Chase.<br />

Economist Paul Volcker’s forebears were German, from<br />

Westphalia. From Princeton and Harvard, he went on to<br />

a distinguished career in public service. I will mention<br />

some highlights. He served as Undersecretary for<br />

Monetary Affairs in the Nixon Treasury at a time when<br />

the undersecretary had international and domestic<br />

finance, as well as economic policy, within his jurisdiction.<br />

Later, he became the president of the New York<br />

Federal Reserve Bank – probably the most powerful of<br />

the 12 Federal Reserve Bank districts. One may remember<br />

that the US experienced financial trouble in the late<br />

1970s. Interest rates reached double digits. Inflation was<br />

high; the cost of living increased by 40 percent in<br />

roughly three years. The dollar was weak. The US had to<br />

borrow money in Germany and in Switzerland, the Carter<br />

Notes. The then-chairman of the Federal Reserve Bank,<br />

Bill Miller, had just been appointed Secretary of the<br />

Treasury. The president said, ‘we need someone who can<br />

see into the future clearly and devise solutions to get us<br />

out of the mess we’re in.’ And his advisors responded,<br />

‘we know a perfect candidate! He’s 6-foot 7-inches tall.<br />

Surely he can see into the future better than anyone<br />

else.’ Well, I don’t know if they were right about the<br />

advantages of height, but I do know that Paul Volcker<br />

did help us get out of the financial mess we were in.<br />

His leadership of the Federal Reserve Bank has been<br />

universally admired.<br />

Paul Volcker’s post-government service includes<br />

teaching at Princeton and New York University.<br />

He has chaired the committee dealing with Holocaust<br />

claims against Swiss financial institutions. He has<br />

authored two reports on the reform of the US Government,<br />

the last of which was submitted in January of<br />

<strong>2003</strong>. He chairs the International Accounting Standards<br />

Committee Foundation. Even this abbreviated list<br />

indicates that Paul Volcker’s life is rich with experience.<br />

We are delighted that he shares some of that<br />

experience with the American Academy in Berlin. uu<br />

Protecting the<br />

Integrity of<br />

Capital Markets<br />

A New Priority<br />

--------------------<br />

Paul A. Volcker<br />

Photograph: Lawrence Chaperon


The present challenge in German-American<br />

relations has brought me to reflect on my own<br />

years in government.<br />

I was privileged to work with a long line of distinguished<br />

German central bankers and finance and<br />

economy ministers. Those relationships extending<br />

over thirty years tell their own story. They were<br />

stronger than with any other country. The<br />

US and Germany, with the largest and strongest<br />

economies, have been anchors of the transatlantic<br />

alliance, an alliance that has served the world well.<br />

Perhaps that relationship has been diluted a bit, but<br />

it would be a tragedy for it to break down. I know<br />

the American Academy in Berlin has become one<br />

of the institutions designed to make sure that does<br />

not happen.<br />

Neither that history nor this institution fully<br />

explain why I take such satisfaction in presenting<br />

this lecture. Stephen and Anna-Maria Kellen are a<br />

remarkable couple. I know them as major contributors<br />

to the cultural life of New York City. But all else<br />

pales beside their personal commitment – a commitment<br />

rising above events that could well have<br />

embittered lesser men or women – to strengthening<br />

ties between their native and adopted countries.<br />

The American Academy in Berlin is one reflection of<br />

that commitment, and it is an honor to give the first<br />

Stephen Kellen Lecture. Appropriately, the series<br />

has been established in recognition both of<br />

Stephen’s professional life in financial affairs and<br />

his dedication to the interests of his two countries.<br />

It is fitting, but also a bit ironic, that my theme<br />

is the need to restore the integrity of capital markets,<br />

not least in the US. That is a subject upon<br />

which we Americans have been fond of lecturing<br />

others, and certainly Stephen Kellen and the firm<br />

of Arnhold and S. Bleichroeder, Inc. have represented<br />

the best of our traditions. We cannot, however,<br />

escape the fact that the truly historic boom in<br />

the American stock market in the 1990s has been<br />

accompanied by weaknesses in our corporate culture.<br />

Ethical breakdowns among financial market<br />

participants are widely recognized. The procession<br />

of flagrant examples – beginning even before the<br />

sensational collapses of Enron and the Arthur<br />

Andersen accounting firm – has preoccupied business<br />

reporting for months at a time.<br />

I do not believe that the apparent fraud or<br />

corporate looting of Enron, WorldCom, Global<br />

Crossing, Adelphia, Tyco, and others are at all representative<br />

of American business practices. But I do<br />

fear they are an extreme manifestation of a more<br />

widespread tendency to “push the envelope” of<br />

what is acceptable in business practice.<br />

It is not accidental that these developments<br />

took place in the midst of a virtually unprecedented<br />

stock market bubble and subsequent decline. Quite<br />

suddenly in the 1990s unimagined fortunes could<br />

be made on Wall Street. There seemed to be a sense<br />

of the entitlement of wealth. Alan Greenspan<br />

caught the spirit in his phrase “infectious greed.”<br />

A reflection of this has been executive compensation,<br />

which has far exceeded earlier norms in relation<br />

to average pay. Somehow, such excesses did not<br />

seem shocking when the escalating stock market<br />

exceeded all expectations. But now, to drive the lesson<br />

home, are examples of payments of tens of millions<br />

of dollars (at times more than one hundred<br />

million dollars) to executives of failing companies<br />

and huge separation arrangements to ethically tarnished<br />

officials in the midst of falling markets.<br />

A whole new profession of financial<br />

engineering has been invented,<br />

-------------------------------<br />

with its richly rewarded practice<br />

directed toward finding ways around<br />

accounting standards and tax<br />

regulations.<br />

-------------------------------<br />

Much of the anger has been directed at Andersen<br />

and other auditing firms for failing to detect and<br />

report the abuses in financial reporting. But the<br />

responsibility should be spread more widely.<br />

The large investment banks and the big commercial<br />

banks, in aggressively diversifying into<br />

lending, trading, stock research, and investment<br />

company conglomerates, have become nests of<br />

conflict. A whole new profession of financial engineering<br />

has been invented, with its richly rewarded<br />

practice directed in large part toward finding ways<br />

around accounting standards and tax regulations.<br />

Consultants and advisors are readily available<br />

to promote and justify ever-bigger mergers and<br />

acquisitions and to rationalize a ratcheting up of<br />

executive pay.<br />

One disillusioned Wall Streeter went even<br />

further when he commented to me, “What can you<br />

expect? For decades our best business schools have<br />

preached the doctrine that whatever boosts the<br />

stock price is ‘value added.’ ”<br />

These troubles have relevance far beyond the<br />

US. The organizations involved are typically international.<br />

No doubt Europeans will be familiar with<br />

the parallels in Europe. What may be more important<br />

– and overlooked – is the potential impact on opinion<br />

in the emerging and transitional economies. If there<br />

are strong doubts about the integrity of our capital<br />

markets, those who question the acceptability of<br />

global financial markets will have their doubts reinforced.<br />

One need only recall the emphasis, after the<br />

Asian financial crisis, placed by the International<br />

Monetary Fund, the World Bank, our governments,<br />

and private financial institutions alike on the weakness<br />

of indigenous financial practices as a precipitating<br />

and complicating factor. ‘If only,’ so the refrain<br />

went, ‘the emerging countries had US-style accounting<br />

standards, disciplined auditing, and transparency<br />

– if only they had stronger legal and ethical traditions<br />

and less crony capitalism – then they would not have<br />

been so vulnerable.’<br />

That message was woefully incomplete. Other<br />

more structural and systemic factors were at work.<br />

The openness and the small size of the financial sectors<br />

of emerging economies made and still make<br />

them especially vulnerable to the inevitable volatility<br />

of free financial markets. Nonetheless, those countries<br />

cannot find “salvation” – cannot reach anything<br />

like their potential growth – without participating in<br />

global markets and, particularly, without continuous<br />

inflow of direct investment. If we cannot make good<br />

on our implicit boast that our capitalist financial<br />

institutions are honestly and ethically governed –<br />

that our business and financial reporting standards<br />

are worthy of emulation – then the willingness to<br />

accept foreign investment and the process of economic<br />

development will be dealt a serious blow.<br />

Of course, it is specifically our gaap (Generally<br />

Accepted Accounting Practices), our auditing firms,<br />

our sec (Securities and Exchange Commission), and<br />

our legal system that have been seen as constituting<br />

the model. Given the American weight in the world<br />

economy and the economically strong and technologically<br />

cutting-edge performance of the US in the<br />

1990s, that perception is perhaps natural, whatever<br />

its intrinsic merit.<br />

We in the US must bring our practice more closely<br />

into line with what we preach. It is important in our<br />

own interest. It is important to Germany and other<br />

already industrialized countries that have a big stake<br />

in the success of a globalized financial system. And it<br />

may well be crucial to those countries that aspire to<br />

our economic success but face entrenched interests<br />

that resist change, modernization, and full participation<br />

in the world economy.<br />

The good news is that we have had a “wake-up<br />

call.” The loss of some eight trillion dollars in stock<br />

market valuations over the past three years has<br />

attracted attention. The examples of gross corporate<br />

malfeasance have provided political impetus for<br />

change.<br />

4 Number Six | <strong>Spring</strong> <strong>2003</strong>


The bad news is that constructive change will<br />

not be easy. There can be no turning back the technological<br />

changes that have spawned the mindbending<br />

complexity of today’s financial markets.<br />

Our established accounting and financial reporting<br />

models were designed for a world of relatively simple<br />

manufacturing and service companies – not for<br />

the “virtual” world of derivatives, options, securitization,<br />

massive intangibles, and trading-dominated<br />

balance sheets and income statements.<br />

Accounting and auditing have, for good reason,<br />

been thrust to the front and center of the reform<br />

effort. An auditor’s ultimate responsibility is not to<br />

the corporate clients, but to the investor, to the market,<br />

and, finally, to the general public. Public corporations<br />

in the US have no choice but to follow US<br />

gaap and to have their accounts audited by a<br />

certified professional. This is also true for any company<br />

that wants to raise capital in the US and that<br />

have its securities freely traded there. Increasingly,<br />

similar requirements are in place in other countries<br />

as well.<br />

The first requirement is a creditable accounting<br />

model, with comprehensive, up-to-date and<br />

enforceable standards. Further, the logic of globalized<br />

finance requires a set of internationally<br />

agreed and accepted accounting standards. The<br />

existing system in the US meets neither criterion.<br />

The perceived crisis in accounting triggered by<br />

recent events has surely punctured the sense of<br />

sanctity that had surrounded American gaap.<br />

Now, there are pressures for a simpler, more<br />

straightforward, statement of principles better<br />

adapted to today’s world. Recognition of the need<br />

for change, for standardization across countries,<br />

and for insulation from national political pressures<br />

has enhanced the prospects of converging on an<br />

international standard.<br />

Those objectives cannot be reached quickly,<br />

however. The intellectual, organizational, and political<br />

obstacles are substantial. But what seemed<br />

unrealistic and impossibly visionary a few years ago<br />

now seems both possible and necessary.<br />

The consistent application of international<br />

accounting principles will depend upon the discipline<br />

and the professionalism of auditors. It is now<br />

apparent that the big American accounting firms<br />

have fallen short, bending too readily to the strong<br />

pressures from clients and an intensely competitive<br />

marketplace. My experience working with<br />

Andersen, though brief, was long enough to confirm<br />

the impression that the firm was distracted and<br />

conflicted by the unceasing emphasis on more<br />

remunerative consulting services. Those circumstances<br />

are not unique to one firm.<br />

Executive compensation is another area in need<br />

of reform. There is little doubt in the US that the<br />

spreading practice of providing stock options has<br />

been the prime instrument driving the process.<br />

Typically, those options take the form of a one-way<br />

option to purchase stock at the price prevailing on<br />

the day of grant, vesting a few years in the future.<br />

Prevailing practice, as the result of political pressure,<br />

has been to exclude that form of compensation<br />

as a business expense on income statements, which<br />

increases its attractiveness to management.<br />

(Inconsistently, the difference between the option<br />

price and the higher market price at the time it is<br />

exercised is recognized as an expense for tax<br />

purposes.)<br />

The combination of generous options and<br />

booming stock prices has produced large – at times<br />

incomprehensibly large – rewards to top executives.<br />

An instrument widely touted as aligning the interests<br />

of management with stockholders is now widely<br />

perceived as capricious in practice. In a bull market,<br />

with the valuations of stocks rising across the board,<br />

not only the best, but also the mediocre and even<br />

sub-par performers are rewarded. Conversely, when<br />

the stock market moves lower for several years, even<br />

the most (relatively) successful managers may benefit<br />

little or not at all, bringing pressure to reprice<br />

existing options or provide successively more<br />

options at lower prices. To compound the problem,<br />

incentives for managers can be perverse, reinforcing<br />

a focus on short-term results and manipulation of<br />

financial reports.<br />

Finally, broader questions of corporate governance<br />

are being forcibly raised. A feature of the<br />

American model has been the unique power of the<br />

chief executive officer. In theory, a company’s board<br />

of directors represents the owners and exercises<br />

oversight and direction over its agent, the ceo and<br />

management. In practice, the American ceo is also<br />

typically chairman of the board and has heavy<br />

influence over the choice of board members. The<br />

arrangement has been almost sacrosanct in the view<br />

of most ceos, who hold that their authority must<br />

not be diluted and that it protects their ability to<br />

promote innovation and take risks. As many know,<br />

this is not the standard governing pattern in most<br />

other industrialized countries.<br />

Matters of corporate governance, in particular<br />

the organization and modus operandi of boards of<br />

directors, have for some time made up a cottage<br />

industry for American consultants. But only now,<br />

The good news is that we have had<br />

a “wake-up call” – the loss of some<br />

eight trillion dollars in stock market<br />

valuations over the past three years.<br />

--------------------------------<br />

The bad news is that constructive<br />

change will not be easy.<br />

--------------------------------<br />

with the pressure of recent events, has this discussion<br />

come to take on the basic issues: effective oversight<br />

of the ceo, compensation practices, and<br />

financial reporting.<br />

The forces against effective reform in these and<br />

other areas remain strong. Vested interests and vast<br />

sums of money add to the confusion. Arguments<br />

have been pressed regarding the danger of political<br />

and legislative responses, that such responses could<br />

stifle the innovation and risk-taking at the heart of<br />

American economic success. And indeed, we have<br />

had experience with the unintended consequences<br />

of legislation passed in haste. There are such<br />

dangers, but there is also a role for legislation today,<br />

just as there was a role for it in the 1930s after the<br />

excesses of the 1920s.<br />

The best defense against political and legislative<br />

“overkill” is effective reform within the corporate<br />

community itself. In particular, effort is necessary in<br />

the three critical areas of financial reporting, compensation,<br />

and corporate governance.<br />

I chair the International Accounting Standard<br />

Committee Foundation, an organization that<br />

embodies the effort to seek convergence of accounting<br />

standards globally. Our committee’s particular<br />

responsibility is to appoint the board of professionals<br />

– the iasb – charged with developing standards<br />

of broad applicability and high quality.<br />

Our efforts are not entirely free of political pressures<br />

or special industry pleading – these are endemic<br />

– but the inherently international composition<br />

of the committee and the board that it appoints<br />

helps neutralize and diffuse those pressures. Europe<br />

and much of the rest of the world, by legislation or<br />

otherwise, has signaled its willingness to adopt international<br />

standards. My sense is that the insularity of<br />

the American view is fading, and the US authorities<br />

are now willing and eager to find common ground.<br />

The spotlight is now on the capacity of accounting<br />

professionals around the world to arrive at a<br />

strong consensus on new principles and rules that<br />

are well adapted to the complexities of the twentyfirst<br />

century. We will insist that the iasb decisionmakers<br />

consult broadly and follow due process. It is<br />

not an easy task, but the need is urgent.<br />

Good standards are not enough. They must be<br />

applied with consistency and discipline. This is an<br />

The Berlin Journal 5


area in which legislation has been clearly needed,<br />

and now has been achieved. The newly enacted<br />

Sarbanes-Oxley Act will reduce the conflicts and distractions<br />

caused by the past emphasis of accounting<br />

firms on their consulting practices. It also provides<br />

for effective oversight of auditing practices by a<br />

body removed from industry control.<br />

The fact that earlier industry-sponsored and -<br />

controlled oversight efforts failed makes a dramatic<br />

case for arrangements that are more analogous to<br />

those long in force in the US securities industry.<br />

What remains is to provide for effective administration.<br />

The appointment of a strong oversight<br />

board is key, but there needs to be cultural change<br />

within auditing firms themselves.<br />

Success will depend, too, upon a new sense of<br />

discipline in the corporate boardroom. For one<br />

thing, a more effective, more disciplined auditing<br />

process entails cost. That applies especially to the<br />

compensation of the outside auditors. Too many<br />

corporations have looked upon auditing fees as a<br />

cost, to be squeezed to the extent practical, especially<br />

when the possibility of profitable consulting<br />

assignments is available to the accounting firm.<br />

Today, boards of directors, ceos, and chief financial<br />

officers are more alert to the need to assure accurate<br />

financial reporting. But will these attitudes persist<br />

after the present crisis passes?<br />

A heavy weight is being placed on audit committees.<br />

They will require more time, more financial<br />

sophistication, and more authority. Members of<br />

boards of directors are chosen – quite rightly – to<br />

achieve a variety of perspectives and to bring different<br />

strengths to the board. They typically develop a<br />

collegial relationship with management. The question,<br />

however, is how boards as presently constituted<br />

can find members with the capacity, the time,<br />

and the will to oversee the auditing and accounting<br />

of a large and financially complicated corporation<br />

effectively. This is especially difficult when a high<br />

value is (understandably) placed upon the collegiality<br />

of a board, whose main responsibility remains<br />

to advise the company and consult on strategic<br />

matters and vital personnel decisions.<br />

One way around the conundrum could be to<br />

rethink the way auditing committees are selected.<br />

Why not ask stockholders themselves to select<br />

members of the auditing committee, electing them<br />

either as a separate committee reporting to the<br />

board of directors or simply as an identifiable part<br />

of the board itself? Such an arrangement could provide<br />

better focus for the heavy responsibilities of<br />

audit committees, and in doing so, better match the<br />

responsibilities with those able to discharge them.<br />

In the US, the responsibilities of the auditing<br />

committee are essentially spelled out in the new<br />

Sarbanes-Oxley Act and in most of the writings on<br />

corporate governance. They include hiring the auditor,<br />

deciding on an appropriate fee, exercising oversight<br />

over both the external and internal auditing<br />

processes, and assessing corporate controls. For a<br />

large and complicated public company, these are<br />

substantial responsibilities, requiring both relevant<br />

experience and a lot of time. For most boards, such<br />

resources are scarce.<br />

In a broader context, I am encouraged by the<br />

fact that discussion is underway about separating<br />

the responsibilities of the ceo and board chairman.<br />

Some variation of that approach is common in the<br />

United Kingdom and other English-speaking countries<br />

and on the European continent as well. In<br />

Germany, the chairman of the supervisory board<br />

seems to have a comparable oversight role.<br />

The “imperial ceo” is strongly entrenched in<br />

the US, however. Few incumbent or aspiring ceos<br />

would want to contemplate giving up any authority<br />

with respect to setting the board agenda and managing<br />

board discussions. But recent events have<br />

illustrated the dilemma. There is broad agreement<br />

that, for the stockholder’s sake, ultimate control of<br />

the corporation should lie with directors independent<br />

of management. If so, should there not be a clear<br />

focus for board leadership beyond the ceo? Who<br />

can act when there are doubts about the ceo himself?<br />

Who should take the initiative among the independent<br />

directors? Are those matters better left to a<br />

more spontaneous and informal response to perceived<br />

crisis or to a part of established board procedures?<br />

I do not suggest that one size should fit all. But I<br />

do believe that for large and complicated public<br />

companies, the check and balance implicit in a nonexecutive<br />

chairman should be the norm. For one<br />

thing, independent board leadership would help<br />

maintain more effective control over executive<br />

remuneration – remuneration that, as is now recognized,<br />

has in some cases been grotesquely large and<br />

inconsistent with performance. It is also important<br />

to understand that the widely disproportionate<br />

growth in executive compensation is a function of<br />

the widespread use of fixed-price stock options<br />

interacting with a bull market for stocks that<br />

exceeded all expectations. The capricious results of<br />

those perverse incentives came from a failure to<br />

align the long-term interests of stockholders with<br />

management.<br />

Of course stock options may well be useful for<br />

small, risky, and cash-starved ventures without<br />

access to public markets. For established public companies,<br />

options closely related to relative performance<br />

over extended periods may be designed. But for<br />

broadly owned public companies with active markets<br />

for their stock, there should be strong presumption<br />

against the practice of fixed-price options for<br />

executives. The temptation for abuse is simply too<br />

great and will remain so even if, contrary to present<br />

practice, they are “expensed.” If equity ownership by<br />

executives is desirable – and I believe it is – there are<br />

more effective ways to achieve that end, including<br />

grants of stock with restrictions on sale.<br />

A global economy with the free flow of capital<br />

has the potential of bringing enormous benefits to<br />

the emerging as well as the economically developed<br />

world. But, as many know, there is resentment and<br />

resistance. Much of this opposition may rest on false<br />

and specious grounds, but it is also true that much<br />

more needs to be done before many emerging<br />

economies reach their potential. Rhetoric that trumpets<br />

the benefits of international financial markets<br />

will ring hollow so long as the integrity of the capital<br />

markets of the developed world is challenged.<br />

The weaknesses in corporate governance and in<br />

accounting and financial reporting in the US have<br />

been exposed for all to see, and the challenge is not<br />

limited to my own country. It is a matter of multinational<br />

companies, accounting firms that operate<br />

globally, and international markets.<br />

What is happening today in the US offers a certain<br />

degree of comfort and satisfaction. We are acting<br />

with a reasonable mixture of private initiative<br />

and legislation to deal forcibly with problems that<br />

have been neglected for too long. There is still a long<br />

Rhetoric trumpeting the benefits of<br />

international financial markets will<br />

ring hollow so long as the integrity of<br />

the developed world’s capital markets<br />

is challenged.<br />

--------------------------------<br />

way to go to assure reforms are undertaken and<br />

maintained, and it is not, moreover, a challenge for<br />

one country alone, however large and influential it<br />

may be.<br />

I believe that the end result must bring our practice<br />

more closely into line with our stated principles.<br />

Taking critical steps now to assure the integrity of<br />

our own capital markets will help pave the way for<br />

the acceptance of democratic capitalism the world<br />

over. o<br />

6 Number Six | <strong>Spring</strong> <strong>2003</strong>


America:<br />

The Ambivalent<br />

Empire?<br />

Four Views<br />

Last fall, the human rights scholar Michael Ignatieff arrived for a<br />

seminar at the Hans Arnhold Center with a working draft of his<br />

forthcoming book Empire Lite under his arm. Among other<br />

matters discussed that day, Ignatieff pointed out how President<br />

Bush’s administration has painstakingly avoided using the<br />

language of empire. He cited a speech from June 2002 in which<br />

the president declared, “America has no empire to extend or<br />

utopia to establish.”<br />

American foreign policy has a long tradition of being ambivalent<br />

about empire. Sometimes the nation has been adamantly<br />

isolationist, other times, extroverted in its involvement abroad.<br />

The reluctance to serve as the world’s sheriff has often been at<br />

odds with both the Wilsonian image of America “making the<br />

world safe for democracy” and the more hard-headed pursuit of<br />

national interests.<br />

How circumspect is the US in its exercise of power? How will it<br />

choose to perpetuate its preeminence in the post-cold-war<br />

world? What are the pitfalls and promises of the American<br />

Empire? We asked four friends of the American Academy to<br />

comment: Ignatieff himself; Josef Joffe, one of our founding<br />

trustees; David Rieff, the spring Haniel Fellow; and Hans-Ulrich<br />

Wehler, a noted German historian.<br />

Michael Ignatieff Empire Lite<br />

Josef Joffe Lonely at the Top<br />

David Rieff An American Empire<br />

Hans-Ulrich Wehler The Chosen Nation<br />

8 Number Six | <strong>Spring</strong> <strong>2003</strong>


Michael Ignatieff Empire Lite<br />

Reconciling Democracy and Empire<br />

It is unsurprising that force projection overseas should awaken<br />

resentment among America’s enemies. More troubling is the hostility<br />

it arouses among friends, those whose security is guaranteed by<br />

American power. Nowhere is this more obvious than in Europe. At a<br />

moment when the costs of empire are mounting for America, her rich<br />

European allies matter financially. But in America’s emerging global<br />

strategy, they have been demoted to reluctant junior partners. This<br />

makes them resentful and unwilling allies, less and less able to understand<br />

the nation that liberated them in 1945.<br />

For fifty years, Europe rebuilt itself economically while passing on<br />

the costs of its defense to the United States. This was a matter of more<br />

than just reducing its armed forces and the proportion of national income<br />

spent on the military. All Western European countries reduced the martial<br />

elements in their national identities. In the process, European identity<br />

(with the possible exception of Britain) became postmilitary and postnational.<br />

This opened a widening gap with the US. It remained a nation in<br />

September 11 rubbed in the<br />

lesson that global power is still<br />

measured by military capability.<br />

which flag, sacrifice, and martial honor are central to national identity.<br />

Europeans who had once invented the idea of the martial nation-state<br />

now looked at American patriotism, the last example of the form, and no<br />

longer recognized it as anything but flag-waving extremism. The world’s<br />

only empire was isolated, not just because it was the biggest power but<br />

also because it was the West’s last military nation-state.<br />

September 11 rubbed in the lesson that global power is still measured<br />

by military capability. The Europeans discovered that they lacked<br />

the military instruments to be taken seriously and that their erstwhile<br />

defenders, the Americans, regarded them, in a moment of crisis, with suspicious<br />

contempt.<br />

Yet the Americans cannot afford to create a global order all on their<br />

own. European participation in peacekeeping, nation-building, and<br />

humanitarian reconstruction is so important that the Americans are<br />

required, even when they are unwilling to do so, to include Europeans in<br />

the governance of their evolving imperial project. The Americans essentially<br />

dictate Europe’s place in this new grand design. The US is multilateral<br />

when it wants to be, unilateral when it must be; and it enforces a new<br />

division of labor in which America does the fighting, the French, British,<br />

and Germans do the police patrols in the border zones and the Dutch,<br />

Swiss, and Scandinavians provide the humanitarian aid.<br />

This is a very different picture of the world than the one entertained<br />

by liberal international lawyers and human rights activists who<br />

had hoped to see American power integrated into a transnational legal<br />

and economic order organized around the United Nations, the World<br />

Trade Organization, the International Criminal Court and other international<br />

human rights and environmental institutions and mechanisms.<br />

Successive American administrations have signed on to those pieces of<br />

the transnational legal order that suit their purposes (the World Trade<br />

Organization, for example) while ignoring or even sabotaging those parts<br />

(the International Criminal Court or the Kyoto Protocol) that do not. A<br />

new international order is emerging, but it is designed to suit American<br />

imperial objectives. America’s allies want a multilateral order that will<br />

essentially constrain American power. But the empire will not be tied<br />

down like Gulliver with a thousand legal strings.<br />

On the new imperial frontier, in places like Afghanistan, Bosnia<br />

and Kosovo, American military power, together with European money<br />

and humanitarian motives, is producing a form of imperial rule for a<br />

postimperial age. If this sounds contradictory, it is because the impulses<br />

that have gone into this new exercise of power are contradictory. On the<br />

one hand, the semiofficial ideology of the Western world – human rights<br />

– sustains the principle of self-determination, the right of each people to<br />

rule themselves free of outside interference. This was the ethical principle<br />

that inspired the decolonization of Asia and Africa after World War II.<br />

Now we are living through the collapse of many of these former colonial<br />

states. Into the resulting vacuum of chaos and massacre a new imperialism<br />

has reluctantly stepped – reluctantly because these places are dangerous<br />

and because they seemed, at least until September 11, to be marginal<br />

to the interests of the powers concerned. But, gradually, this reluctance<br />

has been replaced by an understanding of why order needs to be brought<br />

to these places.<br />

Nowhere, after all, could have been more distant than Afghanistan,<br />

yet that remote and desperate place was where the attacks of September<br />

11 were prepared. Terror has collapsed distance, and with this collapse<br />

has come a sharpened American focus on the necessity of bringing order<br />

to the frontier zones. Bringing order is the paradigmatic imperial task,<br />

but it is essential, for reasons of both economy and principle, to do so<br />

without denying local peoples their rights to some degree of self-determination.<br />

