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ARTH 231 - Nor<strong>the</strong>rn Renaissance Art – Spring 2010<br />

Pr<strong>of</strong>essor Anne D. Hedeman<br />

302 Architecture<br />

Tuesdays and Thursdays 9:30-10:50<br />

Pr<strong>of</strong>essor Anne D. Hedeman<br />

Email: ahedeman@uiuc.edu<br />

Office: 306 Architecture Building<br />

Office Hours: Wednesdays 2:00-3:45 and by appointment<br />

Class website: http://courses.art.illinois.edu/Spring10/arth231/<br />

Readings:<br />

The required textbook for <strong>the</strong> course is <strong>the</strong> second, updated edition <strong>of</strong> James<br />

Snyders's Nor<strong>the</strong>rn Renaissance Art and <strong>the</strong> recommended book is Jeffrey Chipps<br />

Smith, The Nor<strong>the</strong>rn Renaissance. These books will be <strong>the</strong> primary source for<br />

visual material, though we will post selected images on a website. Books and<br />

articles are on reserve for <strong>the</strong> course in Ricker Library, located on <strong>the</strong> second floor<br />

<strong>of</strong> <strong>the</strong> Architecture Building. Some readings from <strong>the</strong> reserve collection are<br />

specifically required, but <strong>the</strong> majority <strong>of</strong> <strong>the</strong> reserves are <strong>the</strong>re for you <strong>to</strong> browse,<br />

as you identify suitable research <strong>to</strong>pics for your paper. Be aware that some books<br />

and articles will be on <strong>the</strong> reserve shelf for <strong>the</strong> course, while o<strong>the</strong>rs will be behind<br />

<strong>the</strong> desk. Ask <strong>the</strong> library staff for help if you have trouble finding an assigned<br />

reading.<br />

Requirements:<br />

1. Participation in class discussions (particularly in planned discussions on February<br />

23 nd and April 8 th ).<br />

2. Midterm exam (March 11th)<br />

3. Written work<br />

A. Five-page paper due in class April 20 th . Details about <strong>the</strong> assignment will be<br />

distributed and discussed on February 11 th . Please be aware that late papers<br />

will be penalized and all papers must be turned in <strong>to</strong> pass <strong>the</strong> course.<br />

B. One-page article summaries due on February 23 rd , April 8 th , and May 4 th .<br />

4. Final examination, 8:00–11:00 AM, Monday, May 10<br />

Grades:<br />

Grades will be calculated by averaging your performances in <strong>the</strong> class discussions<br />

(20%) and on <strong>the</strong> papers (30%) and midterm (20%) and final (30%) examinations.<br />

As <strong>the</strong> material in <strong>the</strong> course and <strong>the</strong> skills involved in understanding it are<br />

cumulative, your final grade will recognize a marked improvement in your work in<br />

<strong>the</strong> course <strong>of</strong> <strong>the</strong> semester. Thus a poor grade on <strong>the</strong> midterm may not prejudice a<br />

high grade for <strong>the</strong> term if your activity in discussions and your final exam<br />

demonstrate a firm grasp <strong>of</strong> <strong>the</strong> material. More than three absences will be<br />

grounds for a lower grade.<br />

Page 1


Calendar <strong>of</strong> Lecture Topics and Discussions<br />

19 January -- Introduction<br />

21 January -- Economics and <strong>the</strong> Art Market/ Artists' Workshops<br />

Recommended: Lorne Campbell, "The Art Market in <strong>the</strong> Sou<strong>the</strong>rn<br />

Ne<strong>the</strong>rlands in <strong>the</strong> Fifteenth Century," Burling<strong>to</strong>n Magazine, 118 (1976):188-<br />

98. Stable URL: http://www.js<strong>to</strong>r.org/stable/878374<br />

THE FOURTEENTH CENTURY<br />

26, 28 January -- French Courts: King Charles V, Duke Louis <strong>of</strong> Anjou, John, Duke<br />

