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the werkplaats typografiei at neonii opening saturday 8th of ... - Néon

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THE WERKPLAATS<br />

TYPOGRAFIE I AT NEON II<br />

OPENING SATURDAY 8TH<br />

OF MARCH AT 18:00<br />

EXHIBITION FROM 08/03<br />

TO 12/04/2008<br />

CURATED BY NA KIM &<br />

KARL NAWROT


I<br />

THE WERKPLAATS TYPOGRAFIE<br />

The Werkpla<strong>at</strong>s Typografie (WT) is part <strong>of</strong><br />

ArtEZ Institute <strong>of</strong> <strong>the</strong> Arts. WT is a two-year<br />

masters programme centred on practical<br />

assignments and self-initi<strong>at</strong>ed projects. It<br />

also serves as a meeting place for graphic<br />

designers with regard to research and dialogue.<br />

The WT is supervised by Karel Martens<br />

1 and Armand Mevis 2 . Fur<strong>the</strong>r guidance<br />

is given on a regular basis by Paul Elliman 3<br />

and Maxine Kopsa 4 . Anniek Br<strong>at</strong>tinga and<br />

Liesbeth Doornbosch are in charge <strong>of</strong> co-ordin<strong>at</strong>ion.<br />

Visiting lecturers 5 are regularly invited<br />

to provide individual tutoring and/or<br />

for present<strong>at</strong>ions. Reviews <strong>of</strong> work, critiques<br />

and project particip<strong>at</strong>ion are informal in<br />

character. Participants 6 work in a pr<strong>of</strong>essionally<br />

equipped studio accessible 24 hours a<br />

day. The WT is open to a maximum number<br />

<strong>of</strong> twelve graphic designers who would like<br />

to deepen <strong>the</strong>ir knowledge and skills.<br />

Particip<strong>at</strong>ion depends entirely upon<br />

proven ability.


II<br />

NEON<br />

L’exposition comme outil de recherche et<br />

d’explor<strong>at</strong>ion, Néon propose depuis mars<br />

2000, une programm<strong>at</strong>ion éclectique,<br />

favorisant la multiplicité des déb<strong>at</strong>s que<br />

génèrent des projets d’artistes pour la<br />

plupart émergents.<br />

Objectif<br />

valoriser la production artistique la plus<br />

récente :<br />

– créer ou développer des liens entre<br />

l’artiste et le réseau pr<strong>of</strong>essionnel culturel,<br />

– assurer la médi<strong>at</strong>ion entre le projet de<br />

l’artiste et son public.<br />

Activité<br />

diffusion de l’art contemporain :<br />

– assurer la production ou participer à la circul<strong>at</strong>ion<br />

de pièces et de projets inédits,<br />

– inviter à voir ces productions à travers la<br />

mise en place d’expositions,<br />

– communiquer autour des projets des artistes<br />

c’est-àdire défendre les artistes.


1 Karel Martens gradu<strong>at</strong>ed from<br />

<strong>the</strong> Arnhem School <strong>of</strong> Art in 1961. Since<br />

<strong>the</strong>n he has worked as a freelance graphic<br />

designer, specialized in typography. Alongside<br />

this, he has always made free (noncommissioned)<br />

graphic and three-dimensional<br />

work. Among his clients have been<br />

<strong>the</strong> publishers Van Loghum Sl<strong>at</strong>erus (Arnhem)<br />

in <strong>the</strong> 1960s, and SUN (Nijmegen) in<br />

<strong>the</strong> years 1975. As well as designing books<br />

and o<strong>the</strong>r printed items, he has designed<br />

stamps and telephone cards. He has also<br />

designed signs and typographic facades<br />

for a number <strong>of</strong> buildings. In 1993 Karel<br />

Martens was awarded <strong>the</strong> H.N. Werkman<br />

Prize for <strong>the</strong> design <strong>of</strong> <strong>the</strong> architectural<br />

magazine Oase . In 1996 he received <strong>the</strong> Dr<br />

A.H. Heineken Prize for Art; as part <strong>of</strong> this<br />

prize, a monograph on his work was published:<br />

Karel Martens: Printed M<strong>at</strong>ter . His<br />

work has been nomin<strong>at</strong>ed several times <strong>at</strong><br />

<strong>the</strong> Design Prize Rotterdam. In 1998 <strong>at</strong> <strong>the</strong><br />

