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Oxbow Spring 2013.pdf - Oxbow Books

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Rigmaroles and Ragamuffins<br />

Unpicking Words we Derive from Textiles<br />

Elinor Kapp (Author)<br />

The English language has developed over many centuries from many diverse<br />

languages and cultures, some now lost. If we want to bring to life something of its<br />

impressive history, we might use the metaphor of a great river into which streams and<br />

rivulets constantly flow. Alternatively we could liken it to a mighty tree that has grown<br />

organically from buried roots, spreading out into a living canopy of innumerable<br />

and constantly renewed twigs and leaves. Elinor Kapp prefers to think of English as<br />

a wonderful piece of embroidery, stitched with a multitude of varied threads onto<br />

a base of primitive communication. The upper surface dazzles us with its range of<br />

colours, tones and textures. But to understand its construction, we need to take a<br />

look at the underside of the work. Here we can see the untidiness – the awkward<br />

seams, peculiar knots and frayed ends. In places, time has worn away our words to<br />

leave threadbare gaps; in others, swathes have been cutaway by changing tastes and<br />

trends, allowing flamboyant new threads to be spliced in. When we unpick the English<br />

language, it is quite startling to find how many of our common words, sayings, figures<br />

of speech, folklore, myths, nursery rhymes and stories come from thread and all the<br />

fascinating processes it had to go through to create textiles. The author is fascinated<br />

by the way English weaves the threads of our past into today’s figures of speech,<br />

bringing richly layered meaning to our lives.<br />

Language & Literature<br />

9780957475908, £9.99, 31 January 2013<br />

PB, 160p, 155 x 235 mm, illus, Elinor Kapp<br />

Form and<br />

Feeling in<br />

Modern<br />

Literature<br />

Essays in Honour of<br />

Barbara Hardy<br />

William Baker (Editor);<br />

Isobel Armstrong (Editor)<br />

After Reception<br />

Theory<br />

Fedor Dostoevskii in<br />

Britain, 1869–1935<br />

Lucia Aiello (Author)<br />

Essays, short stories and poems by eminent creative<br />

writers, critics and scholars from three continents<br />

celebrate the literary achievements of Barbara<br />

Hardy, the foremost exponent of close critical<br />

reading in the latter half of the twentieth century<br />

and today. Her work, as the essays in the volume<br />

bear witness, encompasses 19th and 20th century<br />

British fiction, poetry, and Shakespeare. In addition<br />

to an introduction outlining and assessing Hardy’s<br />

career and writing, ere is an extensive bibliography<br />

of her work.<br />

This study deals with the reception of Fedor<br />

Dostoevskii in Britain from a double perspective. The<br />

detailed analysis of primary sources such as reviews,<br />

essays and monographs on Dostoevskii is associated<br />

here with a critical investigation of the dynamics of<br />

the reception process. On the one hand, the available<br />

sources are examined with the intention of exposing<br />

their underlying ideological tensions and impact on<br />

British literary circles. On the other hand, Fedor<br />

Dostoevskii’s novels are shown to function as a prism,<br />

through which significant aspects of nineteenth- and<br />

early twentieth-century British intellectual life are<br />

refracted.<br />

9781907975370, £45.00, January 2013<br />

HB, 226p, Legenda Main Series, Legenda<br />

9781907975448, £45.00, January 2013<br />

HB, Legenda Main Series, Legenda<br />

39

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