Kosovo, Bosnia, Afghanistan –<br />

This is imperialism in a hurry: spend<br />

money, get results, turn the place back<br />

to the locals and get out.<br />

The old European imperialism justified itself as a mission to civilize,<br />

to prepare tribes and so-called lesser breeds in the habits of self-discipline<br />

necessary for the exercise of self-rule. Self-rule did not necessarily<br />

have to happen soon – the imperial administrators hoped to enjoy the<br />

sunset as long as possible – but it was held out as a distant incentive, and<br />

the incentive was crucial in co-opting local elites and preventing them<br />

from passing into open rebellion. In the new imperialism, this promise of<br />

self-rule cannot be kept so distant, for local elites are all creations of modern<br />

nationalism, and modern nationalism’s primary ethical content is<br />

self-determination. In Iraq, local elites must be ‘‘empowered’’ to take over<br />

The Berlin Journal 9


as soon as the American imperial forces have restored order and the<br />

European humanitarians have rebuilt the roads, schools, and houses.<br />

Nation-building seeks to reconcile imperial power and local self-determination<br />

through the medium of an exit strategy. This is imperialism in a<br />

hurry: to spend money, to get results, to turn the place back to the locals<br />

and get out. But it is similar to the old imperialism in the sense that real<br />

power in these zones – Kosovo, Bosnia, Afghanistan and soon, perhaps,<br />

Iraq – will remain in Washington.<br />

At the beginning of the first volume of The Decline and Fall of the<br />

Roman Empire, published in 1776, Edward Gibbon remarked that<br />

empires endure only so long as their rulers take care not to overextend<br />

their borders. Augustus bequeathed his successors an empire ‘‘within<br />

those limits which nature seemed to have placed as its permanent bulwarks<br />

and boundaries: on the west the Atlantic Ocean; the Rhine and<br />

Danube on the north; the Euphrates on the east; and towards the south<br />

the sandy deserts of Arabia and Africa.’’ Beyond these boundaries lay the<br />

Empires survive when they understand<br />

that diplomacy, backed by force, is<br />

always to be preferred to force alone.<br />

barbarians. But the ‘‘vanity or ignorance’’ of the Romans, Gibbon went<br />

on, led them to ‘‘despise and sometimes to forget the outlying countries<br />

that had been left in the enjoyment of a barbarous independence.’’ As a<br />

result, the proud Romans were lulled into making the fatal mistake of<br />

‘‘confounding the Roman monarchy with the globe of the earth.’’<br />

This characteristic delusion of imperial power is to confuse global<br />

power with global domination. The Americans may have the former, but<br />

they do not have the latter. They cannot rebuild each failed state or<br />

appease each anti-American hatred, and the more they try, the more they<br />

expose themselves to the overreach that eventually undermined the classical<br />

empires of old.<br />

The secretary of defense may be right when he warns the North<br />

Koreans that America is capable of fighting on two fronts – in Korea and<br />

Iraq – simultaneously, but Americans at home cannot be overjoyed at<br />

such a prospect, and if two fronts are possible at once, a much larger<br />

number of fronts is not. If conflict in Iraq, North Korea, or both becomes<br />

a possibility, Al Qaeda can be counted on to seek to strike a busy and<br />

overextended empire in the back. What this suggests is not just that overwhelming<br />

power never confers the security it promises but also that even<br />

the overwhelmingly powerful need friends and allies. In the cold war, the<br />

road to the North Korean capital, Pyongyang, led through Moscow and<br />

Beijing. Now America needs its old cold-war adversaries more than ever<br />

to control the breakaway, bankrupt Communist rogue that is threatening<br />

America and her clients from Tokyo to Seoul.<br />

Empires survive when they understand that diplomacy, backed by<br />

force, is always to be preferred to force alone. Looking into the still more<br />

distant future, say a generation ahead, resurgent Russia and China will<br />

demand recognition both as world powers and as regional hegemons. As<br />

the North Korean case shows, America needs to share the policing of nonproliferation<br />

and other threats with these powers, and if it tries, as the<br />

current National Security Strategy suggests, to prevent the emergence of<br />

any competitor to American global dominance, it risks everything that<br />

Gibbon predicted: overextension followed by defeat.<br />

America will also remain vulnerable, despite its overwhelming military<br />

power, because its primary enemy, Iraq and North Korea notwithstanding,<br />

is not a state, susceptible to deterrence, influence and coercion,<br />

but a shadowy cell of fanatics who have proved that they cannot be<br />

deterred and coerced and who have hijacked a global ideology – Islam –<br />

that gives them a bottomless supply of recruits and allies in a war, a war<br />

not just against America but against her client regimes in the Islamic<br />

world. In many countries in that part of the world, America is caught in<br />

the middle of a civil war raging between incompetent and authoritarian<br />

regimes and the Islamic revolutionaries who want to return the Arab<br />

world to the time of the prophet. It is a civil war between the politics of<br />

pure reaction and the politics of the impossible, with America unfortunately<br />

aligned on the side of reaction. On September 11, the American<br />

empire discovered that in the Middle East its local pillars were literally<br />

built on sand.<br />

Until September 11, successive US administrations treated their<br />

Middle Eastern clients like gas stations. This was part of a larger pattern.<br />

After 1991 and the collapse of the Soviet empire, American presidents<br />

thought they could have imperial domination on the cheap, ruling the<br />

world without putting in place any new imperial architecture – new military<br />

alliances, new legal institutions, new international development<br />

organisms – for a postcolonial, post-Soviet world.<br />

The Greeks taught the Romans to call this failure hubris. It was<br />

also, in the 1990s, a general failure of the historical imagination, an<br />

inability of the post-cold-war West to grasp that the emerging crisis of<br />

state order in so many overlapping zones of the world – from Egypt to<br />

Afghanistan – would eventually become a security threat at home.<br />

Radical Islam would never have succeeded in winning adherents if the<br />

Muslim countries that won independence from the European empires<br />

had been able to convert dreams of self-determination into the reality of<br />

competent, rule-abiding states. America has inherited this crisis of selfdetermination<br />

from the empires of the past. Its solution – to create<br />

democracy in Iraq, then hopefully roll out the same happy experiment<br />

throughout the Middle East – is both noble and dangerous: noble<br />

because, if successful, it will finally give these peoples the self-determination<br />

they vainly fought for against the empires of the past; dangerous<br />

because, if it fails, there will be nobody left to blame but the Americans.<br />

The dual nemeses of empire in the twentieth century were nationalism,<br />

the desire of peoples to rule themselves free of alien domination,<br />

and narcissism, the incurable delusion of imperial rulers that the ‘‘lesser<br />

breeds’’ aspired only to be versions of themselves. Both nationalism and<br />

narcissism have threatened the American reassertion of global power<br />

since September 11. o<br />

© <strong>2003</strong> The New York Times Magazine.<br />

Michael Ignatieff is the Carr Professor and Director of the Carr<br />

Center for Human Rights Practice at the Kennedy School of Government,<br />

Harvard University. His next book is Empire Lite: Nation-building in<br />

Bosnia, Kosovo and Afghanistan is published this May in London. He presented<br />

a working version of this paper at the Academy last fall.<br />

10 Number Six | <strong>Spring</strong> <strong>2003</strong>


Josef Joffe Lonely at the Top<br />

The Last Remaining Superpower<br />

Needs All the Help it Can Get<br />

Is america an empire? If so, it is a very strange kind of empire. It is<br />

not like Rome, a real imperium that started out with the small possession<br />

of Latium and then went on to conquer, occupy, and rule much<br />

of the then-known world – from the British Isles via Lusitania to the<br />

Levant. Nor is it like the Turkish or Russian empires, both of which relentlessly<br />

grabbed land to rule it – and to “russify” or “turkify” it.<br />

America is a very different kind of political animal. First of all, it<br />

was in the fortunate position of being able to conquer at home, so to<br />

speak. Its expansion was inward, into a largely unpopulated territorial<br />

expanse where it met with enemies (Native Americans, Mexicans) who<br />

were easily bested. There was also a natural limit to expansion: the<br />

Pacific, beyond which the young republic did not have to venture, since<br />

there were no existential threats on the other littoral. Similarly, the<br />

Atlantic provided a nice moat that kept dangerous European intruders at<br />

bay. Finally, there was a healthy revulsion against the “broils and troubles<br />

Alas, neither the French nor the<br />

Germans, neither the Chinese nor the<br />

Russians, show a proclivity to shoulder<br />

the burden and to pay the price.<br />

of Europe.” Better to stay out and not be contaminated by those corrupt<br />

princes and potentates who stood against all the values Americans cherished.<br />

And so it took some heavy prompting before the US intervened in<br />

Europe in 1917 and again in 1941.<br />

In short, the US did not conquer by dint of superior virtue but<br />

because it lacked those seemingly compelling reasons that relentlessly<br />

pushed Rome, Turkey, and Russia outward and forward. (Exceptions:<br />

Cuba and the Philippines in 1898, a misstep that might be excused by reference<br />

to the colonialist ideologies then in vogue.) Nor did the US have to<br />

conquer for economic reasons; again, it did very nicely by producing and<br />

exchanging goods in its vast home market. Indeed, until the 1970s,<br />

exports amounted to only four percent of its gdp, as opposed to export<br />

ratios of 30 percent in postwar West Germany or post-colonial Holland.<br />

Why then this overblown rhetoric of “empire” as attached to the<br />

United States? One explanation is that the US may well be the functional<br />

equivalent of empire. American bases and troops circle the globe, a fact<br />

made all the more remarkable given the demise of its one and only mortal<br />

rival, the Soviet Union. Its wars have become wars of choice, be it in<br />

Vietnam, in Afghanistan or in the Gulf. The US inserts its fleet between<br />

Taiwan and the Chinese mainland. Short of real war, it punishes<br />

malfeasants in places like Libya or pre-<strong>2003</strong> Iraq. And it waves the stick of<br />

war in the faces of countries like North Korea.<br />

A B<br />

Is this the behavior of a real empire? No, but it reflects a hegemonic<br />

mind-set not unlike Britain’s in the eighteenth and nineteenth centuries.<br />

America’s penchant is not for direct rule but for intermittent intervention<br />

in order to restore or uphold regional balances by laying low the local<br />

would-be hegemon du jour. Nor is this behavior necessarily a bad thing<br />

when analyzed in the language of cold realpolitik. This is a nasty world,<br />

with endless threats to regional stability and to the “decent opinions of<br />

mankind.” When local powers cannot take care of regional order, when<br />

fearsome despots like Milosevic or Saddam commit outrages against<br />

their own populations, there has to be somebody who upholds minimal<br />

standards of acceptable behavior.<br />

Alas, neither the French nor the Germans, neither the Chinese nor<br />

the Russians, show a proclivity to shoulder the burden and to pay the<br />

price. So, resorting once more to the cold language of power politics, one<br />

might breathe a sigh of relief and mutter: “Thank God for America.”<br />

Thank God for an “imperial republic,” as Raymond Aron called the US<br />

forty years ago, that does not conquer but intervenes, at least intermittently,<br />

to sober up those who challenge the status quo. In an ever more<br />

messy world, it would be easier to condemn the US if others were willing<br />

to discharge these tasks.<br />

The problem is overdoing it –<br />

and picking up more enemies in<br />

the process.<br />

So what are the problems? They have been well analyzed by<br />

Michael Ignatieff. The US may be a power even greater than Rome. It certainly<br />

dwarfs all possible comers. Just an example: When George W. Bush<br />

asked Congress for a supplemental defense appropriation in early 2002,<br />

the sum was more than twice that of Germany’s total annual defense<br />

budget. If the US goes on spending as planned, and if other countries do<br />

not increase their own efforts, it will invest more in its military panoply<br />

than all other nations combined.<br />

The Berlin Journal 11


The problem is not overspending, as “declinists” from Paul<br />

Kennedy onward have argued. Today, the US does not devote more<br />

resources to its military than did Germany during the Cold War: around 3<br />

percent of GDP. The problem is not even “overextension.” A geographical<br />

metaphor makes little sense in an age when American B-52s can rise in<br />

Missouri, fly halfway around the world, drop their ordnance on places<br />

like Afghanistan, and return home safely.<br />

The problem is overdoing it – and picking up more enemies, be<br />

they inspired by fear or hate, than are eliminated in the process of intrusion.<br />

Evidently, this intervention does not reduce the sum total of<br />

Cooperation may serve American<br />

interests better in the long haul than<br />

the most sophisticated military<br />

panoply.<br />

America’s ill-wishers. The problem is also underdoing the more economical<br />

or efficient thing, which is to harness friends and allies to the common<br />

purpose. Britain set the historical example; apart from the occasional<br />

naval engagement, it always fought coalition wars. This, of course,<br />

requires a surfeit of diplomatic skill (and patience) that may not be<br />

America’s strongest suit – at least not under the aegis of the Bush II<br />

administration.<br />

America’s problem is not decline but loneliness – and worse.<br />

“Worse” implies “ganging up” on the part of the lesser powers in the ways<br />

we have first seen this year. Two former allies of the US – France and<br />

Germany – have executed a kind of “reversal of alliances” by inducting<br />

their former enemy Russia into an anti-American “axis.” Now, it is true<br />

that the “hyperpower” can fend them off singly and in combination, but<br />

this is not the real issue. The point is that this “last remaining superpower”<br />

needs all the help it can get when it comes to the more interesting<br />

problems of the twenty-first century.<br />

We know the list. It ranges from terrorism to climate change, from<br />

proliferation to protectionism. Here is a very practical example: Even<br />

while Schröder was launching his rhetorical sallies against the Bush<br />

administration, American customs agents were peacefully collaborating<br />

with their German colleagues in the port of Hamburg. All of them were<br />

looking for terrorist contraband in containers bound for the US. These<br />

are the issues that directly and dangerously affect American welfare, and<br />

no power in the world can dispatch them on its own.<br />

One hopes that these “mundane” items of cooperation will occupy<br />

a larger space in the American diplomatic imagination once the Saddam<br />

problem is safely solved. Precision munitions are no substitute for cooperation.<br />

Indeed, in the long haul, the latter may serve American interests<br />

better than the most sophisticated military panoply. o<br />

Josef Joffe is editor and publisher of Die Zeit and an associate of the<br />

Olin Institute for Strategic Studies at Harvard University. He is a trustee<br />

of the American Academy in Berlin.


David Rieff An American Empire<br />

Imperialism, it seems, is back in vogue in America – at least<br />

among the chattering classes in Boston, New York, and Washington.<br />

Whether this enthusiasm of pundits and policy-wonks, by no means<br />

all of them on the right, will survive the actual experience of the practice<br />

of imperial policing, from Tora Bora to Bagdad, is another question. It is<br />

one thing to write about an “imperial renaissance‚” as the conservative<br />

British historian, Niall Ferguson, did at the end of his fine study of the<br />

British empire, and of the need to accept the fact that America’s global<br />

role demands that it take on the motley of empire. It is all very well to<br />

quote Kipling to the effect that the US military must accept its destiny of<br />

fighting “the savage wars of peace,” as the American writer Max Boot has<br />

done in his elegant neo-imperial polemics. But that is before the real savagery<br />

of war is brought home in video of maimed babies in bombed-out<br />

hospitals and funerals in south-central Los Angeles or the mountain hamlets<br />

of eastern Tennessee. However successful in military terms it has<br />

proven to be, the current punitive expedition in Iraq (for that, rather than<br />

a war in any normal sense is what it has been), so eerily reminiscent of the<br />

campaign of the fledgling US Marine Corps against the Barbary Pirates in<br />

the early nineteenth century, may well leave so sour a taste in the<br />

American public’s collective mouth that all fantasies of empire currently<br />

entertained in Washington will wilt like that city’s cherry blossoms when<br />

the summer heat sets in.<br />

But for the moment, however risible the idea may appear in the rest<br />

of the world, the idea that America is the planet’s only sure guarantor of<br />

liberty, and its corollary, that if there is to be a democratic revolution in the<br />

poor world on the same order of magnitude as the democratic revolution<br />

that extinguished the Soviet Union, or at least an avoidance of the worst<br />

horrors of imploding states like Rwanda and Bosnia that marked the<br />

first post-Cold War decade, only an America willing not just to be powerful<br />

but imperial will do, continues to dominate the policy debate in the<br />

United States. Open any of the neo-conservative magazines widely<br />

assumed to influence senior members of the Bush administration, and<br />

you will find a plethora of articles with gloating titles such as “Why<br />

America Must Police the World” and “What’s Wrong with an American<br />

Empire?” Meanwhile, on the liberal side, writers like Leon Wiesletier,<br />

Paul Berman, Samantha Power, and Michael Ignatieff, while duly skeptical<br />

of the Bush administration’s motives and conduct, are anything but<br />

hostile to a new Pax Americana. Ignatieff, in particular, has called for<br />

what he has dubbed “Empire Lite,” believing, not out of triumphalism<br />

but out of despair at the lack of any other solution that might stop a<br />

Rwandan genocide or bring to an end the almost uniquely evil tyranny of<br />

a Saddam Hussein (President Bush was two-thirds right when he evoked<br />

an “axis of evil,” only erring by throwing the Iranian regime into the<br />

hopper), that the only order on offer in a world of failing states, ethnic cleansing,<br />

terrorism, and weapons of mass destruction is the one guaranteed<br />

by American power.<br />

It is hard to argue with one premise shared by liberals and conservatives<br />

on this issue, namely that American power is the only game in<br />

town, however much one might wish it otherwise. For Europeans, Britain<br />

excepted, simply no longer wish to think about the problem of force in<br />

any way that is not utopian. It is not that the European approach to a particular<br />

problem – Iraq, say – is necessarily wrong. To the contrary, a case<br />

can be made that a peaceful solution to the Iraqi crisis was still on offer<br />

when the war began. But this does not obviate the fact that Europeans can<br />

no longer act militarily in any other context but that of peacekeeping<br />

operations or infinitesimal expeditions like the (very commendable)<br />

British intervention in Sierra Leone to put down the murderous insurgency<br />

of the so-called Revolutionary United Front. Europe, for example,<br />

would have been incapable of mounting the operation that dislodged the<br />

Serbs from Kosovo and reversed the mass deportation of the Kosovar<br />

Albanians. This is not because Europe could not do so, if it chose to spend<br />

the money on proper military forces. It is because it does not choose to do<br />

so. But the result of this choice is that only the United States can act effectively.<br />

It is perhaps for this reason that a resentful American diplomat<br />

referred to the European position as wanting the US “never on top but<br />

always on tap.” And unless and until Europe rearms to the extent that it<br />

has the technological capacity to fight wars and not just mount peacekeeping<br />

operations or post-conflict police actions, which seems highly<br />

unlikely in a Europe where a German foreign minister can seriously claim<br />

his country is not pacifist and adduce as an example German deployments<br />

in post-Balkan war Macedonia and post-war Afghanistan, interventions<br />

will either be spearheaded by the US or they will not take place<br />

at all.<br />

Unlike so many imperialisms of<br />

the past, the imperialism of 2002<br />

was couched in defensive terms.<br />

Again, were the Europeans really reconciled to allowing the next<br />

Bosnia or Rwanda to take place, or still hewed to the Westphalian idea of<br />

the absolute nature of national sovereignty, their position would make<br />

more sense. But this is not their view. To the contrary, it is European governments<br />

that have insisted more rigorously that the Westphalian order<br />

is ending, that we live in a world where human rights norms must be<br />

respected by governments at the risk of seeing their sovereignty abrogated,<br />

and that the ethical standards enshrined in post-World War II<br />

international law – above all, the Geneva Conventions, the Universal<br />

Declaration of Human Rights, and the Genocide Convention – must be<br />

applied throughout the world. To which the new American imperialists<br />

and neo-imperialists say, ‘fine, but the only way to enforce these standards<br />

that we all agree need to be maintained is through the policing of<br />

the world – that is to say, through force. And world policing is, when all is<br />

said and done, a euphemism for empire.’ From the American perspective,<br />

the Europeans want what US power can achieve; they are simply squeamish<br />

about the tragic nature about what the use of such power costs in<br />

terms of destruction and the loss of innocent life. Obviously, there is<br />

hypocrisy on both sides. Europeans believe that the rule of law can be<br />

extended to those areas of the world that do not yet benefit from it<br />

The Berlin Journal 13


through so-called soft power, rather than force, and that patience is<br />

required. Americans tend to believe that in some situations at least, only<br />

force will do. Neither side admits how much its approach suits its geostrategic,<br />

and, perhaps more importantly, geo-economic interests.<br />

In the American case, obviously, the conviction that the world<br />

urgently needed to be policed was hardened by the events of September<br />

11. Bosnia in 1995 and Kosovo in 1999 had been comparatively altruistic<br />

exercises in the use of force; for most Americans, however, Afghanistan in<br />

2001 was a war of self-defense, as Iraq was, although clearly there was far<br />

more opposition to that campaign in the United States. It had been one<br />

thing to argue for a Pax Americana on largely moralistic grounds. With<br />

the recognition of a genuine terrorist threat, and new fears about the willingness<br />

of certain states to sooner or later deploy chemical and biological<br />

weapons, many American policymakers came to the conclusion that, if<br />

the United States might not necessarily need to become an empire in any<br />

formal sense, it did need to reassume the role of world policeman.<br />

Interestingly, the Bush administration had come into office promising it<br />

would undertake no such effort. But like so many attributes of the Bush<br />

presidency, and, indeed, of the man himself, September 11 changed<br />

everything. Unlike so many imperialisms of the past, the imperialism of<br />

2002 was couched in defensive terms. It is this cognitive gap between the<br />

American sense of why the US must take on the role and the European<br />

(and world) sense that an empire is an empire is an empire – i.e. a selfaggrandizing,<br />

self-interested, fundamentally amoral if not immoral<br />

enterprise, as all European empires were, with the possible partial exception<br />

of Britain, and certainly all earlier empires – that lies at the root of<br />

much of the genuine misunderstanding over the Iraqi crisis.<br />

The new imperialism is driven by<br />

one of the oldest of American ideas,<br />

that of American exceptionalism.<br />

That said, probably the crisis would have occurred anyway. In the<br />

post-cold-war world, it is by no means clear that Western Europe and<br />

the United States have the same commonality of interest that they did<br />

when Europe fairly willingly accepted a subordinate role out of the need<br />

to secure American military protection from the Soviet Union. The<br />

Soviet Union disappeared, and with it the need for European subservience<br />

toward the US on matters where it sees the world differently.<br />

And, after all, the US was in many ways an empire even during the cold<br />

war, despite all the very real senses in which the current imperial aspiration<br />

is different. From a Latin American perspective, for example, has<br />

all that much really changed? Defenders of the new imperial vision<br />

argue that, in contrast to the cold war, when US policymakers felt<br />

obliged to support all manner of blood-thirsty tyrants, the new imperial<br />

vision of American power can afford to set a higher level of ethical standard.<br />

