no_more_boomerang-fp-4cdba840
no_more_boomerang-fp-4cdba840
no_more_boomerang-fp-4cdba840
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BLM 48<br />
No <strong>more</strong><br />
<strong>boomerang</strong><br />
No <strong>more</strong> <strong>boomerang</strong><br />
No <strong>more</strong> spear;<br />
Now all civilized—<br />
Colour bar and beer.<br />
No <strong>more</strong> corroborree,<br />
Gay dance and din.<br />
Now we got movies,<br />
And pay to go in.<br />
No <strong>more</strong> sharing<br />
What the hunter brings.<br />
Now we work for money,<br />
Then pay it back for things.<br />
Now we track bosses<br />
To catch a few bob,<br />
Now we go walkabout<br />
On bus to the job.<br />
One time naked,<br />
Who never knew shame;<br />
Now we put clothes on<br />
To hide whatsaname.<br />
70<br />
Blake Education Fully Reproducible
No <strong>more</strong> gunya,<br />
Now bungalow,<br />
Paid by higher purchase<br />
In twenty year or so.<br />
Lay down the stone axe,<br />
Take up the steel,<br />
And work like a nigger<br />
For a white man meal.<br />
BLM 49<br />
No More Boomerang<br />
No <strong>more</strong> firesticks<br />
That made the whites scoff.<br />
Now all electric,<br />
And <strong>no</strong> better off.<br />
Bunyip he finish,<br />
Now got instead<br />
White fella Bunyip,<br />
Call him Red.<br />
Abstract picture <strong>no</strong>w—<br />
What they coming at?<br />
Cripes in our caves we<br />
Did better than that.<br />
Black hunted wallaby,<br />
White hunt dollar;<br />
White fella witch-doctor<br />
Wear dog collar.<br />
No <strong>more</strong> message-stick;<br />
Lubras and lads<br />
Got television <strong>no</strong>w,<br />
Mostly ads.<br />
Lay down the woomera,<br />
Lay down the waddy,<br />
Now we got atom-bomb,<br />
End everybody.<br />
by Oodgeroo Noonuccal (Kath Walker)<br />
from Australian Voices: A Collection of Poetry and<br />
Pictures (Penguin)<br />
Blake Education Fully Reproducible<br />
71
Teaching <strong>no</strong>tes for<br />
No More Boomerang<br />
Text form: Satire<br />
Medium: Book<br />
Field: Destruction of Aboriginal culture<br />
Te<strong>no</strong>r: Written to unk<strong>no</strong>wn reader<br />
Mode: Written<br />
OTHER RESOURCES<br />
Access to resources with information about traditional<br />
Aboriginal lifestyles.<br />
Draft writing paper.<br />
Access to collections of poems by Aboriginal writers.<br />
INTRODUCING THE UNIT<br />
This poem by Oodgeroo was one of her early ones<br />
written after she became involved in the Aboriginal<br />
rights movement. Her poetry is a criticism of the<br />
injustices she saw her people suffering as their culture<br />
was being destroyed at the hands of the white people.<br />
LET’S TALK ABOUT IT!<br />
Encourage students to research traditional Aboriginal<br />
lifestyles with the understanding that there were<br />
variations throughout the country in the ways that<br />
different language groups lived.You may wish to invite<br />
an Aboriginal from the local community to talk with<br />
students.<br />
Discuss lifestyle changes in contemporary society in the<br />
past few years, particularly those associated with money<br />
markets and communication. Ask students to think<br />
about how this affects such things as family life, housing,<br />
the arts and human interaction. Encourage students to<br />
work systematically through the poem examining each<br />
stanza for information about the contrasting ways of life<br />
that Oodgeroo is describing.<br />
INTERPRETING THE POEM<br />
Encourage students to write about the injustices they<br />
see in the poem and to write about these discussions<br />
without bias or prejudice.<br />
POLARISED DEBATE<br />
After discussion of the issues in the poem, encourage<br />
students to brainstorm all the possible advantages and<br />
disadvantages of the tech<strong>no</strong>logical age before they begin<br />
their debate.<br />
STANZAS<br />
Help students to trace the patterns within each stanza.<br />
You may wish to talk about how some stanzas set up<br />
contrasting patterns about then and <strong>no</strong>w. Help students<br />
to hear the effects of the rhyming words in linking the<br />
ideas in the stanza.<br />
POETIC IMAGES<br />
Discuss the literal and metaphorical meanings of the<br />
images.You may need to provide some background<br />
information about aspects such as the abstract art and the<br />
‘dog collar’ allusion to the clergy. Encourage students to<br />
explain the effects of these images in creating the meaning.<br />
BE APOET<br />
Encourage students to focus on the process of writing.<br />
Point out that they should use Oodgeroo’s poem as a<br />
model. Encourage students to think about aspects of<br />
contemporary society which are the antithesis of the<br />
values of traditional Aboriginal culture. Encourage<br />
students to explore how these ideas could be<br />
incorporated within a quatrain structure.<br />
WRITE A NARRATIVE<br />
Encourage students to write a narrative using the<br />
information gained from the discussion of the poem.<br />
Remind them of the various ways they can structure<br />
their narrative and encourage the use of character<br />
profiles to introduce interesting characters.<br />
FOLLOW-UP/EXTENSION<br />
• Have students research other Aboriginal writers.<br />
• Create an anthology of Aboriginal poems about the<br />
invasion of Aboriginal lands.<br />
• Have students write a poem, using quatrains, on a<br />
topic related to the issues in this poem.<br />
72
Name _________________________________________ Date _______________<br />
No More Boomerang<br />
Let’s talk about it!<br />
BLM 50<br />
‘No <strong>more</strong> <strong>boomerang</strong>’ is a poem written by Oodgeroo Noonuccal. Talk about<br />
the poem with a group of friends. What is the poem is about? Write your<br />
group’s ideas below.<br />
Oodgeroo is presenting a view of traditional Aboriginal lifestyles. Research to<br />
find out as much as you can about how Aboriginal people lived before the white<br />
