Pinot noir, Vandal Vineyard, los Carneros 2007 - Robert Sinskey ...
Pinot noir, Vandal Vineyard, los Carneros 2007 - Robert Sinskey ...
Pinot noir, Vandal Vineyard, los Carneros 2007 - Robert Sinskey ...
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Post-Punk <strong>Pinot</strong>!<br />
by Rob <strong>Sinskey</strong><br />
<strong>Vandal</strong> <strong>Vineyard</strong> <strong>Pinot</strong> Noir, not the same old song and dance...<br />
“Technology doesn’t do anything for creativity,”<br />
proclaimed Jack White in the beginning of the seminal music<br />
movie, It Might Get Loud! He continues, “Yeah, it makes<br />
it easier and you can get home sooner... It’s the disease you<br />
have to fight in any creative field - Ease Of Use!” For those<br />
who live or work in a cave, Jack White is the creative force<br />
behind the bands: The White Stripes, The Raconteurs and<br />
The Dead Weather.<br />
The movie places three iconic guitarists of different<br />
generations in a room together: the bombastic old school<br />
rock and roller, Jimmy Page of the Yardbirds and Led Zeppelin<br />
representing the 60’s and 70’s; techno-reliant The<br />
Edge, of U2 representing the 80’s and 90’s; and the postpunk<br />
bluesman, White standing in for the 00’s and beyond.<br />
tween two speakers, absorbing<br />
Page’s so<strong>los</strong> blasting<br />
from the eight track - I was<br />
more taken by Jack White’s<br />
diatribe. “Technology was<br />
heavily distracting. It was<br />
so processed, it wasn’t real<br />
anymore.” In other words,<br />
technology can actually interfere<br />
with creativity, removing<br />
one from emotional<br />
connections that make<br />
music, or any art or craft,<br />
resonate.<br />
“Technology was heavily distracting.<br />
It was so processed, it wasn’t<br />
real anymore.”<br />
The lessons gleaned from<br />
these three very different<br />
artists apply to any number<br />
of fields. They first had to<br />
learn and master their craft.<br />
They then had to resist the<br />
safe road of mediocrity, ignoring<br />
the swipes of critics<br />
while defining their own,<br />
unique style. Finally, once<br />
they succeeded on their own<br />
terms, they had to constantly<br />
challenge themselves to stay<br />
fresh and relevant.<br />
Though I am of the Zeppelin<br />
era - I still remember<br />
leaning back in the rear seat<br />
of my friend’s Camaro, my<br />
head strategically placed be-<br />
White searches for the<br />
unadulterated emotion of<br />
the early bluesman, choosing<br />
old, funky or cheap<br />
plastic guitars that challenge<br />
him. “Technology is<br />
a big destroyer of emotion<br />
and truth,” he states, feeling<br />
that the things that<br />
make it easy on him interfere<br />
with his ability to<br />
connect with his audience...<br />
that technology makes him<br />
lazy.<br />
Picasso struggled with<br />
these ideas in his art. As he<br />
became more technologically<br />
proficient, he felt that<br />
he was venturing further<br />
( 2 ) <strong>Pinot</strong> Noir, <strong>Vandal</strong> <strong>Vineyard</strong>, Los <strong>Carneros</strong>, Napa Valley, <strong>2007</strong>