Géza Perneczky - C3 - Center for Culture & Communication ...

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^# N°5-6 (1978), N°7 (1978), N°13 (1981)
Homages to some people. Vol. 1. (A/6 size booklet, offset print on paper with mar- ��
moring pattern, 16 p. To V. Baroni, Monty Cantsin, A. M. Pine, J. M.
Bennett, Pat Fish, S. Basso, D. Drummond-Milne, A. v. Barneveld,
Jim Hol, U. Carrión, R. Summers, P. Below, K. Saville, C. Burch, a
Bunch of Unknown Clarks, and to you. One page to each person.)
{16?} Elblag, n.d. (~1978)
°Page of Contemplation (Booklet {30} with rub. stamps, 28 p.) Joe Rubber Press, ��
1978
°Ten Theses / Art Theory Series (like mag. Cut A/4, rubber stamps, 24 p. {30}. �®�
1979, #1-2?) Arrière-Garde Ed. Elblag
°Nedza. 15.5x12.5 cm., 34 p., rubber stamps. Arrière-Garde Ed., Elblag. 1979 ® �
°Genuines hand-stamped mulets against unfortunate accidents. A/6, 24 p. Rubber ® �
stamps. 2nd edition: 34 copies. Arrière-Garde Ed., Elblag. 1979
°Transparent Selfprotrait. Rubber stamps / paper work. A/5, 44 p. 31 copies. 1979 ® �
^The Intellectual Benefits of Art – artpieces, realized on cloth. � Inv.-flyer, 1980 �
°To. 20x14 cm., 18 p., rubber stamps. Limited edition {?}. Elblag, 1980 ® �
^Artforum International (Assembling which was consisting the contributed � �
materials physically – as handmade paper (!). Each issue is one leave
only, mainly unicats, sometimes in an edition of 3-5 copies. 1980?-, ~10#)
^# 2 diff. issues
The Intellectual Benefits of Art (Doc. in: Rubber, Vol. III. / Six Mail Art Projects) �
→ Stempelplaats. Amsterdam, 1980
°Rubber Condom. Brochure of 16.5x10.5 cm., no pagination, rubber stamps. n.d. ® �
°Condom, Vol. II. 16.5x10.5 cm., no pagination, rubber stamps. n.d. ® �
°Imitations. A/5, collages, rubber stamps, type writing, 16 p. Limited ed. Elblag, n.d. �® �
^Small coins and ideas. (Rubber + finger stamps in A/5 booklet {22}, 4 p.) 1981 ® �
°How to Fly Like a Bird. Flipbook of 55 mm., rubber stamps. Edition unknown. ® �
Uni Art s. d. Elblag, ca. 1980 (n. d.)
°How to Fly, Vol II.: Directions of Motion. Cut A/5, 20 p. Rubber stamps. 50 copies. ® �
Arrière-Garde, Elblag. 1980
^RUB international (Mag. on rubberstamp art, ~A/5, ~20 p., rubber collages. ® �
In an edition of one copy only, but with a number of issues: #1-80?)
Elblag, 1980-1981
^# 64 (~1980)
^Transparent Selfportraits (Handmade techn. + offset print in A/5 booklet 11 p.) ��
{Edition of 15}, (#13) 1981
^Monologues and Dialogues. A/5, rubber stamps, 16 p. Uni Art. {15}, (06). Galeria ® �
Dziel Sztuki Wspólczesnej. Elblag. 1982
Square 88 – Art on Computer. Doc.: A/4 leaflet. 1988 �
^Plenum, Rysunki Komputerem. Doc.: A/5, offset, 8 p. / Centrum Sztuki - Galeria �
EL. Elblag. n.d. (1990?)
^This is Mail Project 1980-1990. (Collages since 1982) Cat.: A/5, phc., 18 p. �
/ Exhibition in De → Media, Eeklo, B. March 1991
^Sehr Romantic... Comp. Drawings and Collages / Buyers gide, vers 1. (102 computer �
animated graphic images on A/4 size leaves, loose matter) 1991
~
Literature: «...Petasz of Poland has created two marvelous handstamped rubber printed books,
as he puts it. The first, called Pieces from Biography of Joe Contestator, „pressed
with coquetry“ with poems by Petasz & Miroslaw Wrobel is a magnificent work of
art made with rubber stamps made from erasers. The imagery ranges from shoes
and fish to clocks, tempels and multi-colored images. Using different kinds of paper
and different colored inks, this limited edition of 30, handstamped by the artist with
humor and satire, is available in the United States from Artwork. Box 3903,
Glendale, CA-91201.» (In: Umbrella [→ Hoffberg]. Vol. 2, #2. 45 p. 1979)
(Artforum): «A (rather nihilistic) „magazine“ consisting phisically of contributed