<strong>of</strong> Berry, and King Charles VI<br />

Snyder, pp. 17-44<br />

2 February – Ducal Patronage in Burgundy at <strong>the</strong> Chartreuse de Champmol<br />

Snyder, pp. 44-60<br />

4 February—Furlough day<br />

9 February – Germanic Cities: Cologne and Nuremberg<br />

Snyder, pp. 61-70, 80-85<br />

THE FIFTEENTH CENTURY<br />

11 February – Emergence <strong>of</strong> <strong>to</strong>wns: Bruges and Jan van Eyck<br />

Snyder, pp. 87-109<br />

*Distribution <strong>of</strong> paper assignments and guidelines for article summary<br />

16-18 February – Tournai and Brussels: The Master <strong>of</strong> Flemalle (Robert Campin),<br />

Jacques Daret, and Roger van der Weyden<br />

Snyder, pp. 111-32<br />

23 February – Class discussion on Hidden Symbolism and <strong>the</strong> Merode Altarpiece<br />

*One-page summary <strong>of</strong> article due at <strong>the</strong> beginning <strong>of</strong> class<br />

DISCUSSION READINGS<br />

Group I: Meyer Schapiro, "Muscipula Diaboli, The Symbolism <strong>of</strong> <strong>the</strong><br />

Merode Altarpiece," Art Bulletin, (1945), pp. 182-87.<br />

Stable URL: http://www.js<strong>to</strong>r.org/stable/3047011<br />

Group II: Charles Minott, "The Theme <strong>of</strong> <strong>the</strong> Merode Altarpiece," Art<br />

Bulletin, 51 (1969): 267-71.<br />

Stable URL: http://www.js<strong>to</strong>r.org/stable/3048631<br />

Group III: Cynthia Hahn, " `Joseph will perfect, Mary enlighten, and<br />

Jesus save Thee': The Holy Family as Marriage Model in <strong>the</strong> Merode<br />

Triptych," Art Bulletin, 68 (l986): 54-66.<br />

Stable URL: http://www.js<strong>to</strong>r.org/stable/3050863<br />

Page 2


25 February – Tradition and innovation in Bruges: Petrus Christus, Hans Memling,<br />

and Gerard David<br />

Snyder, pp. 139-45, 197-213.<br />

4 March – Mass production: prints and sculpture<br />

Snyder, pp. 186-95, 248-65, 270-72<br />

9 March – Review session<br />

11 March – Midterm<br />

16 March -- France: Court Art <strong>of</strong> Jean Fouquet and devotion in <strong>the</strong> Alpes Maritime<br />

Snyder, pp. 215-23<br />

18 March -- Public and Private art at Court<br />

Snyder, pp. 24<br />

SPRING BREAK 20-29 MARCH<br />

30 March – Civic Art: Hospitals and Town Halls in Flanders and Germany<br />

Snyder pp. 289-99; Chipps Smith, pp. 69-92<br />

1 April – Sou<strong>the</strong>rn German Sculpture: Tillman Riemanschneider and Veit S<strong>to</strong>ss<br />

Snyder 278-87<br />

6 April – Art along <strong>the</strong> Danube; Lucas Cranach<br />

Snyder, pp. 337-42; 349-62<br />

8 April – Class Discussion on Private Devotion<br />

*One-page summary <strong>of</strong> article due at <strong>the</strong> beginning <strong>of</strong> class<br />

Assignments will be distributed on March 30 th<br />

13 April – German Contrasts: Albrecht Dürer and Hans Baldung Grien<br />

Snyder, pp. 303-33, 362-67<br />

15 April – 15 th Century Painting in <strong>the</strong> Nor<strong>the</strong>rn Ne<strong>the</strong>rlands<br />

Snyder, 175-86.<br />

THE SIXTEENTH CENTURY<br />

20 April – Hieronymous Bosch<br />

*5-page paper due at <strong>the</strong> beginning <strong>of</strong> class<br />

Snyder, pp. 395-409.<br />

22 April – Pieter Breugel<br />

Snyder, pp. 503-23.<br />

27 April – Humanism and Art: Hans Holbein and Quentin Massys<br />

Page 3


Snyder, pp. 375-93, 438-45.<br />

29 April – Romanists in Holland: Jan van Scorel and Maarten van Heemskerck<br />

Snyder, pp. 483-99.<br />

4 May – Art in <strong>the</strong> age <strong>of</strong> <strong>the</strong> Reformation<br />

Snyder, p. 342-49<br />

*One-page summary <strong>of</strong> article due at <strong>the</strong> beginning <strong>of</strong> class<br />

