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Play in the Preschool Classroom - Leadership to INtegrate the Early ...

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200 Ashiabi<br />

educational experience for young children. This goal<br />

was based on <strong>the</strong> follow<strong>in</strong>g assumptions. If early<br />

childhood educa<strong>to</strong>rs understand <strong>the</strong> educational and<br />

developmental value of play, it could enable <strong>the</strong>m <strong>to</strong><br />

(a) be less anxious about engag<strong>in</strong>g <strong>in</strong> practices that<br />

enhance learn<strong>in</strong>g and development through play, and<br />

(b) answer questions regard<strong>in</strong>g <strong>the</strong> importance of<br />

play for learn<strong>in</strong>g and development. Us<strong>in</strong>g <strong>the</strong>se goals<br />

as a backdrop, this paper sought <strong>to</strong> discuss (a) views<br />

of children’s play, with a specific focus on sociodramatic<br />

play, (b) <strong>the</strong> characteristics of emotional and<br />

social development, (c) play and socioemotional<br />

development, and (d) early childhood teachers’ role<br />

<strong>in</strong> young children’s play.<br />

VIEWS OF YOUNG CHILDREN’S PLAY<br />

Children’s play has been conceptualized <strong>in</strong> terms<br />

of creativity, adaptation, exploration, experimentation,<br />

learn<strong>in</strong>g, communication, socialization, acculturation,<br />

and mastery (Piaget, 1962; Schwartzman,<br />

1978; Vygotsky, 1978). From a social constructivist<br />

perspective, play enables children <strong>to</strong> build and extend<br />

<strong>the</strong>ir knowledge and skills as <strong>the</strong>y <strong>in</strong>teract with <strong>the</strong>ir<br />

environment, with o<strong>the</strong>rs, and on <strong>the</strong>ir own (Glover,<br />

1999).<br />

Children’s play has been operationalized as<br />

<strong>in</strong>tr<strong>in</strong>sically motivat<strong>in</strong>g; pleasurable; freely chosen;<br />

non-literal; actively engag<strong>in</strong>g; opportunistic and<br />

episodic; imag<strong>in</strong>ative and creative; fluid and active;<br />

and predom<strong>in</strong>antly for <strong>the</strong> moment and <strong>the</strong>refore<br />

concerned more with means than ends (Rub<strong>in</strong>, Fe<strong>in</strong>,<br />

& Vandenberg, 1983; Sturgess, 2003). These views<br />

suggest that when children engage <strong>in</strong> play, <strong>the</strong>y do it<br />

because <strong>the</strong>y enjoy what <strong>the</strong>y are do<strong>in</strong>g; <strong>the</strong>y choose<br />

how <strong>to</strong> play and what <strong>to</strong> play with by us<strong>in</strong>g <strong>the</strong>ir<br />

imag<strong>in</strong>ation; <strong>the</strong>y engage <strong>in</strong> pretense, and are not as<br />

concerned with <strong>the</strong> outcomes as <strong>the</strong>y are with how<br />

<strong>the</strong>y are play<strong>in</strong>g.<br />

With age, children engage frequently <strong>in</strong> cooperative<br />

play <strong>in</strong>volv<strong>in</strong>g two or more children with assigned<br />

roles and a common goal; one that can be<br />

achieved if all <strong>the</strong> play partners carry out <strong>the</strong>ir roles<br />

(Hughes, 1999). Sociodramatic or pretend play is<br />

cooperative play (Smilansky & Shefatya, 1990), and<br />

makes up about two-thirds of all <strong>the</strong> pretend play of<br />

preschool children (Rub<strong>in</strong>, 1986). In sociodramatic<br />

play children take on an identity that complements<br />

<strong>the</strong> roles played by o<strong>the</strong>rs, and relate <strong>to</strong> <strong>the</strong>m as if<br />

<strong>the</strong>y are o<strong>the</strong>r than <strong>the</strong>mselves (Hughes, 1999;<br />

