of the Year Awards 2010 - Digital Photographer
of the Year Awards 2010 - Digital Photographer
of the Year Awards 2010 - Digital Photographer
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<strong>of</strong> <strong>the</strong> <strong>Year</strong> <strong>Awards</strong> <strong>2010</strong><br />
www.dphotographer.co.uk<br />
IN ASSOCIATION WITH<br />
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digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />
Welcome… <strong>the</strong> time has come to reveal<br />
<strong>the</strong> winners <strong>of</strong> <strong>the</strong> <strong>Digital</strong> <strong>Photographer</strong><br />
<strong>of</strong> <strong>the</strong> <strong>Year</strong> <strong>Awards</strong> <strong>2010</strong><br />
This year we’ve had a record number <strong>of</strong> entries, tripling what we received in<br />
last year’s competition!<br />
And <strong>the</strong> standard has been as high as ever, making <strong>the</strong> judging process a very tough<br />
and lengthy one indeed. With entries pinging into my inbox thick and fast from across <strong>the</strong><br />
globe, it’s been a very exciting six months watching all <strong>of</strong> <strong>the</strong> photos start stacking up.<br />
Congratulations to all <strong>of</strong> you who entered into this year’s awards. Take a look at who has<br />
triumphed in each category and see who has claimed <strong>the</strong> overall title as <strong>the</strong> <strong>Digital</strong><br />
<strong>Photographer</strong> <strong>of</strong> <strong>the</strong> <strong>Year</strong> <strong>2010</strong>!<br />
Rosie Tanner, Editor<br />
Meet <strong>the</strong> judges<br />
● Debbi Allen,<br />
Editor in chief,<br />
<strong>Digital</strong> <strong>Photographer</strong><br />
Debbi has spent over<br />
eight years working in consumer<br />
magazines. Whilst at Imagine<br />
Publishing she propelled <strong>Digital</strong><br />
<strong>Photographer</strong> to become one<br />
<strong>of</strong> <strong>the</strong> UK’s fastest-growing<br />
photographic titles. She oversees<br />
<strong>the</strong> photographic department and<br />
is responsible for launching <strong>the</strong> first<br />
ever DPOTY <strong>Awards</strong> back in 2007.<br />
● Eamonn<br />
McCabe, Picture<br />
Editor, The Guardian<br />
Eamonn made his name<br />
as a sports photographer. In 1988,<br />
he joined The Guardian newspaper<br />
as a picture editor enlisted to<br />
revitalise <strong>the</strong> paper’s picture<br />
coverage. In <strong>the</strong> forthcoming years,<br />
he was named Picture Editor <strong>of</strong> <strong>the</strong><br />
<strong>Year</strong> five times. He has gradually<br />
moved into portraiture and has an<br />
impressive portfolio.<br />
● Rosie Tanner,<br />
Editor, <strong>Digital</strong><br />
<strong>Photographer</strong><br />
Rosie has contributed to<br />
<strong>Digital</strong> <strong>Photographer</strong> for over four<br />
years and took over as editor last<br />
year. She has previously worked<br />
on a variety <strong>of</strong> photographic and<br />
creative magazines and studied<br />
photography during this time.<br />
She loves travel and reportage<br />
photography and is never without<br />
her camera when abroad.<br />
Polo Ice Caps (left)<br />
Photographed by Emma Goulder<br />
Shot details:<br />
Canon EOS 350D<br />
with 18-125mm lens<br />
at 67mm and f22,<br />
1/160sec, ISO 100<br />
Contents<br />
4 <strong>Digital</strong> photographer <strong>of</strong> <strong>the</strong> year<br />
Check out <strong>the</strong> work <strong>of</strong> our top prize winner, Emma Goulder<br />
6 Landscape photographer <strong>of</strong> <strong>the</strong> year<br />
Glyn Fletcher, Mayur Channagere and Garon Kiesel<br />
8 Portrait photographer <strong>of</strong> <strong>the</strong> year<br />
Mo Ayyad, David Pinzer and Jonathan Galione<br />
10 Wildlife photographer <strong>of</strong> <strong>the</strong> year<br />
Peter Denness, Jameel Kaderbhai and Irass Waledzik<br />
12 Travel photographer <strong>of</strong> <strong>the</strong> year<br />
David Burden, Dibyendu Dey Choudhury and Chris Jongkind<br />