Article assignments will be distributed on 27 th April<br />

*e-mail possible exam essay questions <strong>to</strong> Pr<strong>of</strong>essor Hedeman by May 3rd<br />

Page 4


ARTH 231 Homepage<br />

ARTH 231 - Nor<strong>the</strong>rn Renaissance Art<br />

Spring 2010<br />

Pr<strong>of</strong>essor Anne D. Hedeman<br />

302 Architecture<br />

Tuesdays and Thursdays 9:30-10:50 a.m.<br />

[Click here <strong>to</strong> <strong>download</strong> <strong>Printer</strong> <strong>Friendly</strong> <strong>PDF</strong> <strong>version</strong> <strong>of</strong> <strong>the</strong> <strong>ARTH231</strong> <strong>Syllabus</strong>]<br />

Pr<strong>of</strong>essor Anne D. Hedeman<br />

Email: ahedeman@uiuc.edu<br />

Office: 306 Architecture Building<br />

Office Hours: Wednesdays 2:00-3:45 and by appointment<br />

Class website: http://courses.art.illinois.edu/Spring10/arth231/index.html<br />

Readings:<br />

The required textbook for <strong>the</strong> course is <strong>the</strong> second, updated edition <strong>of</strong> James Snyders's<br />

Nor<strong>the</strong>rn Renaissance Art and <strong>the</strong> recommended book is Jeffrey Chipps Smith, The<br />

Nor<strong>the</strong>rn Renaissance. These books will be <strong>the</strong> primary source for visual material, though we<br />

will post selected images on a website. Books and articles are on reserve for <strong>the</strong> course in<br />

Ricker Library, located on <strong>the</strong> second floor <strong>of</strong> <strong>the</strong> Architecture Building. Some readings from<br />

<strong>the</strong> reserve collection are specifically required, but <strong>the</strong> majority <strong>of</strong> <strong>the</strong> reserves are <strong>the</strong>re for you<br />

<strong>to</strong> browse, as you identify suitable research <strong>to</strong>pics for your paper. Be aware that some books<br />

and articles will be on <strong>the</strong> reserve shelf for <strong>the</strong> course, while o<strong>the</strong>rs will be behind <strong>the</strong> desk. Ask<br />

<strong>the</strong> library staff for help if you have trouble finding an assigned reading.<br />

Requirements:<br />

1. Participation in class discussions (particularly in planned discussions on February 23nd and April<br />

8th).<br />

2. Midterm exam (March 11th)<br />

3. Written work<br />

❍ Five-page paper due in class April 20th. Details about <strong>the</strong> assignment will be distributed and<br />

discussed on February 11th. Please be aware that late papers will be penalized and all<br />

papers must be turned in <strong>to</strong> pass <strong>the</strong> course.<br />

❍ One-page article summaries due on February 23rd, April 8th, and May 4th.<br />

4. Final examination, 8:00–11:00 AM, Monday, May 10<br />

Grades:<br />

Grades will be calculated by averaging your performances in <strong>the</strong> class discussions (20%) and on<br />

http://courses.art.illinois.edu/Spring10/arth231/ (1 <strong>of</strong> 2) [4/19/10 3:14:40 PM]


ARTH 231 Homepage<br />

<strong>the</strong> papers (30%) and midterm (20%) and final (30%) examinations. As <strong>the</strong> material in <strong>the</strong><br />

course and <strong>the</strong> skills involved in understanding it are cumulative, your final grade will recognize<br />

a marked improvement in your work in <strong>the</strong> course <strong>of</strong> <strong>the</strong> semester. Thus a poor grade on<br />

<strong>the</strong> midterm may not prejudice a high grade for <strong>the</strong> term if your activity in discussions and your<br />

final exam demonstrate a firm grasp <strong>of</strong> <strong>the</strong> material. More than three absences will be grounds for<br />

a lower grade.<br />

Home | Schedule | Images |<br />

http://courses.art.illinois.edu/Spring10/arth231/ (2 <strong>of</strong> 2) [4/19/10 3:14:40 PM]

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