- Page 1 and 2: Sound and Acoustics MUEA 474a • E
- Page 3 and 4: What does sound look like? MUEA 474
- Page 5 and 6: Speed of Sound � 343 meters per s
- Page 7 and 8: Sound Wave Frequency 1 second � T
- Page 9 and 10: Sound Wave Amplitude MUEA 474a - 02
- Page 11 and 12: Hearing, Perception & Psychoacousti
- Page 13 and 14: The Outer Ear � Flesh and cartila
- Page 15 and 16: The Inner Ear � Cochlea has spira
- Page 17 and 18: Hearing Frequencies Pitch Timbre or
- Page 19 and 20: The Dyne � The amount of force re
- Page 21 and 22: The Decibel � The Decibel is the
- Page 23 and 24: The Decibel � Decibels always com
- Page 25 and 26: dB SPL Meter MUEA 474a - 02 Sound a
- Page 27 and 28: Common db SPL values dB SPL Sound S
- Page 29 and 30: Hearing Amplitude Our ears do a nat
- Page 31 and 32: Directional Perception MUEA 474a -
- Page 33: Sound Localization Binaural Imaging
- Page 37 and 38: Phantom Imaging � Depending on ho
- Page 39 and 40: Perception of Space � Direct Soun
- Page 41 and 42: Amplitude Masking Loud sounds make
- Page 43 and 44: Temporal Masking Just as a bright f
- Page 45: Sound Wavelength � Due to air mol
- Page 48 and 49: Complex Sound Waves � Pure sine w
- Page 50 and 51: Complex Sound Waves Wave 1 Wave 2 W
- Page 52 and 53: Sound Wave Phase Position � Red w
- Page 54 and 55: Sound Wavelength/Standing Waves �
- Page 56 and 57: Standing Waves in Resonant Bodies
- Page 58 and 59: Resonant Frequency MUEA 474a - 02 S
- Page 60 and 61: Reflection of Sound � Incident so
- Page 62 and 63: Diffraction of Sound MUEA 474a - 02
- Page 64 and 65: Effects Processing � Alters the a
- Page 66 and 67: Time-Based Effects � Delay � Ph
- Page 68 and 69: Comb Filter When short delays are a
- Page 70 and 71: Common Delay Effects � Slap (or T
- Page 72 and 73: Delay Feedback � Sends some of th
- Page 74 and 75: Reverb � Reverberation Effects Pr
- Page 76 and 77: Anechoic Chamber Effects Processing
- Page 78 and 79: Concert Hall Effects Processing
- Page 80 and 81: Chamber/Room Effects Processing
- Page 82 and 83: Stage Effects Processing
- Page 84 and 85:
Plate Reverb Effects Processing
- Page 86 and 87:
Common Reverb Controls � Pre-Dela
- Page 88 and 89:
Dynamics Processors � Compressor
- Page 90 and 91:
Threshold Above Threshold Below Thr
- Page 92 and 93:
Ratio � Determines how much the i
- Page 94 and 95:
Knee � Adjusts how smoothly or ab
- Page 96 and 97:
Knee Effects Processing Hard Knee
- Page 98 and 99:
Release Time � The time the compr
- Page 100 and 101:
Special Compressors � Key Input a
- Page 102 and 103:
Ducker � A Compressor whose actio
- Page 104 and 105:
Limiter � A compressor whose outp
- Page 106 and 107:
Expander � Increases dynamic rang
- Page 108 and 109:
Gate (Noise Gate) � An expander s
- Page 110 and 111:
Microphones MUIN 277x • Introduct
- Page 112 and 113:
Microphone Types - Dynamic � Dyna
- Page 114 and 115:
Microphone Types - Dynamic MUIN 277
- Page 116 and 117:
Microphone Types - Ribbon � Micro
- Page 118 and 119:
Microphone Types - Condenser � Me
- Page 120 and 121:
Microphone Types - Condenser MUIN 2
- Page 122 and 123:
Microphone Types - Condenser � So
- Page 124 and 125:
Diaphragm Size � Yes, size matter
- Page 126 and 127:
Microphone Polar Patterns Response
- Page 128 and 129:
Bidirectional or “Figure-8” Pat
- Page 130 and 131:
Supercardioid Pattern The Supercard
- Page 132 and 133:
Boundary Microphone The Boundary Mi
- Page 134 and 135:
Microphone Preamp Controls � Trim
- Page 136 and 137:
Phantom Power MUIN 277 - 08 Microph
- Page 138 and 139:
Microphone Frequency Response Relat
- Page 140 and 141:
Microphone Terminology � Self Noi
- Page 142 and 143:
Microphone Shockmount Reduces Vibra
- Page 144 and 145:
Microphone Techniques MUIN 277 - 08
- Page 146 and 147:
Microphone Placement � Close Mic
- Page 148 and 149:
Stereo Microphone Techniques A pair
- Page 150 and 151:
Interaural Arrival-Time Difference
- Page 152 and 153:
Stereophonic Imaging A Left Speaker
- Page 154 and 155:
Stereophonic Imaging A Left Speaker
- Page 156 and 157:
Microphone Elevation A B C D = A B
- Page 158 and 159:
Spaced Pair Technique D MUIN 277 -
- Page 160 and 161:
Coincident (X-Y) Technique MUIN 277
- Page 162 and 163:
Blumlein (X-Y) Technique MUIN 277 -
- Page 164 and 165:
Mid-Side Pair Technique M/S Microph
- Page 166 and 167:
Near-Coincident (ORTF) Technique SC
- Page 168 and 169:
Binaural Technique MUIN 277 - 08 Mi
- Page 170 and 171:
Intellectual Property & Copyright M
- Page 172 and 173:
Copyright © � The Congress shall
- Page 174 and 175:
Copyright © � The five "pillars"
- Page 176 and 177:
Copyright © � Copyright protecti
- Page 178 and 179:
Copyright © � © Copyright Symbo
- Page 180 and 181:
Fair Use � Under the fair use doc
- Page 182 and 183:
Fair Use Consideration � Quotatio
- Page 184 and 185:
Copy Protection � Until very rece
- Page 186 and 187:
Copy Protection � Even with the p
- Page 188 and 189:
Copy Protection � The cassette ta
- Page 190 and 191:
Copy Protection � The Internet ha
- Page 192 and 193:
Software License Agreement Cycling
- Page 194 and 195:
Software License Agreement 1. Licen
- Page 196 and 197:
Digital Rights Management (DRM) �
- Page 198 and 199:
DMCA Compliance at USC � Institut
- Page 200 and 201:
Please, Don’t Steal Music and Sof
- Page 202 and 203:
Analog A continuous, and often grap
- Page 204 and 205:
Acoustical to Electrical Conversion
- Page 206 and 207:
Digital Audio In Digital recording,
- Page 208 and 209:
Sampling Rate � In the Digital Au
- Page 210 and 211:
Bit Depth � The measurement of th
- Page 212 and 213:
Decimal (base 10) math � Counting
- Page 214 and 215:
Counting in Binary Counting in bina
- Page 216 and 217:
Digitization Electrical analog wave
- Page 218 and 219:
Digitization Electrical analog wave
- Page 220 and 221:
Digitization Electrical analog wave
- Page 222 and 223:
Quantization Error The difference b
- Page 224 and 225:
Common Sample Rates & Bit Depths
- Page 226 and 227:
Aliasing If the sampling rate is to
- Page 228 and 229:
Digital Levels � Levels in Digita
- Page 230 and 231:
Normalizing Normalizing increases t
- Page 232:
Word Clock In order to work correct