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<strong>of</strong> <strong>the</strong> <strong>Year</strong> <strong>Awards</strong> <strong>2010</strong><br />

www.dphotographer.co.uk<br />

IN ASSOCIATION WITH<br />

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digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />

Welcome… <strong>the</strong> time has come to reveal<br />

<strong>the</strong> winners <strong>of</strong> <strong>the</strong> <strong>Digital</strong> <strong>Photographer</strong><br />

<strong>of</strong> <strong>the</strong> <strong>Year</strong> <strong>Awards</strong> <strong>2010</strong><br />

This year we’ve had a record number <strong>of</strong> entries, tripling what we received in<br />

last year’s competition!<br />

And <strong>the</strong> standard has been as high as ever, making <strong>the</strong> judging process a very tough<br />

and lengthy one indeed. With entries pinging into my inbox thick and fast from across <strong>the</strong><br />

globe, it’s been a very exciting six months watching all <strong>of</strong> <strong>the</strong> photos start stacking up.<br />

Congratulations to all <strong>of</strong> you who entered into this year’s awards. Take a look at who has<br />

triumphed in each category and see who has claimed <strong>the</strong> overall title as <strong>the</strong> <strong>Digital</strong><br />

<strong>Photographer</strong> <strong>of</strong> <strong>the</strong> <strong>Year</strong> <strong>2010</strong>!<br />

Rosie Tanner, Editor<br />

Meet <strong>the</strong> judges<br />

● Debbi Allen,<br />

Editor in chief,<br />

<strong>Digital</strong> <strong>Photographer</strong><br />

Debbi has spent over<br />

eight years working in consumer<br />

magazines. Whilst at Imagine<br />

Publishing she propelled <strong>Digital</strong><br />

<strong>Photographer</strong> to become one<br />

<strong>of</strong> <strong>the</strong> UK’s fastest-growing<br />

photographic titles. She oversees<br />

<strong>the</strong> photographic department and<br />

is responsible for launching <strong>the</strong> first<br />

ever DPOTY <strong>Awards</strong> back in 2007.<br />

● Eamonn<br />

McCabe, Picture<br />

Editor, The Guardian<br />

Eamonn made his name<br />

as a sports photographer. In 1988,<br />

he joined The Guardian newspaper<br />

as a picture editor enlisted to<br />

revitalise <strong>the</strong> paper’s picture<br />

coverage. In <strong>the</strong> forthcoming years,<br />

he was named Picture Editor <strong>of</strong> <strong>the</strong><br />

<strong>Year</strong> five times. He has gradually<br />

moved into portraiture and has an<br />

impressive portfolio.<br />

● Rosie Tanner,<br />

Editor, <strong>Digital</strong><br />

<strong>Photographer</strong><br />

Rosie has contributed to<br />

<strong>Digital</strong> <strong>Photographer</strong> for over four<br />

years and took over as editor last<br />

year. She has previously worked<br />

on a variety <strong>of</strong> photographic and<br />

creative magazines and studied<br />

photography during this time.<br />

She loves travel and reportage<br />

photography and is never without<br />

her camera when abroad.<br />

Polo Ice Caps (left)<br />

Photographed by Emma Goulder<br />

Shot details:<br />

Canon EOS 350D<br />

with 18-125mm lens<br />

at 67mm and f22,<br />

1/160sec, ISO 100<br />

Contents<br />

4 <strong>Digital</strong> photographer <strong>of</strong> <strong>the</strong> year<br />

Check out <strong>the</strong> work <strong>of</strong> our top prize winner, Emma Goulder<br />