Leipzig Book Fair, Karel Martens: Printed<br />

M<strong>at</strong>ter was awarded <strong>the</strong> gold medal, as <strong>the</strong><br />

best-designed book in <strong>the</strong> whole world.<br />

Over <strong>the</strong> years his books have fe<strong>at</strong>ured<br />

regularly in <strong>the</strong> annual Best-Designed<br />

Dutch Books competition. Karel Martens<br />

has taught graphic design since 1977. He<br />

started teaching <strong>at</strong> <strong>the</strong> Arnhem School <strong>of</strong><br />

Art, followed by a teaching position <strong>at</strong> <strong>the</strong><br />

Jan van Eyck Academie in Maastricht. From<br />

1997 onward he has been a critic in <strong>the</strong><br />

graphic design department <strong>at</strong> Yale University,<br />

New Haven, USA. In 1998 he and Wigger<br />

Bierma founded <strong>the</strong> WT.<br />

2 Armand Mevis lives and works<br />

in Amsterdam, where he started a collabor<strong>at</strong>ion<br />

with Linda van Deursen after gradu<strong>at</strong>ing<br />

from <strong>the</strong> Gerrit Rietveld Academy<br />

in 1986. Mevis & Van Deursen have been<br />

working for clients in <strong>the</strong> cultural field,<br />

producing <strong>the</strong> new identity <strong>of</strong> Museum<br />

Boijmans Van Beuningen in Rotterdam,<br />

<strong>the</strong> identity and public<strong>at</strong>ions for fashion<br />

duo Viktor & Rolf, and numerous books on<br />

architecture and design. They also have<br />

worked on several Dutch cultural public<strong>at</strong>ions,<br />

including Metropolis M, and won <strong>the</strong><br />

competition for <strong>the</strong> graphic identity for <strong>the</strong><br />

City <strong>of</strong> Rotterdam in 2001 as a design<strong>at</strong>ed<br />

Cultural Capital <strong>of</strong> Europe. Their work has<br />

been shown in museums and educ<strong>at</strong>ional<br />

institutions throughout <strong>the</strong> world. Mevis is<br />

a design critic <strong>at</strong> <strong>the</strong> Werkpla<strong>at</strong>s Typografie<br />

(Workshop Typography), Arnhem and a<br />

critic <strong>at</strong> Yale University School <strong>of</strong> Art, New<br />

Haven, Connecticut. Their collabor<strong>at</strong>ion has<br />

been documented in <strong>the</strong> book Recollected<br />

Work: Mevis & Van Deursen.<br />

3 Paul Elliman is a London based<br />

artist and researcher who prefers to call<br />

himself a designer, in order, he says, To<br />

be able to get on with <strong>the</strong> kind <strong>of</strong> work I<br />

want to get on with. His work and writing<br />

explores <strong>the</strong> mutual interests <strong>of</strong> technology<br />

and language, particularly where <strong>the</strong>se intersect<br />

through aspects <strong>of</strong> graphic design,<br />

and in emerging forms <strong>of</strong> audio signage.<br />

His work has been exhibited <strong>at</strong> <strong>the</strong> T<strong>at</strong>e<br />

