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Sound and Acoustics MUEA 474a • E
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What does sound look like? MUEA 474
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Speed of Sound � 343 meters per s
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Sound Wave Frequency 1 second � T
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Sound Wave Amplitude MUEA 474a - 02
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Hearing, Perception & Psychoacousti
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The Outer Ear � Flesh and cartila
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The Inner Ear � Cochlea has spira
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Hearing Frequencies Pitch Timbre or
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The Dyne � The amount of force re
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The Decibel � The Decibel is the
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The Decibel � Decibels always com
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dB SPL Meter MUEA 474a - 02 Sound a
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Common db SPL values dB SPL Sound S
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Hearing Amplitude Our ears do a nat
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Directional Perception MUEA 474a -
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Sound Localization Binaural Imaging
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Interaural Arrival-Time Difference
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Phantom Imaging � Depending on ho
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Perception of Space � Direct Soun
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Amplitude Masking Loud sounds make
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Temporal Masking Just as a bright f
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Sound Wavelength � Due to air mol
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Complex Sound Waves � Pure sine w
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Complex Sound Waves Wave 1 Wave 2 W
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Sound Wave Phase Position � Red w
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Sound Wavelength/Standing Waves �
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Standing Waves in Resonant Bodies
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Resonant Frequency MUEA 474a - 02 S
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Reflection of Sound � Incident so
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Diffraction of Sound MUEA 474a - 02
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Effects Processing � Alters the a
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Time-Based Effects � Delay � Ph
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Comb Filter When short delays are a
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Common Delay Effects � Slap (or T
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Delay Feedback � Sends some of th
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Reverb � Reverberation Effects Pr
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Anechoic Chamber Effects Processing
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Concert Hall Effects Processing
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Chamber/Room Effects Processing
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Stage Effects Processing
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Plate Reverb Effects Processing
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Common Reverb Controls � Pre-Dela
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Dynamics Processors � Compressor
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Threshold Above Threshold Below Thr
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Ratio � Determines how much the i
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Knee � Adjusts how smoothly or ab
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Knee Effects Processing Hard Knee
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Release Time � The time the compr
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Special Compressors � Key Input a
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Ducker � A Compressor whose actio
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Limiter � A compressor whose outp
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Expander � Increases dynamic rang
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Gate (Noise Gate) � An expander s
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Microphones MUIN 277x • Introduct
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Microphone Types - Dynamic � Dyna
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Microphone Types - Dynamic MUIN 277
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Microphone Types - Ribbon � Micro
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Microphone Types - Condenser � Me
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Microphone Types - Condenser MUIN 2
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Microphone Types - Condenser � So
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Diaphragm Size � Yes, size matter
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Microphone Polar Patterns Response
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Bidirectional or “Figure-8” Pat
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Supercardioid Pattern The Supercard
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Boundary Microphone The Boundary Mi
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Microphone Preamp Controls � Trim
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Phantom Power MUIN 277 - 08 Microph
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Microphone Frequency Response Relat
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Microphone Terminology � Self Noi
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Microphone Shockmount Reduces Vibra
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Microphone Techniques MUIN 277 - 08
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Microphone Placement � Close Mic
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Stereo Microphone Techniques A pair
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Interaural Arrival-Time Difference
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Stereophonic Imaging A Left Speaker
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Stereophonic Imaging A Left Speaker
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Microphone Elevation A B C D = A B
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Spaced Pair Technique D MUIN 277 -
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Coincident (X-Y) Technique MUIN 277
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Blumlein (X-Y) Technique MUIN 277 -
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Mid-Side Pair Technique M/S Microph
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Near-Coincident (ORTF) Technique SC
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Binaural Technique MUIN 277 - 08 Mi
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Intellectual Property & Copyright M
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Copyright © � The Congress shall
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Copyright © � The five "pillars"
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Copyright © � Copyright protecti
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Copyright © � © Copyright Symbo
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Fair Use � Under the fair use doc
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- Page 186 and 187: Copy Protection � Even with the p
- Page 188 and 189: Copy Protection � The cassette ta
- Page 190 and 191: Copy Protection � The Internet ha
- Page 192 and 193: Software License Agreement Cycling
- Page 194 and 195: Software License Agreement 1. Licen
- Page 196 and 197: Digital Rights Management (DRM) �
- Page 198 and 199: DMCA Compliance at USC � Institut
- Page 200 and 201: Please, Don’t Steal Music and Sof
- Page 202 and 203: Analog A continuous, and often grap
- Page 204 and 205: Acoustical to Electrical Conversion
- Page 206 and 207: Digital Audio In Digital recording,
- Page 208 and 209: Sampling Rate � In the Digital Au
- Page 210 and 211: Bit Depth � The measurement of th
- Page 212 and 213: Decimal (base 10) math � Counting
- Page 214 and 215: Counting in Binary Counting in bina
- Page 216 and 217: Digitization Electrical analog wave
- Page 218 and 219: Digitization Electrical analog wave
- Page 220 and 221: Digitization Electrical analog wave
- Page 222 and 223: Quantization Error The difference b
- Page 224 and 225: Common Sample Rates & Bit Depths
- Page 226 and 227: Aliasing If the sampling rate is to
- Page 228 and 229: Digital Levels � Levels in Digita
- Page 230 and 231: Normalizing Normalizing increases t
- Page 234: Digital Cables for Multi-Channel