6 Landscape photographer <strong>of</strong> <strong>the</strong> year<br />

Glyn Fletcher, Mayur Channagere and Garon Kiesel<br />

8 Portrait photographer <strong>of</strong> <strong>the</strong> year<br />

Mo Ayyad, David Pinzer and Jonathan Galione<br />

10 Wildlife photographer <strong>of</strong> <strong>the</strong> year<br />

Peter Denness, Jameel Kaderbhai and Irass Waledzik<br />

12 Travel photographer <strong>of</strong> <strong>the</strong> year<br />

David Burden, Dibyendu Dey Choudhury and Chris Jongkind<br />

14 Action photographer <strong>of</strong> <strong>the</strong> year<br />

Adrian Gunawan, Gabriel Buse and Martin Stranka<br />

16 Creative photographer <strong>of</strong> <strong>the</strong> year<br />

Branko Stojanovic, Anna Bodnar and Clint Burkinshaw<br />

● Will Cheung<br />

FRPS, Pro<br />

photographer<br />

Will has spent 25 years<br />

working for <strong>the</strong> photographic<br />

press and o<strong>the</strong>r big industry names<br />

such as <strong>the</strong> Jessops Training<br />

Academy, Leica and ePHOTOzine.<br />

com as its associate editor. He is a<br />

Fellow <strong>of</strong> <strong>the</strong> Royal Photographic<br />

Society and sits on <strong>the</strong> RPS’s<br />

distinctions panel for <strong>the</strong> Applied<br />

Photography category.<br />

“I used a black backdrop so<br />

that <strong>the</strong> white <strong>of</strong> <strong>the</strong> Polos<br />

would stand out. I arranged<br />

<strong>the</strong>m into an appealing display.<br />

I used a s<strong>of</strong>tbox to <strong>the</strong> right<br />

and a piece <strong>of</strong> white card as a<br />

reflector to <strong>the</strong> left”<br />

● Steve Mitchell,<br />

General manager <strong>of</strong><br />

marketing, Samsung<br />

<strong>Digital</strong> Imaging<br />

Steve’s got his finger on <strong>the</strong><br />

pulse when it comes to camera<br />

innovations and <strong>the</strong> types <strong>of</strong><br />

features photographers want to<br />

see in new models. His passion<br />

for digital imaging makes him <strong>the</strong><br />

ideal judge for <strong>the</strong> DPOTY <strong>Awards</strong>.<br />

He is looking out for originality<br />

and creativity.<br />

To download your free digital version <strong>of</strong> this supplement, please visit <strong>the</strong> website www.dphotographer.co.uk<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 3


digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />

Winner<br />

Waif (far right)<br />

Photographed by Emma Goulder<br />

Shot details:<br />

Canon EOS 40D<br />

with 17-85mm lens<br />

at 73mm and f7.1,<br />

1/200sec, ISO 100<br />

“To create a clean and simple portrait, I<br />

used a portaflash to <strong>the</strong> front to light<br />

myself and <strong>the</strong>n a flashgun directly<br />

behind my head to give a rim light effect<br />

through my hair”<br />

“This is such a beautiful portrait with great dynamic range. I love <strong>the</strong><br />

backlit hair and <strong>the</strong> light that falls <strong>of</strong>f to highlight <strong>the</strong> wonderful bone<br />

structure. A brilliant self portrait”<br />

In The Grass (right)<br />

Photographed by Emma Goulder<br />

Shot details:<br />

Canon EOS 40D<br />

with 17-85mm lens<br />

at 66mm and f11,<br />

1/100sec, ISO 1000<br />

“ I wanted to mimic Spitfire’s hair with<br />

<strong>the</strong> grass. As <strong>the</strong> grass was in <strong>the</strong><br />

shade and I wanted him to be more<br />

prominent in <strong>the</strong> photo I used a<br />

flashgun to <strong>the</strong> left”<br />

“Emma’s portfolio is diverse, but all <strong>the</strong> images are striking. This<br />

portrait really tells a story with <strong>the</strong> lighting and setting creating a<br />

great ambience”<br />

Whitby (below)<br />

Photographed by Emma Goulder<br />

Shot details:<br />

Canon EOS 40D<br />

with 17-85mm lens<br />

at 17mm and f8,<br />

1/200sec, ISO 100<br />

“ My idea was to create a different view<br />

<strong>of</strong> Whitby. I used <strong>the</strong> pier as a lead into<br />

Whitby and <strong>the</strong> lighthouse. I placed <strong>the</strong><br />

life buoy to give interest to <strong>the</strong> left side <strong>of</strong><br />

<strong>the</strong> photo”<br />

“This image is like a lesson in great composition. The wooden pier<br />

acts as <strong>the</strong> perfect lead-in to <strong>the</strong> image and <strong>the</strong> lighthouse on <strong>the</strong> left<br />

keeps <strong>the</strong> shot beautifully balanced”


IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 5


landscape digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />

digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />

winner<br />

Tuscany Misty Morning (above)<br />

photographed by Glyn Fletcher<br />

“this shot is stunning in its simplicity. <strong>the</strong> single, warm tone <strong>of</strong> <strong>the</strong> image adds an<br />

e<strong>the</strong>real feel, as does <strong>the</strong> beautiful mist laying across <strong>the</strong> hills. glyn proves that<br />

getting up early to capture those magic hours before sunrise can really pay <strong>of</strong>f. a<br />

beautiful landscape and well worthy <strong>of</strong> <strong>the</strong> landscape photographer award”<br />

Shot details:<br />

Nikon D300 with<br />

18-200mm lens<br />

at 50mm and f20,<br />

1/50sec, ISO 200<br />

“Taken at 7:30am one October in Tuscany. The<br />

combination <strong>of</strong> sun breaking across <strong>the</strong> distant<br />

hills and layers <strong>of</strong> mist help create a landscape <strong>of</strong><br />

highlight and shadow and fantastic colour”


Runner-up Runner-up<br />

Tsokar Lake (above)<br />

Photographed by Mayur Channagere<br />

Shot details:<br />

Canon EOS 400D<br />

with 18-55mm<br />

lens at 18mm,<br />

1/500sec, ISO 100<br />

“Tsokar lake (16,500 ft) is<br />

located in Ladhak region <strong>of</strong><br />

India. With rich salt deposits<br />

(Tsokar means salt water)<br />

on <strong>the</strong> wet marshy lands and<br />

frozen ice floating slowly, it was<br />

unlike anything I expected”<br />

“What a dramatic landscape and expertly captured. Many would<br />

have included more <strong>of</strong> <strong>the</strong> lake but just filling half <strong>the</strong> foreground<br />

with it and using <strong>the</strong> foreground was worked really well”<br />

Paradise Cove (below)<br />

Photographed by Garon Kiesel<br />

Shot details:<br />

Nikon D3 with<br />

24mm lens at<br />

24mm and f8, 13<br />

sec, ISO 200<br />

“I had just purchased a Nikon<br />

D3 and decided to take it<br />

on a test run. I headed for<br />

<strong>the</strong> coast and managed<br />

to capture this image just<br />

before <strong>the</strong> light faded”<br />

“I love <strong>the</strong> peaceful pastel colours <strong>of</strong> this scene. It is all<br />

so calm and yet <strong>the</strong> bridge leads to nowhere, so <strong>the</strong>re<br />

is no need to rush”<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 7


portrait digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />

digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />

winner “This image is based on <strong>the</strong> concepts <strong>of</strong><br />

Performance (above)<br />

photographed by Mo Ayyad<br />

Shot details:<br />

Nikon D700 with 24-<br />

70mm lens at 52mm<br />

and f3.2, 1/6400sec,<br />

ISO 200<br />

“this image is a great combination <strong>of</strong> post-activity and<br />

reality. <strong>the</strong> tight cropping works well and <strong>the</strong> lighting is<br />

spot on. it is a powerful image”<br />

‘performance’. It aims to capture both <strong>the</strong> focus<br />

and intensity that athletes require to achieve <strong>the</strong>ir<br />

maximum potential when competing”


Runner-up<br />

Summer Sun (right)<br />

Photographed by David Pinzer<br />

Shot details:<br />

Canon EOS 5D<br />

Mark II with 50mm<br />

lens at 50mm and<br />

f2, ISO 100<br />

“The picture was made<br />

on a late summer<br />

evening during <strong>the</strong><br />

last minutes <strong>of</strong> sun.<br />

Shot against <strong>the</strong> low<br />

standing sun, using<br />

a reflector in front to<br />

light up <strong>the</strong> face”<br />

“Such a captivating portrait. The strong eye<br />

contact is heightened by those gorgeous<br />

catch-lights and <strong>the</strong> backlighting helps thrust<br />

<strong>the</strong> model even closer to <strong>the</strong> viewer. The<br />

intentional clipped highlights work well to<br />

accentuate <strong>the</strong> feeling <strong>of</strong> summer.”<br />

Runner-up<br />

Deserter (right)<br />

Photographed by John Galione<br />

Shot details:<br />

Nikon D50 with<br />

55-200mm lens at<br />

200mm and f5.6,<br />

1/3200sec, ISO 200<br />

“This is a photo <strong>of</strong> actor<br />

Steven Hartley on<br />

set <strong>of</strong> <strong>the</strong> World War<br />

II film Deserter that<br />

I candidly snapped<br />

while he rehearsed his<br />

upcoming scene”<br />

“This may be a still from a movie, but <strong>the</strong>re<br />

is still tension in <strong>the</strong> face, which makes it so<br />

strong. I want to know what he is thinking, it<br />

is making me work, surely <strong>the</strong> sign <strong>of</strong> a great<br />

