TW AUDiO Essentials - Musik Paradies Hollabrunn

TW AUDiO M6
TW AUDiO Essentials
from Rainer Schober www.musikparadies.com Austria
M6 is one of the smallest PA speakers on the market. It has got a 6, 5’’ Neodymium Bass speaker and
a 1’’ high range horn with 90x60 degrees emission angle. The horn is rotatable (for horizontal or
vertical application). The M6 uses the same high range driver as the M8, which gives you impressive
gain output with almost HIFI sound quality.
Because of its small size and weight, the M6 is mountable with just one Manfrotto clamp. It can be
used as very small monitor (e.g. orchestras, choirs and singers), as side, near fill and delay line
loudspeaker, you can even mount it under balconies in theatres and churches.
You can use two M6 tops on one B15/S15 subwoofer, using the crossover of the bass with only one
amplifier channel on each side. It suits acoustically perfectly in bars, restaurants or in seminar rooms.
If you want to use it for speeches and background music for installed and mobile sound, you do not
need a subwoofer. The M6 has got two different setup angles for monitoring purposes – best sound
on smallest space. It is available as left and right side version for stereo monitoring.
One M6 has got 16Ω resistance, so you can use up to 8 loudspeakers with a single stable 2Ω amplifier
channel. Further on it has got 4 Speakon plugs, a solid carrying handle on the backside and 6 M10
nuts for installation and flying purposes, or mounting the L-­‐shaped swivel bracket. You do not need
any tools for mounting the swivel bracket; it has got just one handheld screw, so you cannot lose any
parts. To put the M6 on a speaker stand, you have to use the swivel bracket, there is no speaker
stand cabinet flange on it, it would make the speaker a lot bigger. With the swivel bracket you can
easily mount it is very stable. For a better sound it is anyway good to use a swivel bracket, where you
can change the angle. The M6 is available in all RAL colors, and you can use it with every amplifier.
There is a padded carrying bag for two M6, or a case for four M6 available.
Conclusion: The M6 is slightly bigger than a small HIFI or Studio Monitor speaker, has got high gain
capability (119 dB), and is a valuable gain for a lot of professional PA applications. The sound, the
frequency response above 80Hz and the loudness can be called gorgeous.

TW AUDiO M8
M8, compared to the M6, gives through its bigger bass driver a better bass and low/mid output. Even
on big distances it has got a lot of drive and sounds very direct and loud. It has got an 8’’ bass driver,
and for the high frequencies an 1’’ driver with a horn with 90x60 degrees emission angle (rotatable
for horizontal or vertical application).
You can use it for all kind of applications; it is a real multifunctional speaker.
It is suitable for Monitoring purposes (e.g. singers, Keyboarders, Guitarists and wind section
musicians) and has got two different setup angles, that musicians have got the sound in the ear, not
on their knees, even on small stages. The M8 is available as left and right side version for stereo
monitoring.
It is excellently suited as small Center, Side/Near fill and Delay line Speaker. If you want to use it for
speeches and background music for installed and mobile sound, you do not need a subwoofer. You
can find the M8 in a lot of international congress centers.
Further on you can use the M8 as a powerful top speaker in combination with the B15/S15
Subwoofer. Because of its small size and weight, this system is perfectly suited for small bands,
mobile DJs and artist groups. It is very easy to handle and fits in every car. It suits acoustically
perfectly in bars, clubs, multipurpose halls and in multimedia rooms. You can choose whether you
want to use the system with the integrated crossover with just one amplifier channel per side, or
with to stereo amplifiers active separated with a better audio performance.
The M8 has got 8Ω resistance, so you can use up to 4 loudspeakers with a single stable 2Ω amplifier
channel. Further on it has got 4 Speakon plugs, a solid carrying handle on the backside 8 M10 nuts for
installation and flying purposes, or mounting the L-­‐shaped swivel bracket and 2 M6nuts. You do not
need any tools for mounting the swivel bracket; it has got just one handheld screw, so you cannot
lose any parts.
It has got a speaker stand cabinet flange, it is available in all RAL colors, and you can use it with every
amplifier. There is a padded carrying bag for two M8 and a case for four M8 available.
Conclusion: The M8 is a multipurpose speaker. You can use it as live monitor, for speeches,
background music, near/side fill, center, delay line, or in combination with a subwoofer as a PA, it is a
very small sized Top. E.g. in the Austria Center Vienna, there are more than 100 M8 since a few years
in usage.
TW AUDiO M10
M10 has got a newly developed 10’’ neodymium speaker (with a lot of low mids) and a 1.4’’ high
frequency driver. Most of 10’’ speaker on the market have an one inch high frequency driver, but an
1.4’’ high frequency driver is a lot more direct and has a lot more power.
The M10 is perfectly suited as monitor because of its directness and power. In combination with
B15/S15 or B30/S30 it is an excellent choice for a small to middle seized PA. We mostly use the M10
in combination with one or two B15 or one B30 on each side.

The size is very compact (505 x 300 x 280 mm), so it’s perfect for near fill, side fill, delay line or center
speaker on high class and gala events.
The U-­‐shaped swivel bracket can be mounted without tools, for horizontal flying usage, there are
three bars integrated. Further on it has got a cabinet flange and two metal Speakon plugs. On the top
and the bottom, the M10 has got carrying handles, which make it easy to carry 14kg. For transport,
there are double padded bags for one and cases for two M10 available.
The M-­‐series speakers are constructed for flexible, multifunctional usage, and can be used with every
standard amplifier (linear, without DSP-­‐settings and EQ). The linear frequency response makes them,
compared to other high end speakers to an affordable solution, where no system amplifier is needed.
We often use them with the four channel Powersoft M50Q amplifier, which has got 8kg and 1250W
on 4Ω. The Powersoft K3DSP system amplifier has pre-­‐configured settings like M10 full range, M10
mid/high range or M10 Monitor.
It is available in all RAL colors, and for monitoring purposes as left and right version.
Conclusion: The M10 is a powerful speaker, even without a subwoofer, for all usages, where the M8
has not enough low/mids or simply is not loud enough, and the M12 would be too big and heavy.
TW AUDiO M12/M15
M12 has got a 12’’ Neodym Bass and the M15 has got a 15’’ Neodym Bass, both have got an 1.4’’
driver for high frequencies and a rotatable 75x50 horn. Both Top speakers are recommended for PA
and Monitoring.
They deliver an ‘in the face’ sound, and they are in left and right version available (e.g. for stereo
monitoring). If the drummer needs a lot of pressure on stage, you can add an B15/S15 sub. The M15
is a full range speaker; you do not need a separate sub for powerful linear sound on the stage.
The M12 has got less low frequency as the M15, but it is a bit louder, and a bit more direct. In
combination with B15/S15 or B30/S30, it is an excellent choice as top for PA application. We often
use it with a distance rod on one or two B30 on each side. A sound technician can setup this PA in
between 5 minutes.
With one Powersoft K3DSP amplifier you can use up to 8 M12 and 8 B30, with only 230V/16A. The
M12 is a good choice for speeches or delay line. For locations with difficult acoustical properties (or
for flying purposes) there are U-­‐shaped swivel brackets available, and mounting is possible without
tools; you cannot lose any screws or whatever. There are two speakon plugs, an cabinet flange for
mounting it on a speaker stand and three flying bars integrated, even for vertical mounting.
M12/M15 have got two carrying handles (at the top and the bottom), which make them very easy to
carry them. The M12 has got 21kg; the M15 has got 26kg.
There is a padded carrying bag and a case for two M12/M15 available.
The M-­‐series speakers are flexible multifunctional speaker which can be used linear with every
amplifier without any DSP or EQing. The very linear frequency response design of the speakers is a

ig advantage, compared to other high class speakers, which can only be used with system
amplifiers.
We often use the M-­‐series speakers with the Powersoft M50Q amplifier (1HE, 8kg, 4 channels with
each 1250W on 4Ω, without DSP), or with the Powersoft K3DSP system amplifier for a even better
acoustical performance.
Both Speakers are available in all RAL colors.
Conclusion: If you need a full range speaker or a monitor with gorgeous linear sound, than you
should choose the M15; if you need an extremely loud and direct monitor and a compact top, than
you will find the solution in the M12.
TW AUDiO C15
C15 is a coaxial 2-­‐way monitor. Its low profile chassis suits perfectly on every stage. The grill is very
solid, musicians can even stand on it, and it does not any harm to the speaker.
Its big, BEM-­‐optimized mid-­‐high frequency horn is derived from the tried and trusted horn used in
the M12 and M15. The nominal dispersion angle of 70 x 55 degrees gives a sound field that can be
used optimally and even be turned by 90 degrees if need be. The C15’s passive crossover network
brings the two paths together in an especially accurate, phase-­‐coherent way. And the really low
crossover frequency of the middle-­‐high driver makes the C15 sound even more direct in the all-­‐
important speech range. Even on standard amps without DSP, you have got an almost linear
frequency response (+/-­‐1,5dB variance); best prerequisites for high end live monitoring. Its coaxial
construction means, too, that every sound comes from the exact centre of the C15. No matter where
you’re standing or how you’re moving on the stage. The specially-­‐developed 15” chassis together
with the housing and the generously-­‐dimensioned bass reflex channels ensure definitive bass
reproduction directly coupled with the floor and with a punch you can feel.
Like the M10, M12 and M15, the C15, too, has the tried and trusted flight rails. Using Air cargo
Double stud fittings or the swivel brackets specially developed for it, the C15 can be mounted
without difficulty as a top unit and – as usual with us -­‐ no tools are needed for the bracket mounting
and there no parts that can get lost. A stand flange is integrated directly into the housing as well. And
of course it goes without saying that the C15, like all our products, is extremely easy to handle using
the ergonometric handles let into the sides. There is a 60 x 60 cm double case available.
The C15 is a flexible multi functional speaker to use with every standard amplifier without DSP or EQ.
We often use the M-­‐ and C-­‐series speakers with the four channel Powersoft M50Q amplifier (1HE, 4x
1.250W/4Ω, 8kg). If you use the two channel system amplifier Powersoft K3 DSP, you can choose
between different settings like Full range, Mid/High or Monitor. For usual monitoring, it is quite cost
efficient to use the M50Q, if you need extremely loud monitors, it is better to use the K3 DSP.
Conclusion: The C15 is a high-­‐performance monitor which can also be used multi-­‐functionally and,
like our other products, can be optimally combined with all other TW AUDiO speakers. At last there is

a coaxial monitor on the market, which not only is extremely loud and feedback resistant, it also
catches on and has got pure direct sound. You are welcome to test the C15.
TW AUDiO B15/S15 Sub
Both subwoofers (B15/S15) have got a 15’’ Speaker in a bass reflex cabinet.
There are three differences:
1. S15 has got integrated bars for flying purposes, perfectly suited for VERA10 line array ground
stacking
2. S15 has got poly coated cabinets (scratch and water resistant)
3. S15 is horizontally, B15 is vertically mounted
Both (B15/S15) have got plastic covered membranes, for better resistance against wind and weather.
They can be stacked; you do not even need to change the DSP settings.
You can use them with every standard amplifier (without DSP and EQ). There is an optional passive
crossover available (built inside the speaker), which provides the separation to the M-­‐series tops. E.g.
the B15/S15 crossover combined with M8 allows to be powered by only one amplifier channel on
each side in passive mode. There are two switches on the B15/S15 crossover, one to switch between
active (sub is powered on +2/-­‐2) and passive (sub is powered on +1/-­‐1) mode, and one to switch to
the third Speakon plug (behind the crossover which lets the mid/high frequencies pass to the M8
Top). We often use an M8 Top with B15 Sub, one M12/M15 with 1-­‐3 B15, and 2-­‐4 VERAs with 2-­‐3
S15.
The B15 has got 2 carrying handles, which make the 23kg, slightly bigger than 15 inch speaker, easy
to carry around. On the top it has got a M20 thread for mounting a distance rod. There is a dolly with
or without wheels and a padded protection cover available.
The sub has got 4Ω, the Top has got 8Ω, so the sub always gets double power, which makes a nice
proportion between bass and high/mids. If you use a M8 with the internal B15 crossover, you have
got a total resistance of 2,5 Ω.
Conclusion: The B15 convinces immediately, compared to a lot of other Subs, it is very precise, fast
and direct. The Sub is perfectly suited for small/middle sized Live Acts, Mobile DJs, Bands and AV-­‐
Professionals, for fixed Installation in Pubs, Cafes, Clubs and seminar rooms, wherever you do not
have a lot of space. As long you do not need extreme Bass levels it is worth to listen to the B15 for
small measures, small weight and brilliant audio performance.

TW AUDiO B30/S30 Sub
Both Subwoofers are 2x15’’ horn hybrid basses. The construction combines the advantages of horn
and bass reflex in one chassis, which attains higher efficiency and deeper basses in a small chassis.
Coupling the sound field is done through the full frontal plane and therefore reduces the usual
friction and flow disturbances to an absolute minimum. The results are efficient energy conversion
with low losses, controlled impulse reproduction and excellent dynamics even under full load.
3 reasons why 2x15’’ speaker reach a better audio performance than a single 18’’ with same volume
and weight:
1. 2x15’’ have a bigger membrane than a single 18’’ � more moved air
2. 2x15’’ high efficient inductors are more liable than a single 18’’ inductor � more power
3. 15’’ membranes have less weight, so they are faster than 18’’ membranes � more precision
We usually test newest 18’’ speaker from different manufacturers, there is a lot going on, but
compared to the 2x15’’ speaker they have got less power, less efficiency and less precision.
Differences between B30 and S30 (the dimensions of the chassis are exactly the same):
1. S30 has got an integrated rigging system, which allows the construction of flown bass arrays
– upright or horizontal, behind or side-­‐by-­‐side with Vera10 arrays
2. S30 has got polyurethane coating
3. S30 has got 42kg (B30: 39kg)
Both Subwoofers can be combined, they have got the same amplifier settings (EQ, Limiter, etc.). You
can also combine them with an BSX, two B30/S30 fit perfectly on one BSX. We often use a M12 Top
with one or two subs; a T24 with two or three subs; VERA Tops with 2-­‐4 Subs, or a BSX Sub with 2-­‐4
B30/S30 on top of the BSX.
B30/S30 have got 8 carrying handles, 2 M20 threads for mounting a distance rod. There is a dolly
(!same size as T24!) with or without wheels, another dolly for transporting 4 B30/S30 at once and a
padded protection cover available.
With one Powersoft K3DSP system amplifier you could power up to 2 x 4 B30/S30 (four on each
channel), we mostly use 2 x 3 B30/S30 on one system amp, for having enough reserves. You can also
use the B30/S30 for endfired or cardioid/CSA modes.
Conclusion: The sound is compared to a lot of single 18’’ speakers dryer and more dynamic. The
typical bass hum doesn’t exist on the small 15’’ speaker, even Bassdrum, E-­‐Bass and fast Synthesizer
Sounds have a lot more pressure.
B30/S30 are very compact high efficiency subwoofers with full sound and for major events just use
more of them. The hybrid construction allows interlinking for big bass arrays. For us they are a
technical masterstroke. Come and make yourself a picture.
Hint: We recommend 4x4mm2 speaker cables, all TW AUDiO tops use speakon pins +1/-­‐1, and all
subs use speakon pins +2/-­‐2, so you just need one cable on each side for the connection
speakers/amplifiers.

TW AUDiO BSX Subwoofer
The Big Subwoofer Extension BSX is a 2x21’’ neodymium horn hybrid subwoofer. The construction
combines the advantages of horn and bass reflex in one chassis, which offers more power with lower
frequencies. Coupling the sound field is done through the full frontal plane and therefore reduces the
usual friction and flow disturbances to an absolute minimum. The results are efficient energy con-­‐
version with low losses, controlled impulse reproduction and excellent dynamics even under full
load. The 21’’ membranes are covered with a special plastic, to protect them against wind and
weather.
The membranes are incredibly fast; they are completely new developed; stiffer and lighter than most
18’’ speakers! With 3,5 kW (10kW Peak) power, driven through a huge 5,3’’ aluminum moving coil,
with +/-­‐ 30mm deflection, a diameter of 21’’ and all of it two times, you can move a lot of air – a real
Big Subwoofer Extension.
There are two setups on the Powersoft K3DSP system amps available: Full Range (27 – 120 Hz) and
Infra Mode (27-­‐66 Hz).
We often use them Full Range; combined with 2 T24, or four VERA10, or in Infra Mode in
combination with B30/S30/L24 (2x12’’ Low Mid Extension). You can also combine BSX with other
basses, or with all kind of line arry or Mid/High Tops. Every sound system sounds a lot bigger, when
you attach one or more BSX.
On one BSX you can stack slip-­‐proof, side by side, two B30/S30, and if you need a lot bass, put four
B30/S30 on one BSX. This combination makes incredibly much bass, perfectly for huge audiences. In
total one BSX has got 12 handles, which makes the 109kg even for just two people easy to handle.
There are 4 wheels on the backside permanently mounted, and for protection there is a front-­‐
hardcover available. One BSX has got 2x4Ω, so one Powersoft K3DSP system amplifier powers one
BSX (Speaker 1 on +1/-­‐1, Speaker 2 on +2/-­‐2; with one 4 pin cable only). You also can use them end
fired or cardioid/CSA.
Conclusion: The BSX is one of the most high-­‐capacity and nicest sounding PA Subwoofer available on
the market. They are incredibly fast, so you can use them as real full range bass. In Infra mode you
get extremely high output. The combination with B30/S30 does not doesn't have to fear the
competition of bigger and more expensive bass system. Using 2 BSX, one on top of the other, does
not leave nothing to be desired.
TW AUDiO T24
T24 is a horn loaded light weighted small sized high-­‐ power top with 2x12’’/ 1.4’’ speakers. It has got
107dB (1W/1m) sensitivity and a maximal output of 143dB. It isn’t a lightweight with 46kg, but
compared to other speakers, it makes power like 3 pieces 12’’/2’ or 3 to 4 8’’ or 10’’ line array tops.
The speaker is not only loud, even in locations with difficult acoustical situation it is still very linear
and direct. High and low frequencies are separated via the internal crossover, even though you could
separate them active (2-­‐way). The T24 has got 4Ω resistance; each channel from the Powersoft

K3DSP system amplifier can feed two T24. Two T24 side by side or one upon the other can be
mounted without comb filter effects and provide a bigger transmission angle.
There are many kinds of frames and adapters (e.g. cradle bar, box link, cradle frame, air cargo
doublestudfitting, etc.) available. The U-­‐formed swivel bracket is mountable without tools.
For transport, there is a front dolly available, the same one as used on B30/S30.
You can’t use T24 as standalone music system; it doesn’t play any frequencies below 100Hz because
of its design, you would need an additional subwoofer; for speech only events it is perfectly suited.
We use the PA SYS One mostly with one T24 and two B30 on each side. For bigger applications we
use one or two T24 and three B30 on each side. With two K3DSP system amplifiers you can power up
to four T24 and 6-­‐8 B30/S30, and this on only one 230V 16A current line -­‐ economic and efficient.
Conclusion: The T24 Top is one of the best sounding, most compact and most powerful horn tops on
the market. You do not need complex curving (like line array curving). Mount them, connect them,
bring them in position; and use them. It is recommended for users, who need it loud, even on high
distance; you get a lot of sound for your money. Because of its high efficiency, easy handling and
small size, the combination of T24 and S30 is already the choice of a lot of hire companies, sound
engineers, mobile DJs and Top 40 bands.
TW AUDiO VERA10 Line Array Top
The VERA10 Line Array Top is armed with 1x10’’ Bass and 2x1’’ High frequency drivers. Mostly we use
them 2-­‐way active; only two system amp channels for one side of the line array with up to 8(!) VERA
tops on one system amp. High drivers are on Speakon pins +1/-­‐1, Bass drivers are on Speakon pins
+2/-­‐2. Our recommendation is to use 4x4mm2 cables. Optionally there is an in built passive crossover
available.
The line array speakers are only 50cm wide, the weight is 16,9kg per piece and there is fix mounted
aluminum flying hardware, which makes the handling very easy. Two carrying handles are used as
open end of the bass reflex of the 10’’ speaker. The Speakon plugs are sunk-­‐in, what helps them
together with the Poly-­‐coat to make them failure safe under every weather condition.
Horizontally, the VERA10 has got 80 degrees, you can twist the horn easily, then they have got 120
degrees angle. Vertically they have got 10 degrees.
E.g. using 6 line array tops on each side you can use 80 degrees on the upper four ones, and 120
degrees on the two ones at the bottom, to have a wider angle in the near field.
You can stack up to 12 VERA10 on one transport dolly, so you can transport 24 line array tops on the
size of one Euro pallet; you even can leave the Speakon cables plugged. The cover plate on top has
pre-­‐built hollows, to mount the flying frame. On the flying frame RF300 you can mount up to 18
VERA10, or you use them for ground stacking. There is also a smaller frame SF10 available; you can
use it for stacking 3 VERA10 on a speaker stand or with a C-­‐clamp on a truss.

There are different setups on the Powersoft K3DSP system amplifiers for VERA10 available (2, 4, 6,
etc.). You can power the VERA10 ‘cut’ from 100-­‐16.000Hz, flat from 80-­‐16.000Hz and fullrange from
50-­‐16.000Hz.
If you want to use more than 8 VERA10 on one side you need two Powersoft K3DSP system amps per
side (= 4 system amps for totally 32 VERA10 (16 on each side)).
For me the highlight of the VERA line array system is the range of high frequencies. The efficiency is
incredibly high, you do not have to decrease the mids, even if you use 18 VERA10 on each side.
The smallest system is to use 2 to 3 VERA10 in full range mode, or in flat mode combined with S15 or
S20 subs. S15 is the VERA flying purpose or stack bass with single 15’’ speakers, for small audiences a
very nice combination. E.g. 2xS15 with 3xVERA10 directly on the stage floor or flown with RF300
flying frame. 2x6 VERA10 tops with 2x4 S30 subs and 4 Powersoft K3DSP amps is the VERA SYS One
and can already be used for bigger audiences, or you can use a BSX (full range: 27-­‐120Hz) with 4
VERA10 (flat: 80-­‐16.000Hz) and the setup is done in 10 minutes.
The more tops you use, the better and more consistent is the frequency range on huge distances. 2
VERA10 can be used as usual Speakers, with 4 VERA10 you get a line array effect, using 6 or 8
VERA10 you have got a perfect line array effect; that’s for all line array systems the same.
If 18 VERA10 are not enough, or you just have 2x4 VERA10 available, then you can extend your
system with the Low/Mid Extender L24 (2x12’’). One L24 is double size of one VERA10, makes up to
135dB and halps voices, snares, git-­‐amps, synthies and bassdrums to make more pressure. The L24
can be stacked or flown. It is designed for frequencies between 62 and 400Hz and has got 8Ω. You
can drive up to 2x4 L24 on one amp.
Conclusion: The sound of VERA10 is very detailed, direct and powerful. Seize and Output ratio is top
professional. Wether you use VERA10 for Rock or Classic music, the sound convinces.
