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Pinot noir, Vandal Vineyard, los Carneros 2007 - Robert Sinskey ...

Pinot noir, Vandal Vineyard, los Carneros 2007 - Robert Sinskey ...

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Post-Punk <strong>Pinot</strong>!<br />

by Rob <strong>Sinskey</strong><br />

<strong>Vandal</strong> <strong>Vineyard</strong> <strong>Pinot</strong> Noir, not the same old song and dance...<br />

“Technology doesn’t do anything for creativity,”<br />

proclaimed Jack White in the beginning of the seminal music<br />

movie, It Might Get Loud! He continues, “Yeah, it makes<br />

it easier and you can get home sooner... It’s the disease you<br />

have to fight in any creative field - Ease Of Use!” For those<br />

who live or work in a cave, Jack White is the creative force<br />

behind the bands: The White Stripes, The Raconteurs and<br />

The Dead Weather.<br />

The movie places three iconic guitarists of different<br />

generations in a room together: the bombastic old school<br />

rock and roller, Jimmy Page of the Yardbirds and Led Zeppelin<br />

representing the 60’s and 70’s; techno-reliant The<br />

Edge, of U2 representing the 80’s and 90’s; and the postpunk<br />

bluesman, White standing in for the 00’s and beyond.<br />

tween two speakers, absorbing<br />

Page’s so<strong>los</strong> blasting<br />

from the eight track - I was<br />

more taken by Jack White’s<br />

diatribe. “Technology was<br />

heavily distracting. It was<br />

so processed, it wasn’t real<br />

anymore.” In other words,<br />

technology can actually interfere<br />

with creativity, removing<br />

one from emotional<br />

connections that make<br />

music, or any art or craft,<br />

resonate.<br />

“Technology was heavily distracting.<br />

It was so processed, it wasn’t<br />

real anymore.”<br />

The lessons gleaned from<br />

these three very different<br />

artists apply to any number<br />

of fields. They first had to<br />

learn and master their craft.<br />

They then had to resist the<br />

safe road of mediocrity, ignoring<br />

the swipes of critics<br />

while defining their own,<br />

unique style. Finally, once<br />

they succeeded on their own<br />

terms, they had to constantly<br />

challenge themselves to stay<br />

fresh and relevant.<br />

Though I am of the Zeppelin<br />

era - I still remember<br />

leaning back in the rear seat<br />

of my friend’s Camaro, my<br />

head strategically placed be-<br />

White searches for the<br />

unadulterated emotion of<br />

the early bluesman, choosing<br />

old, funky or cheap<br />

plastic guitars that challenge<br />

him. “Technology is<br />

a big destroyer of emotion<br />

and truth,” he states, feeling<br />

that the things that<br />

make it easy on him interfere<br />

with his ability to<br />

connect with his audience...<br />

that technology makes him<br />

lazy.<br />

Picasso struggled with<br />

these ideas in his art. As he<br />

became more technologically<br />

proficient, he felt that<br />

he was venturing further<br />

( 2 ) <strong>Pinot</strong> Noir, <strong>Vandal</strong> <strong>Vineyard</strong>, Los <strong>Carneros</strong>, Napa Valley, <strong>2007</strong>

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