portrait. Great quality”<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 9


Wildlife digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong>


Winner<br />

Dark Hare (left)<br />

Photographed by Peter Dennes<br />

Shot details:<br />

Canon EOS 1D Mark<br />

II with 300mm lens<br />

at 300mm and f2.8,<br />

1/800sec, ISO 50<br />

“I have fond memories <strong>of</strong> watching<br />

Watership Down as a child, and<br />

wanted this image to convey a<br />

dark, mystical and dreamlike<br />

representation <strong>of</strong> a hare”<br />

“Absolutely awesome image and I wish I’d taken it. The mono treatment<br />

is wonderful but <strong>of</strong> course why <strong>the</strong> image really works is due to <strong>the</strong> eye<br />

contact. That ra<strong>the</strong>r threatening, sinister look that <strong>the</strong> hare is giving just<br />

made Peter’s image <strong>the</strong> winner <strong>the</strong> instant I set my eyes on it. My favourite<br />

<strong>of</strong> <strong>the</strong> whole contest”<br />

Runner-up<br />

The Red Eye Guy (right)<br />

Photographed by Irass Waledzik<br />

Shot details:<br />

Nikon D40 with<br />

reversed 28mm f2.8<br />

lens with extension<br />

tubes at f2.8,<br />

1/200sec, ISO 400<br />

“I am passionate about macro photography<br />

because I am interested in close-ups and<br />

patterns. I want to capture <strong>the</strong>m to show<br />

people <strong>the</strong> amazing world <strong>of</strong> insects <strong>the</strong>y<br />

would never see with <strong>the</strong> naked eye. This<br />

image shows <strong>the</strong> head <strong>of</strong> a fly, which<br />

measures approximately 3mm. It is a stack<br />

<strong>of</strong> 20 image files, which I merged toge<strong>the</strong>r in<br />

Photoshop to get maximum depth <strong>of</strong> field”<br />

“This image is really original, fresh and natural. It is a real standout shot<br />

in terms <strong>of</strong> subject matter and <strong>the</strong> detail is incredible. It is everything a<br />

photograph should be”<br />

Runner-up<br />

Snow Monkey (above)<br />

Photographed by Jameel Kaderbhai<br />

Shot details:<br />

Canon EOS 350D<br />

with 18-55mm lens<br />

at 22mm and f6.3,<br />

1/125sec, ISO 400<br />

“Japanese Macaques, also known as Snow<br />

Monkeys, are found near Nagano, Japan. It was<br />

quite a comical scene: <strong>the</strong> humans, dressed in<br />

heavy snow jackets, watching enviously as <strong>the</strong><br />

monkeys relaxed in <strong>the</strong> steaming volcanic baths. ”<br />

“This could be an actor in a monkey suit; <strong>the</strong> arms and <strong>the</strong> expression are<br />

so ‘human’. Do monkeys really have such big hands? The rain makes it look<br />

au<strong>the</strong>ntic and it made me smile, so well done!”<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 11


travel digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />

12 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />

winner<br />

Seaweed Farmer (above)<br />

photographed by David Burden<br />

“i love including figures in <strong>the</strong> scene and david’s image shows just how well it can<br />

work. <strong>the</strong> right figure is really important – in this case, <strong>the</strong> image would not be<br />

anything as powerful without <strong>the</strong> hat – and david’s timing to catch <strong>the</strong> person<br />

mid-stride is spot on”<br />

Shot details:<br />

Nikon D200 with 10-<br />

20mm lens at 20mm<br />

and f8, 1/80sec,<br />

ISO 100<br />

“As <strong>the</strong> sun begins to set, a seaweed farmer<br />

strolls back across <strong>the</strong> calm lagoon waters <strong>of</strong><br />

<strong>the</strong> Indonesian Island <strong>of</strong> Nusa Lembongan, with<br />

Mount Agung in Bali visible in <strong>the</strong> distance”