That seems unlikely. The deals the US government made with<br />

such tyrannies as the Uzbekistan of Islam Karimov and the<br />

Turkmenistan of Nyazov, or, indeed, attempted to make with the<br />

Turkish government over Iraq, do not inspire much confidence that a<br />

new philosophy of imperialism has taken root. What is likelier is that<br />

the new imperialism is driven by one of the oldest of American ideas,<br />

that of American exceptionalism.<br />

It can be said of George W. Bush that doubt is not a quality he seems<br />

to possess in more than trace amounts. The same can be said about the<br />

new imperialists both within and outside the administration. Their irenic,<br />

unshakeable belief is that an American empire will never be corrupted by<br />

its own power in the way that all previous empires in human history have<br />

been, that it will, by definition, be a force for good in the world, and that to<br />

question these assumptions, to question the benevolence and the emancipatory<br />

potential of American power is, objectively, as Marxists used to say<br />

(and a certain Marxist language, turned on its head, is a feature of neoconservative<br />

rhetoric, a fact that probably derives from the Trotskyist past<br />

of some of the most senior members of the neo-conservative clan), to side<br />

with those President Bush has called “the enemies of freedom.” Perhaps<br />

such a belief is no more preposterous than any other religious creed. Credo<br />

qui absurdum est (“I believe because it is absurd”) was the famous<br />

justification of faith of the early Church father, Tertullian. But politics, at<br />

least outside the world of Islamic fundamentalism is not supposed to be<br />

about faith. And it is worrying that the neo-conservative, and even, to<br />

some extent anyway, the liberal confidence in the goodness of American<br />

power stems from what is essentially an unproveable belief. Add to this the<br />

fact that this belief is held largely by Americans about America, with all<br />

the possible distortions based on self-love that this entails, not to mention<br />

the fact that, from a historical perspective, the contention that any<br />

empire could live up to the claims apologists for America make for it is, to<br />

put it charitably, far-fetched, and one has a doctrine that should engender<br />

a healthy skepticism.<br />

And skepticism about America by Americans is, well,<br />

un-American. Obviously, there are those who see the United States at the<br />

root of all the world’s evils – Edward Said and Noam Chomsky come to<br />

mind. But they are really just turning US-centered self-love into UScentered<br />

self-hate, and have more in common with their ideological<br />

adversaries than they care to admit. The sense that America is different is<br />

as old as the Republic. Phrases like “the city on the hill,” “the last best<br />

hope of humanity,” and “the home of liberty,” are the boilerplate of the<br />

American civic religion. As Benjamin Franklin put it, “the cause of the<br />

United States is the cause of humanity.” To put the matter more coolly<br />

and historically, Americans have always seen their own role as one of<br />

being agents of revolutionary change. The debate has been whether they<br />

should do so by force or by example. As a result, the temptation to a particularly<br />

crusading, proselytizing version of imperialism is hard-wired<br />

into the foreign policy of the United States. It is not the only view, of<br />

course. John Adams famously said that it was not the duty of the United<br />

States to “go out and fight monsters.” But such quietism is perhaps out of<br />

step with the America of the early twenty-first century. Indeed, to the new<br />

imperialists, going out and fighting monsters is, or at least should be, the<br />

sworn duty of the United States. And, in fairness, in Osama Bin Laden<br />

and Saddam Hussein, they have found actual monsters, not fabricated<br />

ones. But the problem remains one of the confusion of religious and political<br />

vernaculars.<br />

It is one thing to say that Osama Bin Laden, or, more problematically,<br />

Saddam Hussein represents a threat to American security and act to<br />

14 Number Six | <strong>Spring</strong> <strong>2003</strong>


If George Bush is our Octavian, then<br />

the chances are that the results for<br />

the US will be just as tragic as those<br />

the Romans suffered as they moved<br />

from republic to empire.<br />

thwart that threat, unilaterally, if necessary. (Here, European opinion on<br />

Iraq is genuinely hypocritical; few Europeans objected to bypassing the<br />

UN to reverse Slobodan Milosevic’s policies in Kosovo, or insisted any<br />

action taken in that province was illegitimate without a UN Security<br />

Council mandate.) But it is quite another to describe, as many of the new<br />

imperialists do, a world that will remain “fallen” – or, in the modern vernacular,<br />

repressive, undemocratic, etc. – without the consistent redeeming<br />

admixture of US military might. And it is sheer fantasy to imagine<br />

that, whatever good US power can do, that the results for the United<br />

States will not be catastrophic. To run an empire is a corrupting business;<br />

that is the lesson of history. American conservatives often accuse their<br />

opponents both at home and abroad of being utopian dreamers. But such<br />

fantasies about empire are, in fact, the most utopian dream of all. None of<br />

this means that it will not come about, or that George Bush may not prove<br />

to be our Octavian. But if he is, then the chances are that the results for<br />

the United States will be just as tragic as those the Romans suffered as they<br />

moved from republic to empire. As for the rest of the world, I suppose that<br />

depends on how one views the idea of a crusade, even a crusade undertaken<br />

with the best of intentions. From my perspective, the old Biblical<br />

adage that the road to Hell is paved with good intentions is appropriate<br />

here, and the road to empire is, indeed, the road to Hell.o<br />

© <strong>2003</strong>, David Rieff<br />

David Rieff (Haniel Fellow, spring ’03) is the author, most recently,<br />

of A Bed for the Night: Humanitarianism in Crisis. He has written three<br />

books on immigration in American cities as well as Slaughterhouse: Bosnia<br />

and the Failure of the West. He co-edited with Roy Gutman the A-to-Z guide<br />

War Crimes: What the Public Should Know, the online edition of which is<br />

continually updated and expanded.<br />

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The Berlin Journal 15


Hans-Ulrich Wehler The Chosen Nation<br />

America’s Missionary Nationalism<br />

and Germany’s Blunder<br />

From its foundation, the United States has belonged to the system<br />

of expanding Western nations. The political generation of the<br />

“founding fathers,” however, looked with deep ambivalence upon<br />

the nation’s relationship to the expansion of its own state. That generation<br />

of Americans had grown up in the tradition of English mercantile<br />

imperialism, and it was such an empire that the US embraced. “Our<br />

Rising American Empire,” as contemporaries often called it, was initially<br />

to consist of the North American continent from the east coast to the west<br />

– with Canada, if possible, as the “14th colony.” The Caribbean was seen<br />

from early on as the “American Mediterranean,” and Jefferson included<br />

all of Latin America in “our hemisphere.” The continental expansion<br />

ended with the conquest of half of Mexico and the acquisition of Alaska in<br />

1867. Yet the newly-acquired, vast regions that were added to the coastal<br />

states were not governed as colonial territories, but were rather absorbed<br />

into the Union as equal states. This was entirely in line with the settlers’<br />

democratic right of self-determination granted by the shrewd membership<br />

mechanism of the “Northwest Ordinance” (1787). After winning<br />

through revolution its own emancipation from Britain – and with it, a<br />

fundamental liberal-democratic consensus – the US had no wish to<br />

become a colonial master over second-class colonial subjects.<br />

England’s “Informal Empire” remained the greatly admired model<br />

for the American power elites into the nineteenth and twentieth centuries.<br />

Characterized by economic hegemony and trade agreements, military<br />

bases, and maritime dominance, here was an ingenious way of avoiding<br />

the financial, political, administrative, and military strain of formal<br />

colonial rule – to say nothing of the glaring injustice to the democratic<br />

principle of self-government. The outcome of the American expansion<br />

overseas, set in motion in the 1880s by the “New Imperialism” and especially<br />

the Spanish-American War of 1898, shows this as well. The<br />

Caribbean ultimately became part of the American “sphere of influence,”<br />

but Cuba was informally controlled rather than annexed. Puerto Rico was<br />

originally thought of merely as a naval base. Hawaii and Guam were subsequently<br />

annexed but only to serve as intermediate stops on the way to<br />

East Asia. In essence, the most important war aim of 1898 was to come<br />

closer to the Asian market, whose potential at the time was grossly overestimated.<br />

A naval base in the Spanish Philippines was initially considered<br />

to enable close participation in the power struggle over China. With<br />

the disintegration of the Spanish colonial empire and the competition<br />

between rival countries that resulted, the Philippines intermittently<br />

became a formal American colony. Just thirty years later, the country was<br />

granted independence – long before general decolonization began.<br />

From that point on, the US assumed no formal colonial rule. It<br />

remained true to the commercial advantages and political vindications of<br />

the model of “informal empire,” even during the Cold War and the war in<br />

Vietnam. Nor will Iraq be an American colony. Even a short-term colonial-style<br />

protectorate would bring immense disadvantages. In short:<br />

though the US has participated from the start in the process of “empirebuilding,”<br />

since the conquest of its own continent, it has limited itself to<br />

Global primacy, combined with<br />

the shock of September 11, has<br />

triggered a fatal reaction:<br />

the current Bush administration’s<br />

doctrine of preventive war.<br />

wielding an indisputably heavy influence abroad, securing it with bases,<br />

trade agreements, and commercial influence. In doing so, it has been able<br />

to pursue its enormous economic potential and its political interests, all<br />

under the sign of the free-trade “Open Door” policy. The approach is not<br />

only similar to that of Victorian England, but also to the Roman Empire,<br />

which for years operated just as successfully with the same techniques. It<br />

is undoubtedly difficult today to subject the expansionist thrust of the<br />

American economy (or more specifically, of multinational corporations)<br />

to binding regulations, which will have to be repeated in an international<br />

framework. The nineteenth-century nation-states were able to subject<br />

unruly capitalism to regulations. But, apart from a brief interlude in the<br />

late nineteenth century, the spread of American influence does not<br />

amount to direct, formal colonial rule.<br />

The Soviet collapse conferred sole superpower status upon the US,<br />

but China will soon establish itself as a regional hegemonic power, India is<br />

striving for a similar role, and Russia will undoubtedly recover. The fact<br />

remains, however, that the US will be the only major world power for some<br />

time to come. History has shown that this role is invariably accompanied<br />

by the obligation to intervene in the centers of conflict all over the world,<br />

be it amicably or militarily. Twelve years of global primacy, however, combined<br />

with the shock of September 11, have triggered a fatal reaction: the<br />

current Bush administration’s doctrine of preventive war. The presumption<br />

that danger zones can be preventively eliminated by virtue of one’s<br />

own superiority calls into question a fundamental principle of interna-<br />

16 Number Six | <strong>Spring</strong> <strong>2003</strong>


tional law, which allows for such action only in extreme cases of selfdefense.<br />

Now, on the basis of debatable information gathered by its intelligence<br />

apparatus, the American hegemon has decided to go it alone. The<br />

war in Iraq is not a war for oil – as a biased and vulgar Marxism stubbornly<br />

asserts – but rather a far more dangerous war of demonstration. This war<br />

sets out to prove in effect the hegemon’s willingness and ability to intervene.<br />

But, as with all preventive wars, the war in Iraq is fraught with consequences<br />

that, as every cost-benefit-analysis illustrates, question its greater<br />

good. The power vacuum that will follow the destruction of Saddam’s<br />

regime; the Kurdish thirst for independence; Turkey’s aggressive willingness<br />

to intervene; the threat to Israel; the mobilization of fanatic Arab<br />

masses; the diffusion of a fundamental hatred against the West; the support<br />

of terrorism. So begins a long list of pernicious consequences.<br />

A B<br />

The fact that American nationalism (customarily known by its<br />

euphemism “patriotism”) is once again taking pains to justify itself indicates<br />

a more long-standing problem. The missionary sense of purpose<br />

characteristic of most forms of nationalism has, with America, too, exerted<br />

a profound influence since the formation of the Union. The first settlers<br />

on the coast of “New” England, fleeing persecution at home,<br />

brought with them the puritanical belief that they were a “chosen people.”<br />

This belief transformed the emerging community, first through religious<br />

dogma and later in secular form, into the “New Zion,” the new<br />

“American Israel,” the “new Jerusalem,” and the “shining city on the hill.”<br />

For this people, a homestead was to be created, one that distanced itself<br />

from Old World vices and oppression. Along with these hopes came the<br />

expectation that this unique community would serve the entire world as a<br />

In Germany, the consciencemotivated<br />

protest against the war is<br />

respectable. But a realistic and<br />

responsible political position it is not.<br />

model. Thus, the seventeenth-century theologian Jonathan Edwards<br />

spoke of the colonies as “Renovator of the World.” From the very outset of<br />

the American Revolution, this missionary purpose flowed into the budding<br />

national self-awareness. Whence the motto still emblazoned on the<br />

great seal of the United States: Novus Ordo Seclorum (a new order of the<br />

ages). The new country was to point the way for the world as a “beacon<br />

for oppressed mankind.” Authors like Ralph Waldo Emerson and Walt<br />

Whitman sounded the note of salvation. In 1866, Senator Nathaniel P.<br />

Banks expressed his conviction that the US must “enlighten and civilize<br />

the rest of the world.” Thus was the religious doctrine of superiority<br />

based on the puritan “covenant” subsequently reshaped into a worldly<br />

union of exemplary republicans. What emerged was a hinge joining<br />

Calvinist predestination with secular Messianism.<br />

Apparently, the favorable effects of such righteousness on the<br />

model republic were nothing short of inevitable. Continental expansion<br />

could thus be seen as midwife to an almost natural tendency. Before the<br />

Civil War, Parke Goodwin continued to speak of the “natural law” of<br />

American expansion, which, according to Theodor Parker, Americans<br />

were destined to export “unintentionally as the instrument of God.” The<br />

theory, extant since antiquity, that the center of power migrated from<br />

East to West was seen from the eighteenth century on to apply to<br />

America. It was an article of faith for the “founding fathers” and general<br />

public alike that America represented the culmination of this providential<br />

power. Jedidiah Morse treated this ideal as a fact in his famous<br />

American Geography of 1792, in which he predicted that the “American<br />

empire” would be both the “last phase” and “the largest empire that was<br />

ever created.” At the end of the nineteenth century, Brooks Adams<br />

(Henry’s brighter brother) associated this teleological doctrine with the<br />

increasingly discernable industrial supremacy of the US.<br />

The central motif of Manifest Destiny (1835–45) intertwined the<br />

notion of divine destiny with the nation’s own envisioned objectives, suggesting<br />

that the US was predestined to dominate the continent and the<br />

world. Even at the turn of the century, the famous journalist William<br />

Allen White was still referring to “Our Manifest Destiny of the conquest of<br />

the world,” for “the chosen people of America . . .” And Albert Beveridge,<br />

a fixture in the Senate, considered “God’s great plan” to be revealed<br />

simultaneously “in the Trinity of America’s wealth, America’s supremacy,<br />

[and] America’s empire.” Material profit was to be expected, but the<br />

much more important goal remained the world’s “deliverance” by means<br />

of its Americanization.<br />

The leitmotif of American nationalism was thus deeply anchored<br />

by the beginning of the twentieth century. In the two World Wars and<br />

during the crises that followed, the intention was always the creation of a<br />

“new world order” under altruistic American leadership. One can<br />

observe variations of the same model in the envisioned objectives of presidents<br />

Wilson, F.D. Roosevelt, Kennedy, and both George H.W. Bush and<br />

George W. Bush. In its current form, the familiar religious message is particularly<br />

strong: that America has a historic world mission to fulfill and is<br />

predestined to be the global superpower. Thus, one dilemma of the new<br />

preventive war lies in the fact that the plausible calculation of interests –<br />

the elimination of an inhumane dictatorship with weapons of mass<br />

destruction – is cloaked in the traditional rhetoric of mission. It is no surprise<br />

that this religious claim to superiority has unleashed protest the<br />

world over.<br />

American interest politics would be far more convincing if it were<br />

disassociated from the political religion of nationalism. Traditions that<br />

ascribe a mission to a “chosen people” tend to have a fatal legacy. History<br />

suggests that such radical criticism of nationalism is only possible in the<br />

wake of shocking events of the type Europe experienced in the two World<br />

Wars. Until now, however, America has won all its major wars, and has<br />

filed these successes under the category of “just wars.” Let us hope that<br />

with the help of its well-developed talent for self criticism, America will<br />

nevertheless be able to distance itself from its own nationalism. Only<br />

then will its superpower status be more tolerable to the rest of the world.<br />

A B<br />

Regardless of how its missionary nationalism unfolds, America will<br />

remain the world’s leading power for the foreseeable future. In light of<br />

this fundamental configuration, German politics since the summer of<br />

2002 has embodied a host of conspicuously flawed long-term decisions.<br />

This fall, with the prospect of war in Iraq growing more and more likely,<br />

The Berlin Journal 17


Chancellor Schröder pursued reelection under the “primacy of domestic<br />

politics.” Exploiting the popular desire for peace and linking this precarious<br />

game with the propagation of a new “deutscher Weg,” he chose to<br />

ignore the disastrous precedent set in the nineteenth and twentieth centuries<br />

by the German Sonderweg, an idea that was fully discredited by history.<br />

In fact, the situation does not call at all for a German way but rather<br />

a European one. Europe should have immediately sought a common position<br />

in order to raise timely critical objections to its friend, the American<br />

superpower (though it would likely have had to do so without Blair’s<br />

England). Failing to consider the consequences that a self-righteous<br />

deutscher Weg might produce, a dangerous tension was risked – especially<br />

considering the fact that Washington had not requested direct German<br />

military support. German foreign affairs began to deteriorate. The<br />

momentum of the anti-war campaign became a sole source of approval<br />

for a government whose economic, social, health, and education politics<br />

had totally failed up to that point. The rise of anti-Americanism distinctly<br />

registered in the opinion polls came to be accepted in exchange for public<br />

approval. In eastern Germany, this anti-Americanism appeared as an<br />

American policy would be far<br />

more convincing if it were<br />

disassociated from the political<br />

religion of nationalism.<br />

almost seamless continuation of the distorted political mentality of the<br />

late gdr. Once this erroneous course was set, new mistakes almost<br />

inevitably followed: the spectacle over the awacs crews (as if the Federal<br />

Republic could step out of rank on its own without a nato Security<br />

Council resolution); the farce of American fly-over rights; and yet, ultimately,<br />

coy participation – in the form of contribution of computer<br />

experts, reconnaissance tanks, and warships.<br />

The fact that this course has found wide acceptance in a country<br />

whose post-1945 “reeducation” seems to have been successfully completed<br />

by no means indicates that it is a wise course in the long run. In<br />

December 1979, too, there was widespread protest against nato’s brilliant<br />

Double Resolution, which put considerable pressure on the Soviet<br />

Union through the threat of short-range nuclear missiles in Europe and<br />

the simultaneous offer to negotiate. Luckily at the time, the Federal<br />

Government remained steadfast in the face of public opposition, and the<br />

treaty’s ultimate success – the fact that the ussr sealed its fate with its<br />

own arms build-up – should actually serve as a lesson. Today’s overwhelmingly<br />

conscience-motivated protest against the war is also<br />

respectable. But a realistic and responsible political position it is not.<br />

America is and will remain a prominent member of the Western world. It<br />

lives from European traditions. We marvel its political system, its language,<br />

its literature, and its ability for self-criticism and regeneration. On<br />

the other hand, which European can find something remotely attractive<br />

in a future Chinese, Indian, or Russian superpower – let alone be content<br />

with such splendid allies as Russia and China?<br />

A middle-sized European country like the Federal Republic can in<br />

no way afford the Wilhelmine posturing of a deutscher Weg. In a disagreement<br />

with a long-standing ally – who happens to be a superpower – there<br />

is only one path to take: to raise European objections emphatically,<br />

confidentially, and at a certain distance from the marketplace of public<br />

opinion. And if such objections are not heeded, and a misguided America<br />

nonetheless asserts its unilateralism, Berlin must accept the burden,<br />

along with all its unforeseeable consequences, with composure, selfconfidence,<br />

and the dignity of a legitimate position, without malice or<br />

heightened emotion. For, opinion polls notwithstanding, any reasonable<br />

calculation of interests demands the cultivation of a close relationship<br />

with the sole world power. o<br />

Translated by Daniel Huyssen<br />

Hans-Ulrich Wehler is professor of history at the University of<br />

Bielefeld. The fourth book in his multi-volume history of German society,<br />

Deutsche Gesellschaftsgeschichte (1914–1949), is forthcoming. A fifth volume<br />

is in preparation.


NOTEBOOK ofthe ACADEMY<br />

Encouraging<br />

Support<br />

The Hans Arnhold Family Leads<br />

with a Challenge Grant<br />

The Anna-Maria and Stephen Kellen<br />

Foundation and the descendants of Hans<br />

and Ludmilla Arnhold launched the year<br />

with the announcement of a timely challenge<br />

grant. The grant is designed to<br />

attract corporate support from both sides<br />

of the Atlantic to the American Academy<br />

in Berlin. The family generously pledged<br />

to contribute one million dollars over four<br />

years, provided that ten corporations<br />

pledge substantial support as well. “It is<br />

our hope that once corporations become<br />

acquainted with the valuable work of the<br />

Academy, they will continue their sponsorship,”<br />

said Academy trustee Stephen<br />

M. Kellen when the challenge was issued.<br />

In a letter to Stephen and Anna-Maria<br />

Kellen, Academy president Robert H.<br />

Mundheim voiced his optimism about<br />

meeting the Arnhold family’s fundraising<br />

expectations. “I am confident we will meet<br />

the challenge and use it as a platform to<br />

broaden and deepen our pool of support.”<br />

The rallying cry was heard, and by late<br />

March, a number of companies had<br />

indeed responded. Donations have taken<br />

both the form of membership in the<br />

President’s Circle for two or more years,<br />

as well as larger grants. Citigroup,<br />

DaimlerChrysler, Dürr AG, KPMG, Marsh<br />

& McLennan Holdings GmbH, Porsche<br />

AG, and Schering AG have made pledges.<br />

The law firm of Weil, Gotshal & Manges<br />

has also renewed its membership in the<br />

President’s Circle for an additional<br />

two years.<br />

Since the Academy’s inception in 1997,<br />

the Arnhold family has been the institution’s<br />

principal benefactors, earmarking<br />

funds for improvements to the Hans<br />

Arnhold Center on Lake Wannsee and supporting<br />

a rich array of programs.<br />

Corporate funds raised through the challenge<br />

grant may be applied to a number of<br />

areas, from the funding of fellowships, lectureships,<br />

and program highlights, to capital<br />

improvements and general support for<br />

the Academy.o<br />

Strengthening the Foundation<br />

Joseph Neubauer Joins Academy Board of Trustees<br />

Joseph Neubauer joined the American<br />

Academy’s board of trustees on<br />

November 1, 2002. He is chairman and<br />

chief executive officer of ARAMARK<br />

Corporation, a world leader in managed<br />

services – providing food, facility and<br />

support services, and uniform and<br />

career apparel.<br />

Born in 1941 in Israel to refugees<br />

who had fled Germany in 1938,<br />

Neubauer came to the United States on<br />

his own when he was just fourteen. He<br />

began his career in the corporate world at<br />

Chase Manhattan Bank in 1965, after<br />

receiving a degree in chemical engineering<br />

from Tufts and an mba from the<br />

University of Chicago. He went on to hold<br />

executive positions at Chase and PepsiCo<br />

before joining ARA Services – later<br />

known as ARAMARK Corp. – in 1979. In<br />

1983, he became chairman and ceo of the<br />

corporation and oversaw its privatization<br />

that following year, successfully fending<br />

off two takeover bids. Last year, he helped<br />

the company go public again. Of<br />

ARAMARK’s more than 200,000<br />

employees in 17 countries, some eight<br />

thousand of them have a financial stake<br />

in the company. As he told Business Week<br />

last September, “We have an obligation<br />

to our people. We’ve always wanted to<br />

control our own destiny.”<br />

Neubauer’s philanthropic commitments<br />

are impressive. A champion of<br />

higher education, Neubauer was elected<br />

to the Horatio Alger Association of<br />

Distinguished Americans in 1994. He<br />

serves as board member to Tufts<br />

University, the Jewish Theological<br />

Seminary, and the University of Chicago.<br />

The Neubauer Family Foundation, which<br />

he runs with his wife Jeanette Lerman-<br />

Neubauer, has given abundantly to educational<br />

institutions. When the foundation<br />

funded a graduate fellowship<br />

program in the Humanities division at<br />

the University of Chicago, it was the<br />

largest sum ever given to that division of<br />

the university. “These scholarships<br />

embody things that matter so much to<br />

me,” Neubauer said at the time.<br />

The scholarly and cultural project of<br />

the American Academy in Berlin matters<br />

to him, too. Neubauer’s extraordinary<br />

management abilities, commitment to<br />

scholarly pursuits, and keen sense of<br />

social responsibility make him an ideal<br />

member of the Academy’s board. “I am<br />

delighted that Joe has agreed to serve on<br />

our board,” said longtime trustee Karl<br />

von der Heyden. “We both have roots<br />

and family in Germany, and we both<br />

were youngsters when we came to<br />

America, where we have known each<br />

other for thirty years. Besides, Joe’s company,<br />

ARAMARK, has extensive operations<br />

in Germany. All of this means that<br />

the cultivation of good relations between<br />

our two countries comes naturally<br />

to him.”o<br />

The Berlin Journal 19


Corporate Fellowship<br />

The Gillette Company and Citigroup Establish Named Stipends<br />

Guest Appearances<br />

Notes from the <strong>Spring</strong> Program<br />

Citigroup and The Gillette Company, two<br />

major transatlantic corporations known<br />

for their philanthropic spirit, are funding<br />

new fellowships at the American<br />

Academy in Berlin in the <strong>2003</strong>–04 academic<br />

year. Each fellowship will enable one<br />

Berlin Prize recipient to spend a semester<br />

of work and study at the Hans Arnhold<br />

Center. As the Academy’s executive<br />

director Gary Smith points out, “neither<br />

grant is restricted to a particular field.<br />

Thus the only criteria for selection is<br />

excellence.”<br />

Svetlana Boym, Curt Hugo Reisinger<br />

Professor of Slavic Languages and professor<br />

of comparative literature at Harvard<br />

has been named the Gillette Fellow for<br />

the fall semester. She will work on a<br />

cultural history of the concept of freedom<br />

in nineteenth- and twentieth-century<br />

Russia.<br />

The Citigroup Fellow, noted art historian<br />

T.J. Clark, holds the George C. &<br />

Helen N. Pardee Chair at the University of<br />

California, Berkeley, and will take up his<br />

fellowship in the fall semester. Clark, a<br />

leading expert on European modern art<br />

and culture, will work on Picasso,<br />

Mondrian, and modernism in Paris<br />

between 1925 and 1933. o<br />

The American Academy welcomed two<br />

Distinguished Visitors and a host of<br />

other special guests to the Hans Arnhold<br />

Center during the spring semester. Harry<br />

Frankfurt, emeritus professor of philosophy<br />

at Princeton came to Berlin this<br />

April for a two month’s stay at the Academy.<br />

In the middle of the month, he presented<br />

his lecture “Some Mysteries of Love,”<br />

a talk based on one of three prestigious<br />

Romanell-Phi Beta Kappa Lectures he<br />

gave at Princeton in 2000. All three lectures,<br />

including “How Should We Live?”<br />

and “The Dear Self,” will be published<br />

next winter in The Reasons of Love.<br />

Frankfurt has long been interested in how<br />

people see themselves morally and intellectually,<br />

how love and non-moral goals<br />

are relevant to issues of practical reason,<br />

and how ideals and values shape our<br />

lives. His books include The Importance of<br />

What We Care About (1988) and Necessity,<br />

Volition and Love (1999).<br />

Harvey Pitt, who served until recently<br />

as chairman of the US Securities and<br />

Exchange Commission, arrived in Berlin<br />

in late April and presented a lecture,<br />

“Restoring Investor Confidence: The Role<br />

of Regulators and Regulations.”<br />

Additional events during the Distinguished<br />

Visitor’s stay in Germany included<br />

interviews with national newspapers<br />

such as Die Zeit and a meeting with the<br />

editors at <strong>Spring</strong>er Verlag. Pitt also met<br />

with small groups in Frankfurt and<br />

Munich, where he gave an opening<br />

speech at the Munich Economic Summit.<br />

Appointed 26th chairman of the SEC by<br />

President Bush in August 2001, Pitt<br />

presided over a tumultuous time at the<br />

Commission. During a period marked by<br />

corporate scandal, the bursting of the<br />

1990s stock-market bubble, and widespread<br />

clamor to repair a damaged system<br />

of corporate surveillance, Pitt<br />

became a crucial figure in the debates<br />

over reforming the accounting industry.<br />

He led the SEC through late February<br />

<strong>2003</strong>, when he was succeeded by William<br />

H. Donaldson. Prior to chairing the SEC,<br />

Pitt worked as a prominent corporate<br />

lawyer and lobbyist in Washington in the<br />

1980s and 1990s. He has also taught at<br />

various law schools, among them the<br />

Georgetown University Law Center, the<br />

George Washington University Law<br />

School, and the University of<br />

Pennsylvania School of Law and is currently<br />

ceo of the global consulting firm,<br />

Kalorama Partners, llc.<br />

Academy trustees provided a number<br />

of highlights to the spring program.<br />

Academy president Robert H. Mundheim<br />

spoke in early March with founding<br />

trustee Kurt Viermetz about “best practices”<br />

of corporate governance in the US<br />

and Germany. One would be hard<br />

pressed to find two more experienced<br />

partners for such a dialogue. Viermetz<br />

was vice president at J. P. Morgan from<br />

1990 until his retirement in 1998 and<br />

served as chairman of the Hypo<br />

Vereinsbank supervisory board.<br />

Mundheim, an attorney and former dean<br />

of the University of Pennsylvania School<br />

of Law, is presently Of Counsel at<br />

Shearman & Sterling. He both chaired<br />

the American Bar Association’s recent<br />

task force on corporate governance and<br />

also served on the nasd’s task force on<br />

this subject. The discussion was one of a<br />

new series of JPMorgan Economic<br />

Policy Briefs.<br />

Later that month, Academy trustee<br />

Robert Pozen inaugurated a new annual<br />

lecture series at the Hans Arnhold<br />

Center: the Fidelity Investments Lecture.<br />

He spoke on “Global Trends in Retirement<br />

Systems.” The event was part of the<br />

ongoing Berlin Economic Policy Forum,<br />

an Academy program designed to foster<br />

discussion of key policy issues affecting<br />

both Germany and the US. Pozen,<br />

who recently retired from his position<br />

as vice chairman of Fidelity Investments<br />

and president of Fidelity Management<br />

& Research Company, currently serves<br />

as Secretary of Economic Affairs for<br />

Massachusetts governor Mitt Romney<br />

and is a visiting professor at Harvard<br />

Law School. The lecture and subsequent<br />

discussion was moderated by Klaus C.<br />

Engelen, diplomatic correspondent<br />

for Handelsblatt.<br />

The next day in Dresden, esteemed<br />

Academy trustee John C. Kornblum delivered<br />

the semester’s Lisa and Heinrich<br />

Arnhold Lecture at the Villa Salzburg, in<br />

cooperation with the Dresden Heritage<br />

foundation. The former US Ambassador<br />

to Germany and current chairman of<br />

Lazard Frères & Co. in Germany<br />

addressed the topic of change in the postcold-war<br />

world. Ambassador Kornblum<br />

has been an audible and diplomatic voice<br />

in the current public debate in Germany<br />

on transatlantic and world politics.<br />

Our journal went to press in early<br />

May, just before the launch of another<br />

high-profile lecture series: the Fritz Stern<br />

Lecture. The series, named in honor of<br />

the founding trustee and distinguished<br />

scholar of German history, is to be inaugurated<br />

by legal scholar Dieter Grimm, a<br />

Karen Yasinsky, Animal Behavior, dvd projection stills, <strong>2003</strong><br />