14 Action photographer <strong>of</strong> <strong>the</strong> year<br />
Adrian Gunawan, Gabriel Buse and Martin Stranka<br />
16 Creative photographer <strong>of</strong> <strong>the</strong> year<br />
Branko Stojanovic, Anna Bodnar and Clint Burkinshaw<br />
● Will Cheung<br />
FRPS, Pro<br />
photographer<br />
Will has spent 25 years<br />
working for <strong>the</strong> photographic<br />
press and o<strong>the</strong>r big industry names<br />
such as <strong>the</strong> Jessops Training<br />
Academy, Leica and ePHOTOzine.<br />
com as its associate editor. He is a<br />
Fellow <strong>of</strong> <strong>the</strong> Royal Photographic<br />
Society and sits on <strong>the</strong> RPS’s<br />
distinctions panel for <strong>the</strong> Applied<br />
Photography category.<br />
“I used a black backdrop so<br />
that <strong>the</strong> white <strong>of</strong> <strong>the</strong> Polos<br />
would stand out. I arranged<br />
<strong>the</strong>m into an appealing display.<br />
I used a s<strong>of</strong>tbox to <strong>the</strong> right<br />
and a piece <strong>of</strong> white card as a<br />
reflector to <strong>the</strong> left”<br />
● Steve Mitchell,<br />
General manager <strong>of</strong><br />
marketing, Samsung<br />
<strong>Digital</strong> Imaging<br />
Steve’s got his finger on <strong>the</strong><br />
pulse when it comes to camera<br />
innovations and <strong>the</strong> types <strong>of</strong><br />
features photographers want to<br />
see in new models. His passion<br />
for digital imaging makes him <strong>the</strong><br />
ideal judge for <strong>the</strong> DPOTY <strong>Awards</strong>.<br />
He is looking out for originality<br />
and creativity.<br />
To download your free digital version <strong>of</strong> this supplement, please visit <strong>the</strong> website www.dphotographer.co.uk<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 3
digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />
Winner<br />
Waif (far right)<br />
Photographed by Emma Goulder<br />
Shot details:<br />
Canon EOS 40D<br />
with 17-85mm lens<br />
at 73mm and f7.1,<br />
1/200sec, ISO 100<br />
“To create a clean and simple portrait, I<br />
used a portaflash to <strong>the</strong> front to light<br />
myself and <strong>the</strong>n a flashgun directly<br />
behind my head to give a rim light effect<br />
through my hair”<br />
“This is such a beautiful portrait with great dynamic range. I love <strong>the</strong><br />
backlit hair and <strong>the</strong> light that falls <strong>of</strong>f to highlight <strong>the</strong> wonderful bone<br />
structure. A brilliant self portrait”<br />
In The Grass (right)<br />
Photographed by Emma Goulder<br />
Shot details:<br />
Canon EOS 40D<br />
with 17-85mm lens<br />
at 66mm and f11,<br />
1/100sec, ISO 1000<br />
“ I wanted to mimic Spitfire’s hair with<br />
<strong>the</strong> grass. As <strong>the</strong> grass was in <strong>the</strong><br />
shade and I wanted him to be more<br />
prominent in <strong>the</strong> photo I used a<br />
flashgun to <strong>the</strong> left”<br />
“Emma’s portfolio is diverse, but all <strong>the</strong> images are striking. This<br />
portrait really tells a story with <strong>the</strong> lighting and setting creating a<br />
great ambience”<br />
Whitby (below)<br />
Photographed by Emma Goulder<br />
Shot details:<br />
Canon EOS 40D<br />
with 17-85mm lens<br />
at 17mm and f8,<br />
1/200sec, ISO 100<br />
“ My idea was to create a different view<br />
<strong>of</strong> Whitby. I used <strong>the</strong> pier as a lead into<br />
Whitby and <strong>the</strong> lighthouse. I placed <strong>the</strong><br />
life buoy to give interest to <strong>the</strong> left side <strong>of</strong><br />
<strong>the</strong> photo”<br />
“This image is like a lesson in great composition. The wooden pier<br />
acts as <strong>the</strong> perfect lead-in to <strong>the</strong> image and <strong>the</strong> lighthouse on <strong>the</strong> left<br />
keeps <strong>the</strong> shot beautifully balanced”
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 5
landscape digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />
digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />
winner<br />
Tuscany Misty Morning (above)<br />
photographed by Glyn Fletcher<br />
“this shot is stunning in its simplicity. <strong>the</strong> single, warm tone <strong>of</strong> <strong>the</strong> image adds an<br />
e<strong>the</strong>real feel, as does <strong>the</strong> beautiful mist laying across <strong>the</strong> hills. glyn proves that<br />
getting up early to capture those magic hours before sunrise can really pay <strong>of</strong>f. a<br />
beautiful landscape and well worthy <strong>of</strong> <strong>the</strong> landscape photographer award”<br />
Shot details:<br />
Nikon D300 with<br />
18-200mm lens<br />
at 50mm and f20,<br />
1/50sec, ISO 200<br />
“Taken at 7:30am one October in Tuscany. The<br />
combination <strong>of</strong> sun breaking across <strong>the</strong> distant<br />
hills and layers <strong>of</strong> mist help create a landscape <strong>of</strong><br />
highlight and shadow and fantastic colour”
Runner-up Runner-up<br />
Tsokar Lake (above)<br />
Photographed by Mayur Channagere<br />
Shot details:<br />
Canon EOS 400D<br />
with 18-55mm<br />
lens at 18mm,<br />
1/500sec, ISO 100<br />
“Tsokar lake (16,500 ft) is<br />
located in Ladhak region <strong>of</strong><br />
India. With rich salt deposits<br />
(Tsokar means salt water)<br />
on <strong>the</strong> wet marshy lands and<br />
frozen ice floating slowly, it was<br />
unlike anything I expected”<br />
“What a dramatic landscape and expertly captured. Many would<br />
have included more <strong>of</strong> <strong>the</strong> lake but just filling half <strong>the</strong> foreground<br />
with it and using <strong>the</strong> foreground was worked really well”<br />
Paradise Cove (below)<br />
Photographed by Garon Kiesel<br />
Shot details:<br />
Nikon D3 with<br />
24mm lens at<br />
24mm and f8, 13<br />
sec, ISO 200<br />
“I had just purchased a Nikon<br />
D3 and decided to take it<br />
on a test run. I headed for<br />
<strong>the</strong> coast and managed<br />
to capture this image just<br />
before <strong>the</strong> light faded”<br />
“I love <strong>the</strong> peaceful pastel colours <strong>of</strong> this scene. It is all<br />
so calm and yet <strong>the</strong> bridge leads to nowhere, so <strong>the</strong>re<br />
is no need to rush”<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 7
portrait digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />
digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />
winner “This image is based on <strong>the</strong> concepts <strong>of</strong><br />
Performance (above)<br />
photographed by Mo Ayyad<br />
Shot details:<br />
Nikon D700 with 24-<br />
70mm lens at 52mm<br />
and f3.2, 1/6400sec,<br />
ISO 200<br />
“this image is a great combination <strong>of</strong> post-activity and<br />
reality. <strong>the</strong> tight cropping works well and <strong>the</strong> lighting is<br />
spot on. it is a powerful image”<br />
‘performance’. It aims to capture both <strong>the</strong> focus<br />
and intensity that athletes require to achieve <strong>the</strong>ir<br />
maximum potential when competing”
Runner-up<br />
Summer Sun (right)<br />
Photographed by David Pinzer<br />
Shot details:<br />
Canon EOS 5D<br />
Mark II with 50mm<br />
lens at 50mm and<br />
f2, ISO 100<br />
“The picture was made<br />
on a late summer<br />
evening during <strong>the</strong><br />
last minutes <strong>of</strong> sun.<br />
Shot against <strong>the</strong> low<br />
standing sun, using<br />
a reflector in front to<br />
light up <strong>the</strong> face”<br />
“Such a captivating portrait. The strong eye<br />
contact is heightened by those gorgeous<br />
catch-lights and <strong>the</strong> backlighting helps thrust<br />
<strong>the</strong> model even closer to <strong>the</strong> viewer. The<br />
intentional clipped highlights work well to<br />
accentuate <strong>the</strong> feeling <strong>of</strong> summer.”<br />
Runner-up<br />
Deserter (right)<br />
Photographed by John Galione<br />
Shot details:<br />
Nikon D50 with<br />
55-200mm lens at<br />
200mm and f5.6,<br />
1/3200sec, ISO 200<br />