Runner-up Runner-up<br />

The Journey (above)<br />

Photographed by Dibyendu Dey Choudhury<br />

Shot details:<br />

Nikon D80 with<br />

18-70mm at f3.5,<br />

1/40sec, ISO 100<br />

“This bro<strong>the</strong>r and sister are coming<br />

to <strong>the</strong> city for <strong>the</strong> first time from <strong>the</strong>ir<br />

remote village <strong>of</strong> West Bengal in India,<br />

and <strong>the</strong>y are also enjoying <strong>the</strong>ir first<br />

train journey”<br />

“The expectation on <strong>the</strong> two faces is wonderful, surely<br />

what travel is all about. Great sense <strong>of</strong> movement beyond<br />

<strong>the</strong> window, but <strong>the</strong> faces are so still. Wonderful”<br />

Suit In Train Door (below)<br />

Photographed by Chris Jongkind<br />

Shot details:<br />

Canon EOS 350D<br />

with 18-55mm lens<br />

at 41mm and f6.3,<br />

1/60sec, ISO 200<br />

“Tokyo might be known and<br />

photographed for its suitpacked<br />

subways, but late<br />

morning on a Sunday I<br />

found <strong>the</strong> opposite to be just<br />

as interesting”<br />

“This photograph is great and <strong>the</strong> light is good. I like <strong>the</strong><br />

feel <strong>of</strong> <strong>the</strong> image and <strong>the</strong> emotion; you really want to<br />

know what <strong>the</strong> guy is thinking about”<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 13


action digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />

winner runner-up<br />

Traditional Cow Race (above)<br />

photographed by Adrian Gunawan<br />

Shot details:<br />

Nikon D90 with<br />

70-200mm lens at<br />

200mm and f4.8,<br />

1/1000sec, ISO 400<br />

“<strong>the</strong> expression captured at this moment is great and<br />

it is more perfect because <strong>the</strong> subject is unaware <strong>of</strong> <strong>the</strong><br />

photographer. a well-controlled image”<br />

14 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />

Cow racing is a popular activity with<br />

<strong>the</strong> Minangkabau people <strong>of</strong> Indonesia.<br />

It happens after <strong>the</strong> rice harvest and<br />

helps to plough <strong>the</strong> fields for <strong>the</strong> new<br />

crop. Adrian has captured <strong>the</strong> frantic,<br />

yet thrilling scene in all its glory, with<br />

<strong>the</strong> racer, cows and mud at <strong>the</strong>ir best.<br />

Metro Station (above right)<br />

photographed by Gabriel Buse<br />

Shot details:<br />

Nikon D90, with<br />

a 10-20mm lens<br />

at 11mm and f6.3<br />

1/20sec, ISO 3200<br />

“The Titan metro station in<br />

Bucharest with its perfect<br />

symmetry is like a space<br />

platform from a sciencefiction<br />

movie, and <strong>the</strong><br />

arrival <strong>of</strong> trains amplifies <strong>the</strong><br />

sensation <strong>of</strong> speed”<br />

“<strong>the</strong> combination <strong>of</strong> <strong>the</strong> perfect symmetry, exaggerated<br />

perspective and implied movement really draws you into<br />

<strong>the</strong> scene – you can almost hear <strong>the</strong> trains whizzing by”


Runner-up<br />

Rejected (right)<br />

Photographed by Martin Stranka<br />

Shot details:<br />

Canon EOS 5D with a<br />

50mm lens at 50mm<br />

and f1.8, 1/500sec,<br />

ISO 200<br />

“This work exists in that space<br />

between dreams and waking.<br />

Light like <strong>the</strong> first rays <strong>of</strong> twilight<br />

filtering through a curtain<br />

when even <strong>the</strong> dust seems to<br />

glitter with some sort <strong>of</strong> hidden<br />

purpose or meaning”<br />

“I love <strong>the</strong> simplicity <strong>of</strong> this; <strong>the</strong>re were many full-on action<br />

shots but this proves sometimes less is more. I get a great<br />

sense <strong>of</strong> calm from this photograph. Beautiful”<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 15


Creative digital photographer <strong>of</strong> <strong>the</strong> year <strong>2010</strong><br />

