03.04.2015 Views

MECA Course Syllabus VanderCook College of Music, 3140 S ...

MECA Course Syllabus VanderCook College of Music, 3140 S ...

MECA Course Syllabus VanderCook College of Music, 3140 S ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>MECA</strong> <strong>Course</strong> <strong>Syllabus</strong><br />

6753 Successfully Including Children on the Autism Spectrum in <strong>Music</strong> Classes,<br />

Rehearsals, & Ensembles, Summer 2013<br />

Elizabeth Chappell<br />

512-660-7153<br />

eliz.chappell@gmail.com<br />

Immerse yourself in a foundation <strong>of</strong> knowledge related to successfully teaching children<br />

with autism in elementary and secondary music classrooms. Specific topics covered in<br />

this class include strategies that facilitate participation, music skill development, and<br />

enjoyment for children on the autism spectrum, as well as challenges related specifically<br />

to sensory, behavior, and social challenges that can impede positive inclusion<br />

experiences. The class format will include discussion, research, lesson design, and<br />

lectures.<br />

This <strong>Syllabus</strong> is subject to change upon notification to the students in a regular class<br />

session.<br />

Instructional Materials<br />

Adamek, M.S., Darrow, A. A., (2010) <strong>Music</strong> in Special Education. Silver Spring, MD. The<br />

American <strong>Music</strong> Therapy Association.<br />

Jellison, J. A. (2009). Including Everyone: Successful Learning Experiences for Children<br />

with Disabilities. Book manuscript. (sections included in course packet)<br />

Disabilities Information Pages (2006). On-line resources for 19 disabilities and a general<br />

information site (cml@music.utexas.edu), Center for <strong>Music</strong> Learning, School <strong>of</strong> <strong>Music</strong>,<br />

The University <strong>of</strong> Texas at Austin.<br />

<strong>Course</strong> Content<br />

• Responsibility for Learning- <strong>Music</strong> skill, participation, and classroom<br />

environment is your responsibility.<br />

• Proactive Instruction- The use <strong>of</strong> instructional procedures that facilitate all<br />

students’ successful participation in quality music experiences.<br />

• Accessible Flexible Curriculum- A single curriculum that addresses the needs<br />

<strong>of</strong> students with a wide range <strong>of</strong> ability levels.<br />

• Documentation <strong>of</strong> Progress- Assessment <strong>of</strong> student behavior and achievement<br />

as an integral component <strong>of</strong> the teaching process.<br />

• Philosophy <strong>of</strong> Inclusion- Consideration <strong>of</strong> the philosophical and legal issues<br />

surrounding the provision <strong>of</strong> services for students with disabilities.<br />

• Collaboration- The efficient and effective practice <strong>of</strong> collaborating with<br />

knowledgeable, supportive, and optimistic individuals outside the classroom:<br />

parents, special educators, music therapists, behavior, occupational, and<br />

speech therapists.<br />

• A Culture <strong>of</strong> Cooperation, Acceptance and Community- Attitudes, words and<br />

actions that shape all student behaviors and foster a culture that provides a<br />

safe and supportive environment for every student to develop to their full<br />

potential.<br />

• Persistence, Optimism and Skill- Inseparable Components <strong>of</strong> a long-term plan<br />

for all students to include music as part <strong>of</strong> their quality <strong>of</strong> life.<br />

<strong>VanderCook</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong>, <strong>3140</strong> S. Federal St., Chicago, IL 60616<br />

312.788.1133<br />

meca@vandercook.edu


<strong>MECA</strong> <strong>Course</strong> <strong>Syllabus</strong><br />

<strong>Course</strong> Learning Objectives<br />

By the end <strong>of</strong> the week, you will be able to do each <strong>of</strong> the following in a limited context:<br />

• Identify meaningful music goals and activities that are important for all<br />

students now and throughout their adult lives.<br />

• Describe the abilities and deficits associated with autism spectrum disorders<br />

and how these behaviors may or may not affect participation and skill<br />

development.<br />

• Describe elements in the learning environment that may affect student<br />

learning and behavior.<br />

• Plan hierarchical sequences <strong>of</strong> student behavior directed toward desired goals.<br />