20 Number Six | <strong>Spring</strong> <strong>2003</strong>


former Justice on the German Constitutional<br />

Court. Grimm currently heads the<br />

Wissenschaftskolleg zu Berlin,<br />

Germany’s most important institute for<br />

advanced study. Grimm addressed the<br />

topic of German and American constitutionalism.<br />

The Stern lectureship, generously<br />

endowed by Henry Arnhold, the<br />

firm of Arnhold and S. Bleichroeder, Inc.,<br />

as well as Fritz Stern’s principal German<br />

publisher, Beck Verlag, was announced<br />

last year.<br />

Literary guests at the Hans Arnhold<br />

villa this spring include Berlin-based<br />

author Jeffrey Eugenides, who held a<br />

Berlin Prize at the Academy during the<br />

2000–01 year. He will read from his prizewinning<br />

novel Middlesex in mid May. The<br />

Academy also hosted a dinner in honor of<br />

his former Princeton student, Jonathan<br />

Safron Foer, whose successful new novel<br />

Everything is Illuminated saw German publication<br />

in March.<br />

A number of public as well as private<br />

meetings were organized by the Academy<br />

in order to address, if not assuage, current<br />

political tensions. Legal scholar Ruth<br />

Wedgwood visited the Academy in early<br />

January. As part of the ongoing<br />

“Streitraum” series at the Schaubühne<br />

Berlin, Wedgwood sparred with writer<br />

and novelist Tariq Ali over the Iraq crisis.<br />

The segment was co-organized with the<br />

Academy and the Goethe Forum. A<br />

breakfast meeting in late February with<br />

cdu head Angela Merkel resulted in a<br />

portrait in the Financial Times by current<br />

JPMorgan Fellow and FT columnist<br />

Amity Shlaes. One month later, at the<br />

request of German Environmental<br />

Minister Jürgen Trittin, the Academy<br />

organized a discussion at the Hans<br />

Arnhold Center with American intellectuals<br />

including Haniel Fellow David Rieff,<br />

New York Times Berlin bureau chief<br />

Richard Bernstein, economist Adam S.<br />

Posen, visiting economist Howard Rosen,<br />

and National Interest editor Adam<br />

Garfinkle. Posen, who was a Bosch Fellow<br />

at the Academy during the 2000–01<br />

academic year and is currently senior<br />

fellow at the Institute for International<br />

Economics, also gave a lecture on the<br />

topic of monetary policy – another<br />

installment in the Berlin Economic Policy<br />

Forum. In April, the Academy hosted a<br />

meeting between German Interior<br />

Minister Otto Schily and a similar group<br />

of fellows. John Reilly, former president<br />

of the Chicago Council on Foreign<br />

Relations, stayed at the Academy for several<br />

weeks in April and early May, with<br />

the support of the Robert Bosch Stiftung.<br />

He led a seminar exploring the topic of<br />

American hegemony.<br />

Finally, in mid-May, Doug Daft, chairman<br />

and chief executive of the Coca Cola<br />

Company, will visit the Hans Arnhold<br />

Center to address a lunchtime audience<br />

of business, policy, and media leaders<br />

invited by Ambassador Holbrooke.<br />

Daft’s topic – “Recalibrating<br />

Relationships in the Twenty-first<br />

Century” – is one in which he has no<br />

small expertise. Perhaps no one is in a<br />

better position to understand the role of<br />

multinational companies in the world<br />

today. Daft joined Coke in 1969 in his<br />

native Sydney, Australia, acquired extensive<br />

experience in Asia, and became<br />

president of the company’s Middle and<br />

Far East Group in 1995. In 1999 the<br />

Africa Group and Schweppes Beverage<br />

division also came within his purview.<br />

Chairman and ceo since February 2000,<br />

he also currently chairs the Hong Kong-<br />

US Business Council (US section) and<br />

serves on the boards of countless business<br />

groups and philanthropic organizations.<br />

o<br />

Another Encomium for Eugenides<br />

Middlesex Wins the Pulitzer Prize for Fiction<br />

Hearty congratulations to Academy alumnus Jeffrey Eugenides,<br />

whose novel Middlesex just won the <strong>2003</strong> Pulitzer Prize for fiction.<br />