“This is a photo <strong>of</strong> actor<br />
Steven Hartley on<br />
set <strong>of</strong> <strong>the</strong> World War<br />
II film Deserter that<br />
I candidly snapped<br />
while he rehearsed his<br />
upcoming scene”<br />
“This may be a still from a movie, but <strong>the</strong>re<br />
is still tension in <strong>the</strong> face, which makes it so<br />
strong. I want to know what he is thinking, it<br />
is making me work, surely <strong>the</strong> sign <strong>of</strong> a great<br />
portrait. Great quality”<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 9
Wildlife digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong>
Winner<br />
Dark Hare (left)<br />
Photographed by Peter Dennes<br />
Shot details:<br />
Canon EOS 1D Mark<br />
II with 300mm lens<br />
at 300mm and f2.8,<br />
1/800sec, ISO 50<br />
“I have fond memories <strong>of</strong> watching<br />
Watership Down as a child, and<br />
wanted this image to convey a<br />
dark, mystical and dreamlike<br />
representation <strong>of</strong> a hare”<br />
“Absolutely awesome image and I wish I’d taken it. The mono treatment<br />
is wonderful but <strong>of</strong> course why <strong>the</strong> image really works is due to <strong>the</strong> eye<br />
contact. That ra<strong>the</strong>r threatening, sinister look that <strong>the</strong> hare is giving just<br />
made Peter’s image <strong>the</strong> winner <strong>the</strong> instant I set my eyes on it. My favourite<br />
<strong>of</strong> <strong>the</strong> whole contest”<br />
Runner-up<br />
The Red Eye Guy (right)<br />
Photographed by Irass Waledzik<br />
Shot details:<br />
Nikon D40 with<br />
reversed 28mm f2.8<br />
lens with extension<br />
tubes at f2.8,<br />
1/200sec, ISO 400<br />
“I am passionate about macro photography<br />
because I am interested in close-ups and<br />
patterns. I want to capture <strong>the</strong>m to show<br />
people <strong>the</strong> amazing world <strong>of</strong> insects <strong>the</strong>y<br />
would never see with <strong>the</strong> naked eye. This<br />
image shows <strong>the</strong> head <strong>of</strong> a fly, which<br />
measures approximately 3mm. It is a stack<br />
<strong>of</strong> 20 image files, which I merged toge<strong>the</strong>r in<br />
Photoshop to get maximum depth <strong>of</strong> field”<br />
“This image is really original, fresh and natural. It is a real standout shot<br />
in terms <strong>of</strong> subject matter and <strong>the</strong> detail is incredible. It is everything a<br />
photograph should be”<br />
Runner-up<br />
Snow Monkey (above)<br />
Photographed by Jameel Kaderbhai<br />
Shot details:<br />
Canon EOS 350D<br />
with 18-55mm lens<br />
at 22mm and f6.3,<br />
1/125sec, ISO 400<br />
“Japanese Macaques, also known as Snow<br />
Monkeys, are found near Nagano, Japan. It was<br />
quite a comical scene: <strong>the</strong> humans, dressed in<br />
heavy snow jackets, watching enviously as <strong>the</strong><br />
monkeys relaxed in <strong>the</strong> steaming volcanic baths. ”<br />
“This could be an actor in a monkey suit; <strong>the</strong> arms and <strong>the</strong> expression are<br />
so ‘human’. Do monkeys really have such big hands? The rain makes it look<br />
au<strong>the</strong>ntic and it made me smile, so well done!”<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 11
travel digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />
12 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />
winner<br />
Seaweed Farmer (above)<br />
photographed by David Burden<br />
“i love including figures in <strong>the</strong> scene and david’s image shows just how well it can<br />
work. <strong>the</strong> right figure is really important – in this case, <strong>the</strong> image would not be<br />
anything as powerful without <strong>the</strong> hat – and david’s timing to catch <strong>the</strong> person<br />
mid-stride is spot on”<br />
Shot details:<br />
Nikon D200 with 10-<br />
20mm lens at 20mm<br />
and f8, 1/80sec,<br />
ISO 100<br />
“As <strong>the</strong> sun begins to set, a seaweed farmer<br />
strolls back across <strong>the</strong> calm lagoon waters <strong>of</strong><br />