16 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong>


Winner<br />

Neighbours (left)<br />

Photographed by Branko Stojanovic<br />

Shot details:<br />

Nikon D200 with<br />

80-200mm<br />

lens at 200mm<br />

and f8, 1/750sec.<br />

ISO 200<br />

“I’ve seen this shot tried so many times but never<br />

executed as well as this. There are so many little<br />

stories going on in all this windows and balconies, it’s<br />

hard to believe some element <strong>of</strong> setting up hasn’t<br />

happened but hey well done!”<br />

Runner-up<br />

“During a two year period<br />

(2008-<strong>2010</strong>) I was shooting<br />

<strong>the</strong> everyday activities <strong>of</strong> my<br />

neighbours. The idea was to<br />

show diversity <strong>of</strong> ordinary life<br />

in an old socialistic building<br />

which I saw as some kind <strong>of</strong><br />

prison. In that kind <strong>of</strong> huge<br />

structure with many people,<br />

even your neighbours are<br />

almost total strangers”<br />

Jokulsarlon (below)<br />

Photographed by Clint Burkinshaw<br />

Shot details:<br />

Canon EOS 40D<br />

with 17-50mm lens<br />

at 17mm and f8,<br />

1/640sec, ISO 100<br />

“Jokulsarlon is an<br />

extraordinary glacier lagoon<br />

that’s home to countless<br />

picture-perfect luminous<br />

blue icebergs. Jokulsarlon<br />

is located one-and-a-half<br />

kilometers inland on<br />

Iceland’s remote<br />

sou<strong>the</strong>rn coast, between<br />

H<strong>of</strong>n and Skaftafell”<br />

“I love <strong>the</strong> tranquil mood <strong>of</strong> Clint’s wonderful<br />

landscape. The scene is awesome and <strong>the</strong> sky<br />

conditions absolutely spot-on for photography and<br />

Clint has made <strong>the</strong> most <strong>of</strong> <strong>the</strong> opportunity. The<br />

reflection is beautifully captured and <strong>the</strong> composition<br />

is just about perfect”<br />

Runner-up<br />

Anna Bodnar (above)<br />

Photographed by Self Portrait<br />

Shot details:<br />

Fujifilm FinePix S5<br />

Pro with 50mm lens<br />

at 50mm and f7.1,<br />

1/60sec, ISO 100<br />

“Image is a self portrait; I try to<br />

get <strong>the</strong> style <strong>of</strong> old paintings.<br />

I used Photoshop to make<br />

an effect <strong>of</strong> unfinished oil<br />

painting. The image was<br />

made with studio lamps”<br />

“A great example <strong>of</strong> how photography and Photoshop<br />

can work toge<strong>the</strong>r to create a truly unique piece <strong>of</strong> art.<br />

Anna’s work is bold and beautiful”<br />

With thanks<br />

A massive thanks to everyone<br />

who submitted <strong>the</strong>ir images<br />

into <strong>the</strong> six categories over <strong>the</strong><br />

last few months. The number <strong>of</strong><br />

entries has been phenomenal<br />

and <strong>the</strong> quality has been<br />

exceptional. Special thanks goes<br />

to <strong>the</strong> award’s sponsor, Samsung,<br />

who has provided <strong>the</strong> winners<br />

with some really superb prizes.<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 17


est <strong>of</strong> <strong>the</strong> rest <strong>2010</strong><br />

take a look at some <strong>of</strong> <strong>the</strong> o<strong>the</strong>r great entries that caught our eye<br />

Untitled (above)<br />

photographed by Michael Shelford<br />

Untitled (above)<br />

photographed by John G McGurk<br />

18 digital photographer <strong>of</strong> <strong>the</strong> year awards <strong>2010</strong><br />

Timeline (above)<br />

photographed by Zsolt Furesz<br />

Sleepyhead (above)<br />

photographed by Kerry Duffy


Taj With Silhouettes (above)<br />

Photographed by Pat Burns<br />

Gironde Sunset (above)<br />

Photographed by Dave Jones<br />

Vibrant Hoverfly (above)<br />

Photographed by Gareth Jones<br />

IN ASSOCIATION WITH<br />

DIGITAL PHOTOGRAPHER OF THE YEAR AWARDS <strong>2010</strong> 19


The new Samsung EX1 with F1.8. Don’t let lack <strong>of</strong> light stop you.<br />

External Flash Wide Conversion Lens Optical View Finder Filter Adapter<br />

Our 24mm ultra-wide super bright F1.8 lens makes <strong>the</strong> EX1 <strong>the</strong> most<br />

powerful High-end Compact Camera. A high sensitivity, especially quiet 1/1.7”<br />

CCD toge<strong>the</strong>r with a rotating 3.0” AMOLED display, means it’s also <strong>the</strong> best.

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