Johnson, 1998) <strong>in</strong> a world of pretend that is reality<br />

bound (Smilansky & Shefatya, 1990).<br />

Sociodramatic play <strong>the</strong>mes fall <strong>in</strong><strong>to</strong> three categories:<br />

family, character, and functional roles<br />

(Hughes, 1999). Family roles usually depict mo<strong>the</strong>r,<br />

fa<strong>the</strong>r, sibl<strong>in</strong>gs, and pets. Character roles are usually<br />

stereotyped or fictional, for example, be<strong>in</strong>g Sponge<br />

Bob, a N<strong>in</strong>ja Turtle, or a Pr<strong>in</strong>cess. Like family roles,<br />

character roles need not be expressed <strong>in</strong> terms of<br />

specific action plans. On <strong>the</strong> o<strong>the</strong>r hand, functional<br />

roles are always def<strong>in</strong>ed <strong>in</strong> terms of specific action<br />

plans; for example, a firefighter has a specific role.<br />

The functional role def<strong>in</strong>es <strong>the</strong> behavior but not <strong>the</strong><br />

permanent identity of <strong>the</strong> character (Hughes, 1999).<br />

In essence, sociodramatic play <strong>in</strong>volves children’s<br />

emotions, thoughts and <strong>the</strong>ir external world; it is<br />

social play <strong>in</strong> which children use <strong>the</strong>ir imag<strong>in</strong>ation<br />

and creativity and take on different roles as <strong>the</strong>y<br />

create pretend situations <strong>in</strong>volv<strong>in</strong>g <strong>the</strong> use of fantasy<br />

and symbolism (L<strong>in</strong>dqvist, 2001).<br />

EMOTIONAL AND SOCIAL DEVELOPMENT<br />

We can th<strong>in</strong>k of children’s emotions as ways <strong>in</strong><br />

which <strong>the</strong>y react <strong>to</strong> situations while social development<br />

refers <strong>to</strong> as how <strong>the</strong>y get along with peers and<br />

form relationships. Fur<strong>the</strong>rmore, emotional and<br />

social development are l<strong>in</strong>ked because children’s<br />

social <strong>in</strong>teractions are usually emotionally charged<br />

(Halberstadt, Denham, & Dunsmore, 2001). Children’s<br />

ability <strong>to</strong> (a) experience and appropriately<br />

express <strong>the</strong>ir emotions, (b) understand <strong>the</strong> emotions<br />

of peers, and (c) regulate <strong>the</strong>ir emotions determ<strong>in</strong>es<br />

how successful <strong>the</strong>y are dur<strong>in</strong>g social <strong>in</strong>teractions<br />

(Halberstadt et al., 2001).<br />

Emotional Expression<br />

As <strong>the</strong> social world of a child expands, emotional<br />

expression comes <strong>to</strong> serve an important communicative<br />

role, provid<strong>in</strong>g peers with <strong>in</strong>formation about a<br />

child’s <strong>in</strong>tentions (Halberstadt et al., 2001). This<br />

means that a child’s ability <strong>to</strong> properly express his/her<br />

emotions is essential for peer <strong>in</strong>teractions because <strong>the</strong><br />

experience and expression of emotion not only affects<br />

a child’s behavior, but also, provides <strong>in</strong>formation <strong>to</strong><br />

peers about whe<strong>the</strong>r <strong>to</strong> engage <strong>the</strong> child or retreat<br />

from fur<strong>the</strong>r <strong>in</strong>teraction with <strong>the</strong> child (Denham,<br />

1998). Skill <strong>in</strong> emotional expression is an important<br />

part of peer acceptance. For example, children who<br />

learn <strong>to</strong> employ culturally accepted ways of express<strong>in</strong>g<br />

emotions <strong>in</strong> accordance with situations are more<br />

likely <strong>to</strong> be successful socially (Halberstadt et al.,<br />

2001). In us<strong>in</strong>g culturally competent ways of<br />

express<strong>in</strong>g emotions, children learn when and how <strong>to</strong>

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