<strong>the</strong> Indonesian Island <strong>of</strong> Nusa Lembongan, with<br />
Mount Agung in Bali visible in <strong>the</strong> distance”
Runner-up Runner-up<br />
The Journey (above)<br />
Photographed by Dibyendu Dey Choudhury<br />
Shot details:<br />
Nikon D80 with<br />
18-70mm at f3.5,<br />
1/40sec, ISO 100<br />
“This bro<strong>the</strong>r and sister are coming<br />
to <strong>the</strong> city for <strong>the</strong> first time from <strong>the</strong>ir<br />
remote village <strong>of</strong> West Bengal in India,<br />
and <strong>the</strong>y are also enjoying <strong>the</strong>ir first<br />
train journey”<br />
“The expectation on <strong>the</strong> two faces is wonderful, surely<br />
what travel is all about. Great sense <strong>of</strong> movement beyond<br />
<strong>the</strong> window, but <strong>the</strong> faces are so still. Wonderful”<br />
Suit In Train Door (below)<br />
Photographed by Chris Jongkind<br />
Shot details:<br />
Canon EOS 350D<br />
with 18-55mm lens<br />
at 41mm and f6.3,<br />
1/60sec, ISO 200<br />
“Tokyo might be known and<br />
photographed for its suitpacked<br />
subways, but late<br />
morning on a Sunday I<br />
found <strong>the</strong> opposite to be just<br />
as interesting”<br />
“This photograph is great and <strong>the</strong> light is good. I like <strong>the</strong><br />
feel <strong>of</strong> <strong>the</strong> image and <strong>the</strong> emotion; you really want to<br />
know what <strong>the</strong> guy is thinking about”<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 13
action digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />
winner runner-up<br />
Traditional Cow Race (above)<br />
photographed by Adrian Gunawan<br />
Shot details:<br />
Nikon D90 with<br />
70-200mm lens at<br />
200mm and f4.8,<br />
1/1000sec, ISO 400<br />
“<strong>the</strong> expression captured at this moment is great and<br />
it is more perfect because <strong>the</strong> subject is unaware <strong>of</strong> <strong>the</strong><br />
photographer. a well-controlled image”<br />
14 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />
Cow racing is a popular activity with<br />
<strong>the</strong> Minangkabau people <strong>of</strong> Indonesia.<br />
It happens after <strong>the</strong> rice harvest and<br />
helps to plough <strong>the</strong> fields for <strong>the</strong> new<br />
crop. Adrian has captured <strong>the</strong> frantic,<br />
yet thrilling scene in all its glory, with<br />
<strong>the</strong> racer, cows and mud at <strong>the</strong>ir best.<br />
Metro Station (above right)<br />
photographed by Gabriel Buse<br />
Shot details:<br />
Nikon D90, with<br />
a 10-20mm lens<br />
at 11mm and f6.3<br />
1/20sec, ISO 3200<br />
“The Titan metro station in<br />
Bucharest with its perfect<br />
symmetry is like a space<br />
platform from a sciencefiction<br />
movie, and <strong>the</strong><br />
arrival <strong>of</strong> trains amplifies <strong>the</strong><br />
sensation <strong>of</strong> speed”<br />
“<strong>the</strong> combination <strong>of</strong> <strong>the</strong> perfect symmetry, exaggerated<br />
perspective and implied movement really draws you into<br />
<strong>the</strong> scene – you can almost hear <strong>the</strong> trains whizzing by”
Runner-up<br />
Rejected (right)<br />
Photographed by Martin Stranka<br />
Shot details:<br />
Canon EOS 5D with a<br />
50mm lens at 50mm<br />
and f1.8, 1/500sec,<br />
ISO 200<br />
“This work exists in that space<br />
between dreams and waking.<br />
Light like <strong>the</strong> first rays <strong>of</strong> twilight<br />
filtering through a curtain<br />
when even <strong>the</strong> dust seems to<br />
glitter with some sort <strong>of</strong> hidden<br />
purpose or meaning”<br />
“I love <strong>the</strong> simplicity <strong>of</strong> this; <strong>the</strong>re were many full-on action<br />
shots but this proves sometimes less is more. I get a great<br />
sense <strong>of</strong> calm from this photograph. Beautiful”<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 15
Creative digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />
16 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong>
Winner<br />
Neighbours (left)<br />
Photographed by Branko Stojanovic<br />
Shot details:<br />
Nikon D200 with<br />
80-200mm<br />
lens at 200mm<br />
and f8, 1/750sec.<br />
ISO 200<br />
“I’ve seen this shot tried so many times but never<br />
executed as well as this. There are so many little<br />
stories going on in all this windows and balconies, it’s<br />
hard to believe some element <strong>of</strong> setting up hasn’t<br />
happened but hey well done!”<br />
Runner-up<br />
“During a two year period<br />
(2008-<strong>2010</strong>) I was shooting<br />
<strong>the</strong> everyday activities <strong>of</strong> my<br />
neighbours. The idea was to<br />
show diversity <strong>of</strong> ordinary life<br />
in an old socialistic building<br />
which I saw as some kind <strong>of</strong><br />
prison. In that kind <strong>of</strong> huge<br />
structure with many people,<br />
even your neighbours are<br />
almost total strangers”<br />
Jokulsarlon (below)<br />
Photographed by Clint Burkinshaw<br />
Shot details:<br />
Canon EOS 40D<br />
with 17-50mm lens<br />
at 17mm and f8,<br />
1/640sec, ISO 100<br />
“Jokulsarlon is an<br />
extraordinary glacier lagoon<br />
that’s home to countless<br />
picture-perfect luminous<br />
blue icebergs. Jokulsarlon<br />
is located one-and-a-half<br />
kilometers inland on<br />
Iceland’s remote<br />
sou<strong>the</strong>rn coast, between<br />
H<strong>of</strong>n and Skaftafell”<br />
“I love <strong>the</strong> tranquil mood <strong>of</strong> Clint’s wonderful<br />
landscape. The scene is awesome and <strong>the</strong> sky<br />
conditions absolutely spot-on for photography and<br />
Clint has made <strong>the</strong> most <strong>of</strong> <strong>the</strong> opportunity. The<br />
reflection is beautifully captured and <strong>the</strong> composition<br />
is just about perfect”<br />
Runner-up<br />
Anna Bodnar (above)<br />
Photographed by Self Portrait<br />
Shot details:<br />
Fujifilm FinePix S5<br />
Pro with 50mm lens<br />
at 50mm and f7.1,<br />
1/60sec, ISO 100<br />
“Image is a self portrait; I try to<br />
get <strong>the</strong> style <strong>of</strong> old paintings.<br />
I used Photoshop to make<br />
an effect <strong>of</strong> unfinished oil<br />
painting. The image was<br />
made with studio lamps”<br />
“A great example <strong>of</strong> how photography and Photoshop<br />
can work toge<strong>the</strong>r to create a truly unique piece <strong>of</strong> art.<br />
Anna’s work is bold and beautiful”<br />
With thanks<br />
A massive thanks to everyone<br />
who submitted <strong>the</strong>ir images<br />
into <strong>the</strong> six categories over <strong>the</strong><br />
last few months. The number <strong>of</strong><br />
entries has been phenomenal<br />
and <strong>the</strong> quality has been<br />
exceptional. Special thanks goes<br />
to <strong>the</strong> award’s sponsor, Samsung,<br />
who has provided <strong>the</strong> winners<br />
with some really superb prizes.<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 17
est <strong>of</strong> <strong>the</strong> rest <strong>2010</strong><br />
take a look at some <strong>of</strong> <strong>the</strong> o<strong>the</strong>r great entries that caught our eye<br />
Untitled (above)<br />
photographed by Michael Shelford<br />
Untitled (above)<br />
photographed by John G McGurk<br />
18 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />
Timeline (above)<br />
photographed by Zsolt Furesz<br />
Sleepyhead (above)<br />
photographed by Kerry Duffy
Taj With Silhouettes (above)<br />
Photographed by Pat Burns<br />
Gironde Sunset (above)<br />
Photographed by Dave Jones<br />
Vibrant Hoverfly (above)<br />
Photographed by Gareth Jones<br />
IN ASSOCIATION WITH<br />
DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 19
The new Samsung EX1 with F1.8. Don’t let lack <strong>of</strong> light stop you.<br />
External Flash Wide Conversion Lens Optical View Finder Filter Adapter<br />
Our 24mm ultra-wide super bright F1.8 lens makes <strong>the</strong> EX1 <strong>the</strong> most<br />
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