• Develop practical techniques for the ongoing assessment <strong>of</strong> individual student<br />

behavior.<br />

• Develop proactive strategies toward fostering appropriate social and musical<br />

goals for all students.<br />

• Develop strategies for successfully including children with autism spectrum<br />

disorders into music activities with typical peers.<br />

• Develop plans for pr<strong>of</strong>essional growth in areas <strong>of</strong> knowledge related to this<br />

course.<br />

<strong>MECA</strong> courses and ISBE Standards<br />

<strong>MECA</strong> courses, by their very nature and design, address the ISBE <strong>Music</strong> Content and<br />

Pr<strong>of</strong>essional Teaching Standards throughout the course content. <strong>Music</strong> technology<br />

courses also incorporate the ISBE Technology Standards.<br />

<strong>VanderCook</strong> Candidate Outcomes Addressed<br />

The outcomes that the <strong>College</strong> strives to develop in its teacher candidates were derived<br />

from the institution’s Conceptual Framework and are expressed in its core dispositions.<br />

This course addresses the following Candidate Outcomes:<br />

1. A high level <strong>of</strong> musicianship<br />

2. Academic ability and diligence leading to a lifetime <strong>of</strong> learning<br />

3. Skill in the process <strong>of</strong> teaching<br />

4. Self-discipline and persistence<br />

5. Interpersonal and intrapersonal skills<br />

6. Good citizenship and personal integrity<br />

7. Building pragmatic links with educational programs in diverse communities<br />

8. Pr<strong>of</strong>essionalism in action word, and appearance<br />

<strong>Course</strong> Requirements and Exit Assessment<br />

1. Complete a Task Analysis related to music specifying all component behaviors with an<br />

action verb. (details to be discussed in class). Be specific. You will have time to discuss<br />

your list <strong>of</strong> behaviors with another member <strong>of</strong> the class, considering the order and<br />

consequence <strong>of</strong> omitting specific tasks. Reorganize your plans into one task analysis<br />

specifying essential components <strong>of</strong> the final behavior. These task analyses will be<br />

included and/or referenced in your access plan (see #3 below)<br />

2. Personal Applications. Consider the material from the book and manuscript chapter<br />

readings and comment on ideas in relation to your own thoughts and experiences as a<br />

teacher, learner, and citizen. Write at least two thoughtful, meaningful, and logical<br />

questions/comments that were generated as a result <strong>of</strong> your reading.<br />

<strong>VanderCook</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong>, <strong>3140</strong> S. Federal St., Chicago, IL 60616<br />

312.788.1133<br />

meca@vandercook.edu


<strong>MECA</strong> <strong>Course</strong> <strong>Syllabus</strong><br />

3. Access Plan. Over the course <strong>of</strong> the week while working in a small group, you will:<br />

describe a student with autism to be included in your ensemble or classroom (physical<br />

needs, strengths and accomplishments, preferences and interests); list related services<br />

and support; describe the routine and physical characteristics <strong>of</strong> the teaching<br />

environment in which he or she will be included; list music and social goals for the entire<br />

class; list required task analyses which address these goals; describe curricular and<br />

classroom activities that address these goals; describe the instructional format; consider<br />

the socio-emotional climate <strong>of</strong> the class; consider information to be gathered through<br />

collaboration; consider long term music goals for this student; describe methods <strong>of</strong><br />

assessment; and determine supplementary learning goals embedded in the music<br />

activities. Discuss and design aspects <strong>of</strong> a music program that can be accessible to this<br />

child by using strategies that involve the entire class, and a behavior plan that addresses<br />

individual excesses and deficits. Use the CML website, books, findings from research, or<br />

materials available from class as references.<br />

Forms and examples for each <strong>of</strong> the sections for your Access Plan will be discussed in<br />

class. Drafts for some sections will be developed and discussed throughout the week.<br />