Middlesex is the tragicomic life story of a hapless hermaphrodite<br />

in suburban Detroit – and the epic history of the warped gene that<br />

caused the mischief in the first place. It comes out in German next<br />

fall from Rowohlt Verlag.<br />

Published by Farrar, Straus and Giroux in September 2002,<br />

Eugenides’ book was instantly hailed as a stroke of genius. Author<br />

Jonathan Franzen called it “a weird, wonderful novel that will<br />

sweep you off your feet,” and the New York Times described it as<br />

“an uproarious epic about misplaced identities and family<br />

secrets.” Middlesex was named a National Book Critics Circle<br />

Finalist. The Pulitzer, one of America’s most prestigious literary<br />

awards, consolidates this success. Eugenides’ first novel,<br />

The Virgin Suicides, was a bestseller in the early 1990s.<br />

He recently spoke to Deutsche Welle about the unusual choice of<br />

subjects: “What I do is take something that might sound freaky at<br />

first and make it very normal. . . . The idea of hermaphrodites is<br />

really symbolic of the change we all go through at puberty and the<br />

sexual confusion that we all have at adolescence. But all I can say<br />

is that the books I’ve written sound extreme, but they’re actually<br />

about experiences that, I think, everyone goes through.”<br />

Eugenides worked on Middlesex in Berlin during his fellowship<br />

year at the Academy (2000–01) following a year supported by the<br />

DAAD. He has stayed on in Berlin ever since, with his wife, artist<br />

Karen Yama and their daughter, and has been a frequent guest at<br />

the Academy. In mid May, Eugenides will return to the<br />

Hans Arnhold Center’s podium to read from his Pulitzer-prize<br />

winning novel. o<br />

The Berlin Journal 21


Alumni Accomplishments<br />

Keeping up with Our Scholars<br />

Alumni writers and critics have been<br />

busy. Two pieces that Jane Kramer (fall<br />

’01, fall ’02) worked on from Berlin last<br />

fall have been published in the New Yorker:<br />

“Resentments,” a ‘Talk of the Town’ piece<br />

reporting on the outcome of the German<br />

elections, and, this January, “Refugee:<br />

an Afghan Woman who Fled Tyranny on<br />

Her Own.” Back in New York from his<br />

recent stay in Berlin, Alex Ross (fall<br />

’02) has resumed writing music criticism<br />

for the New Yorker. A major feature<br />

discussing Adorno and the musical<br />

“ghosts” that have haunted Germany since<br />

the Nazi period appeared in late March.<br />

Other pieces this year have discussed<br />

the pianist Mitsuko Uchida, the life work<br />

of composer Lou Harrison, the recent<br />

premiere of Nicholas Maw’s opera<br />

Sophie’s Choice in London, and productions<br />

in Berlin and New York of Janacek’s<br />

opera Jenufa.<br />

Susan Sontag (Distinguished Visitor,<br />

fall ’01) has just published a new book on<br />

photography, Regarding the Pain of Others.<br />

Michiko Kakutani in the New York Times<br />

this March called it “a nuanced – even<br />

ambivalent – book. A revisionistic coda of<br />

sorts to On Photography.” (Excerpts were<br />

included in the fall 2001 issue of the Berlin<br />

Journal and published in the New Yorker.)<br />

Sontag’s “Argument about Beauty” came<br />

out in the fall 2002 issue of Daedalus.<br />

Other articles have included “How Grief<br />

Turned into Humbug” in the New Statesman<br />

and an interview with German actress<br />

Hanna Schygulla in the Village Voice.<br />

Rowohlt Verlag will publish a German<br />

edition of the Pulitzer-winning Middlesex<br />

by Jeff Eugenides (2000–01) next fall.<br />

In February, Aris Fioretos (spring ’02)<br />

read at the Literarisches Colloquium<br />

Berlin from the German translation of his<br />

recent novel The Truth about Sascha Knisch<br />

(originally published in Swedish). The reading<br />

was subsequently broadcast by<br />

Deutschlandfunk. “Stalin Dreaming,” a<br />

short story by Ann Harleman (fall ’00),<br />

won the 2002 Zoetrope All-Story Award, a<br />

national contest with a prize and publication.<br />

She continues to publish book<br />

reviews in the New York Times and the<br />

Boston Globe.<br />

The Weather in Berlin, the novel by<br />

Ward Just (spring ’99) that saw publication<br />

last July, continued to inspire<br />

reviewers last fall. While others praised<br />

the book for its great plot and sensitive<br />

depiction of Americans in Europe, the<br />

Virginia Quarterly Review announced that<br />

“the endless play of vision and re-vision<br />

signaled by imagery of lenses and multiple<br />

mirrors implicates and problematizes<br />

… the Novel itself.”<br />

Simone di Piero (fall ’02) will be<br />

poet-in-residence at the Center for the<br />

Writing Arts at Northwestern University<br />

next fall. Ellen Hinsey (spring ’01) was<br />

given special mention by the United Poets<br />

Coalition for her collection The White Fire<br />

of Time. The arts campaign has gained<br />

international recognition for its “Poets<br />

for Peace Reading Series” launched in the<br />

aftermath of September 11. The Operated<br />

Jew, a play by the Pulitzer-prize winning<br />

poet C.K. Williams (fall ’98), received a<br />

staged reading last year at a Traveling<br />

Jewish Theater (ajat) in San Francisco<br />

and was chosen for a main stage production<br />

there in <strong>2003</strong>. The tragic comedy set<br />

in pre-Nazi Germany is Williams’s first<br />

play, written during his fellowship term<br />

at the Academy.<br />

Recent scholarly alumni publications<br />

include Nabokov at Cornell, edited by<br />

Gavriel Shapiro (fall ’99), professor of<br />

Russian literature in the same department<br />

where the celebrated writer taught<br />

between 1948 and 1958. Sander<br />

Gilman (2000–01) has, in addition to<br />

penning an op-ed for the New York Times<br />

this December (“Plastic Surgery Goes<br />

Prime Time”), continued to write on<br />

books. Last fall, these included reviews of<br />

Hal Heilman’s Great Feuds in Medicine:<br />

Ten of the Liveliest Disputes Ever in the<br />

American Journal of Psychiatry and<br />

Gabriella Safran’s Rewriting the Jew:<br />

Assimilation Narratives in the Russian<br />

Empire in the Slavic Review.<br />

Kafka scholar Mark Harman<br />

(spring ’01) contributed another essay<br />

to the literary journal Sinn und Form,<br />

“Dr. Kaesbohrer and the Doll letters.”<br />

Historian James Sheehan’s book on<br />

German museums appeared last year<br />

in a German translation,Geschichte der<br />

deutschen Kunstmuseen. Von der fürstlichen<br />

zur modernen Sammlung, and met<br />

with favorable reviews in the Süddeutsche<br />

Zeitung and other German papers. The<br />

spring ’01 fellow continues his work on a<br />

history of sovereignty in twentieth-century<br />

Europe. Jeremy King (fall ’99) is<br />

now a tenured associate professor in the<br />

history department of Mount Holyoke<br />

College. The book he worked on while at<br />

the American Academy – Budweisers into<br />

Czechs and Germans: a Local History of<br />

Bohemian Politics, 1848–1948 – has just<br />

come out. Anthropologist Ruth<br />

Mandel (fall ’00) co-edited Markets and<br />

Moralities. Ethnographies of Postsocialism<br />

with Caroline Humphrey.<br />

Also newly released is the aptly titled<br />

Harsh Justice: Criminal Punishment and<br />

the Widening Divide between America and<br />

Europe by James Whitman (spring ’00).<br />

Other essays published this year by the<br />

Yale legal scholar include “The European<br />

Transformation of Harassment Law:<br />

Discrimination versus Dignity” in the<br />

Columbia Journal of European Law; “Long<br />

Live the Hatred of Roman Law!” in<br />

Rechtsgeschichte (<strong>2003</strong>); and “From Nazi<br />

‘Honor’ to European ‘Dignity’” in Joerges<br />

and Ghaleigh, eds., The Darker Legacy of<br />

European Law. This May in Goettingen,<br />

under the auspices of the Council of<br />

Europe, Whitman will lecture both on the<br />

topic of the absence of the European concept<br />

of “human dignity” in American law.<br />

The Harvard economist and London<br />

School of Economics professor Richard<br />

Freeman (fall ’01) is preparing several<br />

books for publication: Visible Hands:<br />

Labor Institutions in the Economy; The<br />

Labor Market Comes to China; and Seeking<br />

a Premiere League Economy (on the British<br />

economy). He continues to pen less specialized<br />

articles as well. His book with<br />

Kimbery Ann Elliot on sweatshops and<br />

western consumers is coming out this<br />

summer from the Institute for<br />

International Economics.<br />

Brian Ladd (spring ’99) has recently<br />

taught history and urban planning at<br />

Union College and at the State University<br />

of New York at Albany. An essay based<br />

on Ladd’s Berlin researches, “East Berlin<br />

Political Monuments in the Late German<br />

Democratic Republic: Finding a place<br />

for Marx and Engels,” saw publication<br />

in Jan 2002 in the British Journal of<br />

Contemporary History. Evonne Levy<br />

(2001–02) continues work on her book<br />

about Burckhardt’s analysis of the Jesuit<br />

style and has simultaneously entered<br />

other scholarly territory. Her article on<br />

the seventeenth-century “micro-sculptor”<br />

Ottaviano Janella was a cover story<br />

in The Burlington Magazine last July. At<br />

the annual conference of the Society of<br />

Architectural Historians this April she<br />

presented a talk on the reuse by the new<br />

German government of Berlin’s Nazi<br />

buildings. Art historian and comparatist<br />

W.J.T. Mitchell (spring ’02) recently<br />

published “The Surplus Value of<br />

Images,” in Mosaic: a Journal for the<br />

Interdisciplinary Study of Literature.<br />

The paintings and films of artist<br />

Sarah Morris (1999–2000) have been<br />

on view all over Europe this spring,<br />

including the “Eight Baltic Triennial of<br />

International Art” in Vilnius, Lithuania<br />

and the “Painting Pictures: Painting and<br />

Media in the Digital Age” show at the<br />

Kunstmuseum Wolfsburg. Vilnius is<br />

screening her film Capital (2000), which<br />

she worked on during her year at the<br />

Academy. The American’s work has even<br />

been included in the second Tate triennial<br />

of contemporary British art this<br />

spring. Of the film Miami on view at the<br />

Tate Britain’s North Duveen Sculpture<br />

Gallery, the New Statesman reported,<br />

“What raises [the work] from documentary<br />

to something approaching eulogy is<br />

the silence of the film and the pulse of the<br />

techno soundtrack, which comes to seem<br />

an articulation of the hidden force that<br />

everything obeys. More than a portrait,<br />

Miami is life itself.”<br />

The Hans & Grete video installation by<br />

Sue de Beer (2001– 02) was on view in<br />

New York at the Postmasters Gallery this<br />

February. The piece, which de Beer<br />

created in Berlin, travels to the LA gallery<br />

Sandroni Rey in May and will come to the<br />

Kunst-Werke Berlin in the early fall. The<br />

video will also be screened, alongside<br />

other work of de Beer’s, at MoMA during<br />

the <strong>2003</strong>–04 season and will be included<br />

in the “Adolescence and Contemporary<br />

Art” show at the Reina Sofia Museum in<br />

Madrid. Stephanie Snider (2000–01)<br />

returned to Berlin in April for a vernissage<br />

22 Number Six | <strong>Spring</strong> <strong>2003</strong>


of her paintings and drawings at the<br />

Einstein Forum. Jenny Holzer (spring<br />

’00) was awarded the prestigious Kaiserring<br />

(Emperor’s Ring) by the German city<br />

of Goslar. Cartoonist Ben Katchor<br />

(spring ’02) participated this March in a<br />

panel “Is Superman Jewish? Comics,<br />

Cartoons & Jewish Identity,” with Jules<br />

Feiffer (Distinguished Visitor, fall ’00),<br />

Nicole Hollander, and Geoffrey O’Brien<br />

at New York’s 92nd Street Y. Later in<br />

the month Katchor presented his “Great<br />

Museum Cafeterias of the Western World”<br />

talk at the University of Pennsylvania’s<br />

Graduate School of Fine Arts. He is<br />

still developing a music-theater show,<br />

The Slug-Bearers of Kayrol Island, with<br />

music by Mark Mulcahy, to open in<br />

New York toward the end of the year.<br />

As always, alumni composers have<br />

been busy, both at home and abroad. In<br />

late January, four of them were simultaneously<br />

in residence at the Hans Arnhold<br />

Center and attended Berlin performances<br />

of their works: alumni Martin<br />

Bresnick (spring ’01), Michael<br />

Hersch (2001–02), and Laura Elise<br />

Schwendinger (spring ’00) joined<br />

current composer-in-residence Kurt<br />

Rohde. Chamber works by Bresnick and<br />

Hersch were performed by members of<br />

the Berlin Philharmonic on January 21 in<br />

the Philharmonic’s Kammermusiksaal.<br />

The next night in the same hall,<br />

Schwendinger’s composition Celestial<br />

City was premiered by Spectrum<br />

Concerts Berlin as part of the ensemble’s<br />

fifteenth anniversary concert. At the<br />

end of the month, Bresnick’s quintet Just<br />

Time was featured in a chamber concert<br />

of American and European music performed<br />

by members of the Deutsches<br />

Symphonie-Orchester (dso) and broadcast<br />

from the Hans Arnhold Center on<br />

DeutschlandRadio.<br />

John Mauceri (spring ’00), conductor<br />

of the Hollywood Bowl Orchestra,<br />

spent an exhilarating late-winter week in<br />

Leipzig to conduct the Gewandhaus<br />

Orchestra in a program entitled<br />

“American Journeys.” The first half of the<br />

concert was devoted to the Seven Deadly<br />

Sins, which Weill and Brecht wrote from<br />

Paris in 1933, after fleeing Germany. The<br />

second half offered works by Hollywood<br />

legends John Williams, Ennio Morricone,<br />

John Barry and Elmer Bernstein, among<br />

others. Mauceri’s recording of Weill’s Der<br />

Protagonist, which he worked on while<br />

resident at the Academy, just won the<br />

Cannes Classical Music Award.<br />

“Lovaby,” an excerpt of Betsy Jolas’s<br />

opera Schliemann, was recently performed<br />

in Nice. In November, Jolas (fall<br />

’00) taught a masterclass at Yale, and she<br />

will be a visiting professor of composition<br />

next fall at the University of<br />

Michigan, Ann Arbor. From his home in<br />

New York State, composer George<br />

Tsontakis (spring ’02) continues to<br />

work on two pieces that he brought with<br />

him to Berlin last year, his Violin Concerto<br />

No. 2 (for concertmaster Steven Copes<br />

with the Saint Paul Chamber Orchestra)<br />

and a piano concerto for Stephen Hough<br />

with the Dallas Symphony (as well as the<br />

dso and the Athens State Orchestra).<br />

While composer alumni enjoyed<br />

a busy season at home and in Europe,<br />

Harvard musicologist and Bach scholar<br />

Christoph Wolff (spring ’01) was<br />

awarded the Adams University Professorship,<br />

one of the university’s most prestigious<br />

chairs.<br />

Several alumni have returned to this<br />

side of the Atlantic for further work and<br />

study. Economic historian Gerald<br />

Feldman (1998–99) received a triple<br />

helping of support from Berlin’s leading<br />

academic institutions for the 2002–03<br />

year. He was awarded the Alexander von<br />

Humboldt Fellowship for the winter<br />

semester at the Freie Universität Berlin, as<br />

well as fellowships from the Friedrich-<br />

Meinecke-Institut für Neuere Geschichte<br />

and the Wissenschaftszentrum Berlin<br />

(wzb). Walter Laqueur<br />

(Distinguished Visitor, spring ’02) is<br />

spending a year as a fellow at the nearby<br />

Wissenschaftskolleg zu Berlin. After his<br />

semester at the Academy, legal scholar<br />

Paul Schwartz (fall ’02) stayed on in<br />

Europe, working at the German Marshall<br />

Fund’s new transatlantic center in<br />

Brussels on his comparative study of data<br />

protection and security after September 11.<br />

Journalist Nina Bernstein (fall ’02)<br />

has filed several stories with the New York<br />

Times from Berlin this spring. Her report<br />

on the perception of America by Berlin<br />

youth ran in mid March, at a time of<br />

widespread German public criticism of<br />

the Bush Administration’s handling of<br />

the situation in Iraq. Bob Kotlowitz<br />

(fall ’98), who is honing a documentary<br />

project about Berlin produced by New<br />

York’s Channel 13, was also in town<br />

this winter.<br />

Joining the Academy’s selection committee,<br />

which met this January to select<br />

the class of <strong>2003</strong>–04 fellows from among<br />

some 140 applications, were historian<br />

Ronnie Hsia (fall ’00) and anthropologist<br />

Vincent Crapanzano (fall ’01 and<br />

fall ’02). (See our “Sneak Preview” of<br />

next fall’s fellows on page 29.) Many<br />

alumni made valuable contributions to<br />

the fellow selection<br />

process by providing evaluations<br />

of applications.<br />

There is much to<br />

report on former Bosch<br />

fellows as well. Barbara<br />

Balaj (fall ’01) published<br />

an article on rebuilding<br />

Afghanistan for the May<br />

2002 edition of<br />

Internationale Politik,<br />

reprinted in English in<br />

Transatlantic Internationale<br />

Politik and in a special<br />

Russian language<br />

edition as well. Paul<br />

Hockenos (spring ’00) is<br />

now a senior analyst at<br />

the European Stability<br />

Initiative, a Berlin-based<br />

think tank that concentrates<br />

on South Eastern<br />

Europe. His book<br />

Homeland Calling: Exile<br />

Patriotism and the Balkan Wars is forthcoming<br />

this year. Chris Kojm (spring<br />

’01) is currently serving as deputy director<br />

of the staff of the commission investigating<br />

September 11, 2001. In 2002,<br />

Richard Morris (spring ’00) was<br />

appointed senior advisor on technology<br />

to the Office of the Assistant Secretary for<br />

Public Health Emergency Preparedness<br />

(oasphep) at US Department of Health and<br />

Human Services, working on a national<br />

strategy for public health preparedness.<br />

Julianne Smith (spring ’00) recently<br />

took up post at the Center for Strategic<br />

and International Studies (csis) in<br />

Washington. She is deputy director and<br />

fellow of the International Security<br />

Program there.<br />

Architect Hilary Brown (spring ’01)<br />

modestly demurred when in January 2002<br />

Metropolis Magazine credited her with the<br />

“greening” of New York City. Nonetheless,<br />

the comprehensive green building guidelines<br />

she drafted for the city’s public buildings<br />

and projects in 1999 constituted a<br />

“great green step forward.” Her recently<br />

founded private firm New Civic Works<br />

now consults with government agencies,<br />

universities, and institutional clients to<br />

integrate environmentally responsible<br />

practices into their building programs.<br />

Clients include municipalities as far from<br />

New York City geographically and environmentally<br />

as Salt Lake City. Brown has<br />

also been much in demand as speaker<br />

across the country.<br />

Finally, a noteworthy Meldung came<br />

this January from Mark Bassin (spring<br />

’02) and his wife Ania Stawinska announcing<br />

the birth of their very own “Berlin<br />

Prize” – the first Academy baby, Dorian<br />

Jacob Basin. Mark’s next “baby,” a book<br />

about Germany and geopolitics, is in<br />

the works.o<br />

Three untitled works by Stephanie Snider (mixed<br />

media on paper, <strong>2003</strong>), on view at the Einstein<br />

Forum in Berlin this spring.<br />

The Berlin Journal 23


Trustee Profile: Karl M. von der Heyden<br />

Giving Something Back<br />

By Michael Meyer<br />

The student Karl von der Heyden with<br />

Henry Kissinger in fall 1961, after a lecture<br />

Kissinger had given at Duke. Von der<br />

Heyden recalls:<br />

I asked him why the US government<br />

had not done anything to prevent the<br />

Berlin Wall from going up. He responded by<br />

saying that the action by the East Germans<br />

had caught the US government<br />

by complete surprise, which I found hard<br />

to believe. That August in Berlin, I had visited<br />

a refugee camp in West Berlin with a<br />

fellow student. Some 4,000 refugees a day<br />

were fleeing East Germany at the time.<br />

When we asked them about this sudden<br />

increase in the number of refugees, they<br />

looked at us, puzzled: ‘Don’t you know<br />

they are about the seal the border?’<br />

The issue remains murky to this day.<br />

If Dr. Kissinger was right, it would indicate<br />

a colossal failure of US intelligence. Some<br />

people believe that the US knew about the<br />

East German intentions and let the Wall go<br />

up unimpeded so as not to jeopardize the<br />

status quo. Nevertheless, within days of<br />

August 13, 1961, US and Soviet tanks were<br />

facing each other across Checkpoint<br />

Charlie. It took another 28 years for the<br />

Wall to fall.<br />

24 Number Six | <strong>Spring</strong> <strong>2003</strong>


Karl von der Heyden, the former<br />

chairman of rjr Nabisco, is known for<br />

building great companies. Another of his<br />

passions, though, has always been books,<br />

which helps explain why we’re sitting in<br />

the library of the University Club in New<br />

York, talking about how he got from a boyhood<br />

in Germany to the top of corporate<br />

America. The tale has a lot to do with a<br />

life-long love of learning, and with Duke<br />

University – to which he recently gave<br />

$4 million to help refurbish its famous<br />

Perkins Library. Why? “Gratitude,” he<br />

says. “Duke was my awakening, I loved it<br />

there. It started me on life. It’s important<br />

to give something back.”<br />

The airlift fascinated him.<br />

“I knew every plane, how<br />

much cargo they could<br />

carry. It made me and my<br />

generation deeply pro-<br />

American.”<br />

Flash back to 1957. Karl is just 20,<br />

finishing a bank training program after<br />

getting his high school degree in Berlin,<br />

wondering what to do next. It had been<br />

a tumultuous youth. His father had been<br />

away with the Wehrmacht. His family<br />

had left Berlin during the bombing to live<br />

with relatives in the east, in what is now<br />

Poland, only to flee west again just days<br />

ahead of the advancing Soviet army. They<br />

ended up in the Berlin suburb of Spandau,<br />

their home all but destroyed. To this day,<br />

he remembers the allied air lifts into the<br />

city. “I knew every plane, every model,<br />

how much cargo they could carry. It was<br />

fascinating, and it made me and my generation<br />

deeply pro-American.” One day<br />

his older brother, a lawyer working on<br />

Jewish restitution claims, wrote from<br />

New York. ‘Why not come over, improve<br />

your English, go to university?’ Why not,<br />

indeed, he thought. He applied to Harvard,<br />

Yale, Michigan and a handful of other colleges.<br />

He was accepted into most. “Duke<br />

was the only one to give me a scholarship.<br />

So there I went.”<br />

What a contrast. From gray, depressed<br />

postwar Berlin to an Eden of the old south,<br />

fragrant with rhododendron and magnolia.<br />

Karl was swept away. The campus<br />

was beautiful, the library magnificent.<br />

Wandering among the stacks, he discovered<br />

one of its many treasures – a trove<br />

of German newspapers from the 1930s,<br />

including the Völkischer Beobachter, the<br />

Nazi party’s propaganda organ. It was all<br />

there in the papers. “Appalling stuff,” he<br />

recalls. The anti-Semitic language. Hatespeech.<br />

Much of it crude, if not outright<br />

vicious, but also at times insidiously<br />

clever disinformation. But it was also eyeopening.<br />

“German schools then did not<br />

teach any of this. It was totally taboo. For<br />

the first time,” he says, “I understood<br />

Duke was still segregated.<br />

“And here I was, this kid<br />

from Berlin, being treated<br />

so well. While his own kid<br />

could not go to this<br />

school.”<br />

how it was done, how the Germans had<br />

become so misguided.”<br />

He was surprised, too, by what he soon<br />

discovered about his adopted society in<br />

America – outwardly so idyllic but with<br />

its own ugly secrets. “I hadn’t known<br />

before I arrived, I hadn’t even imagined.<br />

But Duke, then, was still racially segregated.<br />

So was the entire South.” To make<br />

ends meet at Duke, he worked a variety of<br />

odd jobs – waiting on tables in the cafeteria,<br />

doing dishes, putting ice in bathroom<br />

urinals. Often he would take his breaks<br />

with the black cooks in the basement.<br />

Among the friends he made in this manner<br />

was an older black man who loved<br />

to talk about the athletic feats of his son,<br />

a professional baseball player for the<br />

Cincinnati Reds. “I found it very strange.<br />

Here was this guy, a veteran of World<br />

War II. He fought in the Pacific. And here<br />

I was, this kid from Berlin – a Nazi, for all<br />

he knew – being treated so well. While his<br />

own kid could not go to this school.”<br />

There were many lessons there, Karl<br />

knew, but one has served him ever since.<br />

He has come to consider it an essence of<br />

leadership. Back then, when students at<br />

Duke were beginning to agitate for change<br />

and the civil rights movement was gaining<br />

force, the university’s president and<br />

board of trustees resisted. “They were<br />

slow to change,” he recalls. “They sought<br />

to preserve the status quo.” Now he is on<br />

Duke’s board, and he keeps that experience<br />

in mind. “It taught me something –<br />

that you have to lead, that you can’t follow.<br />

If you are on a board, you have to<br />

know what’s going on in the world. You<br />

have to be at the forefront of change, not<br />

resist it.” Almost parenthetically, he adds<br />

that Duke today is one of the most culturally<br />

diverse universities in the country.<br />

“Close to 11 percent of our students are<br />

African-Americans,” he says, with the<br />

faintest touch of pride. “I think that’s one<br />

of the highest percentages among major<br />

research universities in America.”<br />

To guide change, rather than react to<br />

it. People who have worked with him over<br />

the decades cite this as one of his distinguishing<br />

traits. His arrival at rjr Nabisco,<br />

for example, coincided with one of the<br />

rockiest moments in the company’s history.<br />

He was brought in by the ceo of the<br />

time, Louis Gerstner, shortly after the<br />

infamous 1989 takeover by Kohlberg<br />

Kravis Roberts & Co. To finance the acquisition,<br />

these leveraged buyout artists borrowed<br />

heavily against rjr’s assets.<br />

As chief financial officer, he instilled<br />

strict fiscal discipline. By 1991, he had<br />

stabilized rjr’s finances and restored its<br />

debt to investment grade quality. No<br />

mean feat, as anyone on Wall Street<br />

can attest.<br />

Karl was named co-chairman of rjr in<br />

1991 after Gerstner resigned to head ibm.<br />

Later that year, he left to become the president<br />

and chief executive of Metallgesellschaft<br />

Corp., the American arm of the<br />

giant German commodity trading conglomerate,<br />

which had to be restructured<br />

after a major scandal resulting from speculation<br />

in oil futures. In 1996, he joined<br />

PepisCo as vice chairman of the board,<br />

with a brief to undertake a strategic<br />

restructuring of the enterprise. As at rjr,<br />

he played a central role in refocusing<br />

PepsiCo on its core business – beverages<br />

and convenience foods – and spun off<br />

operations that were fringe, among them<br />

the company’s restaurant chains. He<br />

reined in its flashy, spendthrift culture.<br />

Profits and cash flow surged. PepsiCo’s<br />

stock thrived. “Karl is one of the sharpest<br />

minds in business,” says PepsiCo’s chairman,<br />

Roger Enrico, praising his ability to<br />

quietly work what can only be described<br />

as a wholesale revolution in the way an<br />

entire company managed itself.<br />

He’s an interesting mix of contraries,<br />

this man. In an era of swaggering ceos,<br />

where business leaders often seem to take<br />

pride in how many people they can fire,<br />

or too often seek short-cuts to maximize<br />

short-term profits and inflate their own<br />

pay, Karl is a breed apart. Soft-spoken,<br />

modest almost to the point of diffidence,<br />

confident of his own judgment while considerate<br />

of others, he is one of those rare<br />

executives that you immediately and<br />

instinctively trust. Duke University president<br />

Nannerl Keohane describes him as<br />

“one of the most thoughtful, sophisticated<br />

and community-minded leaders in<br />

American industry.” He has retired now<br />

from PepsiCo but remains on the boards<br />

of half a dozen companies and non-profit<br />

organizations:aramark,Exult, Federated<br />

Department Stores, AstraZeneca Group.<br />

But he reserves a special affection for<br />

Duke, where among other things he<br />

chairs the library’s capital campaign<br />

committee, naturally. And, of course,<br />

for the American Academy in Berlin.<br />

The Academy is lucky to have him. He<br />

is an accomplished fund-raiser, and for<br />

all his quiet manner he is a forceful voice.<br />

The fact that he’s there at all owes much<br />

to Richard Holbrooke, like so much else.<br />

“When he was ambassador to Germany,<br />

he invited me to a ceremony marking the<br />

departure of American troops from<br />

Berlin,” says Karl. Dinner had scarcely<br />

been served when Holbrooke grabbed<br />

him by the elbow. “‘Can I talk to you for a<br />

minute,’ he asked? He grabbed a few<br />

other people, too, and told them about<br />

this idea to create what he called a ‘German<br />

American Academy in Rome.’ ‘Sure,’ we<br />

all said, not thinking it would amount to<br />

anything. And so here we are.”<br />

It has been a rewarding experience.<br />

“Since I left for the US, I’ve had few connections<br />

to Germany,” he says. “So for<br />

me, the Academy has been a way of completing<br />

the circle.” He is full of praise for<br />

Holbrooke and the Academy’s direction<br />

for “really putting this program on the<br />

map, in a big way.” He is also impressed<br />

by the caliber of the fellows the Academy<br />

has been able to attract. In the long run,<br />

he hopes to see more artists, writers, and<br />

archeologists in the program. “Berlin,”<br />

he says, “is above all a city of culture.”<br />

According to Karl, serving on a<br />

transatlantic board of trustees has<br />

its own challenges. There is something<br />

of a “culture clash,” he explains. Half<br />

After all, the Academy<br />

is a privately funded<br />

institution. If you want<br />

to get money, you have<br />

to ask for it.<br />

German, half American, the Academy’s<br />

board functions very differently from<br />

what he is used to dealing with in the US.<br />

Some of his German colleagues are surprised,<br />

even offended “when, for example,<br />

someone says, ‘Well, one of the roles<br />

of the board is to go out and raise money.’”<br />

The idea of actually calling people to ask<br />

them for money is still foreign to the culture<br />

of German philanthropy. “As a chairman<br />

of a finance company, I chuckle about<br />

this. After all, the Academy is a privately<br />

funded institution. If you want to get<br />

money, you have to ask for it.”<br />

In case you’re not reading closely,<br />

that’s another quality that distinguishes<br />

Karl – directness. As he sees it, joining a<br />

board brings with it responsibility. Many<br />

people consider such an appointment to<br />

be an honor; to the contrary, he says, it<br />

confers a duty. Prestige works “the other<br />

way around.”<br />

Tough words, however softly spoken.<br />

And they go right to the heart of Karl von<br />

der Heyden’s conception of “giving back,”<br />

with which we started this conversation.<br />

When he decides to help, it’s not just by<br />

opening a checkbook; it’s by bringing<br />

to bear all the qualities that made him<br />

an outstanding ceo. For those interested<br />

in building up the Academy, that’s<br />

a godsend.o<br />

Michael Meyer is European editor<br />

of Newsweek. He was a Fellow at the<br />

American Academy in Berlin in the<br />

spring semester of 1999 and is completing<br />

a book about the 1989 revolutions in<br />

Eastern Europe.<br />

The Berlin Journal 25


LIFE & LETTERS at the Hans Arnhold Center<br />

Profiles in Scholarship<br />

Introducing the <strong>Spring</strong> <strong>2003</strong> Fellows<br />

By Miranda Robbins<br />

Foreign policy expert Adam Garfinkle took<br />

up a short-term Bosch Fellowship at the<br />

Academy in mid March. Editor of the<br />

conservative Washington-based monthly<br />

the National Interest, he has published a<br />

number of book-length studies of Israeli<br />

politics, diplomacy, and society, as well<br />

as Telltale Hearts: the Origin and Impact of<br />

the Vietnam Antiwar Movement, which was<br />

named a notable book of the year (1995)<br />

by the New York Times Book Review.<br />

Garfinkle contributes to a range of journals,<br />

reviews, and newspapers and is a<br />

frequent guest on television and radio<br />

talk shows and news programs. While in<br />

Berlin, he plans to write a piece for the<br />

National Interest on the use and display of<br />

political symbols in Germany since<br />

unification. A self-styled “American conservative<br />

realist,” who distinguishes his<br />

conservative views on security, social,<br />

and economic issues from those of the<br />

American Protestant evangelical conservative<br />

mainstream, Garfinkle is looking<br />

forward to sharing his views with a<br />

European audience.<br />

Anna-Maria Kellen Fellow and Harvard<br />

Professor James Hankins is at work on a<br />

history of the soul in the Renaissance and<br />

early modern periods, from the time of<br />

Marsilio Ficino (1433–99) through that<br />

of Leibniz (1646–1716). According to<br />

Hankins, these two and a half centuries<br />

saw a seismic shift in the understanding<br />

of human nature. Where pre-modern<br />

Renaissance thinkers considered body<br />

and soul to be extrinsically united (with<br />

the soul leading all other faculties), seventeenth-century<br />

theorists like Leibniz<br />

and Spinoza rigorously distinguished the<br />

two. Hankins’ book will situate this shift<br />

in human psychology within a context of<br />

theological, social, and scientific change.<br />

Developments in medicine, for example,<br />

supported a mechanistic view of the<br />

body’s functions, undermining the soul’s<br />

hegemony. This, in turn, helped revise<br />

the notion of hierarchy in general – with<br />

no small repercussions for political philosophy.<br />

As Hankins writes, “if one no<br />

longer constructs the good of the soul as<br />

a condition [in which] reason regulates<br />

the passions and appetites, one will be<br />

less disposed to understand politics in<br />

elitist terms, as the control of a society by<br />

its most rational members.”<br />

The September 11 attacks highlighted<br />

the critical ways in which security and<br />

immigration concerns overlap; within<br />

a remarkably short period, the entire US<br />

Immigration and Naturalization Service<br />

was brought under the aegis of a newly<br />

created Department of Homeland<br />

Security. Robert Leiken, director of immigration<br />

and national security at the<br />

Nixon Center in Washington, brought<br />

his extensive expertise in immigration<br />

and foreign and security policy to Berlin<br />

for several weeks as a short-term Bosch<br />

Fellow this spring. The Central America<br />

expert, who has published widely on<br />

Mexican immigration and Nicaraguan<br />

politics, has temporarily shifted his focus<br />

to include both hemispheres. He is currently<br />

comparing European and US perspectives<br />

and policies toward a variety<br />

of matters regarding immigration and<br />

security. Not least among these is the<br />

question of how, in the post-September<br />

11 world, integration of immigrants can<br />

serve “homeland security” on both conti-<br />

nents. Leiken publishes widely in the foreign<br />

policy press as well as in a range of<br />

more popular reviews, magazines, and<br />

newspapers.<br />

Architectural historian Wallis Miller is<br />

writing a history of architectural exhibitions<br />

in Berlin from the late eighteenth<br />

century through the Weimar period.<br />

Such displays, she says, “were not derivative<br />

events but independent forms of<br />

architectural practice, significant in their<br />

own right.” They involved media that<br />

ranged from models and plans, to<br />

demonstrations of construction techniques,<br />

and even full-scale architectural<br />

projects, all of which allowed for “the<br />

exploration of issues hard to address in<br />

buildings, texts, and other media.”<br />

Architecture shows were important public<br />

occasions for showcasing not only new<br />

research but also contemporary aesthetic<br />

ideas. The associate professor at the<br />

University of Kentucky College of<br />

Architecture specializes in the architecturally<br />

explosive Weimar years, whose<br />