colonisation of Australia. Try to find out about social groupings, lifestyle and<br />
beliefs. Compare the features of the traditional Aboriginal way of life with that of the<br />
tech<strong>no</strong>logically based civilised way. How are family life, housing, the arts and human<br />
interaction affected?<br />
Traditional Aboriginal<br />
Contemporary ‘civilised’ white<br />
NA 4.1 NSW 3.1 Communicates and interacts confidently for a range of purposes and a variety of audiences to express well developed, well organised ideas dealing<br />
with <strong>more</strong> challenging topics.<br />
NA 4.5 NSW 3.5 Reads an extensive range of texts with fairly complex structures and features, justifying own interpretation of ideas, information and events in the<br />
response to themes and issues.<br />
NA 4.6 NSW 3.7 Analyses and explains techniques to position the reader and to interpret experiences differently in texts.<br />
NA 4.8b Working with peers is able to find information and resources for specific purposes.<br />
Blake Education Fully Reproducible<br />
73
BLM 51<br />
Name _________________________________________ Date _______________<br />
No More Boomerang<br />
Interpreting the poem<br />
In contrasting the two lifestyles Oodgeroo makes it very clear to the reader<br />
which lifestyle she believes is preferable. Find words or lines in the poem<br />
that show this.<br />
Polarised debate<br />
Hold a polarised debate on the topic ‘The change to a tech<strong>no</strong>logical age has<br />
brought about improvements in our daily lives.’ Before the debate, brainstorm:<br />
Advantages of tech<strong>no</strong>logy<br />
Disadvantages of tech<strong>no</strong>logy<br />
74<br />
NA 4.3 NSW 3.4 Controls and evaluates structures and features of spoken language. Interprets meaning and develops and presents ideas and information in<br />
familiar surroundings.<br />
NA 4.5 NSW 3.5 Reads an extensive range of texts with fairly complex structures and features, justifying own interpretation of ideas, information and events<br />
in the response to themes and issues.<br />
NA 4.9 NSW 3.9 Writes well structured literary and factual texts using challenging topics, ideas and issues for a variety of purposes and audiences.<br />
Blake Education Fully Reproducible
Name _________________________________________ Date _______________<br />
No More Boomerang<br />
Stanzas<br />
BLM 52<br />
Oodgeroo has used a simple stanza form to write her poem. Examine the<br />
patterns in each stanza. Which words rhyme? Why do you think the poet has<br />
rhymed words in this way? Discuss how the past establishes the contrasting aspects in<br />
each stanza.<br />
Poetic images<br />
There are some very powerful images in this poem. Some of these are listed below. Next<br />
to each one write an explanation of what you think Oodgeroo means by this image.<br />
To hide whatsaname __________________________________________________________<br />
Higher purchase ______________________________________________________________<br />
Work like a nigger ____________________________________________________________<br />
White man meal ______________________________________________________________<br />
Abstract picture ______________________________________________________________<br />
White hunt dollar ____________________________________________________________<br />
White fella witch-doctor/wear dog-collar ________________________________________<br />
End everybody ______________________________________________________________<br />
NA 4.1 NSW 3.1 Communicates and interacts confidently for a range of purposes and a variety of audiences to express well developed, well organised ideas dealing<br />
with <strong>more</strong> challenging topics.<br />
NA 4.6 NSW 3.7 Analyses and explains techniques to position the reader and to interpret experiences differently in texts.<br />
NA 4.7 NSW 3.8 Identifies the structures of different texts and with assistance discusses the grammatical structures and features that shape readersí and listenersí<br />
understanding of texts.<br />
NA 4.9 NSW 3.9 Writes well structured literary and factual texts using challenging topics, ideas and issues for a variety of purposes and audiences.<br />
Blake Education Fully Reproducible<br />
75
BLM 53<br />
Name _________________________________________ Date _______________<br />
No More Boomerang<br />
Be a poet<br />
Oodgeroo Noonuccal achieved a great deal for her people before her death. Use<br />
the pattern established in the poem and write further stanzas that identify, from<br />
her point of view, other aspects of contemporary society and culture that are a strong<br />
contrast to the traditional Aboriginal way of life.<br />
Work on scrap paper and publish your final version in the space below.<br />
76<br />
NA 4.9 NSW 3.9 Writes well structured literary and factual texts using challenging topics, ideas and issues for a variety of purposes and audiences.<br />
NA 4.10 NSW 3.13 Evaluates writing in terms of effectiveness of presentation of subject matter and adjusts to focus on context, purpose and audience.<br />
NA 4.11 NSW 3.14 Discusses and evaluates how texts have been constructed to achieve their purpose and shape readers’ and viewers’ understandings using<br />
grammatical features and structures.<br />
NA 4.12a NSW 3.10 Uses a range of strategies to plan, edit and proofread own writing.<br />
Blake Education Fully Reproducible
Name _________________________________________ Date _______________<br />
No More Boomerang<br />
Write a narrative<br />
BLM 54<br />
Based on the issues that have become evident in ‘No More Boomerang’, write a<br />
narrative thinking about how you can vary the structure of the storyline, for<br />
example beginning with a complication or the resolution. Draft on scrap paper<br />
and publish below.<br />
NA 4.9 NSW 3.9 Writes well structured literary and factual texts using challenging topics, ideas and issues for a variety of purposes and audiences.<br />
NA 4.12a NSW 3.10 Uses a range of strategies to plan, edit and proofread own writing.<br />
Blake Education Fully Reproducible<br />
77