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Oxbow Spring 2013.pdf - Oxbow Books

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New Light on Old Glass<br />

Recent Research on Byzantine Glass and Mosaics<br />

Chris Entwistle (Editor); Liz James (Editor)<br />

This new publication brings together a range of leading scholars from Europe,<br />

America and the Middle East to discuss the most recent research in the field of<br />

Byzantine glass and mosaics in an interdisciplinary context. New Light on Old Glass<br />

explores how mosaics are perhaps the most outstanding examples of Byzantine<br />

art which survive; revealing changing aesthetics and issues surrounding the<br />

technical production of glass in medieval artistic practices. This is the first time<br />

that so many diverse papers, ranging from art history, archaeology, chemistry,<br />

physics and Byzantine studies have been assembled in one volume, and is the<br />

culmination of a five-year research programme on the Composition of Byzantine<br />

Glass Mosaic Tesserae, conducted by the University of Sussex in conjunction with<br />

the British Museum and sponsored by the Leverhulme Trust.<br />

9780861591794, £45.00, 25 March 2013<br />

PB, 250p, 500 col & b/w illus., British Museum Research Publication 179, British Museum Press<br />

Late Antiquity & Byzantium<br />

30<br />

An Obscure Portrait<br />

Imaging Women’s Reality in Byzantine Art<br />

Rudolf Meyer (Author)<br />

Recent discussions on Byzantine art have been dominated by the question of<br />

representing realia . Among these, however, the way works of art reflect the<br />

daily life of women have not received much space or attention. The present<br />

book studies various images representing women’s status and her performative<br />

tasks, and their significance from the fourth century to the fall of the Empire,<br />

through analysis of archaeological evidence and works of art. It addresses a wide<br />

range of questions, some pertaining both to pictorial traditions and to their late<br />

antique antecedents, others peculiar to changing and evolving Byzantine culture<br />

and mentality. The book aims to lift a veil from known and less known works<br />

of art and to present the rarely described picture of the daily life of women in<br />

Byzantine art over a very wide chronological span of time, in an effort to expand<br />

our knowledge of women in Byzantium and their realia.<br />

9781904597322, £150.00, Available Now<br />

HB, 575p, 258 illus., Pindar Press<br />

Colours, Symbols, Worship<br />

The Mission of the Byzantine Artist<br />

George Galavaris (Author)<br />

Trained as an archaeologist and art historian and being a practising painter, Professor<br />

Galavaris has been able to relate diverse disciplines in his work, as shown by the<br />

wide range of his numerous publications. He moves from the early history of the<br />

eucharistic bread in the Orthodox Church, the dramatic impact of the Liturgy on<br />

illuminated Byzantine manuscripts, to the role of the icon in: the life of the Church,<br />

the poetry of Rainer Maria Rilke and the European painting of the 20th century.<br />

He is a leading authority on the study of the relationship between worship, Liturgy<br />

and art. Whether it is the cult of the Byzantine Emperor or the Eucharistic Liturgy,<br />

manifested in numismatics, illuminated manuscripts, icons, church lights (candles<br />

and oil lamps) – all witnesses of the creative forces of the Byzantine artist - Galavaris’<br />

interests are symbols, forms and their meaning. He investigates their contribution<br />

to worship, to the visual shaping of the Liturgy and how they reveal the freedom<br />

and the mission of the artist in realizing the Unseen in everyday life.<br />

9789491431074, £42, August 2012<br />

9781899828685, £150.00, Available Now<br />

HB, 475p, Groningen Archaeological Studies 19, Barkhuis<br />

HB, 576p, 379 illus., Pindar Press

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