most noted practitioners were Mies van<br />

der Rohe and the founders of the<br />

Bauhaus. Reaching backward from her<br />

Weimar work – and especially her dissertation<br />

on the landmark German Building<br />

Exhibition of 1931 – Miller’s book begins<br />

with Schinkel’s generation and covers the<br />

subsequent development of architecture<br />

exhibits in Berlin and beyond.<br />

Writer and journalist David Rieff, who<br />

inaugurates the Haniel Fellowship in<br />

History and Public Affairs, has spent the<br />

last ten years covering wars and humanitarian<br />

emergencies around the world. In<br />

1992, he was in Berlin working on a book<br />

on immigration in Western Europe when<br />

he was “highjacked” by the Balkan wars<br />

and instead wrote a book on the Bosnia<br />

conflict. His most recent book, A Bed<br />

for the Night, addresses the dilemmas of<br />

international aid. To the question, Does<br />

humanitarian aid harm or help? Rieff<br />

answers that it can help, but only when<br />

carefully separated from both human<br />

rights work and political entanglements.<br />

A sometime supporter of military intervention<br />

on political grounds, most<br />

recently in Afghanistan, he is vigorously<br />

opposed to justifying war on humanitarian<br />

grounds. His current project grapples<br />

with terrorism, counter-terrorism, and<br />

state power. It reviews the notions of<br />

“just war” and “dirty war” and asks,<br />

What, in the current circumstances, is<br />

the potential role of international law?<br />

“People are confused, particularly in<br />

the US,” Rieff wrote in his project proposal.<br />

“They need tools, and while international<br />

law is a poor light, it may be all<br />

we’ve got.”<br />

26 Number Six | <strong>Spring</strong> <strong>2003</strong>


As Kurt Rohde studied viola at the Curtis<br />

Institute of Music in the 1980s, he was<br />

also cultivating his substantial talent as a<br />

composer. His musician’s experience has<br />

given him a rare understanding of the<br />

orchestra as musical instrument, a sensitivity<br />

that impressed conductor Kent<br />

Nagano early on. The maestro began supporting<br />

his work in the mid 1990s, and<br />

Rohde brings two new commissions with<br />

him to Berlin this spring: a viola concerto<br />

and an oratorio. Under Nagano, the concerto<br />

will receive a transatlantic premiere<br />

in the 2004-5 season, first in Berlin with<br />

violist Igor Budinstein and the Deutsches<br />

Symphonie-Orchester and later with<br />

violist Nokuthula Ngwenyama and<br />

the Berkeley Symphony Orchestra. The<br />

oratorio Bitter Harvest, written for the<br />

BSO and tenor John Duykers with a<br />

libretto by Amanda Moody, addresses<br />

the growth of the militia movement in<br />

rural America. For his first piece for vocal<br />

soloists and a chamber choir, Rohde has<br />

conceived of speaking and half-spoken<br />

parts to compliment Duykers’ singing<br />

voice – including “occasional vocal and<br />

dramatic outbursts” on the part of the<br />

instrumentalists.<br />

Economist Howard Rosen, who took up a<br />

short-term JPMorgan Prize in late<br />

February, is preparing a comparative<br />

study of US, German, and Japanese workers<br />

displaced by the upheavals of the<br />

global economy. While in Germany he<br />

organized a conference at the Friedrich-<br />

Ebert Stiftung examining US strategies to<br />

counter unemployment and how<br />

Germany might learn from the US experience.<br />

An economic consultant, primarily<br />

on projects for the US Agency for<br />

International Development, Rosen was<br />

minority staff director at the Joint<br />

Economic Committee of the US Congress<br />

between 1997 and 2001, serving as a consultant<br />

to the US Senate Finance<br />

Committee that same year. He has published<br />

widely on domestic and trade and<br />

labor issues; on economic relations<br />

between the US and Israel; and on the<br />

economic issues associated (in the 1990s)<br />

with the Israeli-Arab peace process. A<br />

close observer of the domestic effects of<br />

America’s engagement in the global economy,<br />

Rosen is concerned that the nation’s<br />

social and economic infrastructure be<br />

updated so that workers and communities<br />

affected by displaced trade do not get<br />

left in the lurch. No one group should<br />

“bare an inequitable share of the burden.”<br />

Columnist and financial journalist Amity<br />

Shlaes’ twice-weekly comments on economic<br />

policy in the Financial Times take<br />

on everything from domestic tax matters<br />

– a topic on which she has published a<br />

book – to the state of the German economy.<br />

On leave from the FT this year, she is<br />

preparing her third book, a history of the<br />

Great Depression in America. The book,<br />

intended for a broad non-specialized<br />

readership, will pick apart some of the<br />

“myths” that Shlaes sees adhering to the<br />

New Deal. Among other things, she<br />

debunks the notion that it was government<br />

aid that got most Americans<br />

through the hard times and argues that<br />

the historical credit due to FDR has more<br />

to do with his “spiritual leadership” than<br />

with sound fiscal policies. At the<br />

Academy for the first two months of the<br />

spring semester, the JPMorgan Prize<br />

recipient used her time in Berlin to<br />

explore the similarities and differences<br />

within the American and German<br />

Depression experiences.<br />

With a background in theoretical linguistics,<br />

Yale law professor Henry Smith knows<br />

that the relation between words and the<br />

things they refer to is arbitrary. Law, too,<br />

is a system marked by arbitrariness. This<br />

spring, Smith intertwines his two fields<br />

within a comparative study of German<br />

and American property law. He will also<br />

look at the distinctions between property<br />

law (which tends to be standardized but<br />

is particularly explicit in Germany) and<br />

contract law (which is far more flexible).<br />

More broadly, Smith continues to<br />

explore the problem of how legal relations<br />

are communicated to different<br />

audiences. It has long been understood<br />

that context is crucial to the interpretation<br />

of messages. But audience is, “in<br />

both law and linguistics, the less-studied<br />

side of communication.” Different<br />

groups process information at different<br />

“cost,” and any communication system<br />

faces a “tradeoff ” between information<br />

intensiveness and information extensiveness.<br />

Thus, one reason why property law<br />

is so standardized is that it must impart<br />

information to a wider and more heterogeneous<br />

audience than, say, contract law.<br />

The tradeoff, he suggests, may help<br />

explain several other aspects of American<br />

and German law, including intellectual<br />

property and contract interpretation.<br />

For his current book, Hegel scholar and<br />

philosophy professor Allen Speight is<br />

examining the development of the concept<br />

of conscience. Tracing a shift within<br />

the idealist period from Fichte’s notion of<br />

an inner “ethics of conviction” to the concept<br />

expressed by the mature Hegel in his<br />

Philosophy of Right (1818), Speight seeks<br />

to examine the role of the intersubjective<br />

context in which claims of conscience are<br />

made. He will also sketch how the concept<br />

of conscience has informed contemporary<br />

philosophical concerns with<br />

ethics and morality, in particular the<br />

notions of responsibility and forgiveness.<br />

With this project, the assistant professor<br />

of philosophy at Boston University and<br />

current Berlin Prize Fellow is following<br />

up on an earlier book on Hegel, literature,<br />

and the problem of agency. Two<br />

soon-to-be-published essays are “The<br />

Reappearance of the Beautiful Soul:<br />

Hegel and Colin McGinn on Ethics and<br />

Literature,” and “Hegel and Butler on<br />

Conscience and Forgiveness.”<br />

When Karen Yasinsky stopped painting in<br />

1999 and turned to animation films, she<br />

brought to her new medium a painter’s<br />

interest in framing and texture, drawing<br />

and collage. Most importantly, she<br />

brought her fascination with the ambiguities<br />

of human relationships. One could<br />

call her short films animate paintings.<br />

Her method, shooting 24 still frames per<br />

second on16 mm film, is painstakingly<br />

slow. So, too, are the finished films.<br />

They star a small cast of carefully clothed<br />

clay, wire and foam dolls. Their mute<br />

faces and jerky, muffled gestures mirror<br />

human emotions: tenderness, puzzlement,<br />

anxiety, loneliness, aggression,<br />

arousal. Yasinsky tellingly refers to her<br />

figures as “models,” “props,” and “transitional<br />

objects.” If even she occasionally<br />

calls them characters, even actors, there<br />

is no doubt that they are purposefully<br />

limited beings. This lack of depth, along<br />

with the real-time pace, produces an<br />

intentionally discomfiting effect.<br />

Yasinsky is familiar to the German art<br />

world. A one-woman show opened this<br />

March at the Philomene Magers Gallery<br />

in Munich, and a show at Berlin’s<br />

Künstlerhaus Bethanien will run from<br />

June 19 through July 6. The Philip Morris<br />

Fellow’s current film project, Hunted,<br />

explores animal behavior and the<br />

psychology of violence. The narrative<br />

draws on Grimm’s fairy tales and her<br />

setting is based on the dioramas at the<br />

natural history museums in Berlin and<br />

New York.uu<br />

Portraits: Mike Minehan<br />

The Berlin Journal 27


Fellow Profile: Hayden White<br />

A Historian for the Present<br />

“If philosophers are not always historians,”<br />

wrote Edward Gibbon in his 1764<br />

Essay on the Study of Literature, “it were at<br />

least to be wished that all historians were<br />

philosophers.” Hayden White,<br />

DaimlerChrysler Fellow at the Academy<br />

this spring, is a metahistorian – a thinker<br />

concerned with the philosophy of historical<br />

study. He is also a literary theorist, a<br />

historian of society, and an outspoken<br />

social critic. It is thus not surprising that<br />

White has recently held chairs in two different<br />

disciplines: comparative literature<br />

at Stanford, where he is Bonsall Professor,<br />

and history of consciousness at the<br />

University of California at Santa Cruz,<br />

where he is University Professor Emeritus.<br />

That Hayden White is a man of<br />

catholic interests is perhaps appropriate<br />

for someone who started with a doctorate<br />

in ecclesiastical history. Seventeen years<br />

later, in 1973, he published Metahistory:<br />

The Historical Imagination in Nineteenth-<br />

Century Europe, a book that remains a<br />

fixture on graduate school reading lists<br />

across the humanities. Metahistory made<br />

a careful study of the nineteenth century’s<br />

great historians, historiographers,<br />

and philosophers of history. But it also<br />

delivered a challenge to all historians<br />

claiming to practice under the banner<br />

of “impartiality.” White was not the<br />

first to observe that history is a social<br />

science rather than an exact one, but<br />

his literary critical analysis of historiography<br />

sparked a minor revolution in<br />

the discipline.<br />

Drawing on a battery of disciplines –<br />

linguistics chief among them – White<br />

pointed out that every apparently selfcontained<br />

“history” contains a host of<br />

choices on the part of its author. His<br />

chapters on the great “realist” historians<br />

(Michelet, Ranke, Tocqueville, and<br />

Burckhardt) proposed that each writer<br />

“emplotted” his “narrative” in a particular<br />

mode: Romance, Comedy, Tragedy<br />

and Satire, respectively. In other words,<br />

the great histories contained as much<br />

rhetoric as realism – a rhetoric with<br />

decidedly varied political, ideological,<br />

and conceptual foundations. Some of<br />

White’s critics took the statement to its<br />

extreme, suggesting that this thesis<br />

essentially equated history with fiction.<br />

White’s point, however was more subtle –<br />

and far more interesting: that writers<br />

of history and writers of fiction share<br />

many of the same tools, and that the<br />

techniques used by literary critics to<br />

analyze literature may also be applied<br />

to historiography.<br />

If anything, Metahistory’s influence on<br />

historians, literary critics, art historians,<br />

and social scientists has grown in the<br />

three decades since it was published. His<br />

other books picked up many of its<br />

themes. These include Figural Realism:<br />

Studies in the Mimesis Effect (1999), The<br />

Content of Form: Narrative Discourse and<br />

Historical Representation (1986), and<br />

Tropics of Discourse: Essays in Cultural<br />

Criticism (1978).<br />

This spring, White is preparing a<br />

study of how history is presented not in<br />

writing but in museums. Historical museums<br />

draw on many of the usual tools of<br />

the historian’s trade. But in museums,<br />

representation is as much a matter of<br />

space itself as of historiography. White’s<br />

study will take up “questions of exemplarity,<br />

sequencing, spatial placement,<br />

contexualizing, presentation, and dramatization”<br />

in historical museums. It will<br />

also probe what he calls the “ethics of representation.”<br />

The question of the museum’s<br />

audience presents one complex<br />

aspect of this.<br />

Since coming to the Academy, White<br />

has been a keen explorer of Berlin’s many<br />

museums. It may be argued that no city<br />

in Europe is trying harder to come to<br />

terms with its history – or, indeed, the<br />

representation of it. The new Jewish<br />

Museum, the soon-to-be-opened Berlin<br />

Historical Museum, the improvised<br />

“Topography of Terror,” built among<br />

the ruins of old SS-headquarters, are all<br />

of especial interest to the metahistorian.<br />

We are accustomed to questioning<br />

books; less so buildings. How can contemporary<br />

curators of historical exhibitions<br />

embed questions – instead of just<br />

answers – into display cases, wall-texts,<br />

multi-media programs? Is there room<br />

for theory and self-criticism among the<br />

wealth of information presented as<br />

“fact”? If the historical museum’s purpose,<br />

traditionally didactic, has, in<br />

recent years, become more complex,<br />

we have, in part, Hayden White to<br />

thank for it. o<br />

28 Number Six | <strong>Spring</strong> <strong>2003</strong>


Katchor drawing<br />

On the WATERFRONT<br />

One Frame at a Time<br />

Karen Yasinsky at Kunst-Werke<br />

Gaffer? Best boy? It is usually hard<br />

to read all the names that roll by in a<br />

film’s credits. Fear, however, is a<br />

short film without credits. Karen<br />

Yasinsky is responsible for all of it:<br />

direction, cinematography, screenplay,<br />

make-up, set design, and costumes.<br />

And because the American<br />

prefers to work alone, she creates<br />

her actors, too, fashioning their<br />

Up from<br />

the South<br />

William Styron on Racism<br />

and Writing<br />

“I’ve known William Styron for<br />

thirty years. He and Arthur Miller<br />

are neighbors in Connecticut,” said<br />

film director Volker Schlöndorff<br />

last Wednesday [December 18] as<br />

he introduced him at the American<br />

Academy. Styron, author of Sophie’s<br />

Choice and the award-winning novel<br />

The Confessions of Nat Turner, lives<br />

in the small town of Roxbury. The<br />

Distinguished Visitor to the Hans<br />

Arnhold Center read passages from<br />

his story “Shadrach,” published in<br />

his collection A Tidewater Morning:<br />

Three Tales from Youth.<br />

“Shadrach” is the story of an old<br />

slave who returns to his former<br />

master’s plantation to die. As a preface,<br />

Styron spoke of his “obsession”<br />

with slavery and traced it to his own<br />

childhood in the American South.<br />

At the time of the civil war, “my own<br />

grandmother (she was not a greatgrandmother<br />

or a great-greatgrandmother)<br />

… had two little slave<br />

girls. They were her own property.”<br />

The lives of blacks in America has<br />

improved since the civil war, but<br />

Styron is quick to say that “there are<br />

still terrible iniquities.”<br />

“The racism I grew up with was<br />

appalling. That blacks were once<br />

forced to sit at the back of the bus is<br />

preposterous.” He recounted a<br />

chance meeting with Vernon Jordan,<br />

the African-American civil rights<br />

activist, at a recent party. “How<br />

have things been, Vernon?” Styron<br />

asked his old friend. “White man<br />

still ahead!” Jordan retorted wryly.<br />

heads from baked clay, their bodies<br />

from wire, and designing their sleek<br />

and elegant costumes. (“Prada,” she<br />

laughs, “not Chanel.”) These ideal<br />

actors, standing just thirty centimeters<br />

tall, are bursting with pop culture.<br />

The lead in Fear brings to<br />

mind Barbie’s Ken. The animation<br />

technique is instantly recognizable<br />

as the same used in Wallace and<br />

In the discussion that followed<br />

the reading, Styron ruminated on<br />

man’s desire to dominate his fellow<br />

humans. Styron reflected on the<br />

dawn of a new century. When asked<br />

what he expected, he immediately<br />

replied, “More holocaust … I don’t<br />

see any end to it. But I don’t want to<br />

talk about that. It scares me.”<br />

Styron also discussed the craft<br />

of writing. In the mid 1980s he fell<br />

into the “monstrous depression”<br />

that inspired his memoir Darkness<br />

Visible. Though he denies ever having<br />

been an alcoholic, he acknowledges<br />

that he did abuse alcohol<br />

“in a vigorous way.” After working<br />

hard, he frequently drank hard.<br />

“But I never touched a drop before<br />

writing.” Styron also mused on the<br />

role of facts in historical novels; an<br />

excess of facts is more likely to<br />

destroy a historical representation<br />

than contribute to it. It is far more<br />

important for a book to be honest<br />

to the Zeitgeist than to be meticulously<br />

researched.<br />

Styron called Albert Camus’<br />

The Stranger “one of those landmark<br />

books for me. I had never seen such<br />

a bleak and desperate view of life<br />

expressed with such precision and<br />

beauty. I was awestruck by this bold<br />

vision of the universe, a bleak,<br />

brave apprehension of man’s<br />

condition. … but I became very<br />

attached to a great deal of his<br />

work. Before that [in college], I was<br />

reading volume after volume of<br />

great European writers, … the great<br />

master Flaubert especially … To<br />

this day, the European spirit<br />

flows very strongly in my veins.”<br />

By Anja Popovic<br />

From Die Welt<br />

December 20, 2002<br />

Gromit and MTV’s Celebrity Death<br />

Match. But Yasinsky harnesses the<br />

Zeitgeist, too. Her procedure is<br />

called stop-motion animation, in<br />

which each individual puppet limb<br />

is bent into position, and each further<br />

position is subsequently filmed,<br />

frame by frame. The effect is a lyrical<br />

lethargy, a desperate yearning<br />

embodied in the abrupt and mechanical<br />

movements of her figures. The<br />

silent films of Buster Keaton or<br />

Robert Bresson are another influence<br />

on her work. It is a surreal puppet<br />

show in crystal-clear 16-mm quality,<br />

as light and lonely as real life.<br />

Fear, on view at the Kunst-Werke<br />

Berlin through March, depicts on<br />

two separate screens a man and a<br />

woman, first in a moon landscape,<br />

then in an airplane with a 1950s<br />

interior. They do not interact with<br />

Karen Yasinsky, No Place Like Home, dvd projection stills, 1999.<br />

Sneak Preview<br />

Look Who’s Coming Next Fall?<br />

An impressive group of Academy<br />

Fellows will take up residence at<br />

the Academy next fall. Wendy<br />

Lesser, editor of the west-coast literary<br />

journal the Threepenny Review<br />

has been awarded the Holtzbrink<br />

Fellowship in Journalism. Svetlana<br />

Boym, Curt Hugo Reisinger<br />

Professor of Slavic Languages and<br />

Literatures and professor of comparative<br />

literatures at Harvard<br />

holds the inaugural Gillette<br />

Fellowship. Timothy James Clark,<br />

the George C. and Helen N. Pardee<br />

Professor of Art History at the<br />

University of California at Berkeley<br />

will inaugurate the Citigroup<br />

Fellowship. The JPMorgan<br />

Fellowship will be held by Walter<br />

Mattli, professor of political science<br />

at Columbia. Dana Villa, visiting<br />

associate professor of government<br />

at Harvard and associate professor<br />

of political science at the University<br />

each other. She remains on the left;<br />

he on the right. The few minutes of<br />

melancholy, silent narration are<br />

enhanced by the jointless lassitude<br />

of the figures; they seem awkward,<br />

almost helpless. “Sometimes it<br />

takes three days of preparation until<br />

two figures actually meet,” she says.<br />

“During this time I think of what<br />

goes on in their heads and, only<br />

then, do I know how their scene will<br />

end.” Their personalities develop as<br />

she assembles the puppets and sets;<br />

the story evolves as she films. “I<br />

form the characters with my<br />

hands,” she says – a method that<br />

rules out collaboration with actors,<br />

who “want to know in advance what<br />

they are supposed to do.” Yasinsky<br />

says the biggest compliment she can<br />

get is when the audience thinks it<br />

sees changing expressions on the<br />

of California at Berkeley will hold<br />

the Haniel Fellowship in History<br />

and Public Affairs.<br />

Berlin Prize Fellows will include<br />

Phillip Bohlman, professor of music<br />

and Jewish studies at the University<br />

of Chicago; Pierre Joris, professor<br />

of English at suny Albany; historian<br />

Michael Steinberg of Cornell<br />

University; and art historian Anne<br />

Wagner, who is professor at the<br />

University of California at Berkeley.<br />

The Kellen and Gorrison Fellows<br />

will be named from this pool of<br />

candidates.<br />

Next fall’s short-term Bosch<br />

Fellows are Jamie Metzl, deputy<br />

staff director and senior counselor<br />

to the US Senate Committee on<br />

Foreign Relations; Legal scholar<br />

Mary Anne Case, who is a professor<br />

of the University of Chicago; and<br />

law professor Paul Carrington of<br />

Duke University.<br />

static, clay faces of her figures.<br />

The 37-year-old artist will be the<br />

last Philip Morris Emerging Artist<br />

at the American Academy. After<br />

four years, the company is ending a<br />

collaboration that brought artists<br />

Sarah Morris, Stephanie Snider,<br />

and Sue de Beer to Berlin in previous<br />

years. Karen Yasinsky, who<br />

began her career as an art historian<br />

and computer programmer, turned<br />

to painting but found she was doing<br />

“the same image over and over<br />

again.” It was not an exclusive passion<br />

for film that led her to where<br />

she is today. “Film,” she says, “combines<br />

all my interests.” And it constantly<br />

calls for a new image.<br />

By Moritz Schuller<br />

From Tagesspiegel<br />

March 3, <strong>2003</strong><br />

The Berlin Prize Fellowship<br />

appointments were made by an<br />

independent committee that<br />

included: Anthony Appiah of<br />

Princeton University; Carolyn<br />

Abbate, also of Princeton; Paul<br />

Baltes of the Max-Planck-Institut<br />

für Bildungsforschung; Stephen<br />

Burbank of University of<br />

Pennsylvania Law School; Vincent<br />

Crapanzano of the City University<br />

of New York Graduate Center;<br />

Michael Fried of Johns Hopkins<br />

University; Benjamin Friedman of<br />

Harvard University; Ronnie Hsia of<br />

Pennsylvania State University;<br />

Stephen Nichols of Johns Hopkins;<br />

and Leon Wieseltier, editor of the<br />

New Republic. Historian Charles<br />

Maier of Harvard University, who<br />

has chaired the annual committee<br />

since the first Berlin Prizes were<br />

awarded in 1998, retires from the<br />

post this year. He will be missed.o<br />

The Berlin Journal 29


30 Number Six | <strong>Spring</strong> <strong>2003</strong>


When a Diplomat Dreams<br />

Richard Holbrooke’s Pragmatic Vision<br />

Richard Holbrooke has a Dream.<br />

The “I Have a Dream” page in the Leben<br />

section of Die Zeit gives celebrated artists,<br />

statesmen, and personalities the opportunity<br />

to conjure up a world free of reality’s<br />

constraints. Here the American<br />

Academy’s founding trustee Richard<br />

Holbrooke spoke to journalist Christine<br />

Brinck about his vision of finding diplomatic<br />

solutions to the world’s thorniest<br />

problems.<br />

Richard Holbrooke, 61, is widely regarded as<br />

a leading authority on Europe in the United<br />

States. After serving as US Ambassador to<br />

Germany in Bonn in 1993–94, he was<br />

Assistant Secretary of State for Europe in<br />

the Clinton Administration. He became well<br />

known through his work as the US Balkan<br />

representative and architect of the 1995<br />

Dayton Peace Accords, which ended the war<br />

in Bosnia. Until early 2001, Holbrooke was<br />

the US Ambassador to the United Nations.<br />

He works today as an investment banker in<br />

New York and is committed to several nonprofit<br />

organizations and causes, most notably<br />

aid for refugees and the battle against AIDS.<br />

As a young man, I was in Vietnam and<br />

took part in the Paris Peace Talks. I<br />

directed the Peace Corps in Morocco.<br />

During the Yugoslavia conflict, I saw<br />

horrific tragedies and negotiated directly<br />

with Milosevic. At the United Nations, I<br />

sat among dictators and charlatans. All<br />

the wickedness I have seen should make<br />

me a cynic, but I have not stopped dreaming.<br />

I dream of a world in which people<br />

have more consideration for each other’s<br />

problems and fears – of a world in which<br />

people are not satisfied so long as<br />

inequality remains widespread. I dream<br />

of seeing the gap between the rich and<br />

the poor begin to close.<br />

Instead of this, I see a world increasingly<br />

divided – into north and south, rich and<br />

poor, developed and underdeveloped.<br />

More and more people find themselves<br />

living in hopeless conditions. When I was<br />

growing up, diseases like smallpox, polio,<br />

and malaria were being eradicated. True,<br />

smallpox has not returned, but polio and<br />

malaria are not yet conquered, and tuberculosis<br />

has come back with a vengeance.<br />

At a time of amazingly rapid medical<br />

advances, how can general health conditions<br />

be deteriorating so drastically?<br />

It is a frightening surprise.<br />

My father was a doctor, and he wanted<br />

me to become a doctor too. He died when<br />

I was a teenager. By that time I had long<br />

since decided against a career in medicine.<br />

But much later I realized that his<br />

commitment to helping other people<br />

had influenced me profoundly. His intellectual<br />

curiosity and his humanity always<br />

inspired me. This is why I dream of a world<br />

of suspended egotism and increased generosity.<br />

This can be realized with the help<br />

of international organizations, governments,<br />

and humanitarian NGOs. Bill<br />

Gates’s immunization program is of<br />

historic importance. His efforts to support<br />

the development of vaccines have<br />

been exemplary. We need more “dreamers”<br />

like Gates, Ted Turner, and George<br />

Soros. When I dream, I see rich people<br />

spending less on jewelry and more on<br />

humanitarian aid.<br />

Virtually everyone is aware of these problems,<br />

but few are actively doing something<br />

to solve them. We sit around at<br />

international conferences – myself sometimes<br />

included – drink good wine, smoke<br />

cigars, and come to the conclusion that<br />

nothing can be done.<br />

For me, the so-called “German-American<br />

crisis” is not a crisis but more like a family<br />

quarrel. Rather than wring our hands,<br />

Europe and North America should sit<br />

down together and try to solve the widespread<br />

problems in Africa, Asia, and Latin<br />

America – not to mention in the poor<br />

neighborhoods in cities like New York<br />

and Berlin. This is my biggest dream.<br />

But it seems that the trends are heading<br />

in the opposite direction. A lot of people<br />

are ready to claim that these ideas are<br />

unrealistic and naïve – the dreams of “liberal<br />

softies.” To them, the world is nasty<br />

and brutal, just as Hobbes described it.<br />

There are articles and editorials out there<br />

affirming that human beings are wicked<br />

by nature and that war is the most normal<br />

thing in the world. I don’t believe it.<br />

I believe that the majority of humanity is<br />

good. (Though there are some admittedly<br />

awful types one has to deal with.) I had<br />

a wonderful, successful time in government<br />

service, and I am thankful for<br />

what I was able to accomplish in Asia<br />

and Europe, for refugees, and in the<br />

fight against AIDS. In my dream, I get<br />

another chance to serve the public and<br />

make a difference.<br />

I am not an artist, a poet, or an author.<br />

I am practical – even when dreaming.<br />

That’s just the way I am. I always want to<br />

determine which dream can be made a<br />

reality. In my dream, the US remains the<br />

leading power, using its power and wealth<br />

to guide the world actively in the fight<br />

against the problems on both sides of<br />

terror. In my dream, the US leads, and<br />

Europe is a partner. We argue less about<br />

trade issues and instead seek a common<br />

strategy for helping the world’s poor.<br />

These poor countries would no longer<br />

be enticed or bullied or misled by charlatans<br />

and liars – like Mugabe in Zimbabwe,<br />

Dos Santos in Angola, Saddam in Iraq,<br />

or Khaddafi in Libya – who have betrayed<br />

and stolen from their own citizens.<br />

In this dream world, people act rationally,<br />

listening to truth instead of their emotions.<br />

Religion would be a holy, private<br />

matter – not state-dictated or controlled,<br />

as it is in Iran or the Balkans. This is no<br />

simple fantasy of “peace on earth” and<br />

brotherhood among all peoples. It is<br />

not a dream based on empty rhetoric or<br />

magic. I’m still a pragmatist. War, disease,<br />

and poverty will not disappear.<br />

Even a dreamer knows this. I dream<br />

that we Americans will renew our<br />

engagement, which was so incredibly<br />

strong after World War II but has just<br />

faded away in the last twenty years.<br />

The evil in Europe was defeated, the<br />

restructuring was moving forward, and<br />

many people were better off than before.<br />

But somewhere along the line, the<br />

willingness to engage in the problems<br />

of the world disappeared and was<br />

replaced by a sort of social Darwinism.<br />

Text by Christine Brinck<br />

Photography: Tim Petersen<br />

Die Zeit-Leben<br />

February 13, <strong>2003</strong><br />

The American optimism of the 1950s and<br />

1960s is gone. In my dream, the problems<br />

of the world, large and small, are solved<br />

by leadership.Then I wake up, turn on the<br />

television, and watch the morning news.<br />

There is one dream I will never abandon:<br />

that in the world’s biggest conflict zones<br />

– the Balkans, the Middle East, Cyprus,<br />

and Kashmir – each side will eventually<br />

acknowledge that the other side has a<br />

point. The total victory of one side over<br />

the other is impossible. Only when both<br />

sides find a way to live with each other<br />

will the people begin to realize their potential.<br />

This potential has, for political reasons,<br />

been denied to entire generations. I<br />

dream that these deep ethnic, religious,<br />

and national differences can be bridged<br />

through understanding, and that differing<br />

views can be taken into account. Even<br />

if we are not convinced of one another,<br />

“Let’s agree to disagree.”<br />

By the way, one of my dreams has become a<br />

reality: the American Academy on Berlin’s<br />

lake Wannsee. After five successful years,<br />

the Academy has come into own. It is a<br />

dream come true – a durable institution<br />

aimed at deepening the American understanding<br />

of Germany and the Germans,<br />

supported by people on both sides of the<br />

Atlantic, like Henry Kissinger and Richard<br />

von Weizsäcker. o<br />

The Berlin Journal 31


Memoir of Messiaen<br />

An Interview with Maestro Kent Nagano<br />

By Alex Ross<br />

An American Music Critic in Berlin<br />

Alex Ross, 34, writes for a culture in which classical<br />

music is relatively marginal. Serious music, subsidized<br />

so generously in Germany, must struggle in<br />

America to pull in private sources of funding. As<br />

Ross said in an interview, it is not part of mainstreamculture<br />

in America. “We have to fight, just<br />

to keep it from dying out.”<br />

Ross began to listen to classical music early on.<br />

He had his own radio show as a college student at<br />

Harvard, published his first music criticism in the<br />

New York Times in the early 1990s, and joined the<br />

staff of the New Yorker in 1996. For that famous magazine<br />

he has written on rock musicians, too – like Bob<br />

Dylan and Radiohead. Even his articles on serious<br />

music are noticeably relaxed; here he calls Vivaldi<br />

the favored composer of coffee bars; there he devotes<br />

himself to describing the shift in musical tastes<br />

inspired by September 11. The New Yorker pieces are<br />

methodical and non-aggressive. Like the other pieces<br />

in the magazine, they are written for intelligent readers<br />

but never assume a specialized knowledge of<br />

music, art history, or science.<br />

Since his death in 1992, Olivier Messiaen has<br />

come to be seen as a towering figure not only in<br />

twentieth-century music but in the history of music<br />

as a whole. Like Bach, he was a navigator of the furthest<br />

realms of the human spirit. In his opera Saint<br />

François d’Assise, a musician angel says to the saint,<br />

“God dazzles us by an excess of truth. Music leads<br />

us to God in default of truth.” Messiaen’s own music<br />

is a demonstration of this dictum.<br />

Kent Nagano is the world’s leading conductor of<br />

the music of Messiaen. Since 2000 he has been the<br />

chief conductor and artistic director of the<br />

Deutsches Symphonie-Orchester Berlin. He is also<br />

the principal conductor of the Los Angeles Opera,<br />

and for more than twenty years he has led the<br />

Berkeley Symphony in his native state of California.<br />

From 1989 to 1999 he was the general music director<br />

of the Opéra National de Lyon; from 1991 to 2000 he<br />

led the Hallé Orchestra in Manchester, England.<br />

And from the 2006–07 season on, he will be general<br />

music director of the Bavarian State Opera and<br />

Orchestra in Munich. He has also made significant<br />

appearances with the Berlin Philharmonic, the<br />

Vienna Philharmonic, and other orchestras around<br />

the world. For such labels as Virgin, Erato, Teldec,<br />

and Deutsche Grammophon, he has recorded music<br />

of Busoni, Richard Strauss, Benjamin Britten, Francis<br />

Poulenc, and John Adams, among many others.<br />

These projects have broadened and deepened our<br />

knowledge of the twentieth-century repertory. His<br />

traversal of Saint François is one of the few absolutely<br />

essential recordings of recent years.<br />

On October 10, 2002, Nagano led the Deutsches<br />

Symphonie-Orchester in a rare performance of<br />

Messiaen’s La Transfiguration de Notre-Seigneur Jésus<br />

Christ. Divided into 14 movements, the work is a<br />

liturgy in itself, embracing furious, joyous dissonance,<br />

riots of bird song, episodes resembling a sort<br />

of celestial jazz, all leading toward monumental<br />

assertions of the purest major-key tonality. In a way,<br />

it is not only the figure of Christ that is transfigured<br />

in this work, but also the language of music.<br />

Two days before the performance, I had the<br />

honor of interviewing Kent Nagano before an audience<br />

at the American Academy in Berlin. What follows<br />

is a transcript of our conversation.<br />

That is where the New Yorker diverges from our own<br />

Feuilletons, with their fondness for intimidating<br />

readers with erudite ballast. Alex Ross takes in this<br />

difference with equanimity, pointing out that<br />

Germans and Americans have different ways of<br />

debating new music, too.<br />

From an article by Christiane Tewinkel<br />

Die Tageszeitung<br />

November 12, 2002.<br />

Photography: Foto25<br />

The Berlin Journal 33


AR: Maestro Nagano, less than an hour ago you were<br />

rehearsing the Transfiguration with the Deutsches<br />

Symphonie-Orchester Berlin. It is a mighty ritual<br />

piece for orchestra, virtuoso chorus, and seven<br />

instrumental soloists, an hour and a half long. Let’s<br />

