Oxbow Spring 2013.pdf - Oxbow Books
Oxbow Spring 2013.pdf - Oxbow Books
Oxbow Spring 2013.pdf - Oxbow Books
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Rigmaroles and Ragamuffins<br />
Unpicking Words we Derive from Textiles<br />
Elinor Kapp (Author)<br />
The English language has developed over many centuries from many diverse<br />
languages and cultures, some now lost. If we want to bring to life something of its<br />
impressive history, we might use the metaphor of a great river into which streams and<br />
rivulets constantly flow. Alternatively we could liken it to a mighty tree that has grown<br />
organically from buried roots, spreading out into a living canopy of innumerable<br />
and constantly renewed twigs and leaves. Elinor Kapp prefers to think of English as<br />
a wonderful piece of embroidery, stitched with a multitude of varied threads onto<br />
a base of primitive communication. The upper surface dazzles us with its range of<br />
colours, tones and textures. But to understand its construction, we need to take a<br />
look at the underside of the work. Here we can see the untidiness – the awkward<br />
seams, peculiar knots and frayed ends. In places, time has worn away our words to<br />
leave threadbare gaps; in others, swathes have been cutaway by changing tastes and<br />
trends, allowing flamboyant new threads to be spliced in. When we unpick the English<br />
language, it is quite startling to find how many of our common words, sayings, figures<br />
of speech, folklore, myths, nursery rhymes and stories come from thread and all the<br />
fascinating processes it had to go through to create textiles. The author is fascinated<br />
by the way English weaves the threads of our past into today’s figures of speech,<br />
bringing richly layered meaning to our lives.<br />
Language & Literature<br />
9780957475908, £9.99, 31 January 2013<br />
PB, 160p, 155 x 235 mm, illus, Elinor Kapp<br />
Form and<br />
Feeling in<br />
Modern<br />
Literature<br />
Essays in Honour of<br />
Barbara Hardy<br />
William Baker (Editor);<br />
Isobel Armstrong (Editor)<br />
After Reception<br />
Theory<br />
Fedor Dostoevskii in<br />
Britain, 1869–1935<br />
Lucia Aiello (Author)<br />
Essays, short stories and poems by eminent creative<br />
writers, critics and scholars from three continents<br />
celebrate the literary achievements of Barbara<br />
Hardy, the foremost exponent of close critical<br />
reading in the latter half of the twentieth century<br />
and today. Her work, as the essays in the volume<br />
bear witness, encompasses 19th and 20th century<br />
British fiction, poetry, and Shakespeare. In addition<br />
to an introduction outlining and assessing Hardy’s<br />
career and writing, ere is an extensive bibliography<br />
of her work.<br />
This study deals with the reception of Fedor<br />
Dostoevskii in Britain from a double perspective. The<br />
detailed analysis of primary sources such as reviews,<br />
essays and monographs on Dostoevskii is associated<br />
here with a critical investigation of the dynamics of<br />
the reception process. On the one hand, the available<br />
sources are examined with the intention of exposing<br />
their underlying ideological tensions and impact on<br />
British literary circles. On the other hand, Fedor<br />
Dostoevskii’s novels are shown to function as a prism,<br />
through which significant aspects of nineteenth- and<br />
early twentieth-century British intellectual life are<br />
refracted.<br />
9781907975370, £45.00, January 2013<br />
HB, 226p, Legenda Main Series, Legenda<br />
9781907975448, £45.00, January 2013<br />
HB, Legenda Main Series, Legenda<br />
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