4. Each student will prepare a brief Summary and Reflection <strong>of</strong> gains in skill and<br />

knowledge and describe plans for pr<strong>of</strong>essional growth in areas <strong>of</strong> knowledge related to<br />

this course.<br />

Grading Scale<br />

A = 90-100<br />

B = 80-89<br />

C = 70-79<br />

D = 60-69<br />

F = 59 & below<br />

• 10% Task Analysis<br />

• 15% Personal Applications<br />

• 30% Access Plan<br />

• 15% Summary Reflections<br />

• 30% Participation<br />

Attendance and Conduct<br />

Attendance at all classes for the full day is required. A student's grade will be reduced by<br />

one letter grade for each half-day that the student misses. If a student is absent for any<br />

portion <strong>of</strong> either the morning or afternoon session, it is viewed as a half-day absence.<br />

All students must sign all attendance sheets for each course. An attendance sheet will<br />

be distributed each morning shortly after class begins and each afternoon shortly before<br />

dismissal. If a student does not sign an attendance sheet, the assumption will be made<br />

that a half-day absence has occurred for the sheet not signed.<br />

Please silence cell phones during class lecture or discussion.<br />

<strong>VanderCook</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong>, <strong>3140</strong> S. Federal St., Chicago, IL 60616<br />

312.788.1133<br />

meca@vandercook.edu


<strong>MECA</strong> <strong>Course</strong> <strong>Syllabus</strong><br />

Academic Honesty<br />

Candidates are expected to maintain the highest standards <strong>of</strong> integrity in their academic<br />

work. Failure to do so will jeopardize a candidate’s success in the program. Examples <strong>of</strong><br />

academic dishonesty include:<br />

• Presenting another’s words, music, or concepts as your own by failing to<br />

acknowledge or properly cite the source.<br />

• Communicating or receiving answers or information to/from another in a testing<br />

situation.<br />

• Consulting notes or any other source <strong>of</strong> answers/information in a testing situation,<br />

unless the instructor authorizes such access.<br />

• Making available or accessing tests or quizzes from current or previous classes<br />

unless explicitly authorized by the instructor.<br />

• Bringing, by any means, answers or information into a testing situation except as<br />

explicitly authorized by the instructor.<br />

• Collaborating or turning in jointly produced work on any test or assignment that is<br />

intended to reflect individual effort.<br />

Plagiarism<br />

Plagiarism means taking someone else’s words, ideas, data or work and presenting them<br />

as your own. This could mean an exact duplication <strong>of</strong> someone else’s work without<br />

proper citation <strong>of</strong> the source, or it could mean you present it with only small changes and<br />

do not cite the source. Plagiarism can occur in art, music, literature, or technology –<br />

really in any area <strong>of</strong> intellectual work.<br />

All work submitted should be properly credited to the original source <strong>of</strong> the information or<br />

idea whether the source is a book, Internet site, article, or any other medium. In written<br />

work, quotation marks or block indentations show direct quotations and the source must<br />

be cited. If information that is not common knowledge is paraphrased or summarized<br />

from a source, that source (including websites) must be cited. Failure to do so in<br />

academic assignments represents cheating and carries the appropriate penalties.<br />

Copyright compliance is the goal <strong>of</strong> <strong>VanderCook</strong> <strong>College</strong>. Information to help with<br />

clarification <strong>of</strong> what constitutes fair use <strong>of</strong> copyrighted material, including photocopying,<br />

is on permanent reserve in the Ruppel Library.<br />

No candidate should expect to receive a passing grade on any test or assignment that<br />

reflects dishonesty or academic irregularity. Cheating in any form may result in failure <strong>of</strong><br />

the class and academic expulsion.<br />

Disability Statement<br />

If a student has a disability which might interfere with that student’s ability to function in<br />

this course it is the responsibility <strong>of</strong> that student to notify the instructor at the beginning<br />

<strong>of</strong> the course.<br />

<strong>VanderCook</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong>, <strong>3140</strong> S. Federal St., Chicago, IL 60616<br />

312.788.1133<br />

meca@vandercook.edu

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!