begin here, on one of the summits of Messiaen’s<br />

magnificent oeuvre. Where does this work stand in<br />

his output, and what does it mean to you?<br />

KN: La Transfiguration has a special meaning for me<br />

because it was through this piece that I first met<br />

Messiaen. Those of us who are heavily involved with<br />

his music tend to regard it as his first indisputable<br />

masterpiece. Messiaen had several periods of composition<br />

during his life. He had a great moment of<br />

self-discovery while he was being held at the<br />

German prisoner-of-war camp Stalag VIIIA during<br />

World War Two; there he wrote the radical and<br />

beautiful Quartet for the End of Time. In the 1950s, he<br />

began exploring Greek rhythms, Indian rhythms,<br />

and, above all, birdsong. That opened the doorway<br />

into the 1960s where he took his kaleidoscopic<br />

structures much further than before. In a way, La<br />

Transfiguration was the synthesis of all of this language,<br />

or syntax. It is a sophisticated, profound,<br />

spiritual work, and the spirituality of the piece can<br />

only resonate if everything within the structure and<br />

the form is well balanced.<br />

When I began my studies – and this may seem a<br />

little bit difficult to believe – I had a serious problem<br />

with contemporary music. I could not find any rapport<br />

with it. I was living in Boston at the time, working<br />

at the opera company, and since I was not very<br />

well paid, traditional forms of entertainment were<br />

simply out of the question for me. So I spent my<br />

hours in the public library. But the<br />

public library, fortunately, had the<br />

complete works of Messiaen. The<br />

first piece that I took out was one of<br />

the volumes of the Catalogue<br />

d’Oiseaux, that great, huge compilation<br />

of studies of birdsong. It was<br />

fiendishly difficult to play. I was<br />

embarrassed to find that I couldn’t even read it. I<br />

was working on La Traviata at the time, and to open<br />

up this musical book of birds – to use a California<br />

expression – blew my mind. I decided, in a very<br />

stubborn way, that I would play the entire Catalogue<br />

from note one until the end just because it was so<br />

difficult. And when I got to the end it was clear to<br />

me what an incredible composer Messiaen was.<br />

Later, when I was conducting the Berkeley<br />

Symphony, I decided to do a cycle of his pieces and<br />

included La Transfiguration in the cycle. That was<br />

how I came to Messiaen’s music – in the most<br />

difficult, slowest way possible.<br />

AR: You sent Messiaen a recording of one of the<br />

performances?<br />

KN: What happened was this. I read as much as I<br />

could and analyzed all the pieces, but I felt something<br />

was missing. I looked for somebody who<br />

could teach me more. That search took me to graduate<br />

schools in Toronto, professors in Boston, professors<br />

in Los Angeles, professors in San Francisco. No<br />

one could help me. They could tell me things I<br />

already knew, but they could not help me with the<br />

essential question, which was, ‘What is the style of<br />

Messiaen?’ So out of frustration I took a broadcast<br />

tape, put it in an envelope, and mailed it to Maître<br />

Olivier Messiaen, Conservatoire de Paris, Paris,<br />

Airmail. In the little packet I put a note saying: ‘Dear<br />

Maître Messiaen, you don’t know who I am, but my<br />

name is Kent Nagano. I live in San Francisco.’ I<br />

asked him to please be so kind as to give me a few<br />

criticisms as we embark on a cycle of his works. You<br />

can imagine my surprise that I got not only a<br />

One of the chords, I remember,<br />

was lime green with white,<br />

whipped-cream-like splotches,<br />

in a general hue of orange.<br />

response, but a five-page, single-spaced, typewritten<br />

letter containing pages and pages of criticisms. I<br />

took it all very much to heart. The first piece on the<br />

tape was Poèmes Pour Mi, and the first thing<br />

Messiaen said was, ‘In the last movement you’re<br />

going twice too slow.’ A small oversight. I was using<br />

an old edition.<br />

That was how our overseas correspondence<br />

began. When I finished each work in the cycle I<br />

would send him a broadcast tape. He would listen to<br />

it and send back comments, and over time the sheets<br />

of criticism began to diminish. After sending [a<br />

recording of his] Turangalîla-symphonie, I got back a<br />

hand-written note that said, ‘There’s nothing to criticize.<br />

I can’t criticize you. It’s a wonderful performance.<br />

I’m sure, however, that if I were to observe you<br />

working live, I could offer you more guidance.’ He<br />

added, ‘By the way, you might consider using my wife<br />

as soloist. She’s not so bad.’ With the help of the<br />

French Embassy, we invited Messiaen and Yvonne<br />

Loriod [his wife] to San Francisco to help perform La<br />

Transfiguration. The orchestra was well prepared, but<br />

the chorus was completely amateur, since our budget<br />

did not allow for a professional choir. I knew I was in<br />

trouble when the chorus master told the singers,<br />

‘Don’t worry about the pitch. The tam-tam will give<br />

it to you.’ They couldn’t get through two bars without<br />

having what we call in the music business a train<br />

wreck. I called extra piano rehearsals and conducted<br />

them myself. Then Messiaen showed up, expecting<br />

to see his new friend Kent Nagano with his brilliant<br />

orchestra and his brilliant choir. We went through<br />

one of the numbers and, sure enough, after three<br />

bars, train wreck. Another couple of bars, major disaster.<br />

We finally limped through the whole<br />

movement and I looked at Messiaen. He was<br />

very quiet, staring at his music. Eventually, he<br />

said, ‘Well, maybe we should go on.’ Somehow<br />

his presence was such a serious, fear-generating<br />

factor that the choir became quite animated<br />

and demanded more rehearsal time from their<br />

conductor. Within three days they learned the<br />

34 Number Six | <strong>Spring</strong> <strong>2003</strong>


piece. I didn’t think it was possible. The performance<br />

was part of the inaugural season of Davies Hall<br />

in San Francisco, which only added to the pressure.<br />

But it turned out to be one of those transfigurative<br />

performances, and the choir found inspiration from<br />

who knows where. I think Messiaen knew where. He<br />

went home and wrote a small book about the<br />

transfiguration of the chorus in San Francisco. A<br />

month later he spoke with the Opéra de Paris and<br />

asked that I be invited to work on Saint François, in<br />

advance of the world premiere in 1983.<br />

AR: How do you go about communicating Messiaen’s<br />

mentality to a group of musicians who may be unfamiliar<br />

with his music?<br />

KN: I never say too much about the content of the<br />

music. Musicians are extraordinary people, and<br />

professional musicians are even more extraordinary.<br />

They are able to articulate with their instruments<br />

the most abstract concepts at the highest<br />

level. The sensitivity of a professional musician is so<br />

keen, so very much alive, that he doesn’t really need<br />

to be told that a work is of such tremendous value or<br />

that it has so much depth. Usually, I just help an<br />

orchestra or choir appreciate the music as it is written<br />

on the page. I may explain a little bit about the<br />

text. La Transfiguration is in Latin, for example, and<br />

not everyone speaks Latin. Sometimes, I’ll explain<br />

structurally why I’m doing a certain transition from<br />

one passage to another. But, primarily, I try just to<br />

get the orchestra and the choir to get to know the<br />

music as it really should sound. For there is a distinct<br />

danger with Messiaen’s work – if you play it out<br />

of style it can take on horrific qualities. It has a<br />

strong emotional content, but emotion alone doesn’t<br />

help the piece stand on its feet. You must find a balance:<br />

some physical reality, some spiritual reality,<br />

some intellectual reality, some emotional reality.<br />

With all this in balance, the piece can resonate on its<br />

own. My task is to introduce it to the orchestra in<br />

the proper way so that they will understand it and<br />

fall in love with it. This has never failed to happen.<br />

AR: When you talk about the danger of the music<br />

being played in the wrong way, I think about those<br />

shockingly simple chords that might sound saccharine<br />

if played too flamboyantly. He loved, for example,<br />

the triad with that added sixth, which appears so<br />

often in popular music. And it occurs to me that<br />

Messiaen also uses formidable dissonances, and perhaps<br />

the trick is to play them as if they are sweet triads.<br />

In Messiaen, dissonances can be joy and familiar<br />

harmonies can have an almost terrifying effect.<br />

KN: Yes. You’re absolutely right. I remember that<br />

Messiaen once gave a master class in which he frustrated<br />

everyone with his very simple, straightforward<br />

answers. If he didn’t know the answer to a<br />

question, he would say, ‘I don’t know.’ And that<br />

drove everyone crazy. At one point, he was explaining<br />

a new compositional technique that he had<br />

found in Saint François d’Assise. In a certain passage,<br />

the string players were asked to play a pizzicato with<br />

their left hand. Another time they were asked to<br />

play on the other side of the bridge of the stringed<br />

instrument. One of the students said, ‘Maître, this<br />

has been going on for years. You are so naïve.’<br />

Messiaen answered, ‘Yes, it’s true, I have spent my<br />

whole life working hard to stay naïve.’ That was such<br />

a wonderful answer, because if you lose your innocence<br />

or the good sense of naiveté, you succumb to<br />

cynicism. So, yes, these chords are simple, and if<br />

you violate them by using the wrong kind of rubato<br />

or by overplaying, you can’t really hear what the<br />

harmonies are. The composer and conductor Pierre<br />

Boulez, in his student days, published an article<br />

denouncing the Turangalîla-symphonie as nothing<br />

better than “bordello music.”<br />

And if Turangalîla-symphonie<br />

is really played over the<br />

top, without true feeling for<br />

the style, it does sound like<br />

bordello music.<br />

AR: Not wanting to give in<br />

to cynicism or to invite<br />

scurrilous gossip, I have to ask whether there were<br />

moments when you saw some other side of his character,<br />

beyond the saintly, naive façade that we know.<br />

KN: I didn’t mean to imply that he was saintly at all.<br />

He was a very accomplished sinner, like the rest of us.<br />

I have favorite story about this. Friday dinners were<br />

always special because the Messiaen house was very<br />

devout. One evening I thought I’d surprise Madame<br />

and Maître Messiaen with one of their favorite tarts.<br />

I knew that Messiaen was particularly fond of pear,<br />

but when I got to the bakery it was a bit too late and<br />

all of the normal-sized tarts had been sold. All that<br />

was left was a tart about the size of a pizza pan. I took<br />

it, and brought it to the apartment, and Yvonne said,<br />

‘Oh, Kent! Aren’t you nice! In fact, I bought a tart,<br />

too.’ I offered to go back to the bakery and exchange<br />

it for something else.’ She answered, ‘No, no. We’ll<br />

eat both of them.’ I thought she was just being polite<br />

– that we’d take a little sliver of her apricot tart and a<br />

little sliver of my pear tart and have a sort of tart tasting.<br />

But after dinner, Yvonne proudly announced the<br />

arrival of the two tarts, and Messiaen’s eyes got very<br />

big, very bright. ‘Let’s eat them,’ he said. The three of<br />

us ate two entire tarts. That was not too saintly.<br />

Serious overindulgence! He was quite a normal<br />

person, actually. I learned my French from him. He<br />

was very much like an uncle or a father figure. He was<br />

very human.<br />

AR: Well, if the oversized pear tart was the extent of<br />

his sinning…<br />

KN: As I said, I learned French from him, and that<br />

includes some bad words, too!<br />

Messiaen was very, very private,<br />

particularly with spiritual<br />

thoughts, spiritual revelations,<br />

spiritual references.<br />

The Berlin Journal 35


AR: Let’s delve further into the spiritual side of the<br />

equation, the belief system behind Messiaen’s music.<br />

In my introduction I quoted what the Angel says in<br />

Tableau 5 of Saint François: “God dazzles us with an<br />

excess of truth. Music takes us to God in default of<br />

truth.” [Dieu nous éblouit par excès de vérité. La<br />

musique nous porte à Dieu par défaut de vérité.] It<br />

feels almost like a motto for Messiaen’s career. It<br />

occurs at that inexpressibly magical moment in the<br />

score, just before the three Ondes martenot [keyboard<br />

instruments] trace out their melody over a C-<br />

major triad in the strings. Could you possibly put into<br />

words what that line meant for Messiaen and what it<br />

means for his music?<br />

KN: Dramatically it makes a lot of sense. François<br />

feels this tremendous conflict. He’s been confronted<br />

with awful trials and yet somehow he gravely doubts<br />

whether or not the path that he has chosen to follow<br />

is leading him in the way God wanted for him. So<br />

when the angel plays this music, he offers a handle<br />

for François to be able to go on and learn how to<br />

speak with the birds in Tableau 6. This moment had<br />

a direct reflection, I think, in Messiaen’s own life.<br />

During the whole rehearsal period of Saint François,<br />

he would often get quite melancholy, almost<br />

depressed. He would say, ‘This is my last work. I’m<br />

not going to write after this piece. My life’s statement<br />

has been done.’ He said it in such a way that he<br />

seemed to be referring to the end of his life. You<br />

have to recall that I was a true Californian at that<br />

time, so I tried to lighten up the situation by saying,<br />

‘C’mon, Olivier. It can’t be that bad.’ He didn’t find<br />

this amusing at all. He said, ‘No, no. I’m serious. I<br />

feel something is happening. I’ll tell you honestly,<br />

Kent. If I live long enough to hear the first orchestra<br />

rehearsal, I’ll be happy.’ So I said, ‘Olivier, of course<br />

you’re going to live long enough to hear<br />

the first rehearsal.’ Three months later, the<br />

first orchestra rehearsal happened, and he<br />

was fine. I breathed a tremendous sigh of<br />

relief. But that night after the first rehearsal<br />

Olivier was again depressed and said,<br />

‘You know, I just wish I could see a rehearsal on<br />

stage. Then I’ll be happy.’ And so on, through the<br />

first stage rehearsal, the first orchestral rehearsal,<br />

the first performance. All the time he thought he<br />

could not go on. It was almost as if his feelings were<br />

so strong that he was waiting for something cataclysmic<br />

to happen. But it was not the end. He<br />

emerged in remarkably good health. He was in<br />

extraordinary shape, renewed by the experience.<br />

He had gone through a trial of his creative soul.<br />

Afterward, we waited and waited for something<br />

new. I was very close to Messiaen’s student George<br />

Benjamin, and we would call each other regularly,<br />

once a week, to see what was going on. Nothing, no<br />

news, no new pieces. Only ten years later did the<br />

huge final piece for orchestra, Eclairs sur l’au-delà,<br />

emerge. Out of the blue, Messiaen called me and<br />

said, ‘I just wanted to let you know that just last<br />

night I completed my new piece.’ I was overjoyed<br />

and also furious. I called Benjamin and said,<br />

‘George, why didn’t you tell me Messiaen was writing<br />

a new piece? ‘And George replied, ‘I just got a<br />

call last night, too. I didn’t know about it.’ He was<br />

furious, too. He demanded to speak with Yvonne<br />

Loriod and said, ‘Yvonne, why didn’t you tell me<br />

that Maitre Messiaen was writing a new piece?’<br />

And Yvonne said, ‘I didn’t know either.’<br />

Messiaen was very, very private, particularly<br />

with spiritual thoughts, spiritual revelations, spiritual<br />

references. He had a private set of rooms where<br />

he worked. The Messiaens lived in an apartment<br />

house in an unbelievably unfashionable part of<br />

Paris. At first, Messiaen had only been able to buy<br />

a one-room apartment. Then, as his fortunes<br />

changed, rather than move, he simply bought more<br />

apartments. So, by the time I got there he had six<br />

Curiously enough, he also spoke<br />

often about Wagner, whom he<br />

absolutely, passionately loved.<br />

one-room apartments put together. I remember that<br />

to take a bath you had to go out into the public corridor<br />

and walk down it to another apartment that had<br />

a bathroom and walk back down through the hallway<br />

to one of the other apartments. He had two<br />

more apartments upstairs. One was his composition<br />

room and the other room was his organ room,<br />

where he practiced. Neither I nor Yvonne were ever<br />

allowed into those rooms. No one was allowed into<br />

the rooms.<br />

I’m not sure what exactly took place in those little<br />

rooms upstairs, but what came out of them was<br />

final. He never, in all the years that I knew him,<br />

changed his scores. I recall that during the preparation<br />

of Saint François d’Assise a clarinetist had a fit<br />

during rehearsal. ‘This is unplayable,’ he said. He<br />

stood up and started waving his arms around, shouting<br />

that the music was nonsense, that the composer<br />

did not know how to write for the instrument, that he<br />

could not stand for this. Messiaen went up to the<br />

stage, and the clarinetist, still red in the face, still very<br />

agitated, said to him, ‘Cher Maître, I’m sorry, but<br />

clearly you do not play the clarinet. You have written<br />

things that we cannot play.’ Messiaen said, ‘I’m terribly<br />

sorry, but I thought if you put your third finger<br />

there and your fourth finger there and blew a little<br />

higher so the first overtone would come out, it would<br />

produce this note.’ And, of course, out came the note.<br />

Messiaen looked relieved – not so much that the<br />

clarinetist had been put in his place, but because he<br />

didn’t have to change his score. He had written the<br />

right note at the right time.<br />

AR: Did you visit the rooms after his death?<br />

KN: No, never, I felt it was inappropriate. Yvonne<br />

went in, after his death, and discovered the manuscripts<br />

and sketches from which the<br />

Concert à Quatre was assembled.<br />

Question from audience: Many years ago<br />

at a festival I spent most of the afternoon<br />

in conversation with Messiaen. My imp-<br />

36 Number Six | <strong>Spring</strong> <strong>2003</strong>


ession was that he belonged to a tiny percentage of<br />

humankind afflicted – or blessed – with the condition<br />

known as synesthesia. The person who has this automatically<br />

sees colors when hearing music. In the time<br />

that you spent with him did he ever talk about this?<br />

KN: Yes. I remember before we met, when I was<br />

looking at his commentaries on his music, I read<br />

with a certain combination of astonishment and<br />

horror his description of what chords meant in<br />

terms of color. One of the chords, I remember, was<br />

lime green with white, whipped-cream-like splotches,<br />

in a general hue of orange. This is a really nineteen-seventies<br />

moment if you think about it. I didn’t<br />

know what to make of it at the time. This condition<br />

of associating sound and color is a fairly widespread<br />

one, but in a much milder form. Most musicians<br />

have it in some degree. When I think of D Major, it’s<br />

basically cream colored. F Major is a kind of dark<br />

yellow. The key of A Major is a deep-hued cross<br />

between black and purple. B Major is obviously<br />

navy blue. For Messiaen, all I can say is that – boy –<br />

when I walked into his house and I saw the color<br />

scheme for the first time, I was really, really amazed.<br />

As we worked on François together at the piano, I’d<br />

ask, ‘Are there any hidden colors that I should try to<br />

play?’ And he said, ‘Yes, there are.’ But he said that<br />

he didn’t expect other people to play the music in,<br />

say, a lime-green way. He just wanted to share what<br />

colors that he had in mind so that people could have<br />

the general idea of a brilliant painting as they listened<br />

to the music. People have written, rather<br />

meanly, about the clothing that Messiaen wore. He<br />

had a very special way of dressing. He loved loud<br />

colors. His favorite shirts were paisley, primarily<br />

orange or baby blue. Over these shirts he would<br />

wear a plain gray suit and a plain tie. But the shirts<br />

were to die for.<br />

Question: What was his relationship with or attitude<br />

toward Schoenberg and Stravinsky?<br />

KN: He was aware of Schoenberg, of course, but he<br />

didn’t feel a particular closeness to him.<br />

AR: He said, I think, that Schoenberg sounded gray.<br />

KN: He felt much closer to Berg. Curiously enough,<br />

he also spoke often about Wagner, whom he absolutely,<br />

passionately loved. He attacked Stravinsky<br />

aggressively in this youth, but, later, he would only<br />

speak politely about him. He was not one to hand<br />

out stern judgments. He was quite humble about his<br />

gifts. He would speak with admiration of composers<br />

or conductors or musicians who could hear things<br />

he couldn’t. He said of Boulez: ‘He is greater than I<br />

will ever be, and he is greater than most of the world<br />

will see.’ He was fiercely insistent, however, that performances<br />

of his music remain true to his inspiration.<br />

For example, I was under tremendous pressure<br />

to cut Saint François before the premiere. I was<br />

taken out to dinner by authorities from the Opéra,<br />

who said, ‘Please, Kent. You’re a pal of Messiaen.<br />

Get him to cut about 45 minutes.’ I said I would<br />

mention it, though I didn’t see how it could possibly<br />

be cut, since its dimensions are perfect. Messiaen<br />

was furious, of course. He would not hear of it and<br />

said that if they cut the opera he would withdraw.<br />

Question: How do you approach the religious question<br />

of Messiaen? Few other composers I can think of that<br />

are so saturated with Catholic mysticism in their<br />

music. To me that is often an alienating aspect. It is<br />

just so foreign to my own experience and sense of<br />

spirituality. How does that play a role for you as an<br />

interpreter?<br />

KN: As I mentioned before, Messiaen was often<br />

asked that question. It is a legitimate<br />

question because he was so<br />

demonstrative about his religion.<br />

He wrote religious quotations as<br />

title headings for every movement.<br />

But, again, his answer was that the<br />

beliefs that he cited were personal<br />

ones, that they gave him the inspiration<br />

to write the work. Interpreters<br />

are expected to invest themselves<br />

in an honest way and bring<br />

their own experiences to bear. To subscribe to a particular<br />

religious doctrine has no importance at all.<br />

Once, when we were discussing a religious quotation<br />

in Des Canyons aux étoiles, Messiaen asked me, ‘Are<br />

you religious?’ I said, ‘I’m a Presbyterian.’ And he<br />

asked, ‘What’s that?’ I explained that it derived from<br />

the Church of Scotland. He said, ‘So you belong to<br />

the Church of Scotland?’ I said, ‘No, no. It’s a<br />

Protestant denomination, like Methodist or<br />

Lutheran.’ And he said, ‘Oh! You’re a Protestant.’<br />

He nodded, and we went on talking about the music.<br />

He could not possibly have been less dogmatic on the<br />

issue.<br />

AR: Thank you so much, Kent Nagano, for making your<br />

way out to Wannsee after a long day of rehearsal. o<br />

The angel in Saint François says,<br />

“God dazzles us by an excess<br />

of truth. Music leads us to God<br />

in default of truth.” Messiaen’s<br />

music demonstrates this.<br />

The Berlin Journal 37


On Realpolitik and the Misuse of History<br />

An Interview with Fritz Stern<br />

By Reinhard Meier<br />

This text is drawn from an interview<br />

published in the Neue Zürcher Zeitung on<br />

March 17, <strong>2003</strong>.<br />

Professor Stern, you live in New York<br />

and are at the same time very familiar<br />

with Europe. In your opinion, what are<br />

the fundamental differences in public<br />

opinion on either side of the Atlantic<br />

regarding the Iraq conflict?<br />

First of all, there is no such a thing as a<br />

uniform America. A broad spectrum of<br />

opinions and differences with relation to<br />

the politics over Iraq is discernible in the<br />

United States, too. And recently these differences<br />

appear to be deepening. I get the<br />

impression that opinions in Europe are<br />

also sharply divided but simultaneously<br />

vacillating. I recently had a discussion in<br />

France with an old friend – a man with an<br />

extensive grasp of politics. He has come<br />

out decidedly in favor of Bush’s Iraq politics,<br />

whereas most of the French have<br />

expressed quite a different opinion.<br />

What do you think is Bush’s most important<br />

motive for pursuing this war?<br />

I believe his fundamental philosophy is<br />

his profound conviction in America’s<br />

unrivaled power. Bush separates the<br />

world very definitively into Good and<br />

Evil, which is related to his oft accentuated<br />

religious background. He is convinced<br />

that it is his duty to dispossess evil of<br />

power. But the notion linked to this<br />

conviction– that the war against Iraq<br />

will change the entire Middle East for<br />

the better and will pave the way for widespread<br />

democratic development – is<br />

hardly realistic.<br />

Had George H.W. Bush been president<br />

after September 11, 2001, do you believe<br />

that he would have pursued a different<br />

policy toward Iraq? Even if the elimination<br />

of the Saddam Hussein regime were<br />

one of his priorities, would he handle<br />

it differently?<br />

The generational difference undoubtedly<br />

plays a role here. Bush Sr. grew up in a<br />

different America and he had already<br />

had his own foreign policy experiences<br />

before becoming president. I am convinced<br />

that had he been in the situation<br />

that we see today, Bush Sr. would have<br />

acted quite differently.<br />

What we are now experiencing is the<br />

complete failure of diplomacy and the<br />

disregard for diplomatic customs and traditions.<br />

Bush Sr. was much more adept at<br />

forming coalitions. More importantly, he<br />

was convinced of the necessity of actively<br />

forging coalitions. Bush Jr. and several of<br />

his closest associates tend to believe that<br />

America can better and more efficiently<br />

look after its interests by means of unilateral<br />

action.<br />

Does it surprise you that the disagreement<br />

over the Iraq question between<br />

Germany and France on the one hand<br />

and the US on the other hand is currently<br />

being carried out in public so brusquely<br />

and obstinately?<br />

First of all, I would like to make a personal<br />

observation. For my entire adult life –<br />

for personal and professional reasons, as<br />

well as for reasons or realpolitik – I have<br />

always hoped that the transatlantic relationship<br />

would prove its mettle, and that<br />

it would truly represent values that must<br />

be defended. There have always been<br />

crises in this relationship. But I believe<br />

the current crisis is something fundamentally<br />

different – it is much more profound.<br />

And what worries me is that it<br />

seems to be intensifying and hardening<br />

with each passing day.<br />

Was it wise of Chancellor Schröder<br />

to come out so prematurely and so<br />

emphatically against any form of<br />

German participation in a military<br />

intervention in Iraq, regardless of a<br />

UN resolution backing action?<br />

No. This is yet another example of the<br />

failure of the diplomatic craft. Schröder<br />

also spoke of a “deutscher Weg” in the<br />

election campaign last fall. Perhaps it was<br />

tactically successful with regards to the<br />

election, but in principle it was a great<br />

mistake. One of the basic rules of diplomacy<br />

is that one should never unnecessarily<br />

close a door for good. Nonetheless,<br />

I do not believe that Schröder’s observation<br />

at the time was meant to indicate a<br />

fundamentally new direction. There cannot<br />

be a constructive German way. Only<br />

a European one.<br />

The term “anti-Americanism” has<br />

appeared again and again in the controversy<br />

over Iraq. Is anti-Americanism in<br />

Europe stronger today than it has been<br />

in previous decades?<br />

In a certain sense, yes. There is an historical<br />

anti-Americanism, which I studied,<br />

for example, in Jacob Burckhardt. One<br />

can see that a general prejudice was<br />

already projected upon America in the<br />

nineteenth century – America as the<br />

embodiment of the purely materialistic<br />

ambition, the uncultured mass society.<br />

This is a critical prejudice that is completely<br />

missing from Tocqueville.<br />

Tocqueville had already understood<br />

America to be the country of the future,<br />

the epitome of modernity. I consider<br />

Tocqueville to be one of the greatest<br />

historians. He clearly recognized the<br />

fundamental significance of the<br />

American development for the rest of<br />

the world, with both its strengths and<br />

its weaknesses.<br />

But in speaking of the prejudices and<br />

the criticism of America – in part wellfounded,<br />

in part unintelligent – one cannot<br />

overlook the fact that such criticism<br />

is also articulated in America itself. The<br />

US has always excelled in self-criticism,<br />

which is a great credit to it. Therefore one<br />

should not categorize every criticism in<br />

Europe as anti-Americanism. I am critical<br />

of the politics of the Bush Administration<br />

today because I am concerned that in the<br />

transatlantic relationship, much of what<br />

has been built up over the last fifty years<br />

is being gambled away. To say nothing<br />

of the American traditions in domestic<br />

politics. But that certainly is not an anti-<br />

American position.<br />

In making the case for an intervention<br />

in Iraq, President Bush has argued that<br />

functioning democracies developed<br />

after military occupation in both<br />

Germany and Japan. Why can’t this<br />

model succeed in Iraq?<br />

I consider this absurd, a typical example<br />

of ahistorical comparisons. After all, in<br />

Germany there was something of a democratic<br />

tradition upon which one could<br />

build a democratic society after the war<br />

in the territory occupied by the Western<br />

powers. I see no such tradition in Iraq.<br />

One must also take into consideration<br />

that between 1945 and 1949 about half a<br />

million American soldiers were stationed<br />

in Germany in rotation. Does the Bush<br />

Administration believe that 500,000<br />

American soldiers or even 300,000<br />

should stay in Iraq for five years? An even<br />

more essential issue is how the Muslim<br />

world and the Middle East would react if<br />

a large American military force were to<br />

establish itself in Iraq. Surely this would<br />

arouse heavy opposition and resentment.<br />

Let us return to historical comparisons.<br />

In the debate over Iraq, parallels are<br />

also frequently made with the appeasement<br />

politics of the 1930s. How do you<br />

view this correlation?<br />

In Munich, a significant portion of another<br />

country was ceded to an aggressive<br />

conqueror and dictator. Czechoslovakia<br />

was betrayed. And Hitler was tremendously<br />

strengthened in the process.<br />

It was a capitulation. The situation in<br />

Iraq is different. The comparison with<br />

Munich would only be appropriate if<br />

opponents of war argued, for example,<br />

that one should relinquish Kuwait to<br />

Saddam to pacify him. But no one is making<br />

this argument. The comparison with<br />

Munich is yet another political misappropriation<br />

of history.<br />

Nevertheless, in 1936, before the<br />

betrayal of Munich, the Germans did<br />

march into the de-militarized Rhineland.<br />

At this moment the Western powers<br />

should have immediately offered resistance<br />

to Hitler. But at the time there was<br />

a widespread illusion that this augmentation<br />

of power was, after all, within<br />

Germany itself.<br />

In light of the deteriorating situation,<br />

why doesn’t Bush invite Schröder,<br />

Chirac, Blair, and Putin, as well as the<br />

Chinese, to Washington to continue to<br />

try to find a consensus in the Iraq controversy<br />

with direct talks? Is this idea<br />

so far-fetched?<br />

Unfortunately heads of state rarely discuss<br />

the situation all together, preferring<br />

to talk two at a time. Today the positions<br />

are already far too inflexible. And if one<br />

differentiates so radically between Good<br />

and Evil, as Bush does in the case of Iraq,<br />

then there are hardly possibilities for<br />

such a conference at the last minute.<br />

On the other hand, Chirac’s recent<br />

condescending remarks about Eastern<br />

Europe belong to the incomprehensible<br />

mistakes that have been made in Europe.<br />

They are unfathomable. I get the impression<br />

that over the last several months,<br />

political irrationality has not only<br />

increased tremendously, it has become<br />

contagious.<br />

Translated by Daniel Huyssen<br />

38 Number Six | <strong>Spring</strong> <strong>2003</strong>


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The Commodity Curse<br />

The Tyranny of Wealth and the Wealth of Tyrants<br />

By Amity Shlaes


© Getty Images<br />

W H AT D O V E N E Z U E L A , Sierra Leone, and Iraq have in common? One<br />

answer of course, is that they each, in their way, represent an international<br />

threat. Sierra Leone is mostly a potential threat. Venezuela is already<br />

palpable trouble, a source of instability in its region. Iraq has been highgrade<br />

danger, simple and outright.<br />

But the three also share something else. They all suffer from<br />

what we will call the commodity curse. They are rich in a commodity –<br />

oil in two cases, diamonds in one – and that fact has hurt them, not<br />

helped them.<br />

The thesis of the commodity curse says that commodity wealth is<br />

different from other wealth, different in a way that makes it politically<br />

destabilizing. One might go on to say that natural resources generally are<br />

the curse of the less developed world, retarding the rise of democracy and<br />

the pursuit of prosperity.<br />

In Venezuela’s case, we often hear that the current standoff<br />

between striking citizens and the Chavez government is about whether<br />

citizens believe in free markets or not. But the conflict is not really about<br />

that. The fight is really, to a great degree, about damage wrought to the<br />

economy through state control of the nation’s oil.<br />

Sierra Leone’s diamond mines have caused enormous trouble.<br />

They became the centerpiece of a domestic war – one that eventually<br />

pulled in Liberia’s undemocratic leader, Charles Taylor. Now the US state<br />

department is investigating whether millions of dollars’ worth of diamonds<br />

from Sierra Leone were sold to an entity – Al Qaeda – that badly<br />

needs untraceable, tradable, goods to traffic in.<br />

Then there is Iraq and its context: the Middle East. Radical Islam is<br />

usually blamed for the region’s instability. But there is another, more<br />

obvious, fuel powering dictators and terrorists: oil. Without the existence<br />

of state-owned oil, Osama bin Laden’s family in Saudi Arabia would have<br />

found it harder to become rich and he could not have funded Al Qaeda.<br />

Without state-owned oil, the Iranian regime could not nurture radical<br />

Islam. Without oil or oil cash, sheiks, mullahs and warlords would have<br />

less power. Without oil, Saddam’s peculiarly brutal regime in Iraq would<br />

not have the cash to fund its weapons programs.<br />

The idea of a commodity curse fits very well on the political left –<br />

the classic argument and caricature being that the nasty imperialist<br />

power exploits the poor third world for its rubber, cotton, or gold. The<br />

commodity curse thesis does not, however, fit comfortably into standard<br />

development economics, which holds that any form of wealth gives a<br />

nation something to trade, yielding prosperity. Modern mainstream<br />

economists have generally tolerated as a lesser evil the idea of governments<br />

owning or controlling those resources, at least for a while. After all,<br />

according to the reasoning, the state must be a better custodian of this<br />

public good than a nasty warlord or an empire’s colonel. Natural<br />

resources are supposed to be good for countries, and not necessarily corrupting.<br />

