4 - Alpha Omega Alpha
4 - Alpha Omega Alpha
4 - Alpha Omega Alpha
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� ���������<br />
You take me back<br />
To The Sound of Music,<br />
To the yodeling Von Trapps<br />
Orchestrating “The Lonely Goatherd” from above—<br />
marionette in my mind for the first time—<br />
But nothing compared to you,<br />
The C6 quad<br />
Who opens a jar of peanut butter<br />
Between two, once functionless, hands,<br />
Who brushes her golden hair<br />
One deliberate stroke at a time<br />
And lifts the steaming aroma<br />
Of Columbian coffee<br />
Toward eager lips<br />
With arms and hands<br />
That have found a voice again—<br />
Functional electrical stimulation—<br />
A fractured, incomplete language<br />
Of electrical words<br />
Running in subcutaneous wires<br />
From the implanted chest stimulator<br />
To the forearm motor,<br />
Brio to the listless,<br />
Like the strings of the velvet marionette<br />
Who dances the dance of the manipulator—<br />
Watching you move,<br />
I can’t help but twirl around,<br />
Looking for my invisible strings.<br />
Jason David Eubanks, MD<br />
The author (AΩA, Case Western Reserve University, 2003) is a<br />
Spine Fellow in the Department of Orthopaedics at the University of<br />
Pittsburgh. His address is: 36901 Beech Hills Drive, Willoughby Hills,<br />
Ohio 44094. E-mail: jdeubanks2002@yahoo.com.<br />
The Pharos/Spring 2009 25<br />
Illustration by Laura Aitken