Modern in London and included in collections<br />

by <strong>the</strong> British Council, London s Victoria<br />

and Albert Museum and <strong>the</strong> Cooper-<br />

Hewitt N<strong>at</strong>ional Design Museum in New<br />

York. He has contributed essays to several<br />

journals and magazines, including Wired<br />

(San Francisco), Eye (London), IDEA (Tokyo)<br />

and Metropolis M and Dot Dot Dot (Amsterdam).<br />

As well as being <strong>the</strong> <strong>the</strong>sis supervisor<br />

<strong>at</strong> <strong>the</strong> Werkpla<strong>at</strong>s, Paul is also a visiting<br />

critic <strong>at</strong> Yale University School <strong>of</strong> Art.<br />

4 Maxine Kopsa<br />

p had her educ<strong>at</strong>ion<br />

<strong>at</strong> <strong>the</strong> University <strong>of</strong> Toronto, Canada<br />

cultural studies and completed a masters<br />

degree <strong>at</strong> <strong>the</strong> University <strong>of</strong> Amsterdam in<br />

art history/<strong>the</strong>ory. In <strong>the</strong> past she worked<br />

for Archis, magazine for architecture, city<br />

and visual culture and as a project and<br />

grant advisor for <strong>the</strong> Dutch Found<strong>at</strong>ion for<br />

visual arts, design and architecture. From<br />

1999 until 2003 she founded and cur<strong>at</strong>ed<br />

Playst<strong>at</strong>ion, Galerie Fons Welters, Amsterdam.<br />

She has been a guest cur<strong>at</strong>or <strong>of</strong> several<br />

exhibitions and projects such as Militant<br />

Bourgeois <strong>at</strong> Galerie Juliette Jongma,<br />

Amsterdam (with Chris Evans), Jim, Jon<strong>at</strong>han,<br />

Kenny, Frances & Sol <strong>at</strong> <strong>the</strong> Stedelijk<br />

Museum Bureau Amsterdam, In this Colony<br />

<strong>at</strong> Fort Vijfhuizen and more recently, Just In<br />

Time <strong>at</strong> <strong>the</strong> Stedelijk Museum, Amsterdam.<br />

She regularly gives lectures and is a guest<br />

tutor <strong>at</strong> different institutes including <strong>the</strong><br />