And certainly that has been true in some democracies, where<br />

other forms of wealth were around to compete with the state’s commodity<br />

wealth – or with private holdings. Norway’s state-owned oil reserves<br />

may not have helped the country as much as was once imagined they<br />

would, but they have not ruined the country either.<br />

Western economists and free marketeers ought to reevaluate their<br />

thinking. For in places that do not yet have democracy or a culture of<br />

The Berlin Journal 41


private property, natural resources can indeed be a curse. That is not,<br />

however, because of pressure or exploitation by foreign governments or<br />

companies. It is because natural resources lend themselves to monopolies<br />

and therefore exploitation from within. After all, whoever captures control<br />

of the oil field or the diamond mine in an otherwise poor nation<br />

also captures the nation. The glitter of commodity wealth is so great that<br />

it is near impossible for any citizen to see beyond it. Comity disintegrates,<br />

civility disappears; life degenerates into a bitter scramble for a share of<br />

the treasure.<br />

In colonial times, it was easy to know whom to blame for such trouble:<br />

the colonizer, the man who sat beside the gold mine, or the oil field,<br />

with his gun. The fact that he was a European, and his poor subjects<br />

native Africans, Indians, Arabs, or Asians, seemed to be the source of the<br />

injustice. Put the commodity in the hands of the local people, the argument<br />

went. A man would not exploit his fellows.<br />

But this has turned out not to be<br />

the case. In dozens of countries, socialists<br />

and nationalists – politicians and<br />

colonels alike – seized the valuable treasure<br />

in the name of the people. And they<br />

did not prove any better at managing the<br />

situation.<br />

It emerged that idealists schooled<br />

in Paris or at London’s School of Economics<br />

were just as susceptible to corruption<br />

as the worst colonial mercenaries.<br />

Natural resources got in the way of<br />

postcolonial progress. That is because<br />

the prize of diamonds or oil is so valuable<br />

that it corrupts governments who control<br />

it. Their treasure is so valuable that they,<br />

those who have won it, will do just about<br />

anything to protect it. They will continue<br />

the case for the necessity of state socialism,<br />

even when economics have shown that the private sector is more<br />

efficient. They will form cartels, such as the opec, the Organization of<br />

Petroleum Exporting Countries, in an effort to sustain their treasure’s<br />

value. (It is telling that the ‘country by country’ descriptions posted on<br />

opec’s website include a category that applies to all opec members:<br />

“national oil company.”) In effect, the possession of commodity power<br />

helps convert a democratic anti-colonialist into an autocratic warlord.<br />

One can make a solid argument, as has the Nobel-prize winning<br />

economist Ronald Coase, that things would be far better if private businesses<br />

controlled the resources – but only if those private businesses are<br />

not allied with governments. This, however, is almost never the case, for<br />

leaders of commodity-rich states are notoriously reluctant to give up their<br />

commodity treasure – or, indeed, to give up power at all. As Bassam Tibi<br />

of the University of Göttingen has pointed out, one can count how many<br />

leaders of nations in the oil-rich Middle East have voluntarily left their<br />

jobs when their “terms” were up: none. The “soft” commodity lords will<br />

take “soft” measures to preserve their power. These include rejecting<br />

denationalization, or using cash from commodity sales to sustain a lavish<br />

«»<br />

Natural resources<br />

are the curse of<br />

the less developed<br />

world, retarding the<br />

rise of democracy and<br />

the pursuit of<br />

prosperity.<br />

state and postpone needed reform. The “hard” commodity lords will use<br />

their power to oppress their citizens, denying them freedom, the chance<br />

to export, good schools. The idea here is to prevent the development of<br />

any competing form of private sector wealth within their countries’<br />

borders. A worker who thinks that the only wealth in his country comes<br />

from the oil mine or the diamond mine will not write software.<br />

The American hemisphere has seen its share of the commodity<br />

curse. To understand this, one need only take account of Venezuela’s current<br />

crisis and troubled past. The Venezuelan Juan Pablo Perez Alfonzo,<br />

one of opec’s founders, became so disillusioned with his life that in his<br />

later years he called oil “the excrement of the devil.”<br />

But as energy expert Daniel Yergin reminds us in his documentary<br />

film Commanding Heights, the Soviet Union and its successor states also<br />

provide a wonderful example of the problem with commodities. Back in<br />

the 1960s it looked as if the Soviet economy would weaken. Then two miracles<br />

occurred. The first, Yergin notes,<br />

was the discovery of vast new oil reserves<br />

in West Siberia. The second was the<br />

quadrupling of oil prices in the 1970s.<br />

The cash that resulted added decades of<br />

life to a sclerotic regime. Yergin cites<br />

statesman Yegor Gaidar on oil: “It created<br />

the ability not to think about the crisis<br />

for a decade and a half.” Then of<br />

course, when oil prices dropped, the<br />

Soviet Union was hurt – fatally. “The<br />

Soviet system had many weaknesses,”<br />

says Yergin, “but reliance on oil and<br />

commodity prices proved to be among<br />

its deadliest vulnerabilities.”<br />

Going back a little farther in its<br />

history, it may be argued that America<br />

experienced its own version of the commodity<br />

curse. Through the institution of<br />

slavery, Southern plantation owners monopolized agricultural commodity<br />

wealth. This smothered individual enterprise (to say the least). As<br />

Alexis de Tocqueville noted, “on the right bank of the Ohio everything is<br />

activity, industry, labor is honored. Pass to the left bank and the enterprising<br />

spirit is gone. There, work is not only painful; it is shameful.”<br />

Can we go so far as to argue that the absence of commodities is a<br />

blessing? Governments of countries that do not have an obvious hoard to<br />

sustain them have to hunt for other sources of revenue; they must tax<br />

labor. Their interest is therefore in creating a freer environment in which<br />

individuals feel they have something to gain by developing other forms of<br />

capital. Nowadays, especially, this takes the form of brainpower.<br />

Resourceless Hong Kong, for example – a piece of rock surrounded by<br />

water – had to become an attractive low-cost port city. No other use was<br />

available to it. It is no accident that Israel, with little more than Dead Sea<br />

salt to sell, has turned out to be the Middle East’s only democracy.<br />

This brings us back to the problems of Iraq, Saudi Arabia, and<br />

instability in the Middle East in general. The commodity curse thesis<br />

does a lot to explain why so many Middle Easterners do not seem eager to<br />

42 Number Six | <strong>Spring</strong> <strong>2003</strong>


hammer swords into ploughshares, or trade in Kalashnikovs for<br />

“Windows XP.” Subjects of Saudi Arabia or the youth in Iran have little<br />

hope of collecting huge material rewards from their own labor in their<br />

own lifetime. They will not get part of the oil wealth. That is why some<br />

embrace Islam’s paradise, Koran school and suicide hijacking. And this is<br />

why many in Iraq work loyally for Saddam.<br />

In such hope-free zones, radical Islam has an added attraction; it<br />

offers followers and junior warlords a chance to be part of the next power<br />

grab. In other words, bin Laden’s game plan may have been, as many say,<br />

to topple the Saudi sheikhs and gain control of the biggest commodity<br />

prize of all: Saudi oil reserves.<br />

The commodity curse thesis has radical implications for the West’s<br />

policy toward the Middle East. It contains, first of all, two warnings. The<br />

first is that European diplomats are right when they say that clearing a<br />

fraction of Afghanistan of the Taliban, while leaving the rest of the land in<br />

the hands of warlords, is simply not enough. It suggests too that even<br />

ousting Saddam is not enough. American and Britain will have to push<br />

their allies to implement democratic reform and, crucially, to establish<br />

the rule of law, including property rights. By itself, a war against terror<br />

will do little to assuage the commodity curse.<br />

This notion will be dismissed as ludicrous by defenders of the policy<br />

of containment for the Middle East (a number of whom live in Europe).<br />

Nor will it be welcome to those who wish, naturally enough, that the<br />

looming war with Iraq would evaporate without action on America’s part.<br />

After all, in the case of oil, for example, it is easier to blame opec’s clients.<br />

That is what we see when, for example, the US is blamed for the war that<br />

now threatens the Middle East. But one can also interpret the picture<br />

another way. Maybe this time it is the local autocrats and dictators who<br />

are to blame. Maybe this time the problem is with the commodityhogging<br />

regimes.<br />

But there are also two hopeful points that emerge from the theory<br />

of the commodity curse. The first is that the problem in the Middle East is<br />

not an entirely cultural or religious problem. Islamic extremism, one can<br />

argue, is as much symptom as cause; it would diminish if economic hope<br />

were greater.<br />

The second cause for hope is the fact that the forces advocating<br />

democracy and property rights possess a new and powerful weapon. In<br />

the days of the Malay rubber plantation, the worker had no chance of<br />

doing anything in his life but harvesting rubber. Today all the world’s citizens,<br />

even those who live impoverished on desert terrain, do have a kind<br />

of capital they can develop and sell: intellectual capital. If democracy, the<br />

rule of law, and the rudiments of functional markets can be established in<br />

their homelands they have a shot at stable lives. Here the new middle<br />

class in India provides an example. In other words, it is easier to establish<br />

democracies today than it was in the old days. One reason extremist leaders<br />

in the Middle East are so desperate is that their citizens – through television<br />

and via the internet – are beginning to realize that they can escape<br />

the local commodity curse. All they need do is find a way to develop a<br />

competing form of wealth.<br />

In any case, it is important to ask; who are the people who are<br />

oppressed by a Saddam, manipulated by a Latin oil autocrat, or terrorized<br />

by a diamond-mine lord? The globe’s best hope lies in proving to<br />

such people that commodities are not destiny. o<br />

Amity Shlaes first outlined this thesis in her bi-weekly<br />

Financial Times column.<br />

Martin-Gropius-Bau Berlin<br />

Ausstellungen <strong>2003</strong><br />

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Veranstalter: Berliner Festspiele und Staatliche Museen zu Berlin, Ethnologisches Museum<br />

Ermöglicht durch die Beauftragte für Kultur und Medien, den Hauptstadtkulturfonds, die Kulturstiftung der Länder und das Auswärtige Amt<br />

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Berlin Journal 43


The Bunker<br />

By Jeffrey Eugenides<br />

44 Number Six | <strong>Spring</strong> <strong>2003</strong>


we hadn’t been installed more than three days before we heard<br />

about the bunker. It was right under us, apparently, directly beneath the<br />

elegant lakeside villa that had once housed a Jewish banking family – the<br />

Hans Arnholds – and that now housed us, a small group of scholars and<br />

artists staying at the American Academy in Berlin. Well, this was<br />

Germany, wasn’t it? Across the lake stood the Wannsee Conference<br />

House, where the Final Solution had been formulated over coffee cake. In<br />

such a neighborhood, why be surprised to find a Nazi bunker in your<br />

backyard?<br />

Nevertheless, we were. The villa had been recently renovated. A<br />

Francisco Clemente – on loan – hung in the living room. Also a<br />

Rauschenberg. During media events when politicians showed up, movie<br />

screens unscrolled from the ceilings. Glittery, Klimt-like tilework decorated<br />

the tympanum of the dining room. The paneled library might have<br />

been Bruce Wayne’s.<br />

This hotel or conference center gloss was only the latest transformation<br />

of the old house, however. During the 1930s Hans Arnhold had<br />

taken his family out of Germany, and the villa, like many mansions in this<br />

affluent part of Berlin, had been seized by the National Socialists. Hitler’s<br />

economics minister, a man named Walther Funk, had lived in the house<br />

until the end of the war. After that the villa had been occupied by<br />

American officers, serving as a recreation center for American troops.<br />

It was Herr Funk who had put in the bunker. In her memoir of<br />

those years, The Past is Myself, Christabel Beilenberg makes clear that this<br />

sort of home improvement was a fad at the time: “It was common knowledge<br />

that the party bigwigs were building air raid shelters under their<br />

lakefront mansions.” Hitler himself had inspected the bunker under<br />

the Academy.<br />

Over that fall and early winter, we talked about the bunker constantly<br />

at dinner. We asked the Academy’s executive director, Gary Smith,<br />

to describe it for us. “I’ll show it to you sometime,” Gary promised. But<br />

with one thing and another he never did. And so we stopped talking<br />

about the bunker. And then a week later somebody brought it up again<br />

and we started asking the usual questions: How big was it? How deep?<br />

What did it look like inside?<br />

Sometimes while working I would look out of my office at the sloping<br />

lawn that led down to the lake. There was a large drained swimming<br />

pool on one side of the property. The grass itself was browning or weedy<br />

in spots. Gatsby would have had a bigger staff of gardeners, but there<br />

were still a few around, mowing and pruning, digging. Sometimes a frog<br />

hopped past my glass door. Impressive clouds, somehow Prussian, boiled<br />

and marched over the lake. The lake itself was gray most days but could<br />

suddenly fool you and turn blue. Ferries plied the water. The American<br />

Yacht Club was right next door, as was, rumor had it, a brothel patronized<br />

by business executives. My attention would be taken up by all these<br />

things and then, often enough, I would lower my gaze from the dramatic<br />

sky to look at the grass and think about the bunker below.<br />

Our obsession with the bunker came partly from the word itself.<br />

You can hardly say the word “bunker” without adding a certain name<br />

before it: “Hitler’s bunker.” Bunker and Hitler are inseparable. (I suspect<br />

it was the fascistic connotation that led Norman Lear to name his great,<br />

bigoted character “Archie Bunker.”) But if you think about it a minute, it’s<br />

clear that there is nothing especially historic or significant about a<br />

bunker. As Christabel Beilenberg pointed out, a bunker is nothing but an<br />

air raid shelter. How many WWII-era bunkers must there be in Berlin, in<br />

Germany, or in all of Europe for that matter? Winston Churchill had a<br />

bunker of his own beneath the streets of London. He prosecuted the<br />

Second World War largely from underground. Still, the image we have of<br />

Winston Churchill isn’t subterranean. Churchill descended to the underworld<br />

during the winter of life. Down there he overcame death and<br />

returned above ground, like spring wheat. Hitler didn’t. Down in the<br />

bunker was where he perished. Something about this appeals to the imagination.<br />

It feels right. Down in the dirt, down with the earthworms and<br />

the creepy blind unsunned moles, down where corruption takes place,<br />

that’s where Hitler belongs.<br />

Then one night a terrible thing happened. August Kleinzahler, the<br />

poet, got to see the bunker all by himself. One evening, as I arrived for<br />

dinner, Michael Meltsner grasped me by the lapels. “Gary took August<br />

down to the bunker,” he told me in a grave tone. Was this true? I found<br />

Kleinzahler in the library, sitting in his usual armchair. He looked shiny<br />

cheeked, pleased with himself.<br />

“You saw the bunker?”<br />

“Yes, I did.”<br />

“What’s it like?”<br />

“It’s not much.”<br />

“Is it true that Hitler was down there?”<br />

Kleinzahler gave me a level stare. “I didn’t see him,” he said.<br />

Over the fireplace, not far from Kleinzahler, hung a portrait of<br />

Hans Arnhold. Arnhold’s daughter, Anna-Maria, and her husband<br />

Stephen Kellen, are the primary benefactors of the American Academy in<br />

Berlin. Anna-Maria Kellen had grown up in this very house. When the<br />

idea arose to start an American Academy in Berlin, the Kellens had been<br />

the first to give financial support. She had been kept apprised of the<br />

progress, was told that a building had been found and that it would be<br />

renovated. Only later did she discover that, by an amazing coincidence,<br />

this building was her childhood home.<br />

Anna-Maria Arnhold became an American. In the early 1950s,<br />

after her marriage, she came back to Berlin with her husband. The plane<br />

coming into Tempelhof flew in low over the Wannsee. Anna-Maria<br />

The Berlin Journal 45


looked out the window to try and find her old house. The woman seated<br />

next to her then spoke.<br />

“Do you know that house, too?”<br />

“Yes,” answered Anna-Maria.<br />

The woman smiled. “My husband and I spent many wonderful<br />

nights there. Herr Funk used to throw wonderful parties.”<br />

It was from her seatmate that Anna-Maria Kellen learned about the<br />

bunker. After landing in Berlin, she and her husband drove out to the<br />

Wannsee. The old family gardener was still there. He had been Funk’s gardener,<br />

too, throughout the war. Coldly, he showed the Kellens around the<br />

house. When they asked to see the bunker, he took them down.<br />

After they had come out, as they were driving away, Mrs. Kellen<br />

said to her husband, “You know, that gardener could have shut the door<br />

behind us. No one would have ever found us.”<br />

“I know, my dear,” Stephen Kellen replied. “That was why I made<br />

sure to walk behind him.”<br />

I went on with my work. Weeks passed. The plane trees lost their<br />

leaves, revealing their stunted, twisted arms. A winter fog began to cover<br />

the Wannsee. One night there was a lecture. When the guests had gone,<br />

we went into the library to talk and smoke. Reinold, the chef, brought out<br />

a tray of liqueurs. A plum-flavored schnapps began making the rounds.<br />

There were eight of us, two historians, one linguist, one novelist,<br />

one poet, a composer who lived in Paris, a Harvard law professor, and a<br />

visual artist. We were talking, that night, about a bad smell that had been<br />

gathering in the basement where our studios were. It had started in Milad<br />

Doueihi’s office.<br />

“I can’t even work there anymore,” he complained.<br />

“They think it might be coming from under the kitchen,” one of the<br />

historians said. “There’s a tube where all the fat drains out. Maybe it’s<br />

clogged.”<br />

“It’s the schmaltz!” said Augie. “I knew it.”<br />

“It’s not the schmaltz,” I said. “It’s the bunker.”<br />

In the next moment, providentially, the executive director entered<br />

the room.<br />

We were on him at once.<br />

“When are you going to show us the bunker, Gary?”<br />

“You promised you’d show it to us!”<br />

“How come Augie got to see it and we didn’t?”<br />

We were unstoppable, fueled by Pomeranian schnapps. We had<br />

eaten an obscure Baltic fish for dinner. We had been living and working<br />

on top of a Nazi bunker for nearly three months and we wanted to see it.<br />

Tonight was the night.<br />

Gary knew there was no putting us off. The signal was given.<br />

Reinold lit candelabra and handed them around. We crossed the dining<br />

46 Number Six | <strong>Spring</strong> <strong>2003</strong>


oom and entered the kitchen. At the back a door led to a flight of stairs.<br />

Laughing, fluttery, already making cracks, we each held a candelabrum<br />

and followed our leader down the dark stairs into the earth.<br />

“I’m trying to raise the money to build a health club down here,”<br />

Gary joked.<br />

“Ve haf vays of making you get in shape!”<br />

“How come you know this place so well, Reinold?”<br />

“We keep the Riesling down here.”<br />

“Ah, it’s not a bunker. It’s a wine cellar.”<br />

Candle flames streamed backward, thinning as we moved. We were<br />

in our dinner clothes, the women wobbly in high heels. Right in front of<br />

me was Meltsner. Usually he wore sweatshirts. Tonight he was in a blue<br />

blazer and white shirt. Even a tie. Finally, at the bottom, we came to the<br />

bunker door. We grouped there, silent, staring at it. The joking stopped.<br />

The door to the bunker was slightly convex, like the hatch of a tank.<br />

Greenish gray, cobwebby, rusted at the edges. The glass spyhole was protected<br />

by a metal shield. Bullets wouldn’t have penetrated it. At length,<br />

Reinold pulled the door open and we went inside.<br />

Kleinzahler was right. It wasn’t much. No artifacts remained, no<br />

furniture. The ceiling was low, the walls chalky. There were two or three<br />

long, narrow rooms. At the end another door led up to the back lawn. We<br />

might have been in a basement anywhere.<br />

Only one thing showed the underground space for what it had<br />

been. Just inside the front door was a small engineering room. Here were<br />

the controls for ventilation and plumbing. Elegantly designed manifolds<br />

and valves, the height of modernity back in 1942, lined one wall. Each in<br />

slanting Fraktur script proclaimed the element it brought into the<br />

bunker: Luft. Wasser.<br />

What did we expect to find? What do we seek by going to the sites<br />

of atrocity? There was no difference, at bottom, between our trip to the<br />

bunker and a visit to the concentration camp of Sachsenhausen, outside<br />

Berlin. We wanted to draw near to historical evil, to see and touch it if we<br />

could, and somehow comprehend it. Such ghoulish sightseeing has<br />

become a kind of perverse pilgrimage, marked by required stops and ritualized<br />

thoughts. Therefore, I couldn’t help staring at those beautifully<br />

designed controls and thinking about “the rationality of evil” or “the<br />

mechanization of the death camps.” All true, no doubt, but not my<br />

thoughts. Only borrowed, recited like a litany.<br />

It was cold down there in the bunker. Meltsner had backed into a<br />

wall. His blue blazer was all white behind. I slapped his back. Meltsner<br />

grew up in New York and became one of the big civil rights lawyers. He<br />

defended Muhammad Ali when they tried to take his heavyweight title<br />

away. Now this Meltsner, originally from the Upper West Side, was down<br />

in the Nazi bunker with me, and I was pounding him on the back.<br />

“You’ve got white stuff all over,” I said.<br />

The white dust flew up. It sparkled in the light of the candles we<br />

had brought down with us. o<br />

Photography: Bernhard Moosbauer (zeixl)<br />

Jeffrey Eugenides (Berlin Prize Fellow 2000–01) is the author of The<br />

Virgin Suicides and, most recently, the novel Middlesex. His description of<br />

the bunker beneath the American Academy in Berlin was originally published<br />

in Tin House.<br />

The Berlin Journal 47


Photography: Bernhard Moosbauer (zeixl)<br />

Soda Water With A Boyhood Friend<br />

He is in the canals behind your forehead,<br />

paddling,<br />

or in the high, vaulted rooms<br />

your speech rays round itself,<br />

still and alert as a hunter in the blind,<br />

taking measure if that, yes, it really is you,<br />

against what he was down<br />

in the log of his remembering<br />

over a cigar and club soda. Ah,<br />

the good bogs and rushes,<br />

the forest beyond with its tweet tweet tweet,<br />

cranked to a blur, a hum,<br />

a time-lapse cavalcade of scene<br />

fade scene dissolve scene spilling across the wraparound<br />

screen and soaked in by the multitudes,<br />

multitudes of kindled selves.<br />

––August<br />

Kleinzahler<br />

48 Number Six | <strong>Spring</strong> <strong>2003</strong>


Donations to the American Academy in Berlin<br />

January 2002 – April <strong>2003</strong><br />

Even in the most demanding times,<br />

people will rise to a noble challenge.<br />

This year has proven to be no exception.<br />

Today, we are pleased to share<br />

with you examples of the generosity<br />

inspired by the challenges – economic,<br />

political, and, importantly, philanthropic<br />

– facing the American Academy<br />

in Berlin and its supporters.<br />

Last November, Stephen M. and<br />

Anna-Maria Kellen and the descendants<br />

of Anna-Maria’s parents, Hans<br />

and Ludmilla Arnhold, challenged<br />

the Academy to bring more corporate<br />

donors into the fold. Less than six<br />

months later that goal is within<br />

reach. Listed here in the Academy’s<br />

growing President’s and Trustees’ circles<br />

you will see the names of those<br />

who have already responded.<br />

Now in its fifth year, the<br />

American Academy in Berlin has<br />

blossomed into an important intellectual<br />

presence in Berlin. The Academy<br />

provides a forum for enriching<br />

cultural life, sharing critical ideas,<br />

and building enduring relationships<br />

on both sides of the Atlantic. We<br />

deeply appreciate the generosity of<br />

our donors, who provide the support<br />

that makes these programs possible.<br />

Founder’s Circle<br />

$ 1,000,000 and above<br />

Anna-Maria & Stephen M. Kellen and the<br />

descendants of Hans and Ludmilla Arnhold<br />

Chairman’s Circle<br />

$ 500,000 and above<br />

Verlagsgruppe Georg von Holtzbrinck<br />

Trustees’ Circle<br />

$ 100,000 and above<br />

Mr. & Mrs. Henry H. Arnhold<br />

Axel <strong>Spring</strong>er Verlag<br />

Robert Bosch Stiftung<br />

DaimlerChrysler AG<br />

DaimlerChrysler Fonds im Stifterverband für die<br />

Deutsche Wissenschaft<br />

Deutscher Sparkassen- und Giroverband<br />

Fidelity Investments through the Fidelity Foundation<br />

J.P. Morgan Chase & Co.<br />

Lufthansa AG<br />

Philip Morris<br />

Robert Mundheim<br />

Alberto Vilar<br />

Trustees of the American Academy in Berlin to<br />

endow the Stephen M. Kellen Lectureship<br />

President’s Circle<br />

$ 25,000 and above<br />

American Express Company<br />

Citibank Privatkunden AG<br />

Citigroup Foundation<br />

Credit Suisse First Boston<br />

Dürr AG<br />

Werner Gegenbauer<br />

The Gillette Company<br />

Haniel Stiftung<br />

Richard C. Holbrooke<br />

J.P. Morgan AG<br />

kpmg Deutsche Treuhand-Gesellschaft<br />

Marsh & McLennan Holdings GmbH<br />

Porsche AG<br />

Schering AG<br />

Siemens AG<br />

Kurt & Felicitas Viermetz<br />

Weil, Gotshal & Manges<br />

Benefactors<br />

$ 10,000 and above<br />

Anonymous<br />

Verlag C.H. Beck<br />

Julie Finley<br />

Freshfields Bruckhaus Deringer<br />

Claus M. Halle<br />

Karl M. von der Heyden<br />

Kissinger Foundation<br />

Körber Stiftung<br />

John C. Kornblum<br />

Joseph Neubauer<br />

Heinrich & Annette von Rantzau<br />

Rafael J. Roth<br />

Shearman & Sterling<br />

White & Case, Feddersen<br />

Patrons<br />

$ 2,500 and above<br />

Gahl Hodges Burt<br />

Deutsche Bank Region Ost<br />

EMES, Ltd.<br />

Jonathan F. Fanton<br />

The John D. and Catherine T. MacArthur Foundation<br />

Dr. Schmidt AG & Co.<br />

All other contributors<br />

Benjamin Barber<br />

Hansjoachim Bauch<br />

Günter & Waltraud Braun<br />

Leopold Bill von Bredow<br />

Gerhard Casper<br />

Christie’s Deutschland GmbH<br />

Caroline Flüh<br />

Hans-Michael & Almut Giesen<br />

Carl H. Hahn<br />

Klaus & Lily Heiliger<br />

Roe Jasen<br />

Karl Kaiser<br />

Jörg & Eva Kastl<br />

Klaus Krone<br />

Renate Küchler<br />

Enzio von Kühlmann-Stumm<br />

Landeszentralbank Berlin<br />

Peter Lawson-Johnston<br />

Yasmine Mahmoudieh-Kraetz<br />

Charles Maier<br />

Jerome Marak & Andrea Lawrence<br />

The McGraw-Hill Companies<br />

Barbara Monheim<br />

Albert J. Raedler<br />

Virginia Schulte, Culture Trip GmbH<br />

Kenneth E. Scott<br />

David & Marjorie Sievers<br />

Gary Smith<br />

Hans George Will<br />

T HE<br />

A M E R IC A N<br />

AC ADE M Y<br />

I N B E R LIN<br />

HansArnholdCenter


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