Software for Line Arrays EASE FOCUS:
For curving the line array we use EASE FOCUS, it is free of charge and has the VERA10 Data included.
There is also new software for 3D simulations available: http://focus.afmg.eu/
4 important parameters for curving:
• How many tops are available?
• Height of the upper top?
• How far away is the audience?
• How large is the concert arena?
Powersoft K3DSP TW AUDiO System amplifier
K3DSP delivers 2x2600W on 4Ω and on 2Ω stable. It has got 8,5kg, only 1HE and is 36cm deep, so it
fits in almost any 19’’ case.

A 24bit/96kHz DSP (Digital Signal Processor) computes all speaker management functions like Gain,
Crossover, EQ, Loudness, Delay, etc. visible on an easy to read display and editable with four heavy
use buttons.
The DSP has got 50 user definable presets. 35 TW AUDiO presets are on delivery already on the DSP,
so you have got 15 presets left to enhance your third party speakers.
You can connect the amplifiers via CAT5 with your computer to monitor Gain, Limiter, Overheat,
Signal EQ, Mute, Time, Resistance, Setup, etc. The two XLR Inputs can be driven analog or digital
(AES/EBU). The new KAESOP board can be connected via Ethernet to assign control data and transfer
2x Stereo AES/EBU (4 channels!!!). The Speakon Outs are always delivering on +1/-­‐1, so it is good to
use the APL4 panel to switch (whenever it is needed) to +2/-­‐2.
The amplifiers work extremely efficient, they do not produce a lot of heat, you can power 2
amplifiers on one 16A 230V Schuko current phase. The switch-­‐mode power supply is pulsing from 95
to 265V, so you can also power it with only 120V. If you plug 400V or if the plug is not grounded, the
amplifier does not even start. You can mount up to 6 amps on top of each other, then you have to
leave 1HE free for cooling.
Software:
Powersoft uses the ARMONIA Software for efficient, professional amplifier handling; you can
remotely control the DSP and monitor the amps. http://pro-­‐audio.powersoft.it
Conclusion: Whether you use M6, or BSX, you can power all TW AUDiO speakers perfectly with the
Powersoft K3DSP system amps. It is a very powerful and ubiquitous system amplifier. You do not
need to carry ampracks with 120kg, you do not need external crossovers, limiters and external
equalizers anymore. You save a lot of weight and space in your truck.
With 2 Powersoft K3DSP system amplifiers, you can power up to 16 speakers in just one 2HE case
with 17kg, driven on only on Schuko. What mor can I tell???
My opinion:
Speaker systems have to work around physical troubles, also TW AUDiO. I think TW AUDiO speakers
are very well engineered speakers, made in Germany with high class speakers and crossovers, built
without any compromise.
I recommend you to listen yourself to TW AUDiO speakers, make yourself your own picture, look at
handling and road usability.
If you want to rent TW AUDiO speakers, we have got more than 250 speakers and more than 50
Powersoft amplifiers, rentable in A-­‐2020 Hollabrunn (40km distance to Vienna).
If you are interested, just contact us, make an appointment, you can listen to all TW AUDiO speakers
in our Demo Studio.

TW AUDiO stands for
* excellent sound quality
* maximum sound pressure
* multi-­‐functionality
* smallest dimensions
* excellent handling
* best processing quality
* sophisticated hardwarevery good price-­‐performance ratio
Please make an appointment if your are interested in
demonstrations of the TW AUDiO products.
For more information, questions, tests and offers I am always
at your disposal: rainer@musikparadies.com
+43 (0) 2952 20380
www.musikparadies.com
Musik Paradies GmbH
TW AUDiO
Autria, Czech Republic, Hungary, Slowakia
Chief Executive Officer
Rainer Schober
Tel: +43 2952 20380
Pro Audio Expert
certified sound engineer
expert for sound, light and video
Adress: Christophorusstr. 6, A2020 Hollabrunn, 40km from Vienna