Frank Mohr institute in Groningen and De


Ateliers in Amsterdam. Her essays are published<br />

in arts magazines such as Metropolis<br />

M and Frieze and she has written on various<br />

artists for exhibition c<strong>at</strong>alogues. She is<br />

associ<strong>at</strong>e editor for Metropolis M, a Dutch<br />

arts magazine. Since 2003 she has a <strong>the</strong>ory<br />

position <strong>at</strong> <strong>the</strong> WT.<br />

5 Visiting lecturers<br />

Work present<strong>at</strong>ions / lectures<br />

Hans Aarsman<br />

Ben Laloua<br />

Stuart Bailey<br />

Jop van Bennekom<br />

Irma Boom<br />

Paul Boudens<br />

Julia Born<br />

Thomas Buxó<br />

C<strong>at</strong>alogtree<br />

Uta Eisenreich<br />

Hans Gremmen<br />

Experimental Jetset<br />

Felix Janssens<br />

Goodwill<br />

Richard Hollis<br />

Robin Kinross<br />

Harmen Liemburg<br />

Lust<br />

Martin Majoor<br />

Mevis & Van Deursen<br />

Walter Nikkels<br />

Radim Pesko<br />

Daniel van der Velden<br />

& Maureen Mooren<br />

Barbara Visser<br />

Marco Walser (Elektrosmog)<br />

Wim Westerveld<br />

Roger Willems / Roma public<strong>at</strong>ions<br />

Project tutors<br />

Stuart Bailey<br />

Jop van Bennekom<br />

Wigger Bierma<br />

Julia Born & Alex Trüb<br />

Goodwill<br />

Christoph Keller<br />

Jakob Kolding<br />

Maureen Mooren<br />

Roel<strong>of</strong> Mulder<br />

Maarten de Reus<br />

Joke Robaard<br />

Fred Smeijers<br />

Jaap van Triest<br />

Roger Willems<br />

External examiners<br />

Rik Bas Backer<br />

K<strong>at</strong>rien van der Eerden<br />

& Norbert ter Hall<br />

Jop van Bennekom<br />

Filiep Tacq<br />

Cornel Windlin<br />

Lars Müller<br />

Andy Stevens (GTF)<br />

6 Participants<br />

Year 09<br />

Marco Balesteros (1978, PT)<br />

Cecilia Costa (1976, BR)<br />

Alex DeArmond (1973, US)<br />

Jaan Evart (1981, EE)<br />

Jeremy Jansen (1980, NL)<br />

Julie Peeters (1983, BE)<br />

Year 08<br />

Young-na Kim (1979, KR)<br />

Joris Kritis (1983, BE)<br />

Karl Nawrot (1976, FR)<br />

Scott Ponik (1977, USA)<br />

Velina Stoykova (1978, BG)<br />

Boy Vereecken (1982, BE)<br />

Year 07<br />

David Bennewith (1977, NZ)<br />

Enrico Bravi (1975, IT)<br />

Francesca Grassi (1979, IT)<br />

Sandra Kassenaar (1982, NL)<br />

Kasia Korczak (1976, PL)<br />

Guillaume Mojon (1984, CH)<br />

Aya Nak<strong>at</strong>a (1982, JP)<br />

Year 06<br />

Darcy D Jeffs (1979, USA)<br />

Louise Dossing (1975, DK)<br />

Toshi Kimura (1978, JP)<br />

Jeff Ramsey (1974, USA)<br />

Karen Willey (1981, BE)<br />

Layla Tweedie-Cullen (1977, NZ)<br />

Susanne Stetzer (1972, DE)<br />

Year 05<br />

Chantal Hendriksen (1978, NL)<br />

Sven Herzog (1976, DE)<br />

Karen van de Kra<strong>at</strong>s (1980, NL)<br />

Marie Proyart (1979, FR)<br />

Felix Weigand (1975, DE)


Year 04<br />

Marijke Cobbenhagen (1978, NL)<br />

Joana K<strong>at</strong>te (1974, DE)<br />

Louis Lüthi (1980, CH)<br />

Janna Meeus (1980, NL)<br />

Radim Pesko (1976, CZ)<br />

Willi Schmid (1963, AT)<br />

Year 03<br />

Corina Cotorobai (1975, MD)<br />

Hans Gremmen (1976, NL)<br />

Mikhail Ili<strong>at</strong>ov (1968, RU)<br />

Nienke Terpsma (1968, NL)<br />

Year 02<br />

Claudia Heere (1972, NL)<br />

Jaap Kroneman (1968, NL)<br />

Alex McKei<strong>the</strong>n (1968, USA)<br />

Connie Nijman (1973, NL)<br />

Maud Vande Veire (1978, BE)<br />

Year 01<br />

Daniel Gross (1973, DE)<br />

Ingo Offermanns (1972, DE)<br />

Niels van der Sluijs (1971, NL)<br />

Werkpla<strong>at</strong>s Typografie<br />

Agnietenpla<strong>at</strong>s 2<br />

6822 JD Arnhem<br />

<strong>the</strong> Ne<strong>the</strong>rlands<br />

t. +31 (0)26 - 3535774<br />

f. +31 (0)26 - 3535666<br />

mail@<strong>werkpla<strong>at</strong>s</strong>typografie.org<br />

www.<strong>werkpla<strong>at</strong>s</strong>typografie.org<br />

Néon<br />

Ouvert du mercredi au samedi<br />

de 14 à 19 heures<br />

41 rue Burdeau<br />

69001 Lyon<br />

Tél : +33 (0)4 78 39 55 15<br />

contact@chezneon.fr<br />

www.chezneon.fr<br />

Néon bénéficie du soutien du Ministère<br />

de la Culture -DRAC Rhône-Alpes, de la<br />

Région Rhône-Alpes et la Ville de Lyon.<br />

Year 00<br />

Christine Alberts (1971, CH)<br />

Stuart Bailey (1973, GB)<br />

Jeroen Barendse (1973, NL)<br />

P<strong>at</strong>rick Coppens (1970, NL)<br />

Joris Maltha (1974, NL)<br />

B<strong>at</strong>ia Suter (1967, CH)

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