Géza Perneczky - C3 - Center for Culture & Communication ...
Géza Perneczky - C3 - Center for Culture & Communication ...
Géza Perneczky - C3 - Center for Culture & Communication ...
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512<br />
→^Banana, Anna: About VILE (Letter size book, offset, 108 p.) S.P. Vancouver, 1983<br />
^Morgan, Robert C.: Mail Art is Not Correspondence Art. In: Umbrella (→ Hoffberg), Vol. 6,<br />
No 4, 1983. Further: Stamp Art is Not (Necessarily) Mail Art. In: Umbrella, Vol 7,<br />
No 1. Both essays reprinted in: R. C. Morgan: Commentaries on the New Media<br />
Arts. Umbrella Ed., Pasadena, 1992; and in: J. A. Hoffberg: Umbrella 1978-1998,<br />
the Anthology. Santa Monica, 1999. 101-105 / 106-107 p.<br />
Cracker Jack Kid (Chuck → Wells): It Ain't (Necessarily) So, Mr. Morgan a Mail Art Rebuttal.<br />
In: Umbrella (→ Hoffberg), Vol. 7, No 2-5, 1984. Reprinted in: J. A. Hoffberg:<br />
Umbrella 1978-1998, the Anthology. Santa Monica, 1999. 107-108 p.<br />
→^Baroni, Vittore: Real Correspondence. Six one sheet size publs. between 1981 and 1984<br />
about contacts, shows and tactic in the Mail Art. Important one is the #6 with the<br />
schema of the Network <strong>Communication</strong>. (Reprints in: Flue / Mail Art Then and<br />
Now. Vol. 4. #3, 1984 by → Franklin Furnace, New York and in: CLINCH, #5 /<br />
Mail Art History, 1984. → Ruch)<br />
→^Kattenstroth, U.: Kunstarchäology im kosmopolitischen Urbanismus. (About seurce and<br />
sociologic condition of Mail Art, German) A/4, stancil, 2 sheets. Berlin, Nov. 1984<br />
→^Padín, Clemente: Participation (Art theory mag., <strong>for</strong> some years perhaps the most important<br />
publ. on the problems of Mail Art and society in Latinamerica {500}. Very ernest<br />
presentation. 28x22 cm., offset, 4 p. 1984-86, #1-10)<br />
→^Jacob, J. P.: Mail Art. A partial anatomy. / In: Post Hype, Vol. 3, #1. (Letter, phc., 64 p.) 1984 .<br />
Essays by J. A. Hoffberg, G. <strong>Perneczky</strong>, V. Baroni, A. Banana, Crozier, R. Cohen,<br />
Anthroart (V. Hamann), A. Igloo, H. Gajewski, D. Zack. Artists talk on art: R.<br />
Morgan, M. Bloch, Ed Higgins, C. Pittore, E. Plunkett, J. Evans, S. Random, K.<br />
Friedman, R. Cohen, D. Higgins, R. Kostelanetz, C. Welch, J. P. Jacob, J. Held,<br />
D. Cole.<br />
→^Crane, M.: Correspondence Art. Source Book <strong>for</strong> the Network of International Postal Art<br />
Activity. (With Mary Stofflet. The first large monographical work and essay<br />
anthology about Mail Art. Among the authors: T. Albright, A. Banana, U. Carrión,<br />
T. Cassidy, R. Craven, J. M. Felter, P. Frank, K. Friedman, B. Gaglione, D. Hig-<br />
gins, J. Hoffberg, C. E. Loeffler, R. Rehfeldt, E. A. Vigo, etc. Bibliography, index,<br />
list of exhs., list of Mail Art a.k.a.s, etc.) Offset, half letter, 522 p. Contemporary<br />
Arts Press (→ Loeffler), San Francisco, 1984<br />
→^Franklin Furnace: Mail Art Then and Now, Exh. cat. & essay anthology. In: Flue Vol. 4,#3-4<br />
(Winter 1984): From the contens:<br />
Editorial: Mail Art Then – Ad Reinhardt and Gilbert & George<br />
Ed Plunkett: From Pre- to Post-Postal Art<br />
John Evans: Corresponding by Tattoo<br />
Valery Oisteanu: Illegal Mail Art (a poetical essay)<br />
Ray Johnson Speaks – The Way it was<br />
Ken Friedman: Mail Art History: The Fluxus Factor<br />
Anna Banana: Mail Art: Canada & Western U. S. A.<br />
Lon Spiegelman: A History of Los Angeles Mail Art (1978 Trough 1983)<br />
Carlo Pittore: N-tity<br />
Mark Bloch: The P.A.N. Project.<br />
E. F. Higgins III.: On Mail Art: Doo-Da Postage Woorks<br />
Ronny Cohen: A Conversation with Mike Crane<br />
Fatima Bercht & Josely Carvalho